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Glasgow-based Bobby Jewell presents a series of ambient mixes for Resonance Extra with guest features by musicians and artists.

This episode features a long piece by Polish artist Raman Marozau that occupies most of the first hour.

The rest of the show features tracks from around the orbit of the Spirit of Gravity, including Barelife, Ugly Animal, Secret Nuclear, Jilk, and Dhangsha.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Rob goes deep into the archives and blasts through some classics, emo origins, post punk and hopefully a few scorchers that you have never heard before.

Get down and get busy with some cuts from KLEENEX, THE WIPERS, REDD KROSS, FUGAZI, THE CLEAN and so much more.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

In this show we'll be broadcasting Part 1 of a remote collaboration between Alaa Yussry and Stephan Barrett who were brought into contact through Colliding Lines.

Starting with an open-ended process of sharing recordings, sparked by an interest in micro-tonal and unequal temperament systems, the interplay between text and sound, and working with aleatoric methods of sonic disintegration.

Accompanying this, we'll be re-playing recordings from our 2018 Shadowplay tour, performed by Jacob Kyriakides, Reuben Kyriakides and guests.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

This is a three hour extract from the festival, featuring sound art, computer music, homemade instruments, DIY electronics, radio play, noise, data sonification, field recordings, radio art, sound studies, historical anchor points, niches, insider tips, and different generations of Cologne's electronic and sound art landscape.

Full details and line-up: https://www.gerngesehen.de/funkt

The FUNKT programme was developed under the project management of Georg Dietzler by Anke Eckardt, Claudia Robles-Angel, Dietmar Bonnen, Dirk Specht and Felix Knoblauch, in cooperation with Sarah Washington and Knut Aufermann.

Thanks to sponsors Musikfonds e. V. with project funds from the Federal Government Commissioner for Culture and the Media as part of the special programme Neustart Kultur, Kunststiftung NRW (North Rhine-Westphalia Endowment for the Arts), the Cultural Office of the City of Cologne.

FUNKT was a festival of electronic music and sound art from Cologne, which took place on the 16th, 17th and 18th of April 2021.

This is a mix/mashup by ecolagbohrsac2021, mainly composed of demos in neo-feudal song form, music that has reduced into a mood stabilizer, co-creation beyond the boundaries of one’s present time or location and hyperchaos electronic dance music. It's created to send <3s to luved onez. We are all alive and happy, thx for listening.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Dronica meets event curators, creative directors and labels owners in 2021.

In this episode, Dronica meets Niya B, founder and curator of Translucent, London.

Translucent is an artist-led platform for performance work from trans, non-binary and gender non-conforming artists as well as artists whose work defies gender.

The show was produced by Niya B and Gisou Golshani with 32 contributions by 24 artists.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

In this episode we cast a spotlight on the Amsterdam-based label Artificial Dance, remember the work of minimalist composer Phill Niblock and journalist Neil Kulkarni, and report on Mary Ocher's latest UK tour. Plus new music from Loula Yorke, Dez Dare and Li Yilei.

Music journalist Ilia Rogatchevski presents a weekly selection of expansive sounds and adventurous music from the world of audio.com and beyond.

The Foldable Sounds Collective presents Foldable Soundbath. The collective formed during the April 2020 lockdown and is composed of three artists: Daniela Maria Geraci, Lucy Rose Cunningham and Isabelle Pead. Individually dealing with sound as an archival, performative and narrational tool, collectively they interrogate sound’s potential to sonically transport the imagination outside one’s four walls, drawing on a global need for freedom of movement.

In this episode: a razor-sharp set of recent finds and enduring classics. Sub bass and white noise included at no extra charge.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

This episode starts with a field recording piece from yours truly, formed with sounds from the scavengers market and various factories and continues as a semi-presentation of the exquisite new album by Dimitris Kamarotos on the newly formed Intersonic Records - https://www.facebook.com/intersonikrecordings/

Two pieces from Εlectromagnetic Landscapes (Unreleased Recordings 1983- 2016) are presented and then diffused by recordings made by Yiorgis Sakelariou in Thailand. Finally sounds from urban areas in Athens lead to Persepolis by Yiannis Xenakis.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

"Nobody is entitled to simply walk into a business and work there. If there were no quality control safeguards in place, we would just have chaos." So grumbled some self-serving 'authority figure' circa 2012.

As if to wave a middle finger at the naysayers' edicts, the narrator continues to pursue 'pure volunteering', and interrogates concepts of "quality", "safeguards", "place", "have" and "chaos" via a palimpsest of found media, ranting, and cool, calculated disgrace.

Parallel to this, research continues into the contentious forbidden book, supposedly locked in the uncatalogued portion of the British Library's Suppressed Safe.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

60 minutes of vivid aural excitement mixed by Ian Murphy.

This episode features gibberish and experimental mouth sounds by Robert Wyatt, Jennifer Walshe, Ed Atkins, Elaine Mitchener, Diamanda Galas & Circuit des Yeux.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each month a selection of artists respond to the show on postcards and send them in as inspiration for the next. Running through the shows are a modular stem experiment in which musicians improvise live to original 15 minute compositions.

What is the difference between data driven music and data sonification? When sound esthetics meet science and technology.

This report presents several sound pieces that were composed with the use of data by scientist-artist Daniel Maszkowicz. The pieces are presented with evocations of scientific and esthetic considerations, collected from several sources and materials, with references to other works by himself, or his inspirations

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

In this episode, a mix of Japanese music inspired by a recent trip to Japan, featuring old favourites, new bits, as well as some releases on the label from recent years such as dj sniff and Sugai Ken.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

In this episode: pausing for breath at the tunnel's mouth, on the threshold of a threshold. Resonances haunt endlessly, back and forth, echoing around the next bend.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

This episode features music made by Naviar’s community inspired by Murakami Kijo’s poem “winter sun - / my own shadow / blocks the way”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Experimentation and collaboration with Esmé and Avel of ATATA, a vessel for live and recorded music.

Worthwhile Unions is a radio series by Anna Clegg with a focus on meeting points. Often collaborative and pulling heavily from online sources, the series works to extract a kind of cinema of feeling, contradicting and evasive, from dense combinations of music, sound and samples.