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In this episode, Zu From All Over crate digs at a new totally legitimate and very legal record store to find the link between electronic music and punkrock, with the best post-punk, darkwave, beeps an boops, and tekno with a K to celebrate the relentless pounding DIY ethos of the independent underground

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by John Wright's poem “Migrating alone / Solitary sandpiper / Against a headwind."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This month the programme focuses on "soft sounds" from the New York-based Eastern Tapes cassette label.

Come On, Come Down! explores adventurous night music for the sleepless. The series covers a broad spectrum of genres, from ambient and noise through to jazz, post-rock and contemporary classical. Each episode is thematically linked and aims to highlight a specific mood, artist or movement. Listen out for the occasional live session.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

This episode of Listening Experience is titled “Performances” and presents recordings of recent Listening Experience performances I have done in Berlin and elsewhere. It also includes a recording of Ko. Ko is a collaboration I have with Berlin-based sound artist and poet Martin Lau. This episode features a track called “Butterfly”, by Demzo. The final segment of this episode was performed at the Edge of Wrong 2018, in Johannesburg South Africa.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

This episode opens with a special introduction by Finnish AV duo Vongoiva where they discuss the inspiration and process behind their new album Jatuli Observatory. We also listen in full to Hadi Bastani and Maryam Sirvan's trans.placed and take a first listen to three upcoming releases which are all inspired by errors.

Greek composer Savvas Metaxas, Iran's Kamran Arashnia and London-based Jonathan Higgins all offer up their unique takes on the possibilities of mistakes. Madeleine Cocolas' new one gets a spin and the show closes with an edit of Rubbish Music's live set earlier this month at Cafe Oto.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, Clint goes to the Brooklyn apartment of Nicolas Noreña and Timothy Scott from The Million Underscores, they offer him coffee, plantain chips, and all the tech goes wrong.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

In this episode, four short talks with artists NikNak, Nick Klein, Tintin Patron, and Vomir, presented in sequence, accompanied by sounds captured during their residencies at the Skaņu Mežs festival in Riga, Latvia, in the autumn and early winter of 2024. The first interview is conducted by Viestarts Gailītis, while the remaining three feature conversations led by Dmytro Filatov and Bohdan Kuspys. The music and sounds included are on-site recordings from performances and installations at Skaņu Mežs.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

In this episode we trace the ghosts of the lost Hawkhurst Branch Line, which ran through the Kent countryside from 1892 to 1961. By collating site visits, local research, internet scrapes, experimental compositions and interviews, we resurrect this fading space from memory and archive.

The mostly forgotten sights and sounds of the Hawkhurst Branch Line exist momentarily here in dialogue with a fading legacy, as we dig collaboratively into the post-institutional terrain, following where the residual voices and spaces of the past now forge over time with the beautiful Kentish landscape that was left behind.

Live processing and gathered sounds form the basis of this study as we continue to ponder the nature of archiving shifting terrains and the possibilities for occupying, exploring and collaborating with forgotten or abandoned spaces.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

60 minutes of vivid aural excitement mixed by Ian Murphy.

This month: "sound activism" - including work by Ultra-Red, Christopher DeLaurenti, Terre Thaemlitz, and others. None of the pieces discuss UK political parties, but they do references political protests against the WTO, Greek austerity measures and their effects, US political parties, local gentrification processes in Los Angeles and ecological crisis.

Monthly investigations of music politics with Paul Rekret.

"Mister Moonlight, succulent, smooth and gorgeous. Isn't it nice? We're number one and so forth. Isn't it sweet being unique?".

Music by Jane & Barton, Whettman Chelmets, Dub Bred, Orchestral Manoeuvres in the Dark, The Velvet Underground, Hypp Fractal, Non Dolet, Annette Hanshaw, Delta 5, Grouper, Mrscientificterms & Bicho Raro, Norah Lorway, Tambay, Azalia Snail and Simon Heartfield.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

The first episode in a series of recorded performances from our live score series, re-imagining scores for obscure and iconic animations. Featuring interviews with saxophonist and sound recordist Martin Clarke, and acclaimed vocal artist Ingrid Plum.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.