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The programme moves between artist talks, panel discussions, audio artworks and live performance. Across these presentations, artistic research offers forms of situated knowledge production, operating alongside and in dialogue with social, scientific and technological methodologies.

The symposium takes place on the radio as a live broadcast accessible via FM in specific locations and globally via a dedicated online ‘listening room’ with a text-chat function for listeners to interact with and contribute to the ongoing broadcast. Live captions can be enabled via Chrome’s accessibility settings. Listeners are invited to tune in and out across the afternoon and evening, encountering the programme as a distributed, time-based experience.

This is a Creative Research in Sound Arts Practice (CRiSAP) event curated by artist-researchers Hannah Kemp-Welch, Lia Mazzari and Anna Clock. The symposium is hosted on the radio by artist cooperative Soundcamp and locally from their studio in London. The event is made possible by support from London College of Communication (LCC) Research.

Curated by artist-researchers Hannah Kemp-Welch, Lia Mazzari and Anna Clock.

Anna Clock // Anna Friz // Angus Carlyle // Celeste Oram // Claire Williams // Emiddio Vasquez // Hannah Kemp-Welch // Kathy Hinde // Lia Mazzari // Sébastien Robert + Rob Stammes // Shortwave Collective // Soundcamp

How might electromagnetic listening bring sound art, environmental research, and scientific sensing into closer relation? This symposium-on-the-radio brings together artists and researchers engaging with the electromagnetic spectrum as both material and site of inquiry. Fifteen contributors present work exploring natural radio phenomena, electromagnetic listening practices and questions of spectrum access.

In this episode, Artist Tawfik Naas joins Joe live in the studio for an interview amongst track selections, featuring Serpentwithfeet, Donna Summer & Janet Jackson.

Tawfik Naas is a Libyan researcher based in London whose work explores how historic trauma is carried, remembered, and transformed. His research borrows from ecological and cosmological systems to imagine alternative ways of witnessing the past; not as a fixed chronology but as something continually returning through us.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Chance Encounters: One day on Eday (Set 2) works with 24 random samples from a 24-hour recording – island walks, the island circumference, a replicated walk across one day – to build a ‘one-hour-day’. Engage with an Orcadian island, listen to chance sonic encounters with Eday, hear one day.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

In this episode, a l ive set by Alex Drool, recorded in Tel-Aviv.

Drool is one of the most influential and pivotal artist in the experimental music community in Israel. He has collaborated with Blood Stereo, Adam Bohman, Fritz Welch, Eran Sachs, NicoTeen and many others artists and musicians.

He uses sound as a primitive, fragile, very personal medium, "a counter- drug to the common sense of everyday life, ancient mud to wade through and produce splashes of grace and embarrassment."

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode is dedicated to my late grandmother Chrisanthi Miliopoulou Gavriilidou. She was my main influence growing up and a strong female figure. She was born in Istanbul in the 30s. She used to climb the huge cargo and oil tanker ships in the Bosporus sea, and dive from incredible heights. She was a storyteller...

She is still remembered as a historical figure in the area of Paşabahçe Turkey. Her late husband was a well-known doctor and they both had a huge impact on the local community, which was made up of many different nationalities and ethnicities. She taught me to respect people and to be a citizen of the world.

She bought me my first spray cans for my first graffiti and supported me in all my ventures until the last day of her life. She was an immigrant, a fighter and a strong maternal figure to many. She did not fear death, not even cancer. She will always be with her loved ones and with me forever.

Çok iyi insanlardı ışıklarda uyusun.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

Merrie Melodias is back with a new series and new rubrics! And that means new digger discoveries are waiting for you from the bottomless catalogue of the Soviet major label Melodia. As is good tradition, we start with an episode about folk music. This episode features melodies from Central Asia, the Lesser Caucasus, the Baltic States, Africa and South America and other countries of the world.

This episode highlights the intersection of the sound of the world's three main musical instruments - the lute, the lyre and the reed pipe - with each country having its own modification and name. This is the story of how the sound of a Burundian funk band's electric guitar transforms into the trill of an Uzbek dutar, the sigh of an Azerbaijani zurna turns into the moan of an Armenian duduk, and the tinkling strings of a Paraguayan harp turn into the dreamy chords of a Madagascar valiha.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

This month on the First Terrace Records radio show Specimens (Alex Ives) sits down with Anja Ngozi to discuss her recent involvement with the much lauded project & compilation release ‘Untitled’. Anja Ngozi discusses their work with youth groups, artists, Vinyl Factory and the release of the Basquiat inspired LP.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

As part of La Semaine du Son, GMEA offered a creative micro-residency to a group of 12 young international artists, selected by the different tekhnē partners. The group was invited to collectively develop listening devices in the public space of the city of Albi.

At the end of the residency, they presented their work at several places in the city. This podcast features excerpts – sound walks, installations, in-situ experiments – from the micro-residency.

With the artists Merlin Tessier, Emilia Elouardi, Leo Van Damme, Ana Kulakova, Qusay Awad, Hany Tea, Rita Santos, Élif Guilin Soguksu, Agita Reķe, Flurina Mia Häberli, Jacob Eckhardt and Isul Kim.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Without going into much detail, this selection is simply a compilation of tracks that accompany me on my journey back home after work, a selection that undoubtedly becomes increasingly peculiar as I grow older.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this episode we’ll be listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

New music with The Wire Magazine.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.