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On Resonance Extra this Sunday 24th May, in collaboration with ROVR record store Soho London & Alabama’s Earth Libraries, we celebrate the 2nd official City of Birmimham U.S.A., Sun Ra ”arrival" Day with ’RA PWR’ – 24 celestial hours of Ra-centric cosmic toned radiophonics. Rare Ra archive interviews, Lconcert recordings, with guest selectors Bob Brainen (WFMU) & Paul Smith (Blast First) mix-matched with pop-up radio sessions from Jimi Tenor (Sahko/Warp) & Chicago’s very own floating anRarchists Excepter.

The first hour of this episode features original audio by Patchfutures spanning poetry, bass knowledge, grub grammar, grot graphology, and banana.

"It’s still the speeding car and the dust it leaves behind in the cartoon. It’s still the cloud of dust with the fist leaching out. The reaching out. Peeling off and ticking.

Bass knowledge and the poking bottle. Pokey ole.

Under the pressure of alien taunt. "Everything is recorded through speech marks”. The cheeky knowledge of the groated clay. Twisted way. A taint of packaging revolves in the weerd. A nod to nodding itself, a nod to blinking yourself awake.

A square of Black, flecked, Dusty, woollen. Just peeling at the edge there. Rounded by chance and folded it just underneath there. And It’s starting to peel towards you. It looks like it knows what its doing. Something so undeniable, it’s peeling soft square has aa thickness beyond its means.

Rascal Arts is an approach of cheeky darkness, of 'cheeky darkness approaching' oiling lick of flame, oorange warmth of the fire and the smoke. When you watch your soul twist.

Expect monomutations of excessive depth and pressure. Expect mastard beautations of ailing scrawl. Expect the banana to watch your step instead of you fearing 'the skidding’."

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Toby Evans-Jesra joins Joe in the studio for a live set and interview in-between track selections. Toby Evans-Jesra is a guitarist and illustrator based in London who performs solo and in a variety of groups such as leather.head, piglet and lobby and works as an organiser and resident artists in political performance collectives solidarity tapes and how to catch a pig.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

From a beach to a tide-race via a deserted village and a crowing cockerel. Island Suite presents two islands, two walks, four hours across one day. This is movement 4.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

Carefull footsteps along the bank, around horizontal branches, embracing the space. This episode features special guest Timothy Wall.

The recording was made over the Easter Bank Holiday nestled between the trees beside the banks of the River Lea.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

We continue to listen to rare records released on the Soviet major label Melodia. This time – and not for the last time – the episode is dedicated to jazz in all its manifestations.

We'll start with the first jazz composition in the history of the USSR (the Uzbek band under Pavel Chaplevsky made this recording in 1935), listen to balearic improvisations from Ukraine, electro-boogie from Kazakhstan, jazz-mughams from Azerbaijan and then dive headfirst into free jazz from the Baltic States and faraway places in Russia. Let jazz be free!

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

In this episode, Joe Summers talks about his recent residency at Cirkulacija 2, a workshop & performance space in Ljubljana, Slovenia.

The show features excerpts from three performances given over the month, including an experimental radio play, an improvised live score and a collaboration with label affiliate Sukitoa O Namau. Sukitoa & Joe go back to back in the final part of the show, sharing inspirations and references for their work together.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

In this sixth episode, five sound artists hosted by TRAFO are interviewed, each representing a different perspective on technology in the context of contemporary music and sound art.

Jasmine Guffond presented Listening Back, exploring the subversive use of technology in the context of permanent internet surveillance. Jenny Gräf examined the space between technology and traditional craft. Ruben Rübe and Passepartout Duo introduced a new approach to musical instruments and composition. Finally, Mark Mushiva shared The Institute of Decolonial Technology, an initiative that blends artistic practice with scientific inquiry.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

In this episode, an unusual experience. In a time out of time, this ceremonial night will take you into radio waves, exploring memory and the ephemeral.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

In this episode, we’ll be delving into an hour of Ambient Owl Core. Kayla’s self-coined genre of ambient music, with owls in it.

Tracks inspired by the night under the moon; the secrets shared, the stories told, for slow listening. Spaces between the notes, or the moments between the time.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

New music with The Wire Magazine.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.