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Sonoro is a series showcasing Mexican contemporary sound and radio artists. The pieces featured here are albums, collages and multivoice essays that lean towards analogous logics of sound capturing, slow listening, interspecies dialoguing and sonorous contemplation. Curated by Ana Martínez de Buen, these works present almost two decades of soundscapes and sound productions that offer a small sonic window into Mexican radio and sound art.

The programme moves between artist talks, panel discussions, audio artworks and live performance. Across these presentations, artistic research offers forms of situated knowledge production, operating alongside and in dialogue with social, scientific and technological methodologies.

The symposium takes place on the radio as a live broadcast accessible via FM in specific locations and globally via a dedicated online ‘listening room’ with a text-chat function for listeners to interact with and contribute to the ongoing broadcast. Live captions can be enabled via Chrome’s accessibility settings. Listeners are invited to tune in and out across the afternoon and evening, encountering the programme as a distributed, time-based experience.

This is a Creative Research in Sound Arts Practice (CRiSAP) event curated by artist-researchers Hannah Kemp-Welch, Lia Mazzari and Anna Clock. The symposium is hosted on the radio by artist cooperative Soundcamp and locally from their studio in London. The event is made possible by support from London College of Communication (LCC) Research.

Curated by artist-researchers Hannah Kemp-Welch, Lia Mazzari and Anna Clock.

Anna Clock // Anna Friz // Angus Carlyle // Celeste Oram // Claire Williams // Emiddio Vasquez // Hannah Kemp-Welch // Kathy Hinde // Lia Mazzari // Sébastien Robert + Rob Stammes // Shortwave Collective // Soundcamp

How might electromagnetic listening bring sound art, environmental research, and scientific sensing into closer relation? This symposium-on-the-radio brings together artists and researchers engaging with the electromagnetic spectrum as both material and site of inquiry. Fifteen contributors present work exploring natural radio phenomena, electromagnetic listening practices and questions of spectrum access.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station is continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.

This episode features music made by Naviar's community inspired by Kobayashi Issa's poem “shrine fence — / on a white flower / a white butterfly."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

This week on x.y FM, we hear an excerpt of Elischa Kaminer's 'song for Naomi' for violin and electronics performed by Mayah Kadish at the Muziekgebouw Amsterdam in January 2018.

Ensemble x.y is a contemporary ensemble that commissions and performs new music in a flexible and ever-changing lineup. Run without traditional roles or hierarchies, Ensemble x.y develops its thematically-charged programmes according to the taste and interest of its core players, as well as the developing working relationships between resident composers and instrumentalists.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.