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Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

This episode features two talks with the Latvian artist Kārlis Tone and the Estonian artist Erik Alalooga, presented in sequence. Interviews are accompanied by sounds captured during the performance of Kārlis Tone's commission at the Skaņu Mežs festival and Erik Alalooga's performance at the joint Baltic Analog Lab and Skaņu mežs residency in Riga, Latvia, in the autumn of 2025 and early spring of 2026.

The interview is conducted by Viestarts Gailītis. The music that one hears is as follows: two fragments from Tone’s composition "Balss lūzums" (eng. - voice fracture), a song “Garu čuksti vados” (eng. - spirit whispers in the cables) by Tone’s band Grab and Erik Alalooga’s songs “Jack the Chopper” and “The Boreal Desert”. Kārlis Tone and Erik Alalooga are experimental musicians and sound artists from Riga and Tallinn, respectively.

Tone is known for his work in the experimental rock band Tesa (est. 2005), the Grab project, and the neo-folk outfit Līgas ph3, as well as for theater music, while Erik Alalooga is a performance, sound, and kinetic art veteran and teacher. He will present his installation at the Skaņu mežs festival in October 2026.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This episode features sounds by H Flora, Natalia Beylis, Eliane Radigue, Mike Cooper, Mandolin Sisters, Componium Ensemble and more.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

Music by Petunia-Liebling MacPumpkin, Dick Mills / BBC Radiophonic Workshop, The Unrecorded, Kepier Widow, Gilman Mom, Glitchfield Plaines, Evgthug1, Judy Collins, Death Kneel, Nostalgie Éternelle, DR, Helen Kane, Rita Braga and the Pete Jolly Trio & Friends.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

This episode is created for the June solstice, a time of long light hours in the north, and long darkness in the south, the extremes of day and night enacting their own rhythms and textures on those who inhabit the earth. The piece is curated and produced by Stephen Shiell and composed using original material from From the New School of the Anthropocene scholars.

With contributions from Stephen Shiell, Simon McClelland Morris, Chris de Sel, Clare Whistler, Rhona Eve Clews, Pascal Sleigh, Miles Irvin, Abi Andrews, Michael Timmerman, Cole Pemberton, & Hannah White.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

This month’s episode features live performances from Luca alongside guest contributions and an interview with artist Bedwyr Williams.

A new live radio series by artist Luca George, featuring interviews with artists and musicians. Expect games, phone-ins and performances. All broadcast live from the Resonance studio, where anything can happen. Visit Instagram @lucage0rge

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of All Star by the American band Smash Mouth. There's no order, no lists, just exclusive, overwrought fandom material. Noise theorists, Youtube star, Coldplay fans, banh mi verlag chief conductor, melon lovers, pianists, smashup creators... all are welcome in Shuffle mode.

This episode features two guests: Jack Callahan and Mattin.

Jack Callahan introduces us to the work All Star Mixtape released on his own label, Bánh Mì Verlag, and Mattin gives us an insight into the ideology behind the music video, as well as offering us a cover of the song.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

In this episode, School of the Damned collaborated with musician Sarahsson deep underground inside an abandoned mile-long WWII ammunition depot tunnel. On-site, we recorded a series of compositions featuring Sarahsson on tenor horn.

Interwoven throughout this episode is archival footage from the 1980s that was captured during a brief period when the depot was open to the public. The tunnel is also a hotspot for paranormal investigators, so we feature found recordings of people attempting to communicate with ghosts.

All the sounds you hear in this episode were recorded in Farleigh Down Tunnel.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

From a beach to a tide-race via a deserted village and a crowing cockerel. Island Suite presents two islands, two walks, four hours across one day. This is Movement 3.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.

This episode is dedicated to academic Soviet music, its avant-garde and national currents. You will hear some stunning works by Russia's major experimental composers – Sofia Gubaidulina, Galina Ustvolskaya, Faraj Karayev and Alfred Schnittke.

Almost half of the programme, however, is dedicated to music with an equally complex narrative by composers from Tajikistan, Turkmenistan and Uzbekistan, digitised from rare LPs from my own collection. The programme concludes with an intricate and exotic late-Soviet piece by Siberian composer Boris Mourashkin, which he characterises as ‘bio-energetic’.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.

This month: Richard Hames gives an essay on Pop, we hear a new piece by Mayah Kadish and phonewifey drops a set.

Ensemble x.y is a contemporary ensemble that commissions and performs new music in a flexible and ever-changing lineup. Run without traditional roles or hierarchies, Ensemble x.y develops its thematically-charged programmes according to the taste and interest of its core players, as well as the developing working relationships between resident composers and instrumentalists.

This episode features music made by Naviar's community inspired by Miura Chora's poem “idyllic nights / and quiet days: / spring rains."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

60 minutes of vivid aural excitement mixed by Ian Murphy.