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"These ducks feel as though they are teaching me in my sleep. Their calls have infiltrated so many nights. Back in the day, I dreamed about ducks and having to drive my older sisters in a car. And then there is Duck Island which is a gated little piece of land in the middle of the pond, and it is the Garden of Eden for those ducks.

The sound piece holds a duration the sleeping listener can only partly account for. The calls drift beyond their source while entering dreams or returning as something already learned. Michel de Certeau’s The Practice of Everyday Life is also somehow in there, that the distance between what is received and what becomes of it. The calls seem to have acquired another existence, somewhere between the recorded night and its imagined place in the subconscious. Whether this familiarity belongs to hearing or dreaming, or subsequent recollection remains unresolved."

Find more of Lucia's work on Instagram.

A long-duration field recording by Lucia Hepp.

Lament for the Old Clock by Harvey Young tells the story of an 18th-century agricultural worker plunged into the vicious new frontier of industrial capitalism who must leave his simple agrarian existence behind and submit to the callous and dehumanising demands of the factory floor.

The piece documents the change in temporality from the feudal notion of cyclical, reverential time to the concept of future-oriented progress that defined the beginning of the industrial revolution. Through extended vocal techniques, found instruments and granulation, Lament for the Old Clock explores this transient yet profound period of temporal and spiritual upheaval.

Harvey Young is a composer, sound artist and writer whose practice centres on temporality, psychogeography and transient structures of political economy. He uses extended vocal techniques, field recordings and found instruments to create acousmatic and electroacoustic works.

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Occasional radiophonic works by students of the BA and MA Sound Arts and Design courses at the London College of Communication, UAL.

This evening we hear live performances by Ahnjili ZhuParris, Malu Laet, Yaa Adoma, Nell Lang & Ezra Escobar.

A live broadcast from Copeland Gallery as part of Peckham Digital, an annual festival of creative computing which brings together artists, live performances, talks, workshops, installations and more. Peckham Digital is a not-for-profit community interest company (CIC) dedicated to making digital art and creative computing more inclusive, accessible, and community-driven. We create opportunities for people to engage with creative technology by supporting emerging artists, nurturing grassroots digital art communities, and encouraging a “hands-dirty” experimental approach to making.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

Mapping the residual forms and remembered journeys synonymous with this once integral infrastructure, we trace the remnants of a space lost in time, we listen to the echos of a time that has faded into the surrounding undergrowth and in the process, we try to imagine a dynamic, shifting type of archive.

One of the former railway’s few remaining structures is Badger’s Oak Tunnel, hidden deep within the forest, this place has been slowly bonding with the rocks and plants that now occupy the rivets of this mostly forgotten railway line. We journeyed deep into this tunnel to record a series of musical compositions and field recordings that aimed to probe and chart the unique reverberations and resonances of the space.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.