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Melisa Aller (1979, Buenos Aires, Argentina). Experimental filmmaker and composer, PHD candidate in criminal law and human right, lawyer, graduate and professor in political science, university professor, and researcher. In the last twenty years dedicated to work, especially in super 8 film format, filming and editing all on camera without any digital intervention.

Aller's films have been awarded in festivals and exhibitions in the USA, Canada, China, Taiwan, Japan, Cuba, Puerto Rico, Sweden, Spain, Poland, France, England, Germany, Italy, India, Guatemala, Colombia, Ecuador, Mexico, Brazil, Colombia, Venezuela, Uruguay, and Argentina. Since 2013 she has composed music for her films and performances of expanded cinema in Super 8.

She translated her cinema process to her musical composing process: recording, remixing and recording again the tapes with new sound layers. She was the musical curator of Metamusica label records from 2020 to 2024. Now, she runs CLARA RECORDS with the composer Flores Babusci, a little label that edits in physical formats (vinyls, CDs, and cassettes).

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Music by Petunia-Liebling MacPumpkin, Dick Mills / BBC Radiophonic Workshop, The Unrecorded, Kepier Widow, Gilman Mom, Glitchfield Plaines, Evgthug1, Judy Collins, Death Kneel, Nostalgie Éternelle, DR, Helen Kane, Rita Braga and the Pete Jolly Trio & Friends.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

As a guardian of the Slice, Stephen Shiell is exploring and understanding the site as both a public sculpture and a private environment that sits beyond the boundaries of the usual. These radio shows are recordings of live events, happenings to explore the tensions that exist between the public and private.

Curating the series around his own love for experimental electronics and improvisation is a way for me to bring communities into this setting, a chance to celebrate an underground London culture in a place that hasn’t been commercialised or capitalised, even though it lies in the heart of these very environments.

‘Naus’ refers to the Ancient Greek word for ship, and also recalls the word nausea, a ‘ship- sickness’, that reflects the artist’s feelings towards the neo-liberalist landscape surrounding the ship. The sounds created here are a form of electronic improvised noise resistance.

This episode features Anina Hug, Andrej Bako, Lucia H Chung, 4046 Group (Matt Atkins, Regan Bowering, Lucia H Chung, John Macedo, Flynn McHardy, James Shearman, Stephen Shiell, Vicky Sparrow, Paul Watson, Tom White, Angharad Davies).

Stephen Shiell is a London-based sound artist, composer and improviser working across experimental music, radiophonic art and site-responsive process. His work explores listening as a social, ecological and political act, engaging sound as a way of understanding place, environment and human presence.

A show of improvised electronics recorded live on board A Slice of Reality – a vertical section of an ocean going sand dredger that stands on the foreshore of the Thames at North Greenwich in London, since its placement there 25 years ago. Originally conceived of as a sound bite of lost industry to mark the turning of a millennium, the realities the ship witnesses are now very different - the high octane leisure industries of the Millennium dome and the docks, and the global finance district at Canary Wharf.

Music from BAG, Viv Corringham, Blanc Sceol, Slow Slow Loris, Deathly Pale Party, Sean Addicott and Aino Tytti.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

A drifting transmission of found tracks, passing recordings, radio fragments, field traces, concrete textures, and sounds reshaped live in the moment.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode marks 15 years of Zamzam Records and features 10 projects and some memories from the label.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

Live from former Wave Farm artist-in-residence, Knut Aufermann, this radio play will take place at the Hilbert Mill in Dzierzoniow. In spacious halls, between antique machines, still bearing traces of flour, stations with micro-concerts, improvisations, shows and installations have been planned. The audience is led from floor to floor, from station to station, following the route of the mill's production line, experiencing its history and present among sounds, noise, singing, stories.

Hilbert's mill, was erected in 1868 for the Hilbert brothers, then expanded and modernized in the 1930s, belongs to the largest steam and then electric mills in Lower Silesia and operated continuously until the end of 2016. A complete technological line with full historic production equipment has been preserved, the whole is an amazing scenery to delve into the world of sounds.

Artists: Knut Aufermann, Frauke Berg, Gunnar Geisse, Wojciech Kurek, Barbara Kuźmińska, Aleksander Moś, Udo Noll, Hania Piosik, Katarzyna Pokuta, Mateusz Rosiński, Ralf Schreiber, Sarah Washington, Barbara Wójcik-Wiktorowicz.

Short performances of radio play, improvised music and field recording performed by a 13-strong Polish-German sound artist group. Broadcast with a live audience from a flour mill at Dzierzoniow, Southern Poland. Full details here.

In this episode, artist and writer Candle Hirst joins Joe in the studio for readings and an interview, with track selections including Ivor Cutler, Kate Bush & Kate Nash.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

A new live radio series by artist Luca George, featuring interviews with artists and musicians. Expect games, phone-ins and performances. All broadcast live from the Resonance studio, where anything can happen. Visit Instagram @lucage0rge

This is a contribution by Radio Campus.

Part 1 of upcoming series Those who are not mothers.

“Do you have children?” To this seemingly innocuous question, those who are not mothers can each give a very different answer and tell a very different story.
Gwen responds in their own way, in this first sound piece that tells their story and their relationship with non-motherhood.

It's also about what they feel on a sensory level. How they live in a binary and heterosexual system. What is “natural” or not And how they find their way in there.
Other creations on this question will follow, presenting each person's unique universe on this theme.

Gwen Sainte-Rose is a musician, composer and sound artist. Their creations are always guided by sensitive listening.For cello and loopstation, they composed Collines – Racines, two soundscapes inspired by the Forêt de Soignes and the Gaume region in South Belgium.

They produced the radio documentary Ne pleure pas! (Don't cry!), about child abuse.
Now they are also exploring links between videos they made with a microscope camera, sound and music, as in « Garden ».

Production, sound design and music: Gwen Sainte-Rose. Curation: Carine Demange.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This episode opens with a special introduction by Greek composer Savvas Metaxas who chats about his new album For How Read Now which explores the creative and conceptual possibilities in errors. We also take a closer listen to two other error-inspired albums: Kamran Arashnia's Bounds Elimination and Jonathan Higgins' Good Thanks, You? composed via glitching CD DJs.

We also dive into Rubbish Music's forthcoming debut album via a composition based on a field recording of a recycling centre as well as Australian composer Alexandra Spence's new oceanic release on mappa, a mysterious album by Michigan's Lalén Ríos Luna and we celebrate the arrival of agri-ambient with Michael Lightbourne's Slí na Fírinne.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of All Star by the American band Smash Mouth. There's no order, no lists, just exclusive, overwrought fandom material. Noise theorists, Youtube star, Coldplay fans, banh mi verlag chief conductor, melon lovers, pianists, smashup creators... all are welcome in Shuffle mode.

This episode features two guests: Jack Callahan and Mattin.

Jack Callahan introduces us to the work All Star Mixtape released on his own label, Bánh Mì Verlag, and Mattin gives us an insight into the ideology behind the music video, as well as offering us a cover of the song.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Now: Walter Marchetti's Music for a too Small Glass.
17 years previously, Knut Aufermann assisted Marchetti in carrying out this piece in London. Now he performs it himself in the courtyard of Silent Green with evocative old wines from the Mosel valley.

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

Barkumdeer, a new collaboration between violist Jenny Ames & percussionist Louis Giannamore (who plays the drums for Kinn) join Kinn to form Barkinndeer.

Together they have created 50 minutes of original music formed from edits, alternative & extended versions of their music. For fans of Black Metal, György Ligeti & depressing black and white European films.

Included within the mix are 2 premiers from Barkumdeer's forthcoming debut album, slated for a release on First Light Records in the future.

Closing off the final moments of the show is new music from ALL HANDS_MAKE LIGHT & Laila Sakini.

Channelling an array of fervent interests in many genres through different mediums (Film, Music, Sound Art and more), Kinn - the brooding-electronics project of London based artist Freddy Lomas - and his guests use original soundscapes and compositions to weave together an original concept for each month's show.

In this episode, four short talks with artists NikNak, Nick Klein, Tintin Patron, and Vomir, presented in sequence, accompanied by sounds captured during their residencies at the Skaņu Mežs festival in Riga, Latvia, in the autumn and early winter of 2024. The first interview is conducted by Viestarts Gailītis, while the remaining three feature conversations led by Dmytro Filatov and Bohdan Kuspys. The music and sounds included are on-site recordings from performances and installations at Skaņu Mežs.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

In this episode, a guest mix and interview with composer and producer Midori Hirano plus selections inspired by her work.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.