← Today's Schedule →

In this episode, Cary celebrates his one year anniversary as a regular DJ on Maximum Rocknroll Radio by playing Lofi Punk and noisey garage rock.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by Martin Lucas' poem “a moment before sunrise – / ice singing / beneath the swans’ feet."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This project is an ongoing internet collaboration curated by regina veldon. “Our parents told us to always remember home, the evening star” is a Facebook group. An internet mixtape.

Curator regina veldon writes:
“I discussed tonight the possibility of creating work based around the title ‘our parents told us to always remember home, the evening star’ and the image nasa released of earth as a bright, starlike object in the evening sky of mars.

The proposition, in more detail, is as follows:
The title of the works should be ‘our parents told us to always remember home, the evening star’
Artists are free to interpret the title and photograph any way they like
The works must be published by the artists themselves and each work must provide links back to the other works using the title so that we build up a web of links

The idea is to provide a hope for the future, to imagine the experiences of children born on a future mars colony.
The project is designed to extend past those invited and everyone who takes part is encouraged to ask others they know to produce their own work”

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In this episode, School of the Damned collaborated with musician Sarahsson deep underground inside an abandoned mile-long WWII ammunition depot tunnel. On-site, we recorded a series of compositions featuring Sarahsson on tenor horn.

Interwoven throughout this episode is archival footage from the 1980s that was captured during a brief period when the depot was open to the public. The tunnel is also a hotspot for paranormal investigators, so we feature found recordings of people attempting to communicate with ghosts.

All the sounds you hear in this episode were recorded in Farleigh Down Tunnel.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

In this episode, guest mix by HOLOVAR.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

From jet-lagged homesick soundscapes from Thailand, odes to strawberries and our lost seasons to music made out of a toilet plunger and the howls of seals this is a very jam-packed edition of Atmospheric Densities. Featuring new releases by more eaze, Gamardah Fungus and Liew Niyomkarn, a tribute to Ian Rawes in the form of his posthumous release From Dawn til Dust on Persistence of Sound.

We also give a big shout to Phil Maguire's Verz's label as it closes up shop by dipping into the label's final release by David Donohoe and David Lacey, dive into Cath Roberts piece on split via Fractal Meat Cuts. On the Flaming Pines side of things we mark the pending release of Kamran Arashnia's Bounds Elimination and dig a bit deeper into the forthcoming albums by Jonathan Higgins' and RUBBISH MUSIC.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

This week Clint heads over to Queens to the Lynchian apartment of Chloë Roe and Jack Lynch. There'll be destiny altering coins and representatives from the pop industry.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

This episode features two talks with the Latvian artist Kārlis Tone and the Estonian artist Erik Alalooga, presented in sequence. Interviews are accompanied by sounds captured during the performance of Kārlis Tone's commission at the Skaņu Mežs festival and Erik Alalooga's performance at the joint Baltic Analog Lab and Skaņu mežs residency in Riga, Latvia, in the autumn of 2025 and early spring of 2026.

The interview is conducted by Viestarts Gailītis. The music that one hears is as follows: two fragments from Tone’s composition "Balss lūzums" (eng. - voice fracture), a song “Garu čuksti vados” (eng. - spirit whispers in the cables) by Tone’s band Grab and Erik Alalooga’s songs “Jack the Chopper” and “The Boreal Desert”. Kārlis Tone and Erik Alalooga are experimental musicians and sound artists from Riga and Tallinn, respectively.

Tone is known for his work in the experimental rock band Tesa (est. 2005), the Grab project, and the neo-folk outfit Līgas ph3, as well as for theater music, while Erik Alalooga is a performance, sound, and kinetic art veteran and teacher. He will present his installation at the Skaņu mežs festival in October 2026.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Now: Wikipedia-Schreiben On Air. Knut Aufermann is joined by Helen Thein, Felix Kubin and Marcus Gammel to continue writing the German Wikipedia entry for radio art (Radiokunst).

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

60 minutes of vivid aural excitement mixed by Ian Murphy.

Live from former Wave Farm artist-in-residence, Knut Aufermann, this radio play will take place at the Hilbert Mill in Dzierzoniow. In spacious halls, between antique machines, still bearing traces of flour, stations with micro-concerts, improvisations, shows and installations have been planned. The audience is led from floor to floor, from station to station, following the route of the mill's production line, experiencing its history and present among sounds, noise, singing, stories.

Hilbert's mill, was erected in 1868 for the Hilbert brothers, then expanded and modernized in the 1930s, belongs to the largest steam and then electric mills in Lower Silesia and operated continuously until the end of 2016. A complete technological line with full historic production equipment has been preserved, the whole is an amazing scenery to delve into the world of sounds.

Artists: Knut Aufermann, Frauke Berg, Gunnar Geisse, Wojciech Kurek, Barbara Kuźmińska, Aleksander Moś, Udo Noll, Hania Piosik, Katarzyna Pokuta, Mateusz Rosiński, Ralf Schreiber, Sarah Washington, Barbara Wójcik-Wiktorowicz.

Short performances of radio play, improvised music and field recording performed by a 13-strong Polish-German sound artist group. Broadcast with a live audience from a flour mill at Dzierzoniow, Southern Poland. Full details here.

This month: music by Anglezarke, Vulgar Débil, Kirsten Bråten Berg/Ale Moller, Rainbow Serpent, Sandra, Turvia, Whettman Chelmets, Solanaceae Tau, Alzar - DrOwL, Elizabeth Joan Kelly, Chris & Cosey, Closeyoureyes, Bocksholm and Astrovia.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

This episode features performances from our live score series, re-imagining the visual music of 1920s Dada, where abstract painters explored the new medium of cinema through rhythm, geometry and colour. Interviews and new music from Bell Lungs, Merlin Nova and Pascal Coleman, and Lola de la Mata.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

This episode features a recording of Chihei Hatakeyama performing live at St Giles Church in Camberwell, South London.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

This episode features sounds from Core of the Coalman, Kaloja, Natural Information Society, Bernard Parmegiani and more.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.