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Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Tracks played or sampled, all other music by Benedict Drew.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In this episode, Shoko Yoshida and Ramilda join Joe live in the studio for their second improvised 'sitting', following up on their initial 30-minute improvisation on bass guitar and cello in October at Minor Attractions, where Late Works soft launched a new recurring event titled Sitters.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

In this episode, a short DJ set from Trash Panda QC and a guest live set from Bay Area spatial media artist Shatter Pattern.

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A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

They say memory is simply the brain rewriting stories, filling in gaps and distorting events through the misinformation effect.

While our minds alter the past, this selection is based on what we feel in the present. It mixes recent clues with old memories. This is not a recap; it captures the rhythm and composition in our heads over the last few days. It’s pure sound, without distortion.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

In this episode, "an audio montage evoking the sound experiences of my night excursions into the Australian Outback in October 2024, accompanying the zoomusicologist Hollis Taylor on her night recording sessions with the pied butcherbird. In six chapters we are inducted into an alien nocturnal world, populated by creatures, humans and their mysterious activities.” - Kersten Glandien

Concept & Script: Kersten Glandien. Recordings: Kersten Glandien & Hollis Taylor in Alice Springs, Central Australia, October 2024. Composition except: Hollis Taylor: Green Park, Georgetown 2016 for bass clarinet und field recording, Ros Dunlop - bass clarinet. From: Hollis Taylor, double album: Absolute Bird, 2017. Production: Elsen Studio Berlin, 2025. Postproduction: Gisela Studio Berlin, 2025.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This time Devoidian rejoins Ijon Tichy as he has just been briefed on a robot colony set up by a mutinous spaceship AI on a faraway planet. Will Ijon accept the assignment to take stock of the situation? Music performed by Space Cowboys, Milan Tarascas and Luke Vinton.

Devoidian is a radio drama series by written and produced by Tom Johnson in which each episode features a unique adaptation of another form of media with an original soundtrack. If you would like to get involved email Tom on tomrjjohnson1@gmail.com. All levels of experience welcome.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this episode, artists Knut Aufermann & Sarah Washington, Xentos Fray Bentos, Frauke Berg, Katharina Bihler & Stefan Scheib, DinahBird, dieb13 & Billy Roisz, Anna Friz, and Ralf Schreiber broadcast live from Ürzig, Broughton, Düsseldorf, Saarbrücken, Paris, Vienna, Santa Cruz and Cologne.

During the lockdown, a revolving group of sound artists from across Europe and the US convened live on air with a unified aim: to gather sound-pollen and transmit codified messages to kindred folk, exploring whatever was on their minds. Style guide: Anything goes.

Here we broadcast some selected live works by the CWCH Collective.

This instalment contains opportunistic content made during a 'pure volunteering' trespass into an archival recording facility, where a vanishingly rare - possibly unique - acetate record (originally found in a bin) is digitised, cryptically titled Baz Kromagnum. Varying fidelity ensues.

Fittingly, this old record - nominally skiffle - sings of unresponsive culture, failed endeavour, and perseverance, heralding sympathetic elongated remixes, and philosophical enquiry on the nature of experiment, passion, presentation, and pratfall.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Connect with Phantom Circuit for music by Nasienie, Richard Grassby-Lewis & The Insects, Orkes Gambang Kromong Naga Mustika, Wildhoney, David Bowwow, Øystein Jørgensen/Chris Silver T., Annette Hanshaw, James Wolf, Siamgda, Jodie Lowther, We Are the Wooden Houses, Karlheinz Stockhausen and Friends of Alice Ivy.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

I.A. is a monthly radio series which showcases work by creatives – both staff and students – in the Sound Arts and Music departments at the London College of Communication. Produced by Zain Bador and Ed Baxter.

This episode features music by OdNu, Simon McCorry, TRISWARA, The Unfinished Music Research Programme, Kenji Ikegami, RhaD, Gabriele Gasparotti, Mario Lino Stancati and Daniele Ciullini.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

In this episode, join Joseph Stannard for a banquet of bewildering bangers including tracks by Shudder To Think, Deliluh (pictured), Nervio Cosmico, Dog Soup and more.

New music with The Wire Magazine.

In this episode, live recordings by Alex Cruz Sesper and Hagai Izenberg, playing a quadro-vinyl setup, transforming raw recordings into obscure ever-shifting landscapes,

Their sound sources consist solely of vinyl records—BBC archives, sound effect collections, and unexpected audio fragments such as a Chinese learning vinyl, recordings of laughter, football crowds, foggy harbors, chirping birds, and the distant echoes of artillery.

Alex Cruz Sesper, born in 1973, is a self-taught artist whose artistic journey began in the late 1980s, deeply immersed in subcultures of hardcore punk, underground music, tape trading, and independent publications (fanzines). He was a member of several well-known bands and music projects in Brazil for decades.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.