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This week, Lucy Thraves plays music by Infinite Livez, Fire-Toolz, Marvin Tate, Rosa Pistola and many more.

New music with The Wire Magazine.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

This episode features work by Djrum / Jo Johnson / Bruce Nauman / FOQL / AOTCI v OVT / Bark Psychosis / Oren Ambarchi / Oliver Coates / Nick Drake / John Coltrane / Loscil / Material Object + Ishq / Mans / Severed Heads / East 71 / Tengui / Al Wootton / Tape Pack / Cosey Fanni Tutti / Grouper / Iannis Xenakis / Nicolas Jaar / Tristan Arp / Kode9 & The Spaceape / 23 Skidoo / Accrual / Ben Frost & Daníel Bjarnason.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

"I salt my breakfast eggs. All day long I feel created" – Anne Dillard, Holy the Firm (1977)

A Table of Contents was produced, mixed and mastered by Dominic Jaeckle and Simon Tonka, © 2021; the readings were recorded at home by Polly Barton, © 2021; accompanying soundtrack, Matthew Shaw & Mason Lindahl, © 2021; artwork, Hoagy Houghton, © 2016.

Dominic Jaeckle is a writer, editor and broadcaster. Jaeckle curates and collates the irregular magazine Hotel and its adjacent projects, and runs a minor publisher Tenement Press.

Polly Barton is a Japanese translator and writer, living in Bristol. Her book Fifty Sounds is published by Fitzcarraldo Editions. Translations include Where the Wild Ladies Are by Aoko Matsuda (Tilted Axis Press) and There’s No Such Thing as an Easy Job by Kikuko Tsumura (Bloomsbury International).

Matthew Shaw is a composer, author and artist; Shaw is currently working with Shirley Collins & Brian Catling on Crowlink; a sound installation and recording project featuring Collins’ recitation of English folk songs collected over seventy years, poetry from Catling and Shaw, and fragments of letters, diaries and prose from Virginia Woolf, Vanessa Bell and the Bloomsbury Group. Shaw’s Atmosphere of Mona, a book of poetry and photography, was published by Annwyn House in 2020.

Mason Lindahl is a guitarist and composer based in New York City. His finger-picking style is largely influenced by minimalism and classical music. He grew up listening to folk and country music in Northern California, where he was first taught to play the guitar by his father. Lindahl’s recent record Kissing Rosy in the Rain was released by Tompkins Square, 2021.

A work by Dominic J. Jaeckle, Polly Barton, Mason Lindahl & Matthew Shaw. Grounded in a book that collects a roll-of-film’s worth of co-dependent photographs and prose-poems by artist Hoagy Houghton and writer Dominic Jaeckle (36 Exposures, forthcoming from Dostoyevsky Wannabe), A Table of Contents is a quilt of first- and second-hand reticulated reflections and ratiocinations; a ‘disembodied voice-over’ for a set of absent images, memories and other assorted totem poles.

Debut LP by Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds, shaping the acoustic aura of architectural and natural spaces, exploring the limits of vocal techniques through site-specific performances. Becoming siren, becoming storm, a rose of resonance for a new world.



Janneke van der Putten (Amsterdam, 1985) is a visual artist and vocalist based in Rotterdam. Her voice is her main tool, guiding her through physical and sonic explorations in different landscapes. In her site-specific performances she uses extreme vocal techniques and architectural features to relate with the here and now.

Janneke is autodidact in various extended vocal techniques and studied North-Indian Dhrupad singing with Amelia Cuni and Marianne Svašek (Berlin & Rotterdam, 2009 – 2014). She completed her MMus in Artistic Research, Royal Academy of Art & Royal Conservatoire (The Hague, 2013) and her BDes in TXT (Textile), Gerrit Rietveld Academy (Amsterdam, 2009).

Solo exhibitions include: ‘All Begins with A’, TENT, Rotterdam, 2015; ‘Directed to the Sun’, Quartier am Hafen, Cologne, 2017; ‘Quitsa’, CINNNAMON, Rotterdam, 2017; and duo-show ‘[to]’, Kunstraum 34, Stuttgart, 2020. Her solo debut album ‘JNNK’ was released on the June 21st Solstice 2023. Her previous album was made together with Sajjra Xhrs Galarreta (PE) for their project 'Invisible Architecture' (Aloardi, 2015). Other composers Janneke collaborated with are Budhaditya Chattopadhyay (IN), Werner Durand (DE), Yvan Etienne (FR), Philemon Mukarno (ID/ NL), Rory Pilgrim (UK) and Marcus Schmickler (DE).


See more of her work on YouTube and listen on Bandcamp.

Experimental vocalist Janneke van der Putten presents her debut solo album JNNK.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

This episode is created for the March Equinox. Notice the arc of the sun across the sky each day. Notice it’s shifting northward. Responding to this change, birds and butterflies migrate back northward, too, along with the path of the sun.

Curated and produced by Ambrose Hrebeniak, Simon McClelland Morris and Chris de Selincourt in collaboration with NSOTA scholars, ensemble, and friends.

With contributions from Pearl Fish, Rhona Eve Clews, Victoria Thiele, Michael Timmerman, Simon McClelland Morris, Chris de Sel, Sk.ye.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

This month Dylan and Karen are joined by Hali Palombo, S*Glass, Hobo Sonn, Ersatz Opportunity, Sigtryggur Berg Sigmarsson, Bill Nace, Julian Bradley, Ted Trager, Ivor Kallin, Witcyst, Neil Campbell, Theo Gowans, Zheng Hao, Marija Kovacevic, Jon Thompson, Rick Potts, Nathan Howdeshell, Fritz Welch, Andy Ortman, Maureen Hallomas and Monad Node.

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

In this sixth episode, five sound artists hosted by TRAFO are interviewed, each representing a different perspective on technology in the context of contemporary music and sound art.

Jasmine Guffond presented Listening Back, exploring the subversive use of technology in the context of permanent internet surveillance. Jenny Gräf examined the space between technology and traditional craft. Ruben Rübe and Passepartout Duo introduced a new approach to musical instruments and composition. Finally, Mark Mushiva shared The Institute of Decolonial Technology, an initiative that blends artistic practice with scientific inquiry.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This episode features a guest mix by Akunka.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode features music made by Naviar's community inspired by Martin Lucas' poem “October dawn / the flicker of lights / at the river mouth."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Carefull footsteps along the bank, around horizontal branches, embracing the space. This episode features special guest Timothy Wall.

The recording was made over the Easter Bank Holiday nestled between the trees beside the banks of the River Lea.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.

Now: Wikipedia-Schreiben On Air. Knut Aufermann is joined by Helen Thein, Felix Kubin and Marcus Gammel to continue writing the German Wikipedia entry for radio art (Radiokunst).

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

On Resonance Extra this Sunday 24th May, in collaboration with ROVR record store Soho London & Alabama’s Earth Libraries, we celebrate the 2nd official City of Birmimham U.S.A., Sun Ra ”arrival" Day with ’RA PWR’ – 24 celestial hours of Ra-centric cosmic toned radiophonics. Rare Ra archive interviews, Lconcert recordings, with guest selectors Bob Brainen (WFMU) & Paul Smith (Blast First) mix-matched with pop-up radio sessions from Jimi Tenor (Sahko/Warp) & Chicago’s very own floating anRarchists Excepter.