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In this episode James Gormley plays new and forthcoming music by Don Cherry, Brandon Seabrook, Agnes Haus, Slaylor Moon, Manas and more.

New music with The Wire Magazine.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

This episode is our second artist showcase edition. We chat with Jake Muir, Claire Rousay and Bethan Kellough about their approaches to composition, listening and recording. These three artists represent a hugely diverse approach to field recording-based composition, with Jake also working with samples, Claire often deploying voice and text, and Bethan focusing on highly detailed mutli-channel meditations on sonic spatialities.

Photo: Jake Muir

The Field Recording Show is a programme exploring the soundscape, recording, listening and composing hosted by Kate Carr and Luca Nasciuti.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Sonoro is a series showcasing Mexican contemporary sound and radio artists. The pieces featured here are albums, collages and multivoice essays that lean towards analogous logics of sound capturing, slow listening, interspecies dialoguing and sonorous contemplation. Curated by Ana Martínez de Buen, these works present almost two decades of soundscapes and sound productions that offer a small sonic window into Mexican radio and sound art.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station is continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

And Then finds Ed Baxter and Michael Umney in conversation about Resonance FM. This series was commissioned by the Independent Community Radio Network and was supported by the Nordic Culture Point Nordic-Baltic Mobility Programme for Culture. Produced by Michael Umney and Ed Baxter.

This month: After the Rave. Following our last show which covered the connections between drum & bass, jungle and computer game music, After the Rave traces connections between ambient music, chillout rooms and the quiet spaces of computer games.

Moving through work by Autechre, The Orb, Lustmord and Susumu Yokota, alongside music from Donkey Kong Country, Super Mario 64, Metroid Prime, Resident Evil and Ico, we explore how sound makes room for recovery, attention and retreat.

The journey leads from shared spaces beside the dance floor to bedrooms, underwater worlds and temporary refuges inside horror games. Repeated melodies and unfolding textures give virtual environments a sense of permanence, allowing players to linger, explore or breathe. A save room becomes a shelter; a familiar loop becomes a remembered place.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

Without going into much detail, this selection is simply a compilation of tracks that accompany me on my journey back home after work, a selection that undoubtedly becomes increasingly peculiar as I grow older.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

This episode was created for the Winter Solstice of 2024, a time of extreme dark or light in either direction, a hunkering down in the wet earth or a baking out in the hot sun. The piece is composed by Stephen Shiell using original material from NSOTA scholars.

With contributions from Stephen Shiell, Rhona Eve Clews, Chris de Sel,** Sk.ye, **Lu(Lu)Lu, Blanc Sceol (Stephen Shiell & Hannah White), Clare Whistler, Michael Timmerman, and Simon McClelland Morris.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode features music made by Naviar's community inspired by Kobayashi Issa's poem “shrine fence — / on a white flower / a white butterfly."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Ilan Barkani is a multidisciplinary artist, composer, improviser and teacher, living and working in Jerusalem, a founding member of the artist collective Sedek, and a member of the interdisciplinary collaborative ensemble Ptilia.

"A geography of sound [...] is the geography of encounters, misses, happenstance and events: invisible trajectories and configurations between people and things, unfolding in the dimension of the actual while formlessly forming the dimensions of its possibility" – Salomé Voegelin, The Political Possibility of Sound

In this piece, called halls (joining), Barkani continues his exploration of combining field recordings and minimal/reductionist instrumentals, to compose and perform imagined, semi-coincidental, (what Voegelin calls) “impossible territories”.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.

In this episode, Biff and Hobbes give a breakdown of DEMO FEST, playing some of their favorite tracks of the submissions benefiting Solidarity Across Borders

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Now: Wikipedia-Schreiben On Air. Knut Aufermann is joined by Helen Thein, Felix Kubin and Marcus Gammel to continue writing the German Wikipedia entry for radio art (Radiokunst).

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

In this episode, sounds from the depths of Mars, transmissions from the Voyager 1 and 2, and reports from an Unidentified Space Station.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.