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In this episode, Zu From All Over and Michael From The North Bay get the ol’ team back together to showcase and celebrate MRR Radio’s independent radio station broadcasters! With the best Punk, Hardcore, Indie Punk, and College Rock to connect with the community and D.I.O (Do. It. OURselves)!

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by Kawahigashi Hekigotō's poem “The loneliness / of larch trees— / red dragonflies."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Born from improvisation as both method and ritual, Tresinus presents On the Way to Sauco, a 30-minute live broadcast emerging from an ongoing research practice developed across the rural coastal settings of Cilento, southern Italy, and Felixstowe, Suffolk, UK. Elemental acoustic articulations, rudimentary instruments and found objects are activated in performance, folding two distant geographies into a terrain of symbolic ruin and speculative memory.

On Sunday 24th May 2026, in collaboration with ROVR record store Soho London & Alabama’s Earth Libraries, we celebrated the 2nd official City of Birmimham U.S.A., Sun Ra ”arrival" Day with ’RA PWR’ – 24 celestial hours of Ra-centric cosmic toned radiophonics. Rare Ra archive interviews, Lconcert recordings, with guest selectors Bob Brainen (WFMU) & Paul Smith (Blast First) mix-matched with pop-up radio sessions from Jimi Tenor (Sahko/Warp) & Chicago’s very own floating anRarchists Excepter.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

And Then finds Ed Baxter and Michael Umney in conversation about Resonance FM. This series was commissioned by the Independent Community Radio Network and was supported by the Nordic Culture Point Nordic-Baltic Mobility Programme for Culture. Produced by Michael Umney and Ed Baxter.

This episode features Alessandro Magania.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

Socialist Realness a mix series by GAJEK focusing on avant-garde and electronic music produced in the GDR and shortly after the fall of the Berlin Wall.

Now: A Ear Wah Soun? Sarah Washington takes a watery journey around the world via YouTube, breaking up the tedium with distortions of the documenta radio ident 'Every Time A Ear Di Soun' voiced by Dinah Bird.

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

This third episode features four artists who took part in a research residency at GMEA (Albi, France) as part of the Tekhnē, initiated in 2023:

• Gauthier Deplaude in an informal discussion with Benjamin Maumus about his project Horloges etc.. This work uses two quartz clocks and their electrical environment as the sole sound sources, within a unique technical setup created by the artist, without effects or attempts at control.

• Rodolphe Bourotte tested his latest music production software, COMMA, during his residency. He engages in an informal discussion about his program and insights from his residency week.

• Yann Leguay shares an anecdote about one of his early projects, Dead Media, which centered on reversing the recording process in a vinyl pressing factory in France that has since closed. He reflects on the notions of trace, media, and collective memory.

• Abigail Toll presents Where Words Fail: World Building With Data, Sound, and Co-creation, a sound and interdisciplinary visual study that explores algorithmic herd behaviour in nature and its connections to surveillance practices.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

In this episode, a broad, eclectic selection of interviews. Hosted by Wes Freeman-Smith and Martin Clarke, we have audiovisual sensation Waterflower with new album 'Balta Gaisma' – midi-pop from Leipzig's Ariel My Friend – and a trio of international ensembles brought to you under the loving care of OEM Records.

The label's latest release, 'Flutuando Suspenso' by Thelmo Cristovam and Cassio Sales was described as "...a potent pole of sound invention within the universe of free music," while Waterflower has been described as "so free to experiment with her music that it truly sounds like nothing you’ve ever heard before."

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

In this episode, Joe & Alex are graced by a fine mix from pianist Emilie Levienaise-Farrouch, which plays out the last forty minutes.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.