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Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

This twelfth episode features an interview with Brazilian sound artist and sound studies scholar Pedro Oliveira, who is based in Berlin. Oliveira works at the intersection of decolonial and sonic thought. During his tekhnē residency at TRAFO, he further developed his ongoing research on borders, migration, and bodies, expanding a long-term project that brings these themes together.

The interview was recorded in Szczecin following Oliveira's performative lecture marking the conclusion of his residency. Conducted by Piotr Tkacz, editor of the Glissando quarterly, the conversation explores the relationship between Oliveira's artistic practice and art-as-research, the evolution of his creative work, and the ways in which sonic technologies intersect with contemporary border regimes and migration policies.

This episode also includes excerpts from several of Oliveira's sound works, including DESMONTE (with Fernanda Lira), a live performance with Mauricio Takara at the AdK Berlin in 2023, and an unreleased experiment from Dubwise Machine Listening.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This episode feature music by Nuke Watch, Shit Creek, Visible Cloaks and more…

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

The programme moves between artist talks, panel discussions, audio artworks and live performance. Across these presentations, artistic research offers forms of situated knowledge production, operating alongside and in dialogue with social, scientific and technological methodologies.

The symposium takes place on the radio as a live broadcast accessible via FM in specific locations and globally via a dedicated online ‘listening room’ with a text-chat function for listeners to interact with and contribute to the ongoing broadcast. Live captions can be enabled via Chrome’s accessibility settings. Listeners are invited to tune in and out across the afternoon and evening, encountering the programme as a distributed, time-based experience.

This is a Creative Research in Sound Arts Practice (CRiSAP) event curated by artist-researchers Hannah Kemp-Welch, Lia Mazzari and Anna Clock. The symposium is hosted on the radio by artist cooperative Soundcamp and locally from their studio in London. The event is made possible by support from London College of Communication (LCC) Research.

Curated by artist-researchers Hannah Kemp-Welch, Lia Mazzari and Anna Clock.

Anna Clock // Anna Friz // Angus Carlyle // Celeste Oram // Claire Williams // Emiddio Vasquez // Hannah Kemp-Welch // Kathy Hinde // Lia Mazzari // Sébastien Robert + Rob Stammes // Shortwave Collective // Soundcamp

How might electromagnetic listening bring sound art, environmental research, and scientific sensing into closer relation? This symposium-on-the-radio brings together artists and researchers engaging with the electromagnetic spectrum as both material and site of inquiry. Fifteen contributors present work exploring natural radio phenomena, electromagnetic listening practices and questions of spectrum access.

In this special extended broadcast, not important and School of the Damned come to you live from a hidden woodland on Walthamstow Marshes. Featuring performances from YUNA, Li Song & Titus Barker (duo), Yewen Jin, Conal Blake, Regan Bowering & David Sappa (trio), Li Yilei, Pentu, and interviews conducted by Edward Sanderson.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

In this second live broadcast Neil is joined by artist, composer and performer Sasha Elina.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

This episode is composed by Izenberg out of flexi-discs, synthesizers and live radio sampling. Using a few flexi discs including ones found in old National Geographic and Psychology magazines I’ve crafted a few short pieces from found sounds. The final piece in this episode includes Alex Sesper on tapes and synthesizer.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode is dedicated to academic Soviet music, its avant-garde and national currents. You will hear some stunning works by Russia's major experimental composers – Sofia Gubaidulina, Galina Ustvolskaya, Faraj Karayev and Alfred Schnittke.

Almost half of the programme, however, is dedicated to music with an equally complex narrative by composers from Tajikistan, Turkmenistan and Uzbekistan, digitised from rare LPs from my own collection. The programme concludes with an intricate and exotic late-Soviet piece by Siberian composer Boris Mourashkin, which he characterises as ‘bio-energetic’.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

In this episode, Joe is joined in the studio by musician Evelyn Gray for a live set and interview amongst track selections, including Takagi Masakatsu, Lucio Dalla & Geneviève Waïte.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.

This time on x.y FM we hear an interview with Gwen Reed, x.y double bassist, the second part of Pop Desire by Richard Hames, and ‘rock music’ by phonewifey.

Ensemble x.y is a contemporary ensemble that commissions and performs new music in a flexible and ever-changing lineup. Run without traditional roles or hierarchies, Ensemble x.y develops its thematically-charged programmes according to the taste and interest of its core players, as well as the developing working relationships between resident composers and instrumentalists.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

60 minutes of vivid aural excitement mixed by Ian Murphy.