← Today's Schedule →

This week: Joseph Stannard presents a generous earful of scintillating sound including tracks by Earthslayer, The Golden Corpse Of Midas, Allen Ravenstine and Ak'chamel.

New music with The Wire Magazine.

This episode features new works by Static Channel, Ergonomic Sound Office, Oubys, Pas Musique, Devid Ciampalini, Rapoon, Murder Corporation, 400 Lonely Things, David Lee Myers, and Ajna.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

The Field Recording Show is a programme exploring the soundscape, recording, listening and composing hosted by Kate Carr and Luca Nasciuti.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

And Then finds Ed Baxter and Michael Umney in conversation about Resonance FM. This series was commissioned by the Independent Community Radio Network and was supported by the Nordic Culture Point Nordic-Baltic Mobility Programme for Culture. Produced by Michael Umney and Ed Baxter.

This month's episode takes its inspiration from R. Murray Schafer's concept of 'soundmarks'; sounds that connect to a specific community, place or landscape. Playing pieces that utilise field recordings, electroacoustic composition, improvisation and more, we travel across the globe, tuning into a soundmark’s ability to act as an acoustic placemarker as well as reveal political, historical and ecological dimensions of a locality's sound world.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

In these first two episodes, Additions Megabus collects four live sets and practice sessions from four successive years of shows by Trash Panda QC (formerly billed under real name Peter Seligman), showing evolutions and variations of his rave/footwork/noise-influenced sound along with unheard versions of released tracks.

After catching up to the present, live sets from the following episodes will be collected in an additional, gradually expanding album, totalling approximately three hours.

RIP Pita. The title Additions Megabus was originally intended as a tribute to the sense of freedom and possibility that Peter Rehberg and Editions Mego's activities put into the world, and I can only hope that these tracks inspire somebody in the same way.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

This twelfth episode features an interview with Brazilian sound artist and sound studies scholar Pedro Oliveira, who is based in Berlin. Oliveira works at the intersection of decolonial and sonic thought. During his tekhnē residency at TRAFO, he further developed his ongoing research on borders, migration, and bodies, expanding a long-term project that brings these themes together.

The interview was recorded in Szczecin following Oliveira's performative lecture marking the conclusion of his residency. Conducted by Piotr Tkacz, editor of the Glissando quarterly, the conversation explores the relationship between Oliveira's artistic practice and art-as-research, the evolution of his creative work, and the ways in which sonic technologies intersect with contemporary border regimes and migration policies.

This episode also includes excerpts from several of Oliveira's sound works, including DESMONTE (with Fernanda Lira), a live performance with Mauricio Takara at the AdK Berlin in 2023, and an unreleased experiment from Dubwise Machine Listening.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This episode is created for the Autumn Equinox. In it we pay tribute to the author of Deschooling Society - Ivan Illich, September 2026 marks 100 years since his birth. The show is curated and produced by Michael Timmerman, Simon McClelland Morris and Chris de Selincourt in collaboration with NSOTA scholars, ensemble, and friends.

With contributions from, Michael Timmerman, Simon McClelland Morris, Chris de Sel, Josh Tucker, Jonathan Petherbridge, Sk.ye.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

This episode features music made by Naviar's community inspired by Yamaguchi Seishi's poem “Into my midday nap, / again and again, / someone hammers a nail."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode features original music by Or Rimer, a Tel Aviv-based musician and composer born in 1986. Rimer is active in several local bands and projects, collaborating with a wide range of artists—including filmmakers, choreographers, and visual and performance artists—creating unique scores and soundscapes. Beyond his music, he also coaches football.

Alongside Or Rimer’s works, you’ll also hear sounds by Pauline Oliveros, 3 Guitars, María Sabina, Harry Flint, Henry Collins, and more.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode Clint is joined by Jack Synnott and Milo Thesiger-Meacham.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.

After a first album rooted in pop, electronics, and dance-driven rhythms, Lulu & Chapulin Mimosa return with a more intimate live performance, where improvisation opens the door to mental and emotional trance states.

A handful of songs, a few incantations, and deep sonic drifts weave together into an immersive listening experience.

Live from the Radio Picnic Studio in Geneva.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

Mapping the residual forms and remembered journeys synonymous with this once integral infrastructure, we trace the remnants of a space lost in time, we listen to the echos of a time that has faded into the surrounding undergrowth and in the process, we try to imagine a dynamic, shifting type of archive.

One of the former railway’s few remaining structures is Badger’s Oak Tunnel, hidden deep within the forest, this place has been slowly bonding with the rocks and plants that now occupy the rivets of this mostly forgotten railway line. We journeyed deep into this tunnel to record a series of musical compositions and field recordings that aimed to probe and chart the unique reverberations and resonances of the space.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.