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In this special extended broadcast, not important and School of the Damned come to you live from a hidden woodland on Walthamstow Marshes. Featuring performances from YUNA, Li Song & Titus Barker (duo), Yewen Jin, Conal Blake, Regan Bowering & David Sappa (trio), Li Yilei, Pentu, and interviews conducted by Edward Sanderson.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

The publication Magnetizdat DDR, Magnetbanduntergrund DDR 1979–1990 (2023, Verbrecher Verlag) tells the story of this magnetic counterculture. Inspired by this, we will explore the musical subversions of the late GDR in three acts over three days. Curated by Judith Behre and Florian Bräunlich

A live broadcast from Hamburg featuring GAJEK, Jan Jelinek & Frank Bretschneider. Independent music productions were banned in the GDR in terms of production, distribution, and sales. However, countless groups such as Der Demokratische Konsum, Zwitschermaschine, Schleim-Keim, and Kein Talent defied these regulations imposed by the workers' and farmers' state. They took it upon themselves to play their (mostly homemade) instruments and recorded their compositions directly onto tape: unorthodox punk met lo-fi experimental rock, stumbling electronics met grinding pop constructions, conceptual minstrelsy met infernal noise.

This episode is bookended by long pieces from Simon Pyke and Marcelo Armani. It also features old friends of the Spirit of Gravity – including Fane, Thomas Stove, and Jonathan Higgins – plus a noisemaker who is new to us, Bantu.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Joe is joined in the studio by musician Evelyn Gray for a live set and interview amongst track selections, including Takagi Masakatsu, Lucio Dalla & Geneviève Waïte.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

In this episode, an hour of new music by Benedict Drew.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

A circumambulatory attunement to the River Lea where it rises amidst chalk fields. Leagrave to the south-east and Marsh Farm to the west. Beneath unfurling clouds, horses graze the long grass growing atop Waulud's Bank, a neolithic earthwork reverberating with ongoing community.

We follow the river along the glacial ridge and Icknield Way, past Linbury Meads and water meadows on into Luton before returning once more to the river's source.

In both live performance and a monthly broadcast Littoral Transmissions evoke estuarine, marshland, boggy sonic impressions with an extended focus on our local River Lea as it passes through London.

This piece finds us in contrary flow, with an extended meditation on the Lea's emergence and its co-minglings of land and water, featuring field recordings and improvisations made in situ, combined with later responses recorded downstream.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

Now, William Joys' second live broadcast. Today he is working with Dom Sebastian.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

In this episode, Lost Letter, a piece composed by Snezhana Reizen. Here are her words about it:

To describe the process in which I was involved here, I would need to convey some details of the setting and the basic materials that formed the backbone of this piece.

In the beginning, there were noises appearing between unconnected wires (an additional and sort of premortal material to my upcoming album Parallel Movements). I found some of the themes this material suggested, such as the desperate seeking of connection in disconnection or beauty in noise or meaning in life full of war, fairly corresponding with what is going on in general or what I can perceive from my current environment in particular.

So these sources were fertilised with Israeli radio, military helicopters severing the night sky, smithereens of debris and bird’s voices, and various sounds of 'human and not' presence and not.

There were some attempts to reverse signifiers of sound in an acousmatic manner so that rolling stones of “go-game” appeared as breathing or speeded human heartbeat as erupting calvary. Water, though, was included in its literalness as a fragrance of hope to the deserted. The water here is Sicilian — a good memory from the Oooh and RARA improvisation art festivals.

But besides processing concrete sounds, closer to the end, I allowed myself a bit of sound synthesis.

Lost Letter is the second chapter of my new series Cryptography. Find out more here.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode is dedicated to academic Soviet music, its avant-garde and national currents. You will hear some stunning works by Russia's major experimental composers – Sofia Gubaidulina, Galina Ustvolskaya, Faraj Karayev and Alfred Schnittke.

Almost half of the programme, however, is dedicated to music with an equally complex narrative by composers from Tajikistan, Turkmenistan and Uzbekistan, digitised from rare LPs from my own collection. The programme concludes with an intricate and exotic late-Soviet piece by Siberian composer Boris Mourashkin, which he characterises as ‘bio-energetic’.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

In this episode, musica per la radio with IRTUMBRANDA, a multi-instrumentalist of classical, rock, pop, and experimental music. They conceived this radio concert after a one-week residency with Radio Picnic. The boundaries of styles have no limits.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

In this fourth live broadcast Neil is joined by artist, composer and performer Gerardo Gozzi.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

A 22-hour radio project in 7 episodes about editing and the mind, created by Milo Thesiger–Meacham. Featuring 10-second audio extracts from over 6000 unseen videos found online, original sound recordings, music, hand-held camera audio and writing, Body Edit Mind follows an unnamed narrator as they move house and piece together a world of recording devices, names, crime, real-world characters and obscure media from across the globe. Follow Fox Neame on Instagram for more. Commissioned by Radio Art Zone, a temporary radio art station by Radio ARA and Mobile Radio for the European Capital of Culture, Esch2022.

This twelfth episode features an interview with Brazilian sound artist and sound studies scholar Pedro Oliveira, who is based in Berlin. Oliveira works at the intersection of decolonial and sonic thought. During his tekhnē residency at TRAFO, he further developed his ongoing research on borders, migration, and bodies, expanding a long-term project that brings these themes together.

The interview was recorded in Szczecin following Oliveira's performative lecture marking the conclusion of his residency. Conducted by Piotr Tkacz, editor of the Glissando quarterly, the conversation explores the relationship between Oliveira's artistic practice and art-as-research, the evolution of his creative work, and the ways in which sonic technologies intersect with contemporary border regimes and migration policies.

This episode also includes excerpts from several of Oliveira's sound works, including DESMONTE (with Fernanda Lira), a live performance with Mauricio Takara at the AdK Berlin in 2023, and an unreleased experiment from Dubwise Machine Listening.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Melisa Aller (1979, Buenos Aires, Argentina). Experimental filmmaker and composer, PHD candidate in criminal law and human right, lawyer, graduate and professor in political science, university professor, and researcher. In the last twenty years dedicated to work, especially in super 8 film format, filming and editing all on camera without any digital intervention.

Aller's films have been awarded in festivals and exhibitions in the USA, Canada, China, Taiwan, Japan, Cuba, Puerto Rico, Sweden, Spain, Poland, France, England, Germany, Italy, India, Guatemala, Colombia, Ecuador, Mexico, Brazil, Colombia, Venezuela, Uruguay, and Argentina. Since 2013 she has composed music for her films and performances of expanded cinema in Super 8.

She translated her cinema process to her musical composing process: recording, remixing and recording again the tapes with new sound layers. She was the musical curator of Metamusica label records from 2020 to 2024. Now, she runs CLARA RECORDS with the composer Flores Babusci, a little label that edits in physical formats (vinyls, CDs, and cassettes).

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this episode we dive deep into ambient experimental music, shining a spotlight on long form tracks and textural, sonic soundscapes that exist in their own time.

We’ll be listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

New music with The Wire Magazine.

This is a contribution by Wave Farm.

Startalk is an audio/visual radio art piece depicting a network and history of seven independent Black radio stations in the US through paint, chalk, and sound. This work was informed by an ever-expanding audio/visual system that converts absolute locations into frequencies based on prompts centering Black music and autonomous Black spaces/entities. The audio component for Startalk was first broadcasted on Wave Farm’sWGXC 90.7 FM in July 2025, and the visual component first showed at Sanman Studios in November 2025.

Corey De’Juan Sherrard Jr. engineers a developing system for composing songs and generating objects that respond to the deficit of black post-capitalist propaganda within a world culture. He is a School for Poetic Computation alum and graduated from the University of Houston with a BS in Digital Media in 2020.

Sherrard has exhibited visual and sound works at Sanman Studios, Sabine Street Studios, Cleve Carney Museum of Art, Basket Books and Art, and the George Washington Carver Museum and Cultural Center and has performed at Contemporary Art Museum St. Louis, DiverseWorks, and Blaffer Art Museum. He was a recipient of the 2023 Jones Artist Award. He is a resident DJ and media manager at internet radio station Ice House Radio, spins jazz on his weekly radio show STEAM at KTRU-LP 96.1 FM, and is a member of experimental music group Essex Moor.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.