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In this episode, we use the online video site Astronaut.io and multiple browsers to create compositions built from the textures and landscapes that are conjured up when time and geography are flattened.

These videos come from YouTube. They were uploaded in the last week and have titles like DSC 1234 and IMG 4321. They have almost zero previous views. They are unnamed, unedited, and unheard (by anyone but you).

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

This soundscape composition is a response to the World Listening Day, taking place annually on the 18th of July. This year's theme is Future Listening. What kind of future does the constantly transforming soundscapes of our cities, towns and country sides foretell? Which sounds, both those favourite and cursed will we say goodbye to and what new kinds of sonic phenomena will populate our future environments? The best way to experience this feature is by taking a walk and listening to it on headphones, wherever you happen to be.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

The final throws of sunlight nestled by the filter beds.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

A six part radio series in English and Welsh, realised close to the sources of the rivers Severn and Wye, in Powys, Wales, summer 2026. Made by Ed Baxter (concept, texts, montage), Steffan Cennydd (voice), Richard James (music, field recordings) and Michael Umney (interviews, field recordings, production). With contributions from Dan Craig, Sandy Craig, Neil Haymer, Dewi Roberts and members of Tai Haf Heb Drigolyn. With help from all at The Hanging Garden, Amanda Thesiger, Tim Meacham, Ffion Emyr and Mike Wooley. Supported by The Colwinston Foundation, Hinrichsen Foundation, The Leche Trust and Unity Theatre Trust. To all of whom, profound thanks. A Resonance Production.

In this episode, live recordings by Alex Cruz Sesper and Hagai Izenberg, playing a quadro-vinyl setup, transforming raw recordings into obscure ever-shifting landscapes,

Their sound sources consist solely of vinyl records—BBC archives, sound effect collections, and unexpected audio fragments such as a Chinese learning vinyl, recordings of laughter, football crowds, foggy harbors, chirping birds, and the distant echoes of artillery.

Alex Cruz Sesper, born in 1973, is a self-taught artist whose artistic journey began in the late 1980s, deeply immersed in subcultures of hardcore punk, underground music, tape trading, and independent publications (fanzines). He was a member of several well-known bands and music projects in Brazil for decades.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode focuses on the rare experimental and deviant music that can conceptually be called the "dancefloor destroyer". Its narrative unfolds from early electronic, synthesizer and computer music and we discover that the only Soviet major label without any censorship boldly released music in the genres of EBM and no-wave, sympho-prog, acid-opera and even “post-pop”.

This episode is less about the music of all the countries of the Soviet Union – only focusing on Estonia, Latvia and Russia – but is rather my personal poetic statement, representing the diversity of Soviet experimental music in the late 80s and early 90s. This music sounds extremely modern right now. I chose the neo-romantic twist of Nochnoy Prospeckt's Antidisco Song as the main motif of the release, which opens and closes the show.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.