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This episode features three new LPs of Brazilian experimental music. Negro Leo's Coisado is a soundtrack of an exhibition about German poet Hubert Fichte, who lived in Brazil during the 80’s. The third volume of Oco series with guitar player Marcos Campello and experimentalist J.-P. Caron. And Tapetes, a collaboration between Ricardo De Carli and Diego Dias released by Mansarda Records.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

In this episode, four short talks with artists NikNak, Nick Klein, Tintin Patron, and Vomir, presented in sequence, accompanied by sounds captured during their residencies at the Skaņu Mežs festival in Riga, Latvia, in the autumn and early winter of 2024. The first interview is conducted by Viestarts Gailītis, while the remaining three feature conversations led by Dmytro Filatov and Bohdan Kuspys. The music and sounds included are on-site recordings from performances and installations at Skaņu Mežs.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

In this edition of Shuffle, get ready to listen to the weirdest and most mindblowing covers and drifts of Crab Rave by Noisestorm. There's no order, no lists, only stilted and exclusive material.

Flamenco lovers, objects and devices, drum’n’bass dancers, ancient beings, final celebrators, funny crabs, angry crabs, crab museums… all are welcome in Shuffle formula radio mode.

And for this episode, we have a very special guest: the Crab Museum, a museum dedicated entirely to crabs.

Based in Margate, on the south-east coast of England, the Crab Museum is a small, independent museum that mixes science, humour, ecology and a good dose of crab obsession. It explores everything from crab biology and evolution to climate change and our relationship with these fascinating creatures.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

This episode features Alessandro Magania.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

In this special episode, we take you back through some of our favourite moments from our first series of investigations.

You will hear recordings from a multi storey carpark in Lewisham, live experiments using the Ciat-Lonbarde's Cocoquantus and tape cassettes, a collaboration with Sarahsson at Farleigh Down Tunnel, a conversation with China-based collective Southern Alkaline and Dr. Edward Sanderson, a live performance from our Music on The Marshes broadcast with Li Song, some recordings from our first visit to the abandoned Greenwich Park Reservoir and a journey through a space station, imagined using JG Ballard's short story.

Sound and recordings by; Ollie Godwin, Titus Barker, Sarahsson, Li Song, Lorena Shapiro, Southern Alkaline and Dr. Edward Sanderson.

Episode written and produced for Resonance Extra by Ollie Godwin and Titus Barker

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

Seven days in June, seven replicated walks, each walked once, on one of seven consecutive days – seven days in June, each in the ‘same place’ - across Beringia, on Iñupiat land. This episode is Movement 2.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.

This episode is dedicated to the folk music of the indigenous peoples of Russia. On the territory of the Russian Federation, according to the latest data, there are 193 peoples who speak 277 languages and dialects. In its time, the Soviet major label Melodiya did a huge amount of work trying to record the traditional music of many regions, travelling thousands of kilometres on ethnographic expeditions.

Many records released in the wake of those trips are now rare artefacts. I can say the same about digitised copies - there are not many music files on the web, which somewhat limits the breadth of modern research.

Even so, an hour-long episode cannot contain even a tenth of the folklore music that was released on Melodiya. I worked with broad strokes, showing the music of only 20 indigenous peoples of the country – including the Pooziorets of Vitebsk. We hear traditional tunes from the westernmost region - Karelia. Then, we listen to the cheerful sunny melodies of the peoples of the Volga region, the free music of Kalmykia and the North Caucasus, and delve into the cold shamanic rhythms of the Far North.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.