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Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

This episode features two talks with the Latvian artist Kārlis Tone and the Estonian artist Erik Alalooga, presented in sequence. Interviews are accompanied by sounds captured during the performance of Kārlis Tone's commission at the Skaņu Mežs festival and Erik Alalooga's performance at the joint Baltic Analog Lab and Skaņu mežs residency in Riga, Latvia, in the autumn of 2025 and early spring of 2026.

The interview is conducted by Viestarts Gailītis. The music that one hears is as follows: two fragments from Tone’s composition "Balss lūzums" (eng. - voice fracture), a song “Garu čuksti vados” (eng. - spirit whispers in the cables) by Tone’s band Grab and Erik Alalooga’s songs “Jack the Chopper” and “The Boreal Desert”. Kārlis Tone and Erik Alalooga are experimental musicians and sound artists from Riga and Tallinn, respectively.

Tone is known for his work in the experimental rock band Tesa (est. 2005), the Grab project, and the neo-folk outfit Līgas ph3, as well as for theater music, while Erik Alalooga is a performance, sound, and kinetic art veteran and teacher. He will present his installation at the Skaņu mežs festival in October 2026.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

This episode is entirely dedicated to international female producers.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Music from Doctor Ellis, Carl Matthews, D Rothon, 4T Thieves, Hypp Fractal, Lucifer [Mort Garson], Ruth White, Hardy Fox, Françoise Hardy, Beautytone, Hollis "Fat Head" Washington, Sad Man and Monty Python.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

Postnew is a modular theory, describing the fluid development of aesthetics. Every movement has a post-movement, every end is a beginning, every post-aesthetic will be followed by a post-post-aesthetic. Join the mailing list here.

Glasgow-based Bobby Jewell presents a series of ambient mixes for Resonance Extra with guest features by musicians and artists.

In this episode we’ll be listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

Welcome to Vague Wanderings by School of the damned. This is a space for temporary autonomous zones, processed and collected recordings and collective scrabbles at the fertile topsoil of vague terrains. Tonight, We're sharing recordings and stories made in a tunnel under an Ikea in Shenzhen, a pavilion in Hangzhou, under a bridge in London, and monasteries in Yunnan.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

Featuring live performances by Adam Boham, Eleanor Lee, Lorena Shapiro, Oh Tiny, Operation G.O.A.T.E.E., and Night Movies.

For the Lost is a show on Resonance FM exploring music, poetry and radio as a space for reflection, resistance, and connection. Join us live from Spanners, Loughborough Junction, for the launch of Sonic Archives – a celebration of our first year on the airwaves through a new live event bringing together voices from the edges of sound – experimental music, spoken word, and everything in between.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.

This episode is dedicated to the folk music of the indigenous peoples of Russia. On the territory of the Russian Federation, according to the latest data, there are 193 peoples who speak 277 languages and dialects. In its time, the Soviet major label Melodiya did a huge amount of work trying to record the traditional music of many regions, travelling thousands of kilometres on ethnographic expeditions.

Many records released in the wake of those trips are now rare artefacts. I can say the same about digitised copies - there are not many music files on the web, which somewhat limits the breadth of modern research.

Even so, an hour-long episode cannot contain even a tenth of the folklore music that was released on Melodiya. I worked with broad strokes, showing the music of only 20 indigenous peoples of the country – including the Pooziorets of Vitebsk. We hear traditional tunes from the westernmost region - Karelia. Then, we listen to the cheerful sunny melodies of the peoples of the Volga region, the free music of Kalmykia and the North Caucasus, and delve into the cold shamanic rhythms of the Far North.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

In this episode, Joe is joined in the studio by guitarist and composer Tara Cunningham for a live set and interview in-between track selections including Kirk Barley, U.S. Maple & This Heat.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

This month: Richard Hames presents ‘Pop Desire part 2’ on popular formalism, phonewifey plays the final part of [name]WAVE, and Richard Hames interviews two members of Chicago based ensemble MOCREP.

Ensemble x.y is a contemporary ensemble that commissions and performs new music in a flexible and ever-changing lineup. Run without traditional roles or hierarchies, Ensemble x.y develops its thematically-charged programmes according to the taste and interest of its core players, as well as the developing working relationships between resident composers and instrumentalists.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

60 minutes of vivid aural excitement mixed by Ian Murphy.

New music with The Wire Magazine.