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In this special episode, we take you back through some of our favourite moments from our first series of investigations.

You will hear recordings from a multi storey carpark in Lewisham, live experiments using the Ciat-Lonbarde's Cocoquantus and tape cassettes, a collaboration with Sarahsson at Farleigh Down Tunnel, a conversation with China-based collective Southern Alkaline and Dr. Edward Sanderson, a live performance from our Music on The Marshes broadcast with Li Song, some recordings from our first visit to the abandoned Greenwich Park Reservoir and a journey through a space station, imagined using JG Ballard's short story.

Sound and recordings by; Ollie Godwin, Titus Barker, Sarahsson, Li Song, Lorena Shapiro, Southern Alkaline and Dr. Edward Sanderson.

Episode written and produced for Resonance Extra by Ollie Godwin and Titus Barker

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

All day today: previous ten episodes of Trace in one long-form broadcasting 'finale' collating 9 hours 30 minutes worth of recordings from the Irish border.

Trace is a project exploring liminal space of the Irish Border between Ireland and Northern Ireland through photography and field recordings taken at almost 200 border crossings. The project aims to document open and free movement currently enjoyed on the Island of Ireland in the context of the current political negotiations. Each episode explores a different section of the border.

Born from improvisation as both method and ritual, Tresinus presents On the Way to Sauco, a 30-minute live broadcast emerging from an ongoing research practice developed across the rural coastal settings of Cilento, southern Italy, and Felixstowe, Suffolk, UK. Elemental acoustic articulations, rudimentary instruments and found objects are activated in performance, folding two distant geographies into a terrain of symbolic ruin and speculative memory.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

For this second episode of his collected recordings he presents two pieces:

'Up In The Valley' (2013)

A documentation of traditional oral chants Davide recorded in Presegno (Valle Sabbia, Brescia, Italy) during the night of San Lorenzo (aka "the night of the shooting stars"), on the 10th of August 2013. What emerges from the recordings is the vital energy of the voices. They communicate a strong feeling of togetherness and collective excitement. Singing is an expression of joy, and it enhances social cohesion, contributing to the formation of a certain atmosphere of shared enthusiasm and self- empowerment.

'Tous Ensemble On Va Chanter' (2014)

In this work, Davide’s friend Helen sings along with a recording of St.Etienne's football supporters group, Magic Fans (St. Etienne vs. Toulouse, 2011). The piece emphasizes the contagious nature of chanting. Despite Helen not being a member of the Magic Fans, she gets involved quite easily and participates in the singing without hesitation. The recording concludes with a final comment by the guest singer talking about the power of collective chanting and how much energy it takes to sing aloud.

Davide Tidoni is an artist and researcher interested in the relational dimension of listening, and in the physical experience of sound. He works with live performance, intervention, audio recording, video, and guided listening. He recently published a sound ethnography on the ultras group BRESCIA 1911. 'Collected Recordings' is a series of works selected by Tidoni from his extensive back catalogue. Produced by Milo Thesiger-Meacham.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

This episode features solo live recordings by Stefan Voglsinger, captured over the past seven years across the globe, and remixed and edited by Hagai Izenberg. Exclusively released and archived on Radio Concrete, Resonance Extra (UK).

Stefan Voglsinger, born 1986, is a musician and performer based in Vienna. He studied drums at the Vienna Music Institute, Music & Movement Pedagogy at the University of Music and Performing Arts Vienna and Sound for Films at the Escuela internacional de Cine y Television in Cuba. He focuses on interdisciplinary experiments working with sound and image, developing performances or audiovisual installations including selfbuilt or hacked electronic circuits.

At Setzkasten he modifies analog film projectors, works in the darkroom and the sound studio. As a curator he organizes regularly concerts and transdisciplinary evenings, holds Circuit Cooking soldering workshops in schools and at festivals. He works at the Filmmuseum Vienna, is co-curator of Klangmanifeste and plays with The Vegetable Orchestra.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

This episode is dedicated to the folk music of the indigenous peoples of Russia. On the territory of the Russian Federation, according to the latest data, there are 193 peoples who speak 277 languages and dialects. In its time, the Soviet major label Melodiya did a huge amount of work trying to record the traditional music of many regions, travelling thousands of kilometres on ethnographic expeditions.

Many records released in the wake of those trips are now rare artefacts. I can say the same about digitised copies - there are not many music files on the web, which somewhat limits the breadth of modern research.

Even so, an hour-long episode cannot contain even a tenth of the folklore music that was released on Melodiya. I worked with broad strokes, showing the music of only 20 indigenous peoples of the country – including the Pooziorets of Vitebsk. We hear traditional tunes from the westernmost region - Karelia. Then, we listen to the cheerful sunny melodies of the peoples of the Volga region, the free music of Kalmykia and the North Caucasus, and delve into the cold shamanic rhythms of the Far North.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

In this sixth episode, five sound artists hosted by TRAFO are interviewed, each representing a different perspective on technology in the context of contemporary music and sound art.

Jasmine Guffond presented Listening Back, exploring the subversive use of technology in the context of permanent internet surveillance. Jenny Gräf examined the space between technology and traditional craft. Ruben Rübe and Passepartout Duo introduced a new approach to musical instruments and composition. Finally, Mark Mushiva shared The Institute of Decolonial Technology, an initiative that blends artistic practice with scientific inquiry.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

For Freya Algiz music fuels the fire that keeps her breathing. Coming from a small conservative country, which inhibits freedom of authenticity in its truest form, techno is not just a place to escape, but a place to reconstruct the world based on vibrations she feels in her wildest utopian dreams. It’s a world where books don’t get judged by their cover and where compassion and kindness of the heart override the mental noise of fear, greed and despair. Freya recognizes that the only limitation to ourselves is ourselves and that stepping out of the conformist expectations is the empowerment and liberation that EVERYONE deserves.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

In this episode, Chris Bohn visits Joshua Burkett’s “Lost Cat City”, when he’s not searching out the origin of violence that has lost its source on the Source Unknown anthology; plus Wadada Leo Smith, Mona Mur, Otomo Yoshihide’s New Jazz Quintet, Satoko Fujii Orchestra, Radical Polish Arkestra and Vietnam’s Lý Trang, alongside archive tracks taking in South African township soul music, Test Dept, Malaria!, Felix Kubin, and more.

New music with The Wire Magazine.

This episode is a contribution by TT Node.

A jumble of sounds taken from Schnìtzelbànk 3000, but set in 2025. A ghostly journey created by the Mopiilettla streaming platform through the annual Schnìtzelbànk event, a four day radio exploration of Alemannic and Franconian dialects.The main recordings were extracted from the Mopilettla’s live 1kbps internet streams.

The elements: a recitation of love by Frédéric Danos. Voices of Sylvie Reff (excerpts from her books), Sabine from Réunion, Daniel Muringer, Irmgard and Buki

For more info visit: p-node.org

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

A 22-hour radio project in 7 episodes about editing and the mind, created by Milo Thesiger–Meacham. Featuring 10-second audio extracts from over 6000 unseen videos found online, original sound recordings, music, hand-held camera audio and writing, Body Edit Mind follows an unnamed narrator as they move house and piece together a world of recording devices, names, crime, real-world characters and obscure media from across the globe. Follow Fox Neame on Instagram for more. Commissioned by Radio Art Zone, a temporary radio art station by Radio ARA and Mobile Radio for the European Capital of Culture, Esch2022.

This episode was created for the Winter Solstice of 2024, a time of extreme dark or light in either direction, a hunkering down in the wet earth or a baking out in the hot sun. The piece is composed by Stephen Shiell using original material from NSOTA scholars.

With contributions from Stephen Shiell, Rhona Eve Clews, Chris de Sel,** Sk.ye, **Lu(Lu)Lu, Blanc Sceol (Stephen Shiell & Hannah White), Clare Whistler, Michael Timmerman, and Simon McClelland Morris.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.