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Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

This episode features a takeover by Peckham clubnight The Occasional Chill Out, a look back at the best music used in exhibitions this year and music from Mary Lattimore, Sarah Davachi, Internazionale and more.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

In this episode, Erika Elizabeth plays uneasy sounds for unknown futures.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode features a discussion on curating and uncurating sound with Irene Revell, Lisa Hall and Salomé Voegelin, and begins with a conversation on the historical role of curation in CRiSAP and the MA Sound Arts at the London College of Communication, considering a curatorial pedagogy and the fear of being curated.

From there it contemplates the contemporary curator as researcher, as organiser and as medium, and addresses the politics of the curatorial: how rules of funding, governmental expectations and populist demands drive the curatorial towards simple legibility, and how we could curate its resistance.

Recognising listening as a tool toward this aim, this episode ends on a discussion of the figure of the listening curator as a radical and necessary entity that remains largely elusive.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

60 minutes of vivid aural excitement mixed by Ian Murphy.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

This episode features music made by Naviar's community inspired by Masaoka Shiki’s poem “almost black / deepening purple / ripe grapes”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.