← Today's Schedule →

Full Programme (GMT):

• Shakeeb Abu Hamdan (11:23am - 12pm)

• RÆ (12 - 12:45pm

• Mabàh (12:45 - 1:30pm)

• Ponge (1:30 - 3:15pm)

• Undae (3:15 - 4pm)

• Emma Kerssenbrock (4 - 4:45pm)

• Moineau Ecarlate (4:45 - 5:30pm)

• The Dead Mauriacs (5:30 - 6:15pm)

• DJ Chouf (6:15 - 7:20pm)

• Julien Boudart (7:20 - 8:30pm)

• Tasks (8:30 - 9:30pm)

• Tzii (9:30 - 10:12pm)

Over ten hours of live experimental music, performance art and spoken word, broadcast from Les Instants Chavirés on the 17th December 2022. Hosted by Instants Chavirés, Sonic Protest and Collectif Coax. Featuring Moineau Ecarlate, Tzii, Rae, Ponge, Undae and many more.

In this episode: Tom Mudd presents excerpts from extended performances by Reloc, Georgia Rodgers, Sarah Angliss, Ain Bailey & Shenence Liburd, Tristan Clutterbuck, Pawel Dziadur, Sandra Kazlauskaite and La Leif.

Sounding The Great Hall was a two day sound arts festival that took place in 2015 and 2016. It exploredd the acoustics of Goldsmith's Great Hall via surround-sound installations and performances by select sound artists.

This episode features Andrew Zukerman, Bill Nace, Fritz Welch, Catholic Stare, Ivor Kallin, WA Davison, Eamon Sprod, Small Cruel Party, Mic Nodolby, Diego dacax, ewan Kean, Jay Howard, Franciszek Jędras, Angela Sawyer, Ian Murphy, Kieron Piercy, Free magic Show, Jonathan Lee, Aaron Dilloway, Buffalomckee & Satoru Sekiguchi, Robert Millis, Isa Blood, LNB, Lorelei Lorlei, Julian Bradley, Gaël Segalen, Ypsmael, Suppwiyah, Mark Vernon & Manja Ristic

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

In this episode, Lost Letter, a piece composed by Snezhana Reizen. Here are her words about it:

To describe the process in which I was involved here, I would need to convey some details of the setting and the basic materials that formed the backbone of this piece.

In the beginning, there were noises appearing between unconnected wires (an additional and sort of premortal material to my upcoming album Parallel Movements). I found some of the themes this material suggested, such as the desperate seeking of connection in disconnection or beauty in noise or meaning in life full of war, fairly corresponding with what is going on in general or what I can perceive from my current environment in particular.

So these sources were fertilised with Israeli radio, military helicopters severing the night sky, smithereens of debris and bird’s voices, and various sounds of 'human and not' presence and not.

There were some attempts to reverse signifiers of sound in an acousmatic manner so that rolling stones of “go-game” appeared as breathing or speeded human heartbeat as erupting calvary. Water, though, was included in its literalness as a fragrance of hope to the deserted. The water here is Sicilian — a good memory from the Oooh and RARA improvisation art festivals.

But besides processing concrete sounds, closer to the end, I allowed myself a bit of sound synthesis.

Lost Letter is the second chapter of my new series Cryptography. Find out more here.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

Now: part two of, "Who Cares? A Radio Tale", a special broadcast project live from Gasworks, curated by MA students at the Royal College of Art, commissioned as part of Resonance's ‘Strands’ supported by Jerwood Charitable Foundation.

Strands is a programme of digital radio art commissions available to UK-based sound and radio artists under the age of 28 - supported by Jerwood Charitable Foundation.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.