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A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.

In this episode, a two hour mix of Chocolate Monk releases that hit the streets on the super unhip compact disk recordable format.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

This week, Clint is joined by Angela Wai Nok Hui, a legendary percussionist and sound artist based in London and Hong Kong.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

Femmepop stands out as a rare multi-dimensional artist. Producer, songwriter, vocalist, and DJ who does it all independently. She blends emotionally raw songwriting with sharp, club-ready production, bridging the worlds of synth-pop, house, and underground electronic music.

Her work is immersive and cinematic, yet never loses its edge or sense of melody. She brings a personal voice to her tracks, with lyrics and vocal delivery that cut through cold electronica. Her music moves between introspection and euphoria, and her sets and mixes reflect a deep, intuitive feel for mood, tension, and release.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This episode is a contribution by Jet FM.

La Couleur Des Rêves (The Color of Dreams) is a documentary about the journey of textile artist Jacqueline Vrbica (1933–2024)—a woman and an artist deeply committed to her vision. Her work is rooted in the concept of "de-creation": unpicking stitches to transcend the material and transform it into creative energy.

"Transforming a constant pain into something that defies it all—an explosion of joy and hope." The encounter between artists Izabela Matoš and Jacqueline Vrbica was powerful, delicate, and dreamlike.

In December 2025, coinciding with an exhibition honoring Jacqueline’s work in Saint-Marc (Loire-Atlantique, France), Izabela Matoš decided to open a new window for her late friend by paying tribute to her through this sound piece.

Featuring testimonials from: Laurent Vrbica, Stéphanie Triscos, Catherine Gaucher, and Fabienne Swiatly.

Concept, editing, direction, voice, music, sound effects, and field recordings by Izabela Matoš.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This week: Richard Hames interviews Christine Buras, Phonewifey drops a set and Elischa Kaminer’s new piece ‘Gretchen Sonate’.

Ensemble x.y is a contemporary ensemble that commissions and performs new music in a flexible and ever-changing lineup. Run without traditional roles or hierarchies, Ensemble x.y develops its thematically-charged programmes according to the taste and interest of its core players, as well as the developing working relationships between resident composers and instrumentalists.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Now: Wikipedia-Schreiben On Air. Knut Aufermann is joined by Helen Thein, Felix Kubin and Marcus Gammel to continue writing the German Wikipedia entry for radio art (Radiokunst).

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

This third episode features four artists who took part in a research residency at GMEA (Albi, France) as part of the Tekhnē, initiated in 2023:

• Gauthier Deplaude in an informal discussion with Benjamin Maumus about his project Horloges etc.. This work uses two quartz clocks and their electrical environment as the sole sound sources, within a unique technical setup created by the artist, without effects or attempts at control.

• Rodolphe Bourotte tested his latest music production software, COMMA, during his residency. He engages in an informal discussion about his program and insights from his residency week.

• Yann Leguay shares an anecdote about one of his early projects, Dead Media, which centered on reversing the recording process in a vinyl pressing factory in France that has since closed. He reflects on the notions of trace, media, and collective memory.

• Abigail Toll presents Where Words Fail: World Building With Data, Sound, and Co-creation, a sound and interdisciplinary visual study that explores algorithmic herd behaviour in nature and its connections to surveillance practices.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Music by Marilyn Roxie, Sevenism, Fellirium, Red Plane, Natural Life Essence, Jodie Lowther, Lezet, Bisamråtta, Heaven Deconstruction/The Young Gods, Carl Matthews, Queen Adreena, Wet Taxis and Doctor Ellis.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

This week: Ilia Rogatchevski digs into his personal record collection. Featuring sounds from Andrew Steingold, Terminal Cheesecake and The FLK.

Come On, Come Down! explores adventurous night music for the sleepless. The series covers a broad spectrum of genres, from ambient and noise through to jazz, post-rock and contemporary classical. Each episode is thematically linked and aims to highlight a specific mood, artist or movement. Listen out for the occasional live session.

This episode is dedicated to the folk music of the indigenous peoples of Russia. On the territory of the Russian Federation, according to the latest data, there are 193 peoples who speak 277 languages and dialects. In its time, the Soviet major label Melodiya did a huge amount of work trying to record the traditional music of many regions, travelling thousands of kilometres on ethnographic expeditions.

Many records released in the wake of those trips are now rare artefacts. I can say the same about digitised copies - there are not many music files on the web, which somewhat limits the breadth of modern research.

Even so, an hour-long episode cannot contain even a tenth of the folklore music that was released on Melodiya. I worked with broad strokes, showing the music of only 20 indigenous peoples of the country – including the Pooziorets of Vitebsk. We hear traditional tunes from the westernmost region - Karelia. Then, we listen to the cheerful sunny melodies of the peoples of the Volga region, the free music of Kalmykia and the North Caucasus, and delve into the cold shamanic rhythms of the Far North.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

This episode features music by Slow Abyss, gemma notara, Julien Boudart, Thomas Grenzebach, Veronica Moser, Schloss Tegal, Ajna & Dronny Darko Jarl, Mario Lino Stancati and Walter Fini.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

Celebrating 5 years of Logic of the Signifier – Sonic Commune residents AOTCI & OVT's 'archival experiment slash label' – this episode features tracks, edits and excerpts from the last ten releases, by Mücha, ENA, Drvg Cvltvre, sideb0ard, TVO, Tengui, AOTCI & OVT.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.