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It’s time to self-actualise with this episode from Erika Elizabeth!

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by Miura Chora's poem “idyllic nights / and quiet days: / spring rains."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This week: Russian techno from Mujuice, Nocow and Lapti.

Come On, Come Down! explores adventurous night music for the sleepless. The series covers a broad spectrum of genres, from ambient and noise through to jazz, post-rock and contemporary classical. Each episode is thematically linked and aims to highlight a specific mood, artist or movement. Listen out for the occasional live session.

A 22-hour radio project in 7 episodes about editing and the mind, created by Milo Thesiger–Meacham. Featuring 10-second audio extracts from over 6000 unseen videos found online, original sound recordings, music, hand-held camera audio and writing, Body Edit Mind follows an unnamed narrator as they move house and piece together a world of recording devices, names, crime, real-world characters and obscure media from across the globe. Follow Fox Neame on Instagram for more. Commissioned by Radio Art Zone, a temporary radio art station by Radio ARA and Mobile Radio for the European Capital of Culture, Esch2022.

This episode features a work by Shaq Shuka.

Louis Grace presents Teaching Computers to Love. This is a collaborative platform for artists to develop an episode sonically with a 10-20 minute body of work.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

This project is an ongoing internet collaboration curated by regina veldon. “Our parents told us to always remember home, the evening star” is a Facebook group. An internet mixtape.

Curator regina veldon writes:
“I discussed tonight the possibility of creating work based around the title ‘our parents told us to always remember home, the evening star’ and the image nasa released of earth as a bright, starlike object in the evening sky of mars.

The proposition, in more detail, is as follows:
The title of the works should be ‘our parents told us to always remember home, the evening star’
Artists are free to interpret the title and photograph any way they like
The works must be published by the artists themselves and each work must provide links back to the other works using the title so that we build up a web of links

The idea is to provide a hope for the future, to imagine the experiences of children born on a future mars colony.
The project is designed to extend past those invited and everyone who takes part is encouraged to ask others they know to produce their own work”

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode opens with a special introduction by Greek composer Savvas Metaxas who chats about his new album For How Read Now which explores the creative and conceptual possibilities in errors. We also take a closer listen to two other error-inspired albums: Kamran Arashnia's Bounds Elimination and Jonathan Higgins' Good Thanks, You? composed via glitching CD DJs.

We also dive into Rubbish Music's forthcoming debut album via a composition based on a field recording of a recycling centre as well as Australian composer Alexandra Spence's new oceanic release on mappa, a mysterious album by Michigan's Lalén Ríos Luna and we celebrate the arrival of agri-ambient with Michael Lightbourne's Slí na Fírinne.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

This week: still in New York, Clint is joined by "cult icon... of subversive genius" Joseph Keckler, a musician, singer, writer, recording and performing artist, and multifaceted creator whose songs and stories take audiences on enchanting, sometimes unsettling and absurdist, voyages.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

This episode features DeForrest Brown Jr., an ex-American writer, journalist, theorist, curator and a self-described musician by necessity - releasing music under his Speaker Music moniker. DeForrest Brown Jr. is the author of the book Assembling a Black Counter Culture, where he presents a comprehensive account of techno with a focus on the history of Black experiences in industrialized labor systems—repositioning the genre as a unique form of Black musical and cultural production.

Assembling a Black Counter Culture reframes techno from a Black theoretical perspective distinct from its cultural assimilation within predominantly white, European electronic music contexts and discourse. This talk, given by DeForrest Brown Jr. on the 4th of October 2024 at Barreiro’s Jazz School as part of the programme of OUT.FEST’s 20th edition, is moderated by Margarida Mendes, and gives an overview of key details of his book and expands on its context two years after its publication.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

60 minutes of vivid aural excitement mixed by Ian Murphy.

This month: "sound activism" - including work by Ultra-Red, Christopher DeLaurenti, Terre Thaemlitz, and others. None of the pieces discuss UK political parties, but they do references political protests against the WTO, Greek austerity measures and their effects, US political parties, local gentrification processes in Los Angeles and ecological crisis.

Monthly investigations of music politics with Paul Rekret.

Music by Petunia-Liebling MacPumpkin, Dick Mills / BBC Radiophonic Workshop, The Unrecorded, Kepier Widow, Gilman Mom, Glitchfield Plaines, Evgthug1, Judy Collins, Death Kneel, Nostalgie Éternelle, DR, Helen Kane, Rita Braga and the Pete Jolly Trio & Friends.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

A new live radio series by artist Luca George, featuring interviews with artists and musicians. Expect games, phone-ins and performances. All broadcast live from the Resonance studio, where anything can happen. Visit Instagram @lucage0rge

In this episode, a guest mix and interview with composer and producer Midori Hirano plus selections inspired by her work.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

This episode features sounds by H Flora, Natalia Beylis, Eliane Radigue, Mike Cooper, Mandolin Sisters, Componium Ensemble and more.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.