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A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

This week: still in New York, Clint is joined by "cult icon... of subversive genius" Joseph Keckler, a musician, singer, writer, recording and performing artist, and multifaceted creator whose songs and stories take audiences on enchanting, sometimes unsettling and absurdist, voyages.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Melisa Aller (1979, Buenos Aires, Argentina). Experimental filmmaker and composer, PHD candidate in criminal law and human right, lawyer, graduate and professor in political science, university professor, and researcher. In the last twenty years dedicated to work, especially in super 8 film format, filming and editing all on camera without any digital intervention.

Aller's films have been awarded in festivals and exhibitions in the USA, Canada, China, Taiwan, Japan, Cuba, Puerto Rico, Sweden, Spain, Poland, France, England, Germany, Italy, India, Guatemala, Colombia, Ecuador, Mexico, Brazil, Colombia, Venezuela, Uruguay, and Argentina. Since 2013 she has composed music for her films and performances of expanded cinema in Super 8.

She translated her cinema process to her musical composing process: recording, remixing and recording again the tapes with new sound layers. She was the musical curator of Metamusica label records from 2020 to 2024. Now, she runs CLARA RECORDS with the composer Flores Babusci, a little label that edits in physical formats (vinyls, CDs, and cassettes).

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This is a contribution by Radio Campus.

Part 1 of upcoming series Those who are not mothers.

“Do you have children?” To this seemingly innocuous question, those who are not mothers can each give a very different answer and tell a very different story.
Gwen responds in their own way, in this first sound piece that tells their story and their relationship with non-motherhood.

It's also about what they feel on a sensory level. How they live in a binary and heterosexual system. What is “natural” or not And how they find their way in there.
Other creations on this question will follow, presenting each person's unique universe on this theme.

Gwen Sainte-Rose is a musician, composer and sound artist. Their creations are always guided by sensitive listening.For cello and loopstation, they composed Collines – Racines, two soundscapes inspired by the Forêt de Soignes and the Gaume region in South Belgium.

They produced the radio documentary Ne pleure pas! (Don't cry!), about child abuse.
Now they are also exploring links between videos they made with a microscope camera, sound and music, as in « Garden ».

Production, sound design and music: Gwen Sainte-Rose. Curation: Carine Demange.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This month: Richard Hames gives an essay on Pop, we hear a new piece by Mayah Kadish and phonewifey drops a set.

Ensemble x.y is a contemporary ensemble that commissions and performs new music in a flexible and ever-changing lineup. Run without traditional roles or hierarchies, Ensemble x.y develops its thematically-charged programmes according to the taste and interest of its core players, as well as the developing working relationships between resident composers and instrumentalists.

This episode marks 15 years of Zamzam Records and features 10 projects and some memories from the label.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

Now: Walter Marchetti's Music for a too Small Glass.
17 years previously, Knut Aufermann assisted Marchetti in carrying out this piece in London. Now he performs it himself in the courtyard of Silent Green with evocative old wines from the Mosel valley.

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

This episode features two talks with the Latvian artist Kārlis Tone and the Estonian artist Erik Alalooga, presented in sequence. Interviews are accompanied by sounds captured during the performance of Kārlis Tone's commission at the Skaņu Mežs festival and Erik Alalooga's performance at the joint Baltic Analog Lab and Skaņu mežs residency in Riga, Latvia, in the autumn of 2025 and early spring of 2026.

The interview is conducted by Viestarts Gailītis. The music that one hears is as follows: two fragments from Tone’s composition "Balss lūzums" (eng. - voice fracture), a song “Garu čuksti vados” (eng. - spirit whispers in the cables) by Tone’s band Grab and Erik Alalooga’s songs “Jack the Chopper” and “The Boreal Desert”. Kārlis Tone and Erik Alalooga are experimental musicians and sound artists from Riga and Tallinn, respectively.

Tone is known for his work in the experimental rock band Tesa (est. 2005), the Grab project, and the neo-folk outfit Līgas ph3, as well as for theater music, while Erik Alalooga is a performance, sound, and kinetic art veteran and teacher. He will present his installation at the Skaņu mežs festival in October 2026.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This month: music by Anglezarke, Vulgar Débil, Kirsten Bråten Berg/Ale Moller, Rainbow Serpent, Sandra, Turvia, Whettman Chelmets, Solanaceae Tau, Alzar - DrOwL, Elizabeth Joan Kelly, Chris & Cosey, Closeyoureyes, Bocksholm and Astrovia.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

This month: promo downloads are woven into an eclectic ambient mix. With Bass Clef, Laraaji & Bloodkry.

Come On, Come Down! explores adventurous night music for the sleepless. The series covers a broad spectrum of genres, from ambient and noise through to jazz, post-rock and contemporary classical. Each episode is thematically linked and aims to highlight a specific mood, artist or movement. Listen out for the occasional live session.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

This episode features works by Porya Hatami / Ruaridh Law, Ian Henderson & Alice Yousaf / Raudive / The Bug / DJ Persuasion / A New Unity / Underworld & The Necks / TVO / Eugene Carchesio / Bill Drummond / JP Hartnett / Alice Hoffman-Fuller / Silent Servant / Svreca / Spiral Wrack / Loud Numbers / Tengui / Dylan Nyoukis & Karen Constance / Keith Fullerton Whitman / Ex Easter Island Head / Andre Holland / Angelo Badalamenti / Posthuman.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.