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This week: Joseph Stannard presents a generous earful of scintillating sound including tracks by Earthslayer, The Golden Corpse Of Midas, Allen Ravenstine and Ak'chamel.

New music with The Wire Magazine. Hosted by members of the magazine staff: Emily Bick, Chris Bohn, Phil England, Misha Faulty, James Gormley, Joseph Stannard, Lucy Thraves and Shane Woolman.

This episode features new works by SCHiM, Dariusz Kociński, David Wallraf, NLC + EMERGE, Hans Castrup, Grey Frequency, Kloob, Rapoon, Murder Corporation, Odiv.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

A six part radio series in English and Welsh, realised close to the sources of the rivers Severn and Wye, in Powys, Wales, summer 2026. Made by Ed Baxter (concept, texts, montage), Steffan Cennydd (voice), Richard James (music, field recordings) and Michael Umney (interviews, field recordings, production). With contributions from Dan Craig, Sandy Craig, Neil Haymer, Dewi Roberts and members of Tai Haf Heb Drigolyn. With help from all at The Hanging Garden, Amanda Thesiger, Tim Meacham, Ffion Emyr and Mike Woolley. Supported by The Colwinston Foundation, Hinrichsen Foundation, The Leche Trust and Unity Theatre Trust. To all of whom, profound thanks. A Resonance Production.

The Science Museum and Resonance 104.4FM presented a live performance to a capacity audience of Sketch for Ascent and Descent featuring Dudley Sutton at the Science Museum’s Media Space on the opening night of Aleks Kolkowski’s exhibition The Exponential Horn: In Search of Perfect Sound, 19 May 2014. The Orchestra comprised Ed Baxter (text, score, electric bass), Dudley Sutton (voice), Adam Bushell (vibraphone), Peter Lanceley (electric guitar, voice), Chris Weaver, Sarah Washington and Knut Aufermann (electronics)

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In this episode: a DJ set with some recent favourites, and a studio session premiering the first batch of new tracks for the Is Under Location Surfaces album, which will be gradually expanding from now until January. Tracks available after broadcast here.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

This third episode features four artists who took part in a research residency at GMEA (Albi, France) as part of the Tekhnē, initiated in 2023:

• Gauthier Deplaude in an informal discussion with Benjamin Maumus about his project Horloges etc.. This work uses two quartz clocks and their electrical environment as the sole sound sources, within a unique technical setup created by the artist, without effects or attempts at control.

• Rodolphe Bourotte tested his latest music production software, COMMA, during his residency. He engages in an informal discussion about his program and insights from his residency week.

• Yann Leguay shares an anecdote about one of his early projects, Dead Media, which centered on reversing the recording process in a vinyl pressing factory in France that has since closed. He reflects on the notions of trace, media, and collective memory.

• Abigail Toll presents Where Words Fail: World Building With Data, Sound, and Co-creation, a sound and interdisciplinary visual study that explores algorithmic herd behaviour in nature and its connections to surveillance practices.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This episode features music by Charles Bobuck, Taxxess, Gurdonark, Mattin, Headband, Ginny Arnell, Severed Heads, Red Plane, Carya Amara, Alan Feanch, Vi Res, Captain Beefheart & His Magic Band, Masover and Mikra.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

This episode features music made by Naviar's community inspired by Yamaguchi Seishi's poem “Into my midday nap, / again and again, / someone hammers a nail."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Introducing a special episode by Snezhana Reizen.

Antenna. The madness of the day...

Antenna is a series of works on transduction with the sole sound source taking place - radio waves. Here I was devoured by discontinuity and discharge inherent to the "miracle of the wireless. the omnipresence.. the overleaping of frontiers” - the radio, like it was marked by R. Arnheim.

This piece emerged in two phases: the first one can be called a transduction - a process of conveying potential energy from discharge into a signal. It was a spontaneous live radio-noise set recorded close to the closed shelter. This summer
I found myself stuck in between absence and presence in amplified senses,
confronting the avalanche of the noises erupting on us by this world, facing the chaos, “embracing alienation”, holding a degree of disbelief..
that this "disparity can be modulated”..

Yet, seeking the perceptual transmutation.

Biologists say there are two phases for the perception, so that after transduction of the signal, a transformation should take its place.
Following this logic, the second phase of this work appeared as an improvised procession with effects and filters - a real-time mix-ture, with slight subsequent recombinations.

If there's something one can call a ground for this piece, besides its sound source, it dwells upon a chance. It is a conversation with a present moment beyond the borders by a flying carpet of propagating radio waves.

"Antenna" was created drawing on ambisonic spatialisation with a mixed approach, so that some sounds move through in a chaotic manner, while the trajectories of others were meticulously calibrated. In doing so, I did not seek to determine the exact location or direction for each sound particle, but rather to underline the traces - their nomadic movements within the whole sphere of the revealed ensemble.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

This episode features music by Aponeuron, Corp Cruid I, Expander Des Fortschritts, Pik Duzfuß and more.

Socialist Realness a mix series by GAJEK focusing on avant-garde and electronic music produced in the GDR and shortly after the fall of the Berlin Wall.

In this episode, Jennifer plays some new gems.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode marks 15 years of Zamzam Records and features 10 projects and some memories from the label.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

In this episode, School of the Damned collaborated with musician Sarahsson deep underground inside an abandoned mile-long WWII ammunition depot tunnel. On-site, we recorded a series of compositions featuring Sarahsson on tenor horn.

Interwoven throughout this episode is archival footage from the 1980s that was captured during a brief period when the depot was open to the public. The tunnel is also a hotspot for paranormal investigators, so we feature found recordings of people attempting to communicate with ghosts.

All the sounds you hear in this episode were recorded in Farleigh Down Tunnel.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.