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Hypermobil is an artist with a passion for networking and collaboration in feminist collectives. She loves to express herself through art and music and believes in their impact on social change. In this podcast you can enjoy a collection of tracks by women, non-binary, and trans artists.

You are taken on a journey to hear from and about boss bitches, cuties, good girls, and whatever you feel like on the dancefloor.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

In this episode, new music from the North Kent coast's Coastal Electronauts crew, and then from the Sussex coast with some music from the Brighton's Patchworks label.

The second hour features long form works from our own collective member Remember Glaciers and, from Japan, a favourite of ours, Kina:Suttsu. We may be the last generation who can remember glaciers.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

This week: See your way to being charmed by the music of Aileen Stanley, Tom Ellard, Sparks, Neu!, Salaryman, Empty Helix, Giant Gutter from Outer Space, Morocco Dave, C. Reider / Eyelight, Simon Heartfield, Dissolved & Nonima and Sevenism.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

In this episode, we’re playing recordings from our investigation into the Greenwich Park Reservoir. This space has been abandoned for 150 years and Greenwich Park has sealed the entrance tight. Fortunately, there are small vents above that are big enough for cameras, speakers and recorders.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

In this episode, Dronica meets DJ Comisarios de la Luz, co-curator at Magia Roja, in Barcelona.

Màgia Roja is a label/association/venue from Barcelona, specialized in non-conformist music and culture with a decidedly iconoclastic slant. Described as "Spain's most extreme and most important label-slash-venue " and "a place unlike any other in Spain, perhaps any other on earth" by the Quietus, Màgia Roja has become a reference point of the Spanish underground in recent years.

The first hour of the podcast is a mix trying to convey what a Màgia Roja night at HQ was about, done by the resident DJ Comisarios de la Luz.

The second hour of the episode is a selection of tracks from the artists in the label, including some to-be-released tracks.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

Archival recordings of a 7-hour radio event broadcast live from the Resonance Extra studios on the 29th January 2023, featuring live performances and new and exclusive audio works.

There is currently a structural water crisis in the Palestinian Occupied Jordan Valley. Not a climate or geographical water crisis, a deliberate socially and politically engineered crisis. Israel, since it invaded the West Bank in 1967, controls every public aspect of civilian life in the Jordan Valley. Israel administers two populations, the Israeli settlers and the indigenous Palestinian residents. Israel deliberately and strategically deprives Palestinian farming communities of access to fresh, clean and reliable water supplies, water that is needed for crops and herds, as well as for the Palestinian farmers and herders.

This can mean either not permitting them to be connected to municipal water supplies, despite the Israeli settlers having such access. It also entails not permitting Palestinian people to sink new wells on their own land, and blocking their access to existing wells and springs, either by fencing off the water source or destroying pipes bringing the water to the herders and farmers. The end result is frequently that either the farmers have to pay extortionate prices to purchase water from the Palestinian authority, or if they cannot afford this option they are forced to abandon their land and way of life.

Featuring the water truck driver, co-activists Natasha and Nitsan, shepherds community of Khalet Makhul, shepherd ‘W’, shepherds community of Hirbet Samra and Aref Daragmah. Translation from Arabic: Laila Abd El-Razaq. Introductory text: Liam Evans

Meira Asher is a composer, performer and human rights activist. She primarily uses the medium of sound-art and radio-art. Graduate of CalArts and KonCon, she was co-founder of the Bodylab art foundation with Guy Harries (2001-11), where they produced several projects including Infantry and Woman See Lot of Things. Former lecturer at University of Haifa's Art School (2012-2022) and producer of the independent radio-art show radioart106. since 2014.

Her works have been released on Crammed, Sub Rosa, Auditorium, Raash Records and Ultima Ratio labels. Her recent works include Antonin Artaud’s radio essay To Have Done with the Judgement of God, Sonic Voyage of Resistance for Radio Art Zone 2022, and the Catastrophe trilogy by duo Asher.Zax featuring Dave Phillips, Ensemble Musica Nova, and more.

A six-part series by Meira Asher and Stephen Shiell exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist or group who engage with water politics and the politics of listening through the medium of radio.

Radical Translations is an interdisciplinary project which explores the role of translation in the spread of radical, democratic ideas during and after the French Revolution. The students translated the manifesto during a series of workshops led by the poet and translator Cristina Viti.

They also interpreted and adapted the text to the stage with the help of the dramaturge Simon Hatab and the French theatre collective La Phenomena, in a dialogue with the work of Jean-Jacques Rousseau and the philosopher Jacques Rancière, as well as the music of Mozart in The Marriage of Figaro (1786), culminating in a performance at Sands Films Studio in London.

An audio essay and documentary which follows a group of students from King’s College London as they translate The Manifesto of Equals (1796) by Sylvain Maréchal from one language, time and context into another, but also to the stage in the presentation of Performing Utopia. Written and produced by Patrick Bernard, it explores how politics, theatre and translation transform our understanding of the world, and reflect a desire to make words and ideas manifest. For more information visit Tenement Press who are publishing an anthology of radical translations, An Anarchist Playbook, in January 2024.

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"A mesmerising, bravura meditation on work, power, and subjugation." – Luke Kennard.

Recorded on location in Resonance's studios, in which poet, author, and artist SJ Fowler and writer, curator, producer, and presenter Gareth Evans engage in a wide-ranging conversation on (and around) the authorship, indications, and implications of Fowler's debut novella, MUEUM.

A four-part, unabridged broadcast of SJ Fowler’s debut novella, MUEUM — as read by the author — recorded on location in Resonance Extra's South London studios. Produced by Dominic Jaeckle and Milo Thesiger-Meacham.

In this episode, Ted Mair performs a live set in the studio, and is interviewed by Joe amongst track selections including Judee Sill, John Cale & Adrienne Lenker.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

In this episode, Dylan & Karen are joined by Marija Kovacevic, {AN} EEL, Max Julian Eastman, Anna Peaker, Theo Gowans, Adam Buffington, Yoni Silver, Emanuel Silve, Evyatar Silver, S*Glass, Draamakuu, Simon Whetham, Zhao Ziyi, Jay Howard, Lighten Up Sounds, Witcyst, Bruce Russell, Al Strachan, Ivor Kallin, Euan Currie, F Ampism, Cody Brant, Alex Kera, Jeph Jerman and Shit Creek.

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

This episode is created for the March Equinox. Notice the arc of the sun across the sky each day. Notice it’s shifting northward. Responding to this change, birds and butterflies migrate back northward, too, along with the path of the sun.

Curated and produced by Ambrose Hrebeniak, Simon McClelland Morris and Chris de Selincourt in collaboration with NSOTA scholars, ensemble, and friends.

With contributions from Pearl Fish, Rhona Eve Clews, Victoria Thiele, Michael Timmerman, Simon McClelland Morris, Chris de Sel, Sk.ye.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

Celebrating exclusively boundary pushing artists, this episode spans previous guests and featured artists of Connections to Sound.

Background music: Your Echoes by Kayla Painter.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

What became of the Library of Alexandria? It seems to have fallen victim to the flames. Just like our beautiful jingle. Only remnants of it remain, because we allowed ourselves to play with fire in this programme. We were amazed at how many levels there are links between the element of fire and radio! It starts with the German word “Funkfeuer” (radio beacon) and ends with Telefunken and lightning. We enjoy the convivial warmth of the campfire and marvel at electromagnetic inventiveness.

A programme featuring sonic illusions and surprising parallel universes. Production and recordings by Barbara Huber, Barbara Kaiser, Fabi Lux, Stefan Nussbaumer & Karl Schönswetter. Contains industrial recordings by kwandalist.

Arrangement & mixing by Karl Schönswetter. From our Elements series. Previously released: Earth, Water and Metal.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Snores, text scores, album launches, gospel, illbient, Korean synth pop and endangered and iconic Mexican birds all feature on this rather full episode. Salomé Voegelin introduces her new album Paint your lips and sing your favourite pop song out Jan 27, we preview a little more of Whettman Chelmets Joan and take a first listen to Leena Lee and Vania Fortuna's Niebla, an examination of the quetzal bird.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Hello by Adele. There's no order, no lists, only stilted and exclusive material. Squirrels, electric toothbrushes, reague fanatics, babies, mermaids and newts… all are welcome in Shuffle formula radio mode.

This episode features a special guest, Milo Thesiger-Meacham.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

In this episode, Wendy Lavone (Sam Hughes / Nancy) subjects his discography to the butchers for an hour of twisted and reimagined versions of his work. Not to be listened to on a full stomach, features exceedingly bloated drones and dread sonics weaved throughout classic writings on depression and blackened soundscapes composed by Kinn. And yet, there is hope for all sick dogs...

Wendy’s LTD run of cassette on An1ma is out now. You can also find Nancy (clothing) at Supreme, Slam City Skates and on their website.

Channelling an array of fervent interests in many genres through different mediums (Film, Music, Sound Art and more), Kinn - the brooding-electronics project of London based artist Freddy Lomas - and his guests use original soundscapes and compositions to weave together an original concept for each month's show.

This episode features João Polido, a Portuguese musician, composer, and lecturer who investigates cultural memory, tradition, sound technology, and the socio-political history of music. The title of this talk, “Spectral Lore of Tradition”, emerges from his observation that, as oral memory fades from contemporary life (paradoxically aided by recorded media), traditional music and folklore become suspended in a kind of temporal loop.

Shaped by structures of power in Portugal’s history - particularly during the military dictatorship and its aftermath - these forms reveal complex dynamics of aural remembrance, abstraction, and reference. Framing remembering and forgetting as intertwined acts, Polido explores spectral processes in audio as both remediation and a strategy in the face of the failure of recognition. As Nagel and Wood write in “Anachronic Renaissance”: “There was no ‘original’, in other words, until someone tried but failed to replicate it.

The original was the creature of the replica.” This talk was held as part of the programme of OUT.FEST’s 21st edition, at Casa da Cidadania Cabós Gonçalves in Barreiro, Portugal, on the 3rd of October of 2025. The podcast is bookended by the tracks “Contours” and “Prova de Existência” by Polido, taken from his 2024 album Hearing Smoke (Holuzam).

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

This episode was inspired by Pierre Bastien, and takes a look into a few examples of mechanical and self playing instruments and other automatic music. Selections from Pierre’s back catalogue in hour two.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.