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60 minutes of vivid aural excitement mixed by Ian Murphy.

We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

Today Angela Wai Nok Hui, a percussionist and sound artist based in London and Hong Kong goes live for her second broadcast.

Angela will be working on long duration on-air performances using feedback, heartbeat, ⁠vibration and singing for in installation at the Iklectik concert on 26th July.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.

In this special extended broadcast, not important and School of the Damned come to you live from a hidden woodland on Walthamstow Marshes.Featuring performances from YUNA, Li Song & Titus Barker (duo), Yewen Jin, Conal Blake, Regan Bowering & David Sappa (trio), Li Yilei, Pentu, and interviews conducted by Edward Sanderson.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

This episode is composed by Izenberg out of flexi-discs, synthesizers and live radio sampling. Using a few flexi discs including ones found in old National Geographic and Psychology magazines I’ve crafted a few short pieces from found sounds. The final piece in this episode includes Alex Sesper on tapes and synthesizer.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

In this episode, another round up of top class music and sound from within and around the orbit of the Spirit of Gravity collective. The second hour features the penultimate contribution from the Omnistitional Cultures Research Unit - Omnistitions 5: Transmissions from The Rehearsal Room.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this sixth episode, five sound artists hosted by TRAFO are interviewed, each representing a different perspective on technology in the context of contemporary music and sound art.

Jasmine Guffond presented Listening Back, exploring the subversive use of technology in the context of permanent internet surveillance. Jenny Gräf examined the space between technology and traditional craft. Ruben Rübe and Passepartout Duo introduced a new approach to musical instruments and composition. Finally, Mark Mushiva shared The Institute of Decolonial Technology, an initiative that blends artistic practice with scientific inquiry.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).