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Rave d’Amor is a Berlin-based DJ who loves moving between different styles of electronic music. Sometimes cheesy, sometimes ravy , her sets are defined by a colorful and versatile sound palette. In this set, with music made by FLINTA* artists at its core, she starts with dark disco elements and builds momentum towards punchy rave and bounce beats.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

In this episode, a special guest takeover by Hyena Collective. It features a stereo radio mix of Bass Superstructure – a recent 10 channel sound installation-performance by the collective, and a sonic response from Dr RAYPOWER inspired by a forthcoming exhibition text titled Hyenic Polyphony.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

A series devoted to experimenting with sound using the human voice by vocalist Amanda Brooks.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

A drifting transmission of found tracks, fleeting recordings, radio fragments, field traces, and musique concrète textures—woven together and reshaped live in the moment.

Featuring a piece by Maya Landsman, Nevo Romano, and Or Rimer, alongside an extract from Louis Laurrain’s Au Châlet Neuf.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode, a radio fairy tale in a prologue and three scenes.

Text: Fred Marchal and Jean Nello. Music: Frank Martin. Sound design: Jonathan Frigeri. Musical direction: Zoi Tsokanou. Staged reading: Anne-Cécile Moser

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

And Then finds Ed Baxter and Michael Umney in conversation about Resonance FM. This series was commissioned by the Independent Community Radio Network and was supported by the Nordic Culture Point Nordic-Baltic Mobility Programme for Culture. Produced by Michael Umney and Ed Baxter.

In this episode, Shoko Yoshida and Ramilda join Joe live in the studio for their second improvised 'sitting', following up on their initial 30-minute improvisation on bass guitar and cello in October at Minor Attractions, where Late Works soft launched a new recurring event titled Sitters.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

In this episode: autumnal noises with Craig Stewart Johnson, Slow Listener, The Co-operatii, Witcyst, Nathan Howdenshell, Xeroxhead, BillNace, The Obliterans, Posset & Luke Poot.

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

In this episode, a deep dive into ambient experimental music, shining a spotlight on evoking a sense of deep emotion through crafted soundscapes and production choices.

Listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

Seven days in June, seven replicated walks, each walked once, on one of seven consecutive days – seven days in June, each in the ‘same place’ - across Beringia, on Iñupiat land. This episode is Movement 2.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

This episode is a contribution by Usmaradio.

To Communicate is a composition for radio transmissions, feedback and live electronics by Andrea Gava created in collaboration with Sante Gava.

To Communicate is a site-specific performance that begins with the installation of an antenna designed by my father Sante Gava, radio amateur ‘till the late 70s with the name India Zulu Three Charlie India Xray (IZ3CIX), at the performance site, alongside with a radio. The signals captured with it is then processed in real time and combined with live electronics.

My dad has been a radioamatuer since his twenties. He is still very passionate about it. He builds is own antennas and in the past he also used to make them for other people. Probably, in a subconsciuos way, my interest in sounds, noise, electronic instruments and diy comes from this activity as a radioamateur I was exposed to since birth. A few years ago in my musical research process with aleatoric sound sources, soundscapes and improvisation, I started thinking about radio signals and how to incorporate them in my music. I asked my dad if I could listen to some of his sessions. With my adult ears, the ones of a musician and composer with a passion for Pauline Oliveros, John Cage and Murray Schaffer, I discovered some amazing things simply listening to him surfing the radio waves.

There is such a vibrant soundscape hidden in that background noise and the wonder of the research and discovery for someone (or something) out there is so exciting and inspiring. The fact that noise is also a big part of this sonic landscape is pretty important for me: it is a perfect representation of the fact that noise is everywhere, it is the space where we move, the time that we live, it is a sea where we swim, a sound that contains all of the sounds and it is no single one of them.

“To Communicate” cannot exist without my dad. He is an essential part of this composition not only for the technical side of it but also in the final concerts as an active sound element.

I’ve never talked that much with my dad. He is quite descreet and silent about his inner world, his emotions. We haven’t had many conversations during our lifetime about our feelings. Nonetheless we really love and support each other in every situation, both good and bad. But this lack of communication has always bothered me, more and more during the last years. I know that I’m responsible for this too so I decided to make a change: now that we are becoming older I want to try to create a new bridge between us, a way to communicate.

Music and sound. A creative process that involves one of his passions, the radio, specifically conceived to supply this basic human need for connections and communication seemed the perfect way to do it. A way to make things together, to be creative, to talk and to listen, to connect deeply with each other. “To communicate” for me has a personal and emotional value beside its universal meaning.

Of course this is just a little step. It’s an attempt to communicate, in a rudimentary way maybe, and failure is part of the process too. Communication doesn’t work everytime. It is full of compromises, misunderstandings, conflicts, distance. But it is important to try. Again and again. In these dark and violent times where borders and wars are part of our everyday lives to communicate is more necessary than ever. We need to do it. I want to do it. And I will.

“To Communicate” has been performed twice: the first time in May 2025 during “Closer” (www.borgodicolleameno.it/portfolio/closer/), a contemporary art exhibition at Villa Davia, Borgo di Colle Ameno, Sasso Marconi, Italy, dedicated to the 150th birthday of Guglielmo Marconi, the inventor of the radio, in the same places where he made his first experiments at the end of the nineteenth century. It was played on an acousmounium called Organo Motore, built by Nicola Facchini and Giuseppe de Benedittis (www.organomotore.com). For this performance, I connected via radio with Sante, who transmitted from his home hundreds of kilometers from the concert site.

The second performance took place in February 2026 during “Radia. Mini-festival di radioascolto” (https://radiafestival.com/), at the Memoriale Veneto della grande guerra, Villa Correr Pisani, Montebelluna, Italy. The festival is dedicated to collective radio listening practices: podcasts, contemporary music, sound poetry, listening parties. During this second concert, Sante joined me on stage and performed a radio amateur session. I collected his audio and manipulated it in real time with live electronics, no input mixers and feedback.

A documentary about To Communicate and its première in Villa Davia is available here: www.youtu.be/QLQkIHowWnM
More info: www.andreagava.com

Andrea Gava (1990, Italy) is a musician, composer and sound designer.

His work focuses on electroacoustic music and improvisation techniques. He explores the topics of the unexpected, the musical value of broken instruments, of the relationship between man and machine, between presence and absence, of the soundscape as a real space and an imaginary one. His research in the field of electronic music has developed around no-input techniques and the use of audio feedback as the core of his aesthetics.

He plays concerts and records albums both on his own as Andreij Rublev and together with others.

He created soundtracks for theatre, short films, silent movies and contemporary dance performances. He collaborates with cultural institutions, galleries, schools and universities, associations and people from all over the world. He creates online informative content on contemporary music, connecting artists and audience through talks, listening sessions, radio broadcasts and much more.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

A special hour-long mix by the US composer Cody Yantis is the feature of this episode. This mix focuses on the music which inspired his recent album Opticks. We also play one of the two long pieces from Manja Ristic's brand new album Ma.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mindblowing covers and drifts of Crab Rave by Noisestorm. There's no order, no lists, only stilted and exclusive material.

Flamenco lovers, objects and devices, drum’n’bass dancers, ancient beings, final celebrators, funny crabs, angry crabs, crab museums… all are welcome in Shuffle formula radio mode.

And for this episode, we have a very special guest: the Crab Museum, a museum dedicated entirely to crabs.

Based in Margate, on the south-east coast of England, the Crab Museum is a small, independent museum that mixes science, humour, ecology and a good dose of crab obsession. It explores everything from crab biology and evolution to climate change and our relationship with these fascinating creatures.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Now: Sport Song Show. Mobile Radio are joined by Nástio Mosquito to trawl the internet for the worst and sometimes the best of music made by sports teams and their fans.

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

"Novelistic in Javier Cercas's definition of the novel as encapsulating the universe; personal to the point of nakedness while grasping the world through anonymous, atomised mass media; expansive, complex, focused; interesting in terms of technique (gathering, patching, chopping, sewing, marinading, cooking); witty, absurd, clever; elusive, lucid; a real work of art." - The Wire

A 22-hour radio project in 7 episodes about editing and the mind, created by Milo Thesiger–Meacham. Featuring 10-second audio extracts from over 6000 unseen videos found online, original sound recordings, music, hand-held camera audio and writing, Body Edit Mind follows an unnamed narrator as they move house and piece together a world of recording devices, names, crime, real-world characters and obscure media from across the globe. Follow Fox Neame on Instagram for more. Commissioned by Radio Art Zone, a temporary radio art station by Radio ARA and Mobile Radio for the European Capital of Culture, Esch2022.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.