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This episode of “Listening Experience” is about Berlin-based music, and features tracks by Rieko Okuda, Reverse Mode, and Bohemian Drips. There is also a short introduction to Team Philoxenia, a Berlin-based humanitarian group.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

This episode is dedicated to the folk music of the indigenous peoples of Russia. On the territory of the Russian Federation, according to the latest data, there are 193 peoples who speak 277 languages and dialects. In its time, the Soviet major label Melodiya did a huge amount of work trying to record the traditional music of many regions, travelling thousands of kilometres on ethnographic expeditions.

Many records released in the wake of those trips are now rare artefacts. I can say the same about digitised copies - there are not many music files on the web, which somewhat limits the breadth of modern research.

Even so, an hour-long episode cannot contain even a tenth of the folklore music that was released on Melodiya. I worked with broad strokes, showing the music of only 20 indigenous peoples of the country – including the Pooziorets of Vitebsk. We hear traditional tunes from the westernmost region - Karelia. Then, we listen to the cheerful sunny melodies of the peoples of the Volga region, the free music of Kalmykia and the North Caucasus, and delve into the cold shamanic rhythms of the Far North.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

This week: Popular Motives. 'I believe, in fact, that attempts to bring political protest together with ‘popular music’ – that is, with entertainment music – are for the following reason doomed from the start. The entire sphere of popular music, even there where it dresses itself up in modernist guise is to such a degree inseparable from the commodity, from the cross-eyed transfixion with amusement, that attempt to outfit it with a new function remain superficial. And I have to say that when somebody sets himself up, and for whatever reason accompanies maudlin music by singing something or other about Vietnam being unbearable….I find, in fact, this song unbearable, in that by taking the horrendous and making it somehow consumable, it ends up wringing something like consumption-qualities out of it." (from a television interview with Theodor Adorno)

Monthly investigations of music politics with Paul Rekret.

In this episode, an Autechre special.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In this episode, a special guest takeover by Hyena Collective. It features a stereo radio mix of Bass Superstructure – a recent 10 channel sound installation-performance by the collective, and a sonic response from Dr RAYPOWER inspired by a forthcoming exhibition text titled Hyenic Polyphony.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Joe is joined in the studio by musician Max Winter for an interview amongst track selections, including Mark Hollis, Lanark Artefax & Maurice Ravel, as well as a couple songs performed live by Max on the acoustic guitar.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

In this episode: Iceland ... every three hours for 24 hours ... eight times ... daag einn I juni ... I stand and look east across the fell to the obelisk. Beyond it the northern shoulder of Burfell rises then slips away off its hog’s back summit.

Stand and listen to the plaintive pipe of the Golden Plover and the croak of the Snipe.

Stand … then move off ... down the slope; through the Marsh Marigolds; over the stream; cross two fences; cross the horse paddock to the leaning post; along the horse path; around to the fence to the left; over the fence; cross four streams; pass the waterfall; cross the marsh; cross the stream on stones; up the slope to gap in ridge; up the slope to the lip; around the obilisk; pause; retrace my steps ... eight walks ... eight sections ... split ... re-built ... into a day at random ... eight movements ... this is movement 6.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

This is changing slowly, and balancing work and motherhood remains a challenge. However, many women also feel a new surge of creativity during pregnancy and when entering motherhood, and there is scientific evidence suggesting that the physical changes brought on by motherhood promote a new sort of creativity.

This episode is an informal exploration of this topic, with contributions from Tatiana Kolganova, Asami Kiuchi Oishi, and Maya Felixbrodt.

Curated and produced by Leonie Roessler for Studio LOOS, with funding from the Gemeente Den Haag.

Artist and composer Leonie Roessler explores creativity during pregnancy and the postpartum period of a woman’s life, both stages traditionally disconnected with working as an artist. It has been challenging for women to secure a career in the arts and to pursue art as a profession rather than simply as a hobby. When women emancipated themselves via contraception, they could pursue artistic careers, but still, they often had to choose between their work and becoming mothers.

This episode is based on 90's psytrance.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Tina Turner's Private Dancer. There's no order, no lists, only stilted and exclusive material. Public and private dancers, non-binary voices, Finnish superstars, peaches, orchestras, strong women, workers who hate their jobs … all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

This episode was inspired by Pierre Bastien, and takes a look into a few examples of mechanical and self playing instruments and other automatic music. Selections from Pierre’s back catalogue in hour two.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

This episode is contribution by Sara Delirio.

In a world where noise imposes itself as a constant, I transform sound into a refuge—a path to find balance amid the relentless and demanding motion. Since 2019, I have explored sound as both a language and a space where forces converge, seeking to become a channel of connection between the inner and the collective. In my sonic exploration, I dive into the rawest textures—the tribal and the primitive—into repetition as a sequence that transports us to altered states of consciousness.

For me, the dancefloor is not just a place of escape, but a living organism where every element plays its role: the dancers, the organizers, the music creators—all part of the same mechanism. Nothing exists in isolation; everything is part of a circuit where vibrations move, transform, and return amplified. Each encounter becomes an exchange that expands my vision and nourishes my purpose.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This episode features a guest mix by producer and experimental sound artist Kayla Painter.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Joining Kayla in this episode is composer, sound artist and improviser Loula Yorke. Her intricate modular live sets see her building abstract sonic collages into powerful beat workouts.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

In this episode, Misha Farrant plays tracks by EDU & JUDGITZU, Masayo Koketsu & Nava Dunkelman, Alvarezz, Egg Meat, tripes, Miguel Mendez, upsammy & Valentina Magaletti, Dhangsha, John Tilbury and more.

New music with The Wire Magazine.

This sound creation piece captures the essence of autumn in the Aragonese region of Sobrarbe. Through field recordings collected in forests, rivers, and mountain villages, it reveals the textures of a landscape in transition — the rustle of dry leaves, distant cowbells, the whisper of the wind through beech and pine trees, and the echo of footsteps on ancient stone paths. The composition invites the listener to experience the emotional and acoustic depth of the season, blending natural ambiences with subtle sound design to evoke the quiet beauty and melancholy of autumn in the Pyrenees.

Soundscapes recorded at Bielsa, Pineta and Chisagüés 23-25 october 2025.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.