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In this episode, DJ Brandi plays some new wave and post punk gems from 1979 and beyond.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by Yatsuka Ishihara's poem “In the sky, the sound / of a mountain stream — / blossoming cherries”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode is a contribution by Radio WORM.

PINS is a game for all anonymous egos, everywhere, made through repositioning and reproducing old dreams and documents. PINS is a game that rejects the word “practice”, a ponderous barrage balloon of a word, one with a thin skin that can be undone with a pin prick, revealing an awful lot of hot air. Leave it for the doctors and lawyers.

Or call it “praccy”. PINS favours the word “process”. Process can mean the slow deconstructing of making art. Process also means something that can be tracked. It means repeated and unglamourous toil, uncertainty, silence, private actions with no hope of public validation, multiple failures and misunderstandings, and – eventually – something or other. In the 1960s you could enact “death by Process”. There is rarely a plan, just an idea. Chance, whim, accident and other people play a role in the end result.
What does Richard think about PINS?

Richard often feels between worlds. He remembers the congealed boredom of the analogue industrial past. He is often wary of the earnest, yet fly-by-night present with its assumed importances and digital fevers. Like Syd Barrett, he is “much obliged” to contemporary life for regularly “making it clear that he’s not here”. Richard realises that being between these worlds is both his natural state and his opportunity to act. Between 1840 and 2023 he spent an incalculable amount of time looking out of bedroom windows, or sitting in pubs listening to builders, plumbers and middle managers telling him what real art is. Now he wants to bring those worlds he saw together, somehow. He feels he has a lot to do, even if his work may not make much sense.

Back in 2004, Richard painted out all the images he didn’t like in hundreds of 12” record covers. Only those that momentarily interested him stayed. The record covers are still more interesting than Richard’s actions. They are now under the spare bed. One day he may photocopy them. Now for the RULES, and ILLUSTRATIONS: both here and at the Museum of Photocopies.

Mix & Edit by Lukas Simonis. Text & voice by Richard Foster.

Production by Ash Kilmartin. A RadioWORM/Dr Klangendum/Concertzender production.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

In this episode, a new sound artwork composed during a blitz session in Studio Loos (Den Haag) by Leonie Roessler and Hagai Izenberg in November 2022.

A Mad Woman's Tale explores the surreal and often chaotic nature of daily life. Drawing on a range of everyday sounds, including a washing machine, a sewing instructional audio, and live radio sampling, the work invites the audience to immerse themselves in a world of familiar noises, creating their own interpretation of the piece.

Leonie Roessler is a composer and performer raised in Germany and the US, now based in The Hague, Netherlands. Leonie captures her environment with field recordings, which she uses for radio pieces, sound installations, and instrumental compositions. She runs the radio branch of Studio LOOS in The Hague. Her works have been released through Musica Dispersa (Spain/UK), and Noise á Noise (Iran) and have been physically archived in the British Library.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode kicks off with a piece from Homework, the alchemical collaboration between Italian composer MonoLogue and London-based percussionist Matt Atkins.

We also take a first listen to Ginestra, the forthcoming album by Iranian multi-instrumentalist Ava Rasti.

The rest of this show is given over to an exploration of the Greek experimental music scene, starting with Cafe Oto's release of violinist Dimos Vryzas' wonderful live set from January.

Dimos has also prepared a beautiful mix of music from the Greek experimental and alternative music scene which comprises the second half of the show.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

In this episode, Concepción Huerta and Fe Sexta share a wide range of music, recordings, and sounds that influenced them on their journey towards mapping relationships between personal and collective memory across regions of South America, which resulted in the commissioned work MAPS : Electronic Resonances Between Ecuador and Mexico premiered this year at CTM Festival.

MAPS aimed to revive audio archives of pioneering electronic music composers in Mexico and Ecuador, active in the 1970s.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Now: A Ear Wah Soun? Sarah Washington takes a watery journey around the world via YouTube, breaking up the tedium with distortions of the documenta radio ident 'Every Time A Ear Di Soun' voiced by Dinah Bird.

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

60 minutes of vivid aural excitement mixed by Ian Murphy.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

Music by Marilyn Roxie, Sevenism, Fellirium, Red Plane, Natural Life Essence, Jodie Lowther, Lezet, Bisamråtta, Heaven Deconstruction/The Young Gods, Carl Matthews, Queen Adreena, Wet Taxis and Doctor Ellis.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

Good Evening, Guten Abend. Jonas Heyn and Sarah Locke present a monthly suitcase of music. Expect strictly analogue! We’ll chit chat, maybe this n that. Liquorice all sorts, bangers n mash, guter Geschmack, with a knick-knack paddywhack, give a dog a bone. Clear the bingo hall, take a seat, vinyls to veneers, do us a favour and lend us your ears.

Featuring Otti Albietz (guitar), Matt Armstrong (bass), Ted Barrow (electronics), Kit Bula-Edge (percussion), Toby Bula-Edge (saxophone), Adam Bushell (vibraphone), Fritz Catlin (drums), Helen Helina (voice), Stuart Griffiths (saxophone), Julian Juliano (percussion), Kitty McCarron (voice), Jude Montague (keyboards), Anthony Moore (electronics) and Tullis Rennie (trombone).

Performing: Another Green World (Brian Eno), Nadaam (Eiichi Hayashi), Pretty Fly - from Night Of The Hunter (Walter Schumann), El Derecho De Vivir En Paz (Victor Jara), Left Bank Two (Robert Dale), Bad Samaritan (Robert Storey), Love in Outer Space (Sun Ra) and Now O Now I Needs Must Part (John Dowland).

Statue of Liberty is a new big band devised by Ed Baxter. In this broadcast we hear its inaugural performance, as the finale of both XMTR and Sono-Electro festivals on Sunday 28 September at Electro Studios, St Leonards-on-Sea, East Sussex. Proceeds from this concert will be donated to the Refugee Buddy Project in Hastings - do support it if you like what you hear.

This episode features music by Sam Prekop, Patricia Wolf, Body/Head, Gryke Pyje and more.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.