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In this episode, Chris Bohn visits Joshua Burkett’s “Lost Cat City”, when he’s not searching out the origin of violence that has lost its source on the Source Unknown anthology; plus Wadada Leo Smith, Mona Mur, Otomo Yoshihide’s New Jazz Quintet, Satoko Fujii Orchestra, Radical Polish Arkestra and Vietnam’s Lý Trang, alongside archive tracks taking in South African township soul music, Test Dept, Malaria!, Felix Kubin, and more.

New music with The Wire Magazine.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Karukinka is a radio choreography -the result of the relation of a score of fire, bodies, space, time and memory- that explores multiple dimensions of the sense of distance. Things that fire brings together. During the last summer in Argentina, I repeatedly found images of the fire on the front pages of newspapers. Most of the news was referred to forest fires, some others to street protests.

During the last winter, I had invited a group of people to participate in a series of meetings under the title “Warming listening, melting distance”. There, around campfires, we proposed experiences that tended relationships between heat and sound. Heat, like sound, are volumes with diffuse edges that radiate and transform bodies, occupying the space between. They set the scene, an ambient.

Between the covers of newspapers and incendiary television channels, one day, lost on the web, I found NASA's FIRMS (Fire Information for Resource Management System) project: a map that shows thermal anomalies around the planet in hyperreal time.

I saw a red planet.

Time flowing.

A force.

A possibility of approaching the fire far from the notion of catastrophe. It was in this derive that Karukinka appeared. Karukinka is the name that the people who inhabited what currently occupies the Argentine province called Tierra del Fuego gave to their territory.

KAR: extreme, very

HUHIN: land, ground

KA: own, ours

On a tape, Angela Loij recounts the story of Karuk, telling how people came chasing guanacos and an earthquake left them confined to the island. Karuk is the edge, the extreme, the far. In Karukinka, I will be away. I'm going to broadcast live a 22-hour campfire, lit somewhere in Argentina. An installation of FM radios will play field recordings, songs, stories. A live radio choreography, scripted by fire, that cannot be rehearsed without realizing. Maybe some friends will come with the things that fire brings together.

smoke signals

transmit

the fire too

gathers

teaches

tender ways to burn

Florencia Curci lives and works in Argentina as a sound and radio artist, performer, and curator. Postgraduate in Expanded Music at the UNSAM University with the project “The broken tool”, a research on non-human listening. Since 2017, FC is the Director of CASo (Sound Art Center), an institution dependent on the Ministry of Culture of Argentina promoting artistic research on sound, experimental music, and social acoustics.

There, Radio CASo was founded in 2020 as an online paramo for the Argentine sound art scene, a place to congregate during the pandemic. Her work was commissioned by KunstRadio, AMEE, CA2M, MediaLab Prado (Madrid, ES), Centro Cultural Kirchner (AR), and her live performances were presented in Festival Aural (MX), Tsonami Sound Art Festival (CL), Bauhaus-Weimar Radio Art Residency (DE), among others.

Investigaciones del Futuro (IF) is a non-specific institution run by artists and architects in Villa Lynch, Buenos Aires, Argentina. At IF we work from practice to theory, often in cooperation with other institutions, groups, and individuals. IF adapts to varied circumstances, always prioritizing the practice of socially committed artistic research in the fields of education, urban planning, construction, energy, technology, and the environment.

Our programming includes exhibitions, concerts, talks by artists, readings by writers and poets, performance art, and live radio. We also have a carpentry shop, a radio studio, and the workspace for Biblioteca Popular Ambulante, a conceptual poetry project that works with trash and other discarded materials as language.

Radio Art Zone is a 100-day radio art station by Radio ARA and Mobile Radio for the European Capital of Culture, Esch2022. It is broadcast in the south of Luxembourg by Radio ARA on 87.8 FM. It is also live-streamed for a worldwide audience and transmitted by a network of international partners.

This episode features solo live recordings by Stefan Voglsinger, captured over the past seven years across the globe, and remixed and edited by Hagai Izenberg. Exclusively released and archived on Radio Concrete, Resonance Extra (UK).

Stefan Voglsinger, born 1986, is a musician and performer based in Vienna. He studied drums at the Vienna Music Institute, Music & Movement Pedagogy at the University of Music and Performing Arts Vienna and Sound for Films at the Escuela internacional de Cine y Television in Cuba. He focuses on interdisciplinary experiments working with sound and image, developing performances or audiovisual installations including selfbuilt or hacked electronic circuits.

At Setzkasten he modifies analog film projectors, works in the darkroom and the sound studio. As a curator he organizes regularly concerts and transdisciplinary evenings, holds Circuit Cooking soldering workshops in schools and at festivals. He works at the Filmmuseum Vienna, is co-curator of Klangmanifeste and plays with The Vegetable Orchestra.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

And Then finds Ed Baxter and Michael Umney in conversation about Resonance FM. This series was commissioned by the Independent Community Radio Network and was supported by the Nordic Culture Point Nordic-Baltic Mobility Programme for Culture. Produced by Michael Umney and Ed Baxter.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In these first two episodes, Additions Megabus collects four live sets and practice sessions from four successive years of shows by Trash Panda QC (formerly billed under real name Peter Seligman), showing evolutions and variations of his rave/footwork/noise-influenced sound along with unheard versions of released tracks.

After catching up to the present, live sets from the following episodes will be collected in an additional, gradually expanding album, totalling approximately three hours.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode, three artists who have been in residency at Q-O2 in Brussels over the past few months: Brussels-based Soumaya Phéline, Elijah Maja from London and Claire Williams, also based in Brussels. They share insights into their artistic practices, and discuss their experiences during their residencies. Several sound excerpts from their work are woven throughout the episode.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This episode is created for the March equinox, a time when northern and southern hemispheres experience equal amounts of dark and light, night and day, before tipping towards or away from the sun. The piece is curated and produced by Stephen Shiell and composed using original and borrowed material from NSOTA scholars.

With contributions from Stephen Shiell, Hannah White, David Lea, Chris de Sel, Sk.ye, Venetia Allen, Rhona Eve Clews, Pascal Sleigh, Naomi ZP, Simon McClelland Morris, Michelle Watson, Tommy Calderbank, Blanc Sceol

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

This episode features music made by Naviar's community inspired by Kobayashi Issa’s's poem “Speak of the devil! / a snipe takes flight... / evening cool”.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

The final throws of sunlight nestled by the filter beds.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

Socialist Realness a mix series by GAJEK focusing on avant-garde and electronic music produced in the GDR and shortly after the fall of the Berlin Wall.

In this episode, Hobbes has opened the lines for Askapunk Call-In Radio, prescribing music and bad advice to troubled punks.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Now: Archie Archive. Special guest Marold Langer-Philippsen intertwines personal and political history.

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

In this episode, we use the online video site Astronaut.io and multiple browsers to create compositions built from the textures and landscapes that are conjured up when time and geography are flattened.

These videos come from YouTube. They were uploaded in the last week and have titles like DSC 1234 and IMG 4321. They have almost zero previous views. They are unnamed, unedited, and unheard (by anyone but you).

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.