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In this episode, Sunik Kim provides a dizzying 45 minute sonic barrage to clear away the cobwebs and exorcise the demons of 2018. Precluded by selections from Joe.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

In this episode Jennifer plays lots of new releases.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music from Dead Neanderthals, Dame Area, Skrei, Hermetic Brotherood Of Lux Or and Dusk Device.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

This episode featured music by Peter Stenshoel, Kaloja, H.Flora/Bardo Todol, Natasha Barrett, Paulo Sanna & Andrea Sanna, and more!

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

This week: Clint is joined by interdisciplinary artist, opera singer and clown Ellie Westbrook, who has a complex past with Clint. And of course, Clint's executive producer Jack Synott is in the studio too.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

60 minutes of vivid aural excitement mixed by Ian Murphy.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.

This episode features music made by Naviar's community inspired by Anne Carpenter’s poem “Darkness cocoons, / Red and yellow slowly creep. / Silence disappears."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

This week on x.y FM, we hear an excerpt of Elischa Kaminer's 'song for Naomi' for violin and electronics performed by Mayah Kadish at the Muziekgebouw Amsterdam in January 2018.

Ensemble x.y is a contemporary ensemble that commissions and performs new music in a flexible and ever-changing lineup. Run without traditional roles or hierarchies, Ensemble x.y develops its thematically-charged programmes according to the taste and interest of its core players, as well as the developing working relationships between resident composers and instrumentalists.

This show has a reputation for playing experimental, process-based, generative, theatrical, angry, upside-down music — pretty much anything except pop. But what if it was pop arranged by a higher level jazz musician? That's what we're exploring today through Logical Rain, a talented trio from Leipzig who we're happy to present here. The first section is studio recordings, then we go into 40 minutes of pure live performance from an intimate venue.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

This episode marks the handover of the controls from spearmint Caleb Maddeen to the Think Twice, a fewtime past time guest. Think Twice will be occupying half of the two-hour slot for the next six months.

Mohammad Adam has been ushered in with a gentle gesture, bringing a dark cloud of smoky glooming dank from the Morrisons car park in Leicester, that dark haze in the whip, the silence because nobody's talking to each other but everyones dark brains are so loud. The holiday, the relaxation of it all. the blanket of blankness and the roach inside.

Afterwards, a spirit of gravity analysand Remember Glaciers cools us down with the subzero that's starting to rise, has bin starting to rise for a while. Darkness. Thinking."

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This first episode discusses the creation of the research centre and its early years in terms of the people who were involved, the institutional home that supported (and hindered!) us, our individual and collective creative and scholarly activities and our connections to the wider field. Excerpts are included of a performance of Unknown Devices: The Laptop Orchestra (2009), of Peter Cusack’s Pigeon Whistles in the Sky (2007) and John Wynne’s Hearing Voices (2005).

Contributors: Angus Carlyle, Cathy Lane & Mark Peter Wright.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

This episode features new works by Systemet, Gabriele Marchina, BOOKWAR, Vidna Obmana, TRSv2, Goose Loop, Vitor Joaquim, Manuel Mota, NIN-FAE, Haarvöl, Rapoon, and Bruno Duplant.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Once Upon a Day on Eday is a 24-hour work exploring 'a whole day' of a small Orcadian island. Recorded over 12 days and encompassing the 24 hours of a day, into this sonic time and place are added two walks.

First, a circumferential walk of the island taking in the whole of the island perimeter; this offers an additional shifting perception of this place, one shaped by time, the topography of the land, the elements and human scale movement within these.

Second, a replicated walk around the south end of the island; eight times across 24 hours walking the same path. Again, time expands and changes across the replications. Overall, the work offers an opportunity to hear time and place unfold at the pace of the other-than-human world along with the measured pace of human walking.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles