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This year the word is 'WATER’, and the work will willingly wade the time away, in eddies, in sinks, in drains, in backwaters, through root systems, capillaries, infiltrating, inundating our "humid brains" (Isabelle Stengers).

Recipes for getting wet: out of the blue, blue planet, into the molecular, cellular, time’s involved, time runs through it, hydrophonics, hydrojams, glistening gestures, swimsink, cloud seeding, drought, contamination, advisories, nautical sea, nausea, leagues under, deep diver, pearl mother, Mariana Trench. We quickly see this flow forever, for, as Yve Lomax put it in Sounding the Event: “Yes, this noisy restless sea is pure multiplicity: it is mixture, it is contingency and it is turbulent.” Or, put even more succinctly, as Italo Calvino’s Mr. Palomar realizes: “isolating a wave is not easy.”

LINEUP:

• ARE - HOUR 1 (17:00 GMT)

artLAB PRESENTS UpStream/DownStream by Tom Cull with Danielle Butters & Sruthi Ramanarayanan

• ARE - HOUR 2 (18:00 GMT)

National Indigenous Media Arts Coalition PRESENTS Amanda Amour-Lynx, Kaya Joan, and Star Nahwegahbo

• ARE - HOUR 3 (19:00 GMT)

WalkingLab PRESENTS Eli Nolet

• ARE - HOUR 4 (20:00 GMT)

Doris McCarthy Gallery PRESENTS Farheen Haq, Laura Millard, Jordyn Stewart, Jon Sasaki, Lou Sheppard, and Bagida’waad Alliance

• ARE -HOUR 5 (21:00 GMT)

Art Gallery of Hamilton PRESENTS Celia Vernal, Tyler Tekatch, Laurie Kilgor-Walsh

• ARE - HOUR 6 (22:00 GMT)

SASAH PRESENTS Michelle Wilson and the Coves Collective Ensemble

• ARE - HOUR 7 (23:00 GMT)

Thames Art Gallery PRESENTS Dickson Bou, Jamie Dronyk, Sharmistha Kar, Peter Lebel, Patrick Mahon, Thomas Mahon, Valerie Mills-Milde, & Quinn Smallboy

• ARE - HOUR 8 (00:00 GMT)

Futura Resistenza PRESENTS Christof Migone

• ARE - HOUR 9 (01:00 GMT)

Forest City Gallery PRESENTS Racquel Rowe

• ARE - HOUR 10 (02:00 GMT)

Glenfiddich Artists in Residence PRESENTS Penelope Cain

• ARE -HOUR 11 (03:00 GMT)

McIntosh Gallery PRESENTS Shannon Cooney and Paul Walde

• ARE - HOUR 12 (04:00 GMT)

New Adventures in Sound Art and Other Sights PRESENT Brady Marks & Mark Timmings (Wetland Project)

Full programme

Project Page

The fifth in Christof Migone's series of twelve annual 12-hour events taking place on December 12th from 5pm to 5am the next day. Each year the event moves through each word of the phrase ‘You and I Are Water Earth Fire Air of Life and Death’ and a group of international artists activate the word of the year in myriad ways. Streamed live on YouTube.

Now: Archie Archive. Special guest Marold Langer-Philippsen intertwines personal and political history.

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

60 minutes of vivid aural excitement mixed by Ian Murphy.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

For this third episode of his collected recordings, Davide presents five works:

'Canta Che Non Passa' (2018)

This work documents part of the repertoire of the informal choir “Canta Che Non Passa”. The choir is a spontaneous group of middle age/old people that constituted a part of the NO TAV movement in Valsusa, northern Italy. The choir’s repertoire consists mainly of protest songs adapted from preexisting musical sources, with lyrics that have been created from scratch.

Davide recorded the choir during one of their rehearsals. Rather than position the microphone at a certain distance from the group to capture the multiplicity of voices, Davide chose to focus on individual voices of those members that sat beside him. This strategy was designed to stress the fallible and imperfect nature of the choir and emphasis the singular/plural dimension of collective singing and the beauty, strength, and vulnerability of non-professional voices.

'Forget The Theater! Go To The Stadium' (2015)

This work documents all the times the italian word “dai” (in english “c’mon”) was used by the leaders of the ultras group BRESCIA 1911 during Brescia vs. Catania, 2015. The word “dai” is commonly used as an exhortation to urge the group to participate in the chanting.
The work reflects on the participatory dimension of football culture and the parallels between the shared feelings of identification, involvement and complicity that characterized the origins of western theater.

'Magnifying My Sphere Of Power' (2013)

In this work, Davide sings and plays drums along with a selection of his favourite hardcore punk songs. The project amplifies the power of music as an emotional inciter, an agitator, a physical energy and a self-presence. With this work Davide wants to emphasize the role of the listener as a responsive agent, who plays a central role in the musical process, and more generally reflect on what listening to music means in terms of reconstruction of meaning (appropriation) and activation of personal agency (participation).

'Single Strokes' (2015)

In this work Davide plays the snare-drum with a pair of microphones. The recordings explore the physical properties of the microphone and present a more intuitive and analog way of approaching audio technology. By giving a body to the microphone the work reflects on the physical affection of material culture and how this sensual attraction subverts the conventional modes of consuming technology.
Single Strokes is part of a series of actions where Davide investigates the practical materiality of the microphone and violates the basic rules and principles of audio technology.

'My Loss Will Be Your Gain' (2016)

The material for this work comes from a tape cassette found by Davide in a derelict house. It consists of a series of recording-tests performed by the woman who used to live in the house. The title of the piece – your loss will be my gain – refers to the accidental discovery of the tape after years of abandonment and neglect.

Davide Tidoni is an artist and researcher interested in the relational dimension of listening, and in the physical experience of sound. He works with live performance, intervention, audio recording, video, and guided listening. He recently published a sound ethnography on the ultras group BRESCIA 1911. 'Collected Recordings' is a series of works selected by Tidoni from his extensive back catalogue. Produced by Milo Thesiger-Meacham.

For the final episode of the season, Clint is joined by Neil Luck, OK!

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

This episode features Andrew Zukerman, Bill Nace, Fritz Welch, Catholic Stare, Ivor Kallin, WA Davison, Eamon Sprod, Small Cruel Party, Mic Nodolby, Diego dacax, ewan Kean, Jay Howard, Franciszek Jędras, Angela Sawyer, Ian Murphy, Kieron Piercy, Free magic Show, Jonathan Lee, Aaron Dilloway, Buffalomckee & Satoru Sekiguchi, Robert Millis, Isa Blood, LNB, Lorelei Lorlei, Julian Bradley, Gaël Segalen, Ypsmael, Suppwiyah, and Manja Ristić.

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

In this special extended broadcast, not important and School of the Damned come to you live from a hidden woodland on Walthamstow Marshes. Featuring performances from YUNA, Li Song & Titus Barker (duo), Yewen Jin, Conal Blake, Regan Bowering & David Sappa (trio), Li Yilei, Pentu, and interviews conducted by Edward Sanderson.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.