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Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

This episode features music by Pulse Emitter, Arnold Dreyblatt, Babau, Lagoss, Nicolas Gaunin, Trá Pháidín and more.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

In this episode, Dronica meets Marco Bonini and Cristiano Latini, curators at Klang, in Rome.

Marco and Cristiano present a selection of experimental electronic music by curating an hour each of this mighty mixtape including artists who have performed at Klang from the Italian underground scene as well as the International scene.

Since 2018, Marco Bonini has been music event co-curator of KLANG, a club in Rome dedicated to experimental music.
Marco Bonini is also a guitarist, arranger and electronic manipulator from Rome, born in 1981. From 2000 to 2010 he plays and record with several project in the avant-contemporary jazz scene (Roberto Gatto, Ettore Fioravanti). In the meantime he attended Saint Louis Music School , Tor Vergata DAMS University and “Licinio Refice” Conservatory where he develops passion for electronic music. From 2010 he’s founder and member of MAMAVEGAS, a band inspired from indie/folktronic scene that goes around the world with three albums. From 2011 he is member of ACRE, an improvisational and radical trio. His solo project uBiK is strongly influenced by ambient electronic music. He writes, composes and arranges for movies, theatre and television.

Cristiano Latini is the founder, administrator and co-curator at Klang Roma.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

This week: See your way to being charmed by the music of Aileen Stanley, Tom Ellard, Sparks, Neu!, Salaryman, Empty Helix, Giant Gutter from Outer Space, Morocco Dave, C. Reider / Eyelight, Simon Heartfield, Dissolved & Nonima and Sevenism.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

In this episode: the date was 13/11/3019. Lost in the wasteland of the Judas Sea, within the ruins of what once was, a zone tripper appeared. The darkest days had already come, and only they reside in the glass flats of cyber memories from a future past.

Black sphere through the brightest nights and symbols of neon remnants of past lies, on high walls painted with chrome dyes. Computers don’t understand sacrifice.

Recorded in Athens / Berlin in 2019 and using digital and analog synthesisers.

V3STA / Alexandra Koumantaki and YORGAS HELMET / Georgios Karamanolakis.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

This episode features music by Aponeuron, Corp Cruid I, Expander Des Fortschritts, Pik Duzfuß and more.

Socialist Realness a mix series by GAJEK focusing on avant-garde and electronic music produced in the GDR and shortly after the fall of the Berlin Wall.

Celebrating exclusively boundary pushing artists, this episode spans previous guests and featured artists of Connections to Sound.

Background music: Your Echoes by Kayla Painter.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Hello by Adele. There's no order, no lists, only stilted and exclusive material. Squirrels, electric toothbrushes, reague fanatics, babies, mermaids and newts… all are welcome in Shuffle formula radio mode.

This episode features a special guest, Milo Thesiger-Meacham.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

This episode of “Listening Experience” is about Berlin-based music, and features tracks by Rieko Okuda, Reverse Mode, and Bohemian Drips. There is also a short introduction to Team Philoxenia, a Berlin-based humanitarian group.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

In this episode, a special guest takeover by Hyena Collective. It features a stereo radio mix of Bass Superstructure – a recent 10 channel sound installation-performance by the collective, and a sonic response from Dr RAYPOWER inspired by a forthcoming exhibition text titled Hyenic Polyphony.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

In this episode: Iceland ... every three hours for 24 hours ... eight times ... daag einn I juni ... I stand and look east across the fell to the obelisk. Beyond it the northern shoulder of Burfell rises then slips away off its hog’s back summit.

Stand and listen to the plaintive pipe of the Golden Plover and the croak of the Snipe.

Stand … then move off ... down the slope; through the Marsh Marigolds; over the stream; cross two fences; cross the horse paddock to the leaning post; along the horse path; around to the fence to the left; over the fence; cross four streams; pass the waterfall; cross the marsh; cross the stream on stones; up the slope to gap in ridge; up the slope to the lip; around the obilisk; pause; retrace my steps ... eight walks ... eight sections ... split ... re-built ... into a day at random ... eight movements ... this is movement 5.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.

This episode is dedicated to the folk music of the indigenous peoples of Russia. On the territory of the Russian Federation, according to the latest data, there are 193 peoples who speak 277 languages and dialects. In its time, the Soviet major label Melodiya did a huge amount of work trying to record the traditional music of many regions, travelling thousands of kilometres on ethnographic expeditions.

Many records released in the wake of those trips are now rare artefacts. I can say the same about digitised copies - there are not many music files on the web, which somewhat limits the breadth of modern research.

Even so, an hour-long episode cannot contain even a tenth of the folklore music that was released on Melodiya. I worked with broad strokes, showing the music of only 20 indigenous peoples of the country – including the Pooziorets of Vitebsk. We hear traditional tunes from the westernmost region - Karelia. Then, we listen to the cheerful sunny melodies of the peoples of the Volga region, the free music of Kalmykia and the North Caucasus, and delve into the cold shamanic rhythms of the Far North.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.

This time: x.y FM's Mayah Kadish talks about music and the violin, Richard Hames presents the third part of Pop Desire, and phonewifey presents part 1 of Volume 4 of name[WAVE].

Ensemble x.y is a contemporary ensemble that commissions and performs new music in a flexible and ever-changing lineup. Run without traditional roles or hierarchies, Ensemble x.y develops its thematically-charged programmes according to the taste and interest of its core players, as well as the developing working relationships between resident composers and instrumentalists.

This episode features music made by Naviar's community inspired by Leanne Wicks’ poem “can you hear the stars? / shiny trills, thrills in the dark / my mind’s orchestra”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This week: Popular Motives. 'I believe, in fact, that attempts to bring political protest together with ‘popular music’ – that is, with entertainment music – are for the following reason doomed from the start. The entire sphere of popular music, even there where it dresses itself up in modernist guise is to such a degree inseparable from the commodity, from the cross-eyed transfixion with amusement, that attempt to outfit it with a new function remain superficial. And I have to say that when somebody sets himself up, and for whatever reason accompanies maudlin music by singing something or other about Vietnam being unbearable….I find, in fact, this song unbearable, in that by taking the horrendous and making it somehow consumable, it ends up wringing something like consumption-qualities out of it." (from a television interview with Theodor Adorno)

Monthly investigations of music politics with Paul Rekret.