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Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

This first episode is dedicated to the work of Sholto Dobie, who was invited through the tekhnē open call for research projects at Q-O2 workspace for experimental music and sound art in Brussels.

Sholto Dobie Is a UK-born artist who lives in Vilnius, Lithuania. He uses an array of sound sources including home-made organs and bagpipes. He has explored ideas related to folklore and environment as sonic phenomenon and works with site specific methodologies.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This month: a selection of works by the artists who performed at the first edition of the festival in April 2016.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Music by Isobel Ccircle~, Karl Richter / Münchener Bach-Chor / Münchener Bach-Orchester, Casa Loma Orchestra, Petunia-Liebling MacPumpkin, Claude Larson, Crimson Butterfly, Neurokinetix_MIK, LIMBC, Brian Eno, Tony Diana & Lambmother, Bley-Peacock Synthesizer Show and Norah Lorway.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

In this episode: how do artists process recorded and generated sounds? What kind of new meaning emerges from this process? Apparently, it often results in laid-back music.

Postnew is a modular theory, describing the fluid development of aesthetics. Every movement has a post-movement, every end is a beginning, every post-aesthetic will be followed by a post-post-aesthetic. Join the mailing list here.

Glasgow-based Bobby Jewell presents a series of ambient mixes for Resonance Extra with guest features by musicians and artists.

This month: Luca is joined by Jack Catling as they discuss Jack’s curation of 'That Large Ghost; Selected Egg Tempera Paintings by Brian Catling', currently exhibited at Swedenborg House. They also speak about 25 years of Cabaret Melancholique, Jack’s own artistic practice, and some other things.

A new live radio series by artist Luca George, featuring interviews with artists and musicians. Expect games, phone-ins and performances. All broadcast live from the Resonance studio, where anything can happen. Visit Instagram @lucage0rge

In this edition of Shuffle, get ready to listen to the weirdest, mind-blowing covers and drifts of All the Small Things by Blink 182. There's no order, no lists, just exclusive, overwrought fandom material. Guitarists, violinists, babies, acapella squirrels, octopuses, brainwaves, SoundCloud stars, dogs and cats,... all are welcome in Shuffle mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

In the first hour of this midwinter episode, Gravity Waves: **Founder v Founder, with tracks from one of the founders mixed by another, plus more remixes from McCloud, something new from *Spirit of Gravity** member MelJoann, plus music from around our orbit.

In the second hour, Spectral Transmissions: Fallen Shrines: A New Myth. Scrawled in spidery script on the torn remnants of the label on a scuffed C60 are the words: PART ONE: historical development. You take it home and press play: We found you! Thanks for subscribing! You'll receive an email confirmation in 1 hour.

For now, here is your 10% discount code to copy and paste at the checkout: A team of people standing around a table, actively participating in a discussion and exchanging thoughts. A man and woman stand on the moon, gazing at a photo of themselves, surrounded by the vastness of space. Congratulations, you have successfully adjusted your set.

Please find herein directions for Irregular operational activity. Find out how to Invoke a weirded and haunted modernity. Some listeners have been chosen arbitrarily. Others for their ability to haphazardly determine the thought of an era. A diverse group of individuals gathered around a table, engaged in conversation and collaboration.

A shadowy group of figures looms by the roadside, their faces obscured, as darkness creeps in around them. Two individuals are depicted in police mug shots, showcasing their faces and identification details for law enforcement records. You have a chance to be one of them.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In 1991, in the last year of the Soviet Union's existence, Melodiya decided to embark on a pioneering experiment in product marketing by launching the Signal Series of records. Each record in this series contained fragments of four new albums to be released, and the envelopes contained sketches of their artwork. The listener was invited to vote for their favorite artist by sending a written request to the major's editorial office to order the record through the label's official store. In essence, Melodiya launched the process of the first democratic elections in the Soviet Union.

In total, the series included 10 LPs with fragments of upcoming albums by 40 artists respectively. Most of them were bands playing the fashionable gorby rock - the so-called “red wave” guitar music of Gorbachev's perestroika period with screaming socio-political lyrics and manifestos. However, the series also included music by Russian art-rock bands, which at that time had already become cult in underground circles and had their own army of listeners (AuktsYon, NOM, NOL, Object of Mockery and others).

I compiled this episode from the music of projects that were less honoured by listeners - their albums were never released on Melodiya in full form. And the label was shut down shortly after the release of the last LP in the series. You will hear outsider new wave, occult hard rock, national reggae, free jazz and mesmerising folk. I'm kidding though - one project on this tracklist did release their debut LP on Melodia. You have one hour to guess who it was.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.