← Today's Schedule →

In this programme, Chelplexx’s concert recorded last december at Festival Novas Frequências 2017, Rio de Janeiro. Chelplexx is a collaboration between multimedia trio Chelpa Ferro and Duplexx, a duo that combines synths and percussions. Following, Henrique Iwao's latest work, Coleções Digitais, which consists in audio collections of the recurrent gestures and motives in an artist output, selected and edited by the author from 2007 to 2017.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

This episode is entirely dedicated to international female producers.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

This event was broadcast on Naviar’s Youtube channel on 30th July 2021.

halF unusuaL (interview + live set).

On Naviar Records: Live at The Old Church 2018.

The ‘hai’ in ‘haiku’ translates to ‘joke’, ‘fun’, or ‘unusual’. halF unusuaL is Darren Bourne, whose musical career to date spans international sound engineering, production, performing and writing credits across a variety of genres and platforms from pop to film and sound design to contemporary dance and theatre. His current obsessions are improvisation, chance and the music / non-music boundary.
Go to our Youtube page.

Naviar Virtual was a monthly online event hosted by Naviar Records, which aimed to bring online the spirit of Naviar’s yearly physical events during the COVID-19 pandemic.

In this episode Clint is joined by Jack Synnott and Milo Thesiger-Meacham.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

Miriam Schickler recorded sound fragments from the reality of state violence against Palestinians in the West Bank as means of activism and music making.

With Miriam Schickler.

This episode is a guest mix from Agnès Pe, entitled Sound Storytelling Approaches Sound by Relating It to the Imagination and to the Memory of a Series of Amorphous Moods Triggered by the Temporality of Listening.

Website //
Instagram //
SoundCloud //
Bandcamp //
Facebook //
Twitter //
Youtube //

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

In this episode, School of the Damned collaborated with musician Sarahsson deep underground inside an abandoned mile-long WWII ammunition depot tunnel. On-site, we recorded a series of compositions featuring Sarahsson on tenor horn.

Interwoven throughout this episode is archival footage from the 1980s that was captured during a brief period when the depot was open to the public. The tunnel is also a hotspot for paranormal investigators, so we feature found recordings of people attempting to communicate with ghosts.

All the sounds you hear in this episode were recorded in Farleigh Down Tunnel.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

The first hour of this episode features tracks from the Alien Alarms album Dystopias dismantled, and also a couple of tracks we missed in the last episode month. For the second hour, the latest instalment from the OCRU - Omnistitions 4: Transmissions from the Horse Hospital.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

On each of the 42 days of the first Covid-19 lockdown we walked the streets around our home. Recording, tracing, re-tracing, our steps slowly marked the limits of our permitted walking, our contained walking, an act of walking that drew a boundary, an edge that I came to see as the shoreline of an island, an imagined island, an island of containment; I named it Contención Island.

From daily field recordings I use random procedures to pick days and durations to build 60-minute sets of chance encounters across the 42 days, encounters that are shorter or longer, that move forward and back through time, that reflect the sense of strangeness of those days.

You can listen to the complete recordings and read the daily mesostics in full at martinpeccles.com

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles