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A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Listen to them, children of the night, what music they make...

A spooky special, trick or treating you to an intro by Mike Harding with the sound effects of Death & Horror (BBC, 1977). Get ready to scream! Haunted by Zombie Nation and Ian Brown n other ghouls! Süßes oder saures!

Good Evening, Guten Abend. Jonas Heyn and Sarah Locke present a monthly suitcase of music. Expect strictly analogue! We’ll chit chat, maybe this n that. Liquorice all sorts, bangers n mash, guter Geschmack, with a knick-knack paddywhack, give a dog a bone. Clear the bingo hall, take a seat, vinyls to veneers, do us a favour and lend us your ears.

Works for radio by Mark Vernon and friends, comprising The Tonic Garden - A Sonic Survey Of Soothing Sounds; Audiology for Beginners; The Eldwitch Transmissions (with Barry Burns); Continue Without Losing Consciousness; and Vernon & Burns Hour.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

Episode 1/8: "A second life around your life."

And Then finds Ed Baxter and Michael Umney in conversation about Resonance FM. This series was commissioned by the Independent Community Radio Network and was supported by the Nordic Culture Point Nordic-Baltic Mobility Programme for Culture. Produced by Michael Umney and Ed Baxter.

This third episode features four artists who took part in a research residency at GMEA (Albi, France) as part of the Tekhnē, initiated in 2023:

• Gauthier Deplaude in an informal discussion with Benjamin Maumus about his project Horloges etc.. This work uses two quartz clocks and their electrical environment as the sole sound sources, within a unique technical setup created by the artist, without effects or attempts at control.

• Rodolphe Bourotte tested his latest music production software, COMMA, during his residency. He engages in an informal discussion about his program and insights from his residency week.

• Yann Leguay shares an anecdote about one of his early projects, Dead Media, which centered on reversing the recording process in a vinyl pressing factory in France that has since closed. He reflects on the notions of trace, media, and collective memory.

• Abigail Toll presents Where Words Fail: World Building With Data, Sound, and Co-creation, a sound and interdisciplinary visual study that explores algorithmic herd behaviour in nature and its connections to surveillance practices.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This episode features music by Charles Bobuck, Taxxess, Gurdonark, Mattin, Headband, Ginny Arnell, Severed Heads, Red Plane, Carya Amara, Alan Feanch, Vi Res, Captain Beefheart & His Magic Band, Masover and Mikra.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

This episode features Staging Post by Rob Blazey and Dawn Chorus Perception by Simon le Boggitt and was curated by Martin Eccles.

These works were submitted to the Sound+Environment Symposium in September 2025, hosted by Newcastle University’s Sound and Environment Research Group.

Sound+Environment Radio broadcasts work that explores ways that sound can deepen our understanding of environments and the communities inhabiting them. Works broadcast are from those submitted to the Sound+Environment Symposium held bi-annually in Newcastle upon Tyne. They span a range of disciplines across arts and science - archaeology, architecture landscape and planning, biology, computing, engineering, ecology, fine art, geography, heritage studies, history, law, music, and physics. Supported by the Sound+Environment Research Group within the Centre for Landscape at Newcastle University.

This episode features new works by SCHiM, Dariusz Kociński, David Wallraf, NLC + EMERGE, Hans Castrup, Grey Frequency, Kloob, Rapoon, Murder Corporation, Odiv.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

This episode is created for the Autumn Equinox. In it we pay tribute to the author of Deschooling Society - Ivan Illich, September 2026 marks 100 years since his birth. The show is curated and produced by Michael Timmerman, Simon McClelland Morris and Chris de Selincourt in collaboration with NSOTA scholars, ensemble, and friends.

With contributions from, Michael Timmerman, Simon McClelland Morris, Chris de Sel, Josh Tucker, Jonathan Petherbridge, Sk.ye.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

A six part radio series in English and Welsh, realised close to the sources of the rivers Severn and Wye, in Powys, Wales, summer 2026. Made by Ed Baxter (concept, texts, montage), Steffan Cennydd (voice), Richard James (music, field recordings) and Michael Umney (interviews, field recordings, production). With contributions from Dan Craig, Sandy Craig, Neil Haymer, Dewi Roberts and members of Tai Haf Heb Drigolyn. With help from all at The Hanging Garden, Amanda Thesiger, Tim Meacham, Ffion Emyr and Mike Woolley. Supported by The Colwinston Foundation, Hinrichsen Foundation, The Leche Trust and Unity Theatre Trust. To all of whom, profound thanks. A Resonance Production.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

This episode is an extended mixed version of For Promotional Misuse Only, just out on No Roof Only Sky, with Agents of the Culture Industry, TVO, Production Unit, Alice Hoffmann-Fuller, Jacques LAIcan (courtesy of the Theory Underground collective) and, of course, David Attenborough.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In this programme, Chelplexx’s concert recorded last december at Festival Novas Frequências 2017, Rio de Janeiro. Chelplexx is a collaboration between multimedia trio Chelpa Ferro and Duplexx, a duo that combines synths and percussions. Following, Henrique Iwao's latest work, Coleções Digitais, which consists in audio collections of the recurrent gestures and motives in an artist output, selected and edited by the author from 2007 to 2017.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.