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It’s time to self-actualise with this episode from Erika Elizabeth!

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Life continues in an ever recomposing cloud filled with the loose threads of number one hit songs. Lepke B is the song harvester, the sound weaver, the cloud buster. Not afraid of popular music and the CD as a format he extracts the epic ingredient as easily as the bombastic, the ironic and yes, the experimental element out of the 70 year history of music for young people. If there will be a need for ‘the periodic table of pop tunes’ some day, the strange ones in the dome will ask Lepke B for advice.

Lepke B is hard to find. Lepke B is an idea derived from science-fiction. Lepke B is the missing dimension in the world of matter and anti-matter. His brain is a neuronic network spread out over melodies and words that have been transmitted since the beginning of times.

In this episode: percolating down through sedimentation, sinking through sonic layers into the river current

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

In this episode, a continuous mix of new and not so new releases, featuring a tribute to Emahoy Tsegué-Maryam Guèbrou, as well as dips into the Mana and Brachielgen Tapes catalogues, synth excursions via JQ and Masayoshi Miyazaki and the first release from Bizerk tapes. Enjoy this cacophonous and disparate blend of the profound, silly, minimal and maximal.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

This episode features two talks with the Latvian artist Kārlis Tone and the Estonian artist Erik Alalooga, presented in sequence. Interviews are accompanied by sounds captured during the performance of Kārlis Tone's commission at the Skaņu Mežs festival and Erik Alalooga's performance at the joint Baltic Analog Lab and Skaņu mežs residency in Riga, Latvia, in the autumn of 2025 and early spring of 2026.

The interview is conducted by Viestarts Gailītis. The music that one hears is as follows: two fragments from Tone’s composition "Balss lūzums" (eng. - voice fracture), a song “Garu čuksti vados” (eng. - spirit whispers in the cables) by Tone’s band Grab and Erik Alalooga’s songs “Jack the Chopper” and “The Boreal Desert”. Kārlis Tone and Erik Alalooga are experimental musicians and sound artists from Riga and Tallinn, respectively.

Tone is known for his work in the experimental rock band Tesa (est. 2005), the Grab project, and the neo-folk outfit Līgas ph3, as well as for theater music, while Erik Alalooga is a performance, sound, and kinetic art veteran and teacher. He will present his installation at the Skaņu mežs festival in October 2026.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

Now: Walter Marchetti's Music for a too Small Glass.
17 years previously, Knut Aufermann assisted Marchetti in carrying out this piece in London. Now he performs it himself in the courtyard of Silent Green with evocative old wines from the Mosel valley.

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

60 minutes of vivid aural excitement mixed by Ian Murphy.

Music from Doctor Ellis, Carl Matthews, D Rothon, 4T Thieves, Hypp Fractal, Lucifer [Mort Garson], Ruth White, Hardy Fox, Françoise Hardy, Beautytone, Hollis "Fat Head" Washington, Sad Man and Monty Python.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

In this episode, we spend two hours with two artists – Rita Says, who with her Orchestra revives and reclaims 20th century experimental classics in the spirit of their modern punk equivalents; and Reuben Kyriakides, elusive composer-producer whose diverse portfolio includes dance scores, hip-hop, alternatively tuned piano, and at least one sound installation about Billy Elliot.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

In this special, Alex and Joe welcome French polymath Bora to the show to celebrate the release of her debut album ’Noyée’ on the label. Alongside the usual unusual they play forthcoming music from the label including a new piece from Ben Vince & Jacob Samuel.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.