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This month’s episode features live performances from Luca alongside guest contributions and an interview with artist Bedwyr Williams.

A new live radio series by artist Luca George, featuring interviews with artists and musicians. Expect games, phone-ins and performances. All broadcast live from the Resonance studio, where anything can happen. Visit Instagram @lucage0rge

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of All Star by the American band Smash Mouth. There's no order, no lists, just exclusive, overwrought fandom material. Noise theorists, Youtube star, Coldplay fans, banh mi verlag chief conductor, melon lovers, pianists, smashup creators... all are welcome in Shuffle mode.

This episode features two guests: Jack Callahan and Mattin.

Jack Callahan introduces us to the work All Star Mixtape released on his own label, Bánh Mì Verlag, and Mattin gives us an insight into the ideology behind the music video, as well as offering us a cover of the song.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

60 minutes of vivid aural excitement mixed by Ian Murphy.

Live from former Wave Farm artist-in-residence, Knut Aufermann, this radio play will take place at the Hilbert Mill in Dzierzoniow. In spacious halls, between antique machines, still bearing traces of flour, stations with micro-concerts, improvisations, shows and installations have been planned. The audience is led from floor to floor, from station to station, following the route of the mill's production line, experiencing its history and present among sounds, noise, singing, stories.

Hilbert's mill, was erected in 1868 for the Hilbert brothers, then expanded and modernized in the 1930s, belongs to the largest steam and then electric mills in Lower Silesia and operated continuously until the end of 2016. A complete technological line with full historic production equipment has been preserved, the whole is an amazing scenery to delve into the world of sounds.

Artists: Knut Aufermann, Frauke Berg, Gunnar Geisse, Wojciech Kurek, Barbara Kuźmińska, Aleksander Moś, Udo Noll, Hania Piosik, Katarzyna Pokuta, Mateusz Rosiński, Ralf Schreiber, Sarah Washington, Barbara Wójcik-Wiktorowicz.

Short performances of radio play, improvised music and field recording performed by a 13-strong Polish-German sound artist group. Broadcast with a live audience from a flour mill at Dzierzoniow, Southern Poland. Full details here.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Joe is joined in the studio by writer Lu Rose Cunningham for live readings and an interview alongside track selections including Meredith Monk, Kiran Leonard & The Durutti Column.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

From a beach to a tide-race via a deserted village and a crowing cockerel. Island Suite presents two islands, two walks, four hours across one day. This is Movement 3.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

Radioart106 is an independent radio art program curated and produced by Meira Asher since 2014. It explores radiophonic compositions and transmission art of worldwide radio artists.

Its first home was KolHacampus106fm in Tel Aviv and it’s now broadcasted on reboot.fm (DE), BernRaBe (CH), USMARADIO (SM), and CHIMERES (GR).

This episode is made of extracts from the following Radioart106 shows:
- Dirar Kalash (RA106 #661 on radia.fm)
- Karen Power (RA106 #109)
- Meira Asher - Still Sleeping (RA106 #132) - Floy Krouchi (RA106_#119)

Meira Asher is a composer-performer and Human Rights activist primarily using the medium of Sound Art and Radio Art.
She is a lecturer at Haifa university's Art School since 2012 and producer of the independent radioart show radioart106 since 2014. Her works were released on Crammed, Sub Rosa, Auditorium, RaashRecords and Ultimate Ratio.

Listen to more of Radioart106 on:

• reboot.fm (DE) 1st Sunday, 10pm (GMT+2) http://reboot.fm/category/ experimental-radio-art/
• BernRaBe (CH) 1st Monday, 11pm (CET) https://rabe.ch/radioart106/ USMARADIO (SM) 1st Tuesday, 7pm CEST http://www.usmaradio.org/
• CHIMERES (GR) 1st Tuesday, 9pm (UTC+3) https://chimeres.info/u/ masher

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

This episode is dedicated to academic Soviet music, its avant-garde and national currents. You will hear some stunning works by Russia's major experimental composers – Sofia Gubaidulina, Galina Ustvolskaya, Faraj Karayev and Alfred Schnittke.

Almost half of the programme, however, is dedicated to music with an equally complex narrative by composers from Tajikistan, Turkmenistan and Uzbekistan, digitised from rare LPs from my own collection. The programme concludes with an intricate and exotic late-Soviet piece by Siberian composer Boris Mourashkin, which he characterises as ‘bio-energetic’.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

This episode features a recording of Chihei Hatakeyama performing live at St Giles Church in Camberwell, South London.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

This episode features two talks with the Latvian artist Kārlis Tone and the Estonian artist Erik Alalooga, presented in sequence. Interviews are accompanied by sounds captured during the performance of Kārlis Tone's commission at the Skaņu Mežs festival and Erik Alalooga's performance at the joint Baltic Analog Lab and Skaņu mežs residency in Riga, Latvia, in the autumn of 2025 and early spring of 2026.

The interview is conducted by Viestarts Gailītis. The music that one hears is as follows: two fragments from Tone’s composition "Balss lūzums" (eng. - voice fracture), a song “Garu čuksti vados” (eng. - spirit whispers in the cables) by Tone’s band Grab and Erik Alalooga’s songs “Jack the Chopper” and “The Boreal Desert”. Kārlis Tone and Erik Alalooga are experimental musicians and sound artists from Riga and Tallinn, respectively.

Tone is known for his work in the experimental rock band Tesa (est. 2005), the Grab project, and the neo-folk outfit Līgas ph3, as well as for theater music, while Erik Alalooga is a performance, sound, and kinetic art veteran and teacher. He will present his installation at the Skaņu mežs festival in October 2026.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This month Dylan and Karen are joined by Hali Palombo, S*Glass, Hobo Sonn, Ersatz Opportunity, Sigtryggur Berg Sigmarsson, Bill Nace, Julian Bradley, Ted Trager, Ivor Kallin, Witcyst, Neil Campbell, Theo Gowans, Zheng Hao, Marija Kovacevic, Jon Thompson, Rick Potts, Nathan Howdeshell, Fritz Welch, Andy Ortman, Maureen Hallomas and Monad Node.

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This week, Lucy Thraves plays music by Infinite Livez, Fire-Toolz, Marvin Tate, Rosa Pistola and many more.

New music with The Wire Magazine.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.