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Each artist plays for 20 minutes and starts their set before the previous act has finished, creating a constant flow of music.

Full Lineup:

• Nicola Serra

• Yewen Jin

• nunez

• That Travis

• Superasylum (Jeff Plink Plunk)

• Yeah You!

• Rick Jensen

• raxil_4 (Andrew Page)

• _subsignal (Thomas Rosser)

• Miles Lukoszevieze

• SW1n-HUNTER (Adam Dentone)

• XOLO (Edward Griffiths)

• estener + Egle Saka

• Mariam Morshed (Mariam Bergloff)

• Blood Music (Simon Pomery)

• Thomas Daley

• Jonathan Crabb

• kerosene (Mimi)

• ecolagbohrsac (Atay)

• Richard Crow (Miss Schreber)

• Hems (Henrique Matias)

• Nnja Riot (Lisa McKendrick)

• Bioni Samp

• Eight Fold Way (Mark H. Geary)

• Disgusting Cathedral (Tim Drage)

• Christian Duka + Avsluta

• Sculpture

• en creux (Lucia H. Chung)

• Oliver Torr

• Ravishing Rick Rude (Chris Smith)

• xname (Eleonora Oreggia)

• DHANGSHA (Aniruddha Das)

• Howlround (Robin The Fog)

• Hivern Liminal + Isa Barzizza

Over the course of 12 hours on 18th December 2022, Iklectik Art Lab brought together more than 25 artists to each play the noisiest live set they could. All ticket proceeds went towards The British Association for Performing Arts Medicine, a registered UK charity composed of health and creative industry professionals working together to support the performing arts.

60 minutes of vivid aural excitement mixed by Ian Murphy.

We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

Today Angela Wai Nok Hui, a percussionist and sound artist based in London and Hong Kong goes live for her second broadcast.

Angela will be working on long duration on-air performances using feedback, heartbeat, ⁠vibration and singing for in installation at the Iklectik concert on 26th July.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.

In this special extended broadcast, not important and School of the Damned come to you live from a hidden woodland on Walthamstow Marshes. Featuring performances from YUNA, Li Song & Titus Barker (duo), Yewen Jin, Conal Blake, Regan Bowering & David Sappa (trio), Li Yilei, Pentu, and interviews conducted by Edward Sanderson.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

This episode is composed by Izenberg out of flexi-discs, synthesizers and live radio sampling. Using a few flexi discs including ones found in old National Geographic and Psychology magazines I’ve crafted a few short pieces from found sounds. The final piece in this episode includes Alex Sesper on tapes and synthesizer.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

In this, William's final broadcast of the week, he talks to Bernard Walsh about their joint publishing and performance platform Sartre 25 as well as Walsh’s novel Bring Me Sunshine.

Resonance's new radio art residency programme, A Week in Air, runs throughout July 2026 and culminates in a concert at Iklectik on the 26th. Four artists spend a week each in our new project space, from which they can go live on Resonance Extra whenever they choose, day or night, all the while developing work about the act and art of transmission and the radiophonic medium itself. We welcome the following artists, composers, writers and performers: Angela Wai Nok Hui, Dora Maludi, William Joys, Neil Luck. Special guest performer Agnès Pe will join our artists in residence for the concert. Devised and curated by Milo Thesiger-Meacham.

Conceived as a diffused oratorio that crosses over between the city and the domain of radio broadcasts, Zoom conversations and the space of the book, The End of the World Service sees the body of the choir endure a modern-day tarantism of colour and sound in the streets and open spaces of the old town.

First, composer Neil Luck (UK) taps into the double trope of the city as a film set and traditional locus of mystery plays with three short tableaus populated by props, choral extras, a wind band and onlookers who happen across the scene at night, pining for a view of the surreal action playing out in the yellow light of Taranto’s street lanterns.

Then, Joseph Kohlmaier (UK/AT) takes the audience on a slow-moving choral procession that ambulated through the narrow streets of the old city, a remorseful, humming and mumbling crowd carried along by the sound of the drums and steel instruments of the Complesso Bandistico Città di Crispiano, culminating in a choral and communal recital of a libretto written for the occasion by members of the ensemble.

The End of the World Service is part of Bodies as Infrastructures – a season of events and performances staged in the city of Taranto by curatorial platform Post Disaster Rooftops. With new works by Aga Beaupré (PL), Mela Boev (IT), Marie Hamilton (UK), Joseph Kohlmaier (AT/UK), Neil Luck (UK), Sara Rodrigues (PT).

Musarc is one of the UK’s most progressive choral collectives. Founded by Joseph Kohlmaier at the School of Art, Architecture and Design, London Metropolitan University in 2008. The choir has collaborated with Jennifer Walshe, Lin Chiwei, Laure Provost, Ed Atkins, Jenny Moore, Lina Lapelytė, Sam Belinfante, Fritz Hauser, Neil Luck and many others.

It has worked with numerous festivals and arts organisations in the UK and abroad – including the BBC Proms, London Contemporary Music Festival, Palais de Tokyo (Paris), the Royal Academy, CCA Goldsmiths, Museum of London, Extra City (Antwerp), Serpentine Gallery, MK Gallery, Wysing Polyphonic, STUK (Leuwen) Cafe OTO, Bold Tendencies and Whitechapel Gallery.

A series of live performances in Taranto, Italy, on the 27th May 2022 by choral collective, Musarc. Featuring Neil Luck and Joseph Kohlmaier in collaboration with Post Disaster Rooftops.

In this sixth episode, five sound artists hosted by TRAFO are interviewed, each representing a different perspective on technology in the context of contemporary music and sound art.

Jasmine Guffond presented Listening Back, exploring the subversive use of technology in the context of permanent internet surveillance. Jenny Gräf examined the space between technology and traditional craft. Ruben Rübe and Passepartout Duo introduced a new approach to musical instruments and composition. Finally, Mark Mushiva shared The Institute of Decolonial Technology, an initiative that blends artistic practice with scientific inquiry.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.