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For Freya Algiz music fuels the fire that keeps her breathing. Coming from a small conservative country, which inhibits freedom of authenticity in its truest form, techno is not just a place to escape, but a place to reconstruct the world based on vibrations she feels in her wildest utopian dreams. It’s a world where books don’t get judged by their cover and where compassion and kindness of the heart override the mental noise of fear, greed and despair. Freya recognizes that the only limitation to ourselves is ourselves and that stepping out of the conformist expectations is the empowerment and liberation that EVERYONE deserves.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

For this fourth episode of his collected recordings he presents 5 works:

• (Fail We May) Sail We Must' (2013)

This work includes two recordings of different rehearsal sessions in the halls of a music school. The musicians in the recordings practice their pieces and repeat them over and over again. Their perseverance encourages listeners to understand failure as a necessary step in the process of growth. There's no mistake you can't learn from...

• 'I Have Always Wanted To Be In A Band' (2019)

This work is a series of recordings of Davide drumming in his room when he was 12 years old. The work contains comments made by Davide’s mum recorded while she was listening to the recordings 25 years later.

• 'This Is My House' (2009)

This work consists of the voice of a little boy taking the listener on a tour of his house. It aims to communicate everyone’s basic need to have a place containing their own memories and affections.

• 'This Kind of Hugs' (2005)

This is a musical dedication by an 8 year old boy to his girlfriend, in the form of two short and sweet compositions, like cuddling in bed and falling asleep.

• 'Neighbours' (2009)

This work consists of Davide singing along with the music of a band rehearsing next door. Rather than ask them to stop he decided to get involved and become a secret member of the band. In this case negotiation was more enjoyable than arguing!

Davide Tidoni is an artist and researcher interested in the relational dimension of listening, and in the physical experience of sound. He works with live performance, intervention, audio recording, video, and guided listening. He recently published a sound ethnography on the ultras group BRESCIA 1911. 'Collected Recordings' is a series of works selected by Tidoni from his extensive back catalogue. Produced by Milo Thesiger-Meacham.

In this episode, Joe is joined by I.W.Payne for an interview amongst track selections including Joanna Newson, Cameron Picton & Neil Bartlett.

I.W. Payne is an artist born and working in Shoreditch, London. Selected recent exhibitions include a solo presentation at Frieze London 2026 with 243 Luz & Co.; He Does Not Have a Chance a duo exhibition with Beatrice Wood at Triangolo in Cremona, Italy 2026, Bar & Grill at a. Squire ltd., London 2025; Lie down I think I love you (solo exhibition) at 243 Luz, Margate, 2025; MiArt in Milan with Triangolo, 2025; Yay, to have a mouth! at Rose Easton/Ginny on Frederick, London,2025; and a duo show with Calla Henkel and Max Pitegoff at 243 Luz at Sadie Coles HQ The Shop,London, 2024.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

The Hangover is here.
Who Dreamed up this unbuttoning of my brain?
Was it a previous me,
through grape and grain?

The taste was pleasant to take
But then the light failed
And I half awoke to feel the tantalising pain
With no remedy to hand

Merriment be damned

::open ears for new year.. auld sound clearout::

Whit's in tha pie, Missus?

Aw guid 'hings for 2018, Lang may yr lum reek etc etc

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

This episode is a contribution by TT Node.

A jumble of sounds taken from Schnìtzelbànk 3000, but set in 2025. A ghostly journey created by the Mopiilettla streaming platform through the annual Schnìtzelbànk event, a four day radio exploration of Alemannic and Franconian dialects.The main recordings were extracted from the Mopilettla’s live 1kbps internet streams.

The elements: a recitation of love by Frédéric Danos. Voices of Sylvie Reff (excerpts from her books), Sabine from Réunion, Daniel Muringer, Irmgard and Buki

For more info visit: p-node.org

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Tam Lin opens this episode introducing their album bluelightnospaceflattime which comes out on Flaming Pines on June 14 2024.

We also dip into two other forthcoming releases: East by Fortresses, an EP which comes out of Sam Ashton's move from London to Portland, and an excerpt from Zippered Time, Winged Dialogue by the trio of David Birchall, Tullis Rennie and Kate Carr.

The final hour of the show is a special mix by Tam Lin of music which relates to the themes and compositional approach they took in bluelightnospaceflattime.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Tina Turner's Private Dancer. There's no order, no lists, only stilted and exclusive material. Public and private dancers, non-binary voices, Finnish superstars, peaches, orchestras, strong women, workers who hate their jobs … all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Now: Archie Archive. Special guest Marold Langer-Philippsen intertwines personal and political history.

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

Featuring:

Steffan Cennydd (Theatr Cymru’s “Romeo a Juliet” 2025; Criminal Record; Gwledd; Craith; Yr Amgueddfa etc).

Richard James (Evolution of Beauty; Hotel Et Al; Gorky’s Zygotic Mynci; BAFTA Cymru and Welsh Music Prize Nominee etc).

Michael Umney (Winner, New York Festivals Radio Awards 2025; Winner, URTI Radio Grand Prix 2024
etc).

Ed Baxter (Resonance Radio Orchestra; Statue of Liberty Big Band; BASCA Composer of the Year 2013 etc).

Special guests include members of Tai Haf Heb Drigolyn.

Supported by The Colwinston Foundation, Hinrichsen Foundation, The Leche Trust and Unity Theatre Trust.

Live from The Hanging Gardens, Llanidloes, Wales: Rough for Radio, an evening of radio-art, presented by Resonance FM. In this unique show, four artists present radiophonic experimentation, dramatic monologues, cinema for the ear and short-form sound art. They also present roughs from their work in progress, “Rhwng dwy afon: Taith i feddwl y tir / Between two rivers: a journey into the mind of the land,” made with local people around the sources of the Severn and Wye.

Patrick and his guests walk from Exchange Square behind Liverpool Street Station – where Austerlitz first arrives to London on the Kindertransport – to Brick Lane where Stephen reads a poem dedicated to Altab Ali and Bill Fishman. From there they continue to Alderney Road – where Austerlitz lives in the novel and also home to the oldest Ashkenazi Jewish cemetery in the UK – and finally arrive at Tower Hamlets Cemetery Park behind St. Clement's Hospital where Sebald's character spends a long period of recovery.

Sound recorded by Milo Thesiger-Meacham and photography by Karen Lacey-Holder. Thanks to Leonard Shear of the United Synagogue.

In this extended programme Patrick Bernard follows in the footsteps of W. G. Sebald and his eponymous character Austerlitz as he explores the East End of London with poet Stephen Watts (a friend of 'Max' Sebald who accompanied him on many of his walks). They are joined by Nadia Valman and David Anderson from Queen Mary University of London as they visit many of the locations in the novel to uncover the layers of history hidden beneath the surface of the city and Sebald's text.