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Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station has been continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

For this seventh and final episode, he presents the second part of 'You Are Here With Me'.

This is a collection of recordings made by Davide between 2005 and 2018. The recordings include interactions with acoustic spaces, actions performed with microphone(s), musical rehearsals, and reinterpretations of other people's songs. The shared aspects of the recordings are human presence, non-professional voices, and musicking.

Davide Tidoni is an artist and researcher interested in the relational dimension of listening, and in the physical experience of sound. He works with live performance, intervention, audio recording, video, and guided listening. He recently published a sound ethnography on the ultras group BRESCIA 1911. 'Collected Recordings' is a series of works selected by Tidoni from his extensive back catalogue. Produced by Milo Thesiger-Meacham.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

In this episode, we use the online video site Astronaut.io and multiple browsers to create compositions built from the textures and landscapes that are conjured up when time and geography are flattened.

These videos come from YouTube. They were uploaded in the last week and have titles like DSC 1234 and IMG 4321. They have almost zero previous views. They are unnamed, unedited, and unheard (by anyone but you).

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

The first half of this month's show features a deep dive into the Spirit of Gravity 25th birthday compilation, with a couple of tracks from the new Spheress CD on the Brighton based Patchworks label. The second half of the show brings the usual round-up of music from in and around the orbit of the Spirit of Gravity collective.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

In this special episode, Vague Wanderings comes live from ICA for two hours of School of the Damned’s PULSE event. We’ll be bringing you performances and sound works exploring ‘conjuncture’: moments when social, political and material contradictions intensify and overlap.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

This episode focuses on the rare experimental and deviant music that can conceptually be called the "dancefloor destroyer". Its narrative unfolds from early electronic, synthesizer and computer music and we discover that the only Soviet major label without any censorship boldly released music in the genres of EBM and no-wave, sympho-prog, acid-opera and even “post-pop”.

This episode is less about the music of all the countries of the Soviet Union – only focusing on Estonia, Latvia and Russia – but is rather my personal poetic statement, representing the diversity of Soviet experimental music in the late 80s and early 90s. This music sounds extremely modern right now. I chose the neo-romantic twist of Nochnoy Prospeckt's Antidisco Song as the main motif of the release, which opens and closes the show.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.