← Thursday 18th December 2025 →

In this episode: how do artists process recorded and generated sounds? What kind of new meaning emerges from this process? Apparently, it often results in laid-back music.

Postnew is a modular theory, describing the fluid development of aesthetics. Every movement has a post-movement, every end is a beginning, every post-aesthetic will be followed by a post-post-aesthetic. Join the mailing list here.

From the most abrasive to the unbelievably sublime, Hope Valley Cement Works attempts to curate a selection of experimental music and sounds, from collected field recordings and sound collages, to serene ambience, impressive drone and the odd deconstructed club track. A series by Kris Cooper.

This month: sound artist Patchfinder confronts Jacques Attali's book Noise: the Political Economy of Music.

Monthly investigations of music politics with Paul Rekret.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In the episode, music from the second part of our 20th anniversary compilation Elliptical Orbits v2 releases featuring music from around The Spirit of Gravity.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Joe is joined in the studio by multidisciplinary artist Shenece Oretha for an interview amongst track selections including Alice Coltrane, Lucille Clifton & Dawn Penn.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

A tide line walk. Two coasts across two hundred miles. A saltmarsh estuary a rocky shore. One tide cycle. Twelve and a half hours of high low high tide. Twelve walks. Walk one hour rest one hour. Twelve walks divided and rebuilt at random. Twelve walks each a new tide walk. This is tide line walk 2.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

In this episode, come with us on a hypnotic journey that will take you back in the times of the goat god Dionysus, when people danced and celebrated, drunk whine and scared death away. Traditional music recorded on the streets of various Greek villages during pagan ''dromena''. Masked ''bouloukia'' goat headed masks, monsters and huge vaginas and dicks against death.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

In this edition of Shuffle, get ready to listen to the weirdest and most mindblowing covers and drifts of **Man, It’s So Loud in Here* by They Might Be Giants. There's no order, no lists, only stilted and exclusive material.

Marimba players, robots, noise lovers, toxic social network retirees, PT1 holders, furries, club dancers,… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Brooklyn-based Olivia Bradley-Skill presents Lo-fi Goddesses, live sound collage and original radio artworks inspired by female-fronted post-punk bands and experimental dance music.

"Nobody is entitled to simply walk into a business and work there. If there were no quality control safeguards in place, we would just have chaos." So grumbled some self-serving 'authority figure' circa 2012.

As if to wave a middle finger at the naysayers' edicts, the narrator continues to pursue 'pure volunteering', and interrogates concepts of "quality", "safeguards", "place", "have" and "chaos" via a palimpsest of found media, ranting, and cool, calculated disgrace.

Parallel to this, research continues into the contentious forbidden book, supposedly locked in the uncatalogued portion of the British Library's Suppressed Safe.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

This episode focuses on global landscapes, the phenomenology of perception and individual experience. Join Kayla for a journey through experimental tracks from artists worldwide who create immersive soundscapes.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

In this episode, Shane Woolman plays a selection of tracks taken from the magazine's end of year top 50 chart, including Cerys Hafana, Damon Locks, DJ Haram, Black Eyes, Abhorrent Expanse, Lea Bertucci, aya, Ben LaMar Gay, Oklou and many more.

New music with The Wire Magazine.

This episode is contribution by Radio WORM.

Aja Ireland is an award-winning sound and performance artist making deconstructed club and industrial techno.,This radio piece explores the evolution from the Noosphere (the 20th-century vision of a unified global consciousnes() to the fragmented, chaotic Woosphere of today.,100 years ago, scientists imagined a world where human intellect would merge into a divine, collective intelligence.

But instead of enlightenment, we’ve entered a gamified reality of chaosmosis—where misinformation moves faster than light, truth bends to algorithmic influence, and quantum woo shapes belief systems.,Through an immersive sound composition, Aja sonified the Woosphere—capturing the dissonance between utopian aspiration and digital-era confusion. Much of the material was recorded in the WORM electronic studio.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.