← Wednesday 17th December 2025 →

In this episode we delve into two upcoming releases: Bells: the gauzy glockenspiel experiments from Broken Chip, AKA Martyn Palmer, who is based in the Blue Mountains in Australia, and Homework, an intriguing collaboration between Londoner Matt Atkins and Italian composer MonoLogue (Marie Rose).

Martyn opens the show and talks us through his process in making Bells. We also hear from Matt Atkins who discusses the alchemical and improvisatory processes which went into his collaboration with Marie Rose.

We dip into Nichola Scrutton's new release Night Vision which is based on a practice of semi-conscious writing, enjoy Manja Ristic's special sniffing rock in Croatia and join Colombian composer David Veléz as he does the dishes.

The second half of the show is a beautiful mix by Martyn Palmer of music which inspired his forthcoming album Bells.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

This episode features new works by Daniele Ciullini, Signalstoerung, Solo1, Nihil Impvlse, Durán Vázquez & Kloob, Ashtoreth, Daimon, Mario Lino Stancati & Marco Megnelli, Runes Order, and 400 Lonely Things.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

This episode features work by Production Unit, Orrest, Poe Sullard aka Megaheadphoneboy, Ryuichi Sakamoto, Illuha & Taylor Deupree, Gramm, Pessimist, DJ Topgear, Convoi Exceptionnel, Donato Dozzy, Kӣr, Tapenoise, Nam June Paik and Arseny Avraamov.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

This episode features DJ, composer and improviser Mariam Rezaei.

Missed the show? Catch up on Mixcloud.

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Long-form gonzo radio exploration of artists on the outer edge with Eric Boros.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode features music made by Naviar's community inspired by Santoka Taneda’s poem “Under the burning sky - / a procession of ants, / without end."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode features original music by Or Rimer, a Tel Aviv-based musician and composer born in 1986. Rimer is active in several local bands and projects, collaborating with a wide range of artists—including filmmakers, choreographers, and visual and performance artists—creating unique scores and soundscapes. Beyond his music, he also coaches football.

Alongside Or Rimer’s works, you’ll also hear sounds by Pauline Oliveros, 3 Guitars, María Sabina, Harry Flint, Henry Collins, and more.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode features location-centred mixes from Berlin-based sound artist Marta Forsberg and Poznań-based composer and sound engineer Aleksandra Słyż.

The show focuses on music from each city, but also nods to the interconnectedness of different music scenes and identities. Although now based in Berlin, Marta is of Swedish-Polish heritage and Aleksandra has lived and worked in both Poznań and Stockholm. Nods to these connections can be heard throughout.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

In this episode, Jennifer gifts you lots of new releases just in time for the holidays.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Published by Prototype, Helen Palmer’s Pleasure Beach is a queer love story from the North West’s saucy seaside paradise, Blackpool, on one day: 16th June 1999. Written in multiple voices and styles, Pleasure Beach follows the interconnecting journeys and thoughts of three young women over the course of 24 hours and over 18 chapters which are structured and themed in the same way as James Joyce’s Ulysses. Serialised in four instalments (to conclude with its publication on June 16th 2023, “Bloomsday”), and read by the author, Pleasure Beach (Cochlearical) was produced by Dominic Jaeckle and Milo Thesiger-Meacham for Resonance Extra as a part of a rolling series of collaborative broadcasts from Tenement Press and Prototype Publishing, Railroad Flat Radio.

An original audio work by Milo Thesiger–Meacham, originally commissioned by Outlands for The Joyous Thing 4. Two narrators on opposite sides of the Atlantic Ocean trace the events of a night lost in an unnamed city. Featuring original text, music and recordings made on various handheld devices, found material, improvised words by Kadence Neill, and viola playing by Benedict Taylor.

In this episode: how do artists process recorded and generated sounds? What kind of new meaning emerges from this process? Apparently, it often results in laid-back music.

Postnew is a modular theory, describing the fluid development of aesthetics. Every movement has a post-movement, every end is a beginning, every post-aesthetic will be followed by a post-post-aesthetic. Join the mailing list here.