← Tuesday 28th October 2025 →

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

This episode features music from Dead Neanderthals, Dame Area, Skrei, Hermetic Brotherood Of Lux Or and Dusk Device.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

In this episode six CRiSAP researchers, past and present, discuss and play examples of their wide ranging artistic and practice-based research into and with archival materials.

Mention is also made of the archives that CRiSAP has worked to secure in collaboration with the Archives and Special Collection of University of the Arts London, namely the Her Noise Archive, the London Musicians Collective (LMC) Archive and the Lindsay Cooper Archive.

Contributors: Irene Revell, Hannah Kemp-Welch, Nicol Parkinson, Ximena Alarcón, Syma Tariq, Cathy Lane.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

In this episode, Mary a.k.a Veronica Moser a.k.a The Telegram Regrets takes over with an ''eastern delights'' mix and I add some recordings from the city streets of Athens.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do.

PROBES #11 goes oral: everything your mother wouldn’t tell you about what people can do with their mouths, and a little bit of spit.

Transcript available here:
http://rwm.macba.cat/uploads/20150123/11probestranscripteng.pdf

Link to the complete series:
http://rwm.macba.cat/en/variations_tag

For more information on this series and other podcasts, visit Ràdio Web MACBA(r)

In this episode we’ll be listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Bette Davis Eyes by Kim Carnes. There's no order, no lists, only stilted and exclusive material. Featuring special guest Mary Posa.

Autotune voices, cumbia rythms, plunderphonics minds, contemporary grunges, unrestrained accelerationists, wonderful and clever butterflies,… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode reflects on In the Field 2, a 3-day international symposium (LCC, 2024) that explored how the practice of field recording has changed since the first In the Field conference (British Library, 2013), and amidst the escalating ecological, political, social and financial challenges of the past decade.

The episode begins by playing back the keynote opening recording from In the Field 2. This was an experimental and collaborative start to the conference that weaved the organisers voices and sounds. Following this excerpt the contributors discuss key moments from In the Field 2 and speculate on the possibility for an In the Field 3.

Contributors: Angus Carlyle, Kate Carr, Peter Cusack, Cathy Lane, Mark Peter Wright.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

The first hour of this episode features tracks from a new compilation, Abstrakce Sample II and two new albums from artists who were present at the very dawn of the spirit of gravity project: Multiplex & Rashamon. The second hour comprises the final broadcast from the Omnistitional Cultures Research Unit (OCRU) which blends and reworks material taken from 36 hours of audio recorded over the course of the 6 month Gravity Waves... residency. As a culmination of the OCRU project, the piece combines and transforms various performances, research activities and experiments by the OCRU as they attempt to build a sonic portal toward an unbounded future.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

Today’s episode is Kittiwake Triptych No. 1: Cullernose.

This is the third of a triptych of recordings of my walking to “the same place” – a Kittiwake colony – twenty minutes sitting at the place and my walking away back to my starting point. The three “same places” are one in rural Newfoundland and two in rural Northumberland. At each site, on another day, or at a different time of the same day, each recording would have been different.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

What is the difference between data driven music and data sonification? When sound esthetics meet science and technology.

This report presents several sound pieces that were composed with the use of data by scientist-artist Daniel Maszkowicz. The pieces are presented with evocations of scientific and esthetic considerations, collected from several sources and materials, with references to other works by himself, or his inspirations

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

In this episode, Joe interviews experimental clown duo Sally Plowman and Cailin Cummins, who have adapted two of their performances for the radio, in and around some track selections including Ivor Cutler, Lotte Lenya & Laurie Anderson.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Joe and Chanelle’s audio recordings encompass ambient sounds, conversation, experimental composition and improvised instrumental response. Cassette drones, loop pedals, voice and guitar are used to echo, mimic or bend over bird calls, thunderstorms, night sounds, indistinguishable chatter, museum reverberations and urban movement. These moments captured to tape are presented in two halves as an A-side/B-side format.

Enriched by visual counterpoints for each episode, Bruna’s critical eye forms an ambiguous tonal narrative from Jake's method of stumbling into excellence. Mountain, valley, glacier, and urban horizon are presented in stereo format, to parallel the A-side/B-side format.

This program has been made on the stolen lands of the Gadigal people of the Eora Nation, we pay respect to the Elders both past and present.

Project lead and sound by Joe Wilson and Chanelle Collier. Creative direction by Bruna Volpi. Photography by Jake Terrey.

This episode is supported by Higher Ground Studios and Resonance Extra.

Field Notes

Recorded at Potter’s Studio, Kanimbla Valley, Radio Jam. Bruna Volpi, Chanelle Collier, Jake Terrey, and Joe Wilson.

ESCARPMENT

We were kind of happy that day

talking about sticks on the balcony,

Screaming and playing hard.

We could see the light up there on the escarpment.

(Delay distort)

Some kind of happy

Side A

Slow beat, thump, drone and JT guitar, JW vocal. Feedback electric buzz effecting track. Vocal to cassette looped and fast forward and rewind. Shaker percussion dominates through mid to late, comes away eventually; 11.00 good layers of noise and sound build up for a change in lead guitar, paired with vocal feedback.

Side B

Recording of bees in a tree and a jam Jake Terrey, Joe Wilson and Chanelle Collier, recorded in mono direct to cassette.

A monthly programme which blends textured audio from cassette recordings by Joe Wilson & Chanelle Collier with tonal imagery by Bruna Volpi and Jake Terrey. Sound engineering by Ollie Brown.

This episode features music made by Naviar's community inspired by Kaya Shirao’s poem “The coming of autumn / determined by / a red dragonfly”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This week: the politics of rave and dance culture, from the 'second summer of love' to the Criminal Justice Act.

Monthly investigations of music politics with Paul Rekret.

Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.