← Wednesday 29th October 2025 →

Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.

This episode features music by Hector M. Reis, Adrien L’Honoré Naber, Alwin van der Linde, HLER, RhaD, OdNu, VelgeNaturlig, RNGMNN, Andreas Rönnquist and Diskrepant.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

In this episode: a new studio setup with a guitar, a track from the best black metal album of all time, Melinoë by Akhlys, Meshuggah, Sarahsson, E-GIRLS ARE RUINING MY LIFE! ft. Savage Ga$p, Stay Out of My Swamp (feat. Tre_' Perdue) by The Ogre Packet Slammers and more.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

In this episode, we visit the Welsh border town of Hay-on-Wye and a live recording from the monthly experimental music night Hay Nawr.

We journey to The Old Electric Shop on 22nd April where we hear live performances from: Henrik Munkeby Nørstebø - trombonist and sound artist based in Berlin and Trondheim; Jacken Elswyth (pictured) - London-based folk musician, banjo player and instrument builder; The British Space Group - Ian Holloway is a musician working in Swansea whose work encompasses drone, field recordings, post-industrial found sounds, hauntology and radiophonics.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode explores publishing with and about sound, as text and also as more than text: expanding the definition of publishing beyond text and language into a sonic dimension and thinking the relationship of words and sounds beyond books and articles.

The conversation begins with a discussion on our motivations, habits and practices of writing about and with sound. Noticing the lack of words to make listening accessible and feeling compelled to develop that relationship.

We present how we write and when we write, and introduce publications that inspire us and that inform our own endeavours, and listen to works that open the idea of expanded publishing with sound to generate a listening practice with present and absent words.

Contributors: Kate Carr, Salomé Voegelin, Mark Peter Wright.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do.

In PROBES #12 harpsichords return from the dead; a spectre is haunting music: the harpsichord.

Transcript available here:
http://rwm.macba.cat/uploads/20150429/12probestranscripteng.pdf

Link to the complete series:
http://rwm.macba.cat/en/variations_tag

For more information on this series and other podcasts, visit Ràdio Web MACBA(r)

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Jonathan Lees of West Yorkshire netlabel hibernate selects internet-based ambient music with contributions from guest artists.

This episode features music made by Naviar's community inspired by Fusae Fubasami’s poem “reminding me not to forget / a toad goes out / to the verdant world”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, Lost Letter, a piece composed by Snezhana Reizen. Here are her words about it:

To describe the process in which I was involved here, I would need to convey some details of the setting and the basic materials that formed the backbone of this piece.

In the beginning, there were noises appearing between unconnected wires (an additional and sort of premortal material to my upcoming album Parallel Movements). I found some of the themes this material suggested, such as the desperate seeking of connection in disconnection or beauty in noise or meaning in life full of war, fairly corresponding with what is going on in general or what I can perceive from my current environment in particular.

So these sources were fertilised with Israeli radio, military helicopters severing the night sky, smithereens of debris and bird’s voices, and various sounds of 'human and not' presence and not.

There were some attempts to reverse signifiers of sound in an acousmatic manner so that rolling stones of “go-game” appeared as breathing or speeded human heartbeat as erupting calvary. Water, though, was included in its literalness as a fragrance of hope to the deserted. The water here is Sicilian — a good memory from the Oooh and RARA improvisation art festivals.

But besides processing concrete sounds, closer to the end, I allowed myself a bit of sound synthesis.

Lost Letter is the second chapter of my new series Cryptography. Find out more here.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode features field recordings and music curated and pieced together by artists Nyokabi Kariũki and Damsel Elysium.

In the first half of the show, prolific sound artist and multi-instrumentalist Nyokabi Kariũki weaves a varied selection of music from Kenyan artists in with recordings she’s captured across the country.

In the second, Damsel Elysium - whose singular creative practice has been turning heads in experimental music scenes and high fashion circles alike - takes us on a tour of London’s bustling streets and creative boundary-pushers.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

In this episode, Eric begins pondering his end-of-year lists with selections from hardcore punk records that came out in 2025.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Dreamscape 1994 is a plunderphonics type radio show recorded using a box of rave tapes, found tapes and home recordings. Improvised and mixed live with no overdubs on three tape recorders, expect to hear experimental, noise, sound art and new age music.