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Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

This special episode is a celebration of the music of Tim Barnes. Visit his GoFundMe page to support his care.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In this episode, Joe is joined live in the studio by writer, bookseller, deep hole advocate and serially nascent scholar of networked media, e v, for a live reading and interview amongst track selections including Yoko Kanno, Fatima Al Qadiri & Oneohtrix Point Never.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

In these first two episodes, Additions Megabus collects four live sets and practice sessions from four successive years of shows by Trash Panda QC (formerly billed under real name Peter Seligman), showing evolutions and variations of his rave/footwork/noise-influenced sound along with unheard versions of released tracks.

After catching up to the present, live sets from the following episodes will be collected in an additional, gradually expanding album, totalling approximately three hours.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

This episode features music from Pier Alfeo, Pinna, Nuno Veiga, Jose Macabra, AB UNO, Jasmine Pender & Eric Arn, and Crumpsall Riddle.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

RUSNAM is a Berlin-based multi-genre music producer & composer, vocalist, cultural worker and DJ of Turkish and Arab descent. She is signed to French-Tunisian label Shouka and is a member of the BIPoC collective, Decolonoize. She’s spent over 12 years making waves in the industry from fronting the internationally touring band Gülina to creating immersive theater soundscapes and collaborations with renowned artists. Her music blends West Asian & North African sounds with experimental bass-driven music.

RUSNAM’s focus lies on the decolonisation of music practice to explore the complexities of female existence, critiquing patriarchy and racism. Committed to feminist and decolonial practices, she also leads empowerment workshops for marginalised youngsters and runs her own recording studio, Deep Dive Studios, in Berlin.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This episode is a contribution by Radio Grenouille.

"The initial idea was to work on the site of Corbières in L'Estaque from recordings to restore the current sound panorama. I knew the place for having traveled it many times during my childhood and having kept in mind a series of scenes and events lived.

It arrived at the stadium the composition that I felt the need to bridge between the present and the past, at the time when Les Corbières was not a place of pleasure but essentially of work. A bridge to better understand the incessant flow of becoming, try to situate myself there.

I thank Luc Ferrari for allowing me to use the recording of 2 sound objects that he had set during his residency at Euphonia / Grenouille in 2OO3, which are part of 2 pieces in: The Anecdotes by Luc Ferrari." – Lucien Bertolina

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Joe and Chanelle’s audio recordings encompass ambient sounds, conversation, experimental composition and improvised instrumental response. Cassette drones, loop pedals, voice and guitar are used to echo, mimic or bend over bird calls, thunderstorms, night sounds, indistinguishable chatter, museum reverberations and urban movement. These moments captured to tape are presented in two halves as an A-side/B-side format.

Enriched by visual counterpoints for each episode, Bruna’s critical eye forms an ambiguous tonal narrative from Jake's method of stumbling into excellence. Mountain, valley, glacier, and urban horizon are presented in stereo format, to parallel the A-side/B-side format.

This program has been made on the stolen lands of the Gadigal people of the Eora Nation, we pay respect to the Elders both past and present.

Project lead and sound by Joe Wilson and Chanelle Collier. Creative direction by Bruna Volpi. Photography by Jake Terrey.

This episode is supported by Higher Ground Studios and Resonance Extra.

Field Notes

Recorded at Potter’s Studio, Kanimbla Valley, Radio Jam. Bruna Volpi, Chanelle Collier, Jake Terrey, and Joe Wilson.

ESCARPMENT

We were kind of happy that day

talking about sticks on the balcony,

Screaming and playing hard.

We could see the light up there on the escarpment.

(Delay distort)

Some kind of happy

Side A

Slow beat, thump, drone and JT guitar, JW vocal. Feedback electric buzz effecting track. Vocal to cassette looped and fast forward and rewind. Shaker percussion dominates through mid to late, comes away eventually; 11.00 good layers of noise and sound build up for a change in lead guitar, paired with vocal feedback.

Side B

Recording of bees in a tree and a jam Jake Terrey, Joe Wilson and Chanelle Collier, recorded in mono direct to cassette.

A monthly programme which blends textured audio from cassette recordings by Joe Wilson & Chanelle Collier with tonal imagery by Bruna Volpi and Jake Terrey. Sound engineering by Ollie Brown.

This episode features a guest mix by Matt Emery.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

Intertwining themes of motivations and justifications form the central nervous ganglia of this instalment.

Loosen your tolerance threshold and listen in, as some of the loose ends regarding the new genre 'creepbeat' (introduced previously) are tied up, followed by rantings at the TV, then a phone call of dubious audio quality is received from a friend who formerly worked at Oxford Street's HMV where a strange diary was discovered inside an abandoned bungalow on the roof of the iconic music store.

If the aforementioned has not whetted appetites, meat is provided in the form of reports of Pure Volunteering workplace trespass incidents. Pure Volunteering is a mode of work which mocks the divide between the employed and unemployed, causing untold fuss.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode explores the ways in which sound engages with the realms of conflict and trauma. The participants – Ximena Alarcón, Thomas Gardner, Syma Tariq & John Wynne – discuss their own work and some of the questions which arise, which include:

• The place of testimony
• Activism and repair
• The cultural forms and references within the work
• The place, future and consequences of the work

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

This episode features field recordings and music curated and pieced together by artists Nyokabi Kariũki and Damsel Elysium.

In the first half of the show, prolific sound artist and multi-instrumentalist Nyokabi Kariũki weaves a varied selection of music from Kenyan artists in with recordings she’s captured across the country.

In the second, Damsel Elysium - whose singular creative practice has been turning heads in experimental music scenes and high fashion circles alike - takes us on a tour of London’s bustling streets and creative boundary-pushers.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

From the most abrasive to the unbelievably sublime, Hope Valley Cement Works attempts to curate a selection of experimental music and sounds, from collected field recordings and sound collages, to serene ambience, impressive drone and the odd deconstructed club track. A series by Kris Cooper.

This episode features music by Hector M. Reis, Adrien L’Honoré Naber, Alwin van der Linde, HLER, RhaD, OdNu, VelgeNaturlig, RNGMNN, Andreas Rönnquist and Diskrepant.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

In this episode Shane Woolman presents a very special guest mix by Cairo-based DJ, producer and multidisciplinary artist El Kontessa along with tracks by Alien Trackers, Sanaa Moussa, Hieroglyphic Being, Claudia Khachan & Ziad Moukarzel, DKAPZ, Low End Activist and more.

New music with The Wire Magazine.

Continuing our collaborative study of Pauline Oliveros' Sonic Meditations Pacific Tell and Energy Changes, alongside Tarik Haskic, Francesco Costa and Helen Frosi join us at the river bank to open up telepathic communication across time and space. Combined recording of 5 individual performances made synchronously in Italy, the UK and Slovenia.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.