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In this episode, a guest mix from Pittsburgh’s most vibrant son Spednar, head of Cosmic Sound and purveyor of the city’s wildest synth abstractions.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode considers a batch of influential publications produced by CRiSAP. Focusing on the anthologies Autumn Leaves (Carlyle, 2007) and Playing with Words (Lane, 2008), the discussion weaves motivations, content and contexts for both publications.

Throughout the episode sound excerpts are played from each book's companion audio compilation. The episode finishes with conversation and excerpts from the soundworks Some Memories of Bamboo (Carlyle, 2009) and The Hebrides Suite (Lane, 2013).

Contributors: Angus Carlyle, Cathy Lane, Mark Peter Wright.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

This episode features a guest mix from artist Tilman Hornig.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode is brought to you by Erika Elizabeth.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music from Hayward Versus Harmergeddon, Duchamp, BAG, Cerpintx, Pillars of Golden Misery, Minus Pilots and TFT.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Jonathan Lees of West Yorkshire netlabel hibernate selects internet-based ambient music with contributions from guest artists.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode is a conversation between Abby Clemens and Miriam Elgon. They discuss aspirations for possible sound art futures, using images and exploring questions of purpose, responsibility and affordance. Taking their lead from Tina M. Campt’s book Listening to Images and her ideas of the ‘future real conditional’.

‘The future real conditional or that which will have had to happen… A performance of a future that hasn’t yet happened but must. It is an attachment to a belief in what should be true, which impels us to realize that aspiration.’ (Campt, 2017, p.17).

Contributors: Abby Clemens and Miriam Elgon.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

An episode in memory of David Axelrod.

60 minutes of vivid aural excitement mixed by Ian Murphy.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

This episode features music made by Naviar's community inspired by Kaya Shirao’s poem “The coming of autumn / determined by / a red dragonfly”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

This episode features original music by Or Rimer.

Rimer, born in 1986, is a musician and composer based in Tel Aviv who plays in several bands and works with a variety of artists, including video and film makers, choreographers, and visual and performance artists, for whom he creates original scores and soundscapes. He also trains soccer teams

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

The first hour of this episode features tracks from a new compilation, Abstrakce Sample II and two new albums from artists who were present at the very dawn of the spirit of gravity project: Multiplex & Rashamon. The second hour comprises the final broadcast from the Omnistitional Cultures Research Unit (OCRU) which blends and reworks material taken from 36 hours of audio recorded over the course of the 6 month Gravity Waves... residency. As a culmination of the OCRU project, the piece combines and transforms various performances, research activities and experiments by the OCRU as they attempt to build a sonic portal toward an unbounded future.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do.

PROBES #11 goes oral: everything your mother wouldn’t tell you about what people can do with their mouths, and a little bit of spit.

Transcript available here:
http://rwm.macba.cat/uploads/20150123/11probestranscripteng.pdf

Link to the complete series:
http://rwm.macba.cat/en/variations_tag

For more information on this series and other podcasts, visit Ràdio Web MACBA(r)

This episode features new works by Eric Angelo Bessel, Simon Serc, fourthousandblackbirds, Wukir Suryadi, Zach Zinn, CASTRUP I EMERGE, BVHZ (B Varvohza), Grey Frequency, David Kovacs, Epignose, Capricorni Pneumatici, and Oubys.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.