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RUSNAM is a Berlin-based multi-genre music producer & composer, vocalist, cultural worker and DJ of Turkish and Arab descent. She is signed to French-Tunisian label Shouka and is a member of the BIPoC collective, Decolonoize. She’s spent over 12 years making waves in the industry from fronting the internationally touring band Gülina to creating immersive theater soundscapes and collaborations with renowned artists. Her music blends West Asian & North African sounds with experimental bass-driven music.

RUSNAM’s focus lies on the decolonisation of music practice to explore the complexities of female existence, critiquing patriarchy and racism. Committed to feminist and decolonial practices, she also leads empowerment workshops for marginalised youngsters and runs her own recording studio, Deep Dive Studios, in Berlin.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

In this episode: 20 years of live performance.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode shares and explores the work of four CRiSAP members. Each member provides a brief glimpse into their work and relationship with CRiSAP sharing creative practices that span sonic cyberfeminism, experimental composition, voice, sonic archives, instrument building, analogue techniques, and improvisation.

Each segment of this hour-long episode gives space to a variety of approaches, themes, and topics that encompass the expansive, creative, and experimental work that frames CRiSAP.

Contributors: Annie Goh, Diego Benalcazar, Rachael Finney & Thomas Gardner.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

On this week's Out From Under, Stu Buchanan talks with Newcastle’s Cooper Bowman - musician and artist and founder of the Australian cassette label Altered States Tapes.

The label, which recently celebrated its 100th release, features music that sits across punk, industrial, experimental, electronic and noise; with a roster that includes Australian artists Dead Boomers, Lisa Lerkenfeldt and many more, sitting alongside international acts such as Beat Detectives and Opal Beau.

Cooper talks about making music and making tapes, and pulls out a selection of tracks from the label’s past, present and future - including a number of unreleased exclusives.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

This episode features music from Sly & Family Drone, Stochastic Resonance, Disinformation, Armageddon and Pocket Signs.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Continuing our collaborative study of Pauline Oliveros' Sonic Meditations Pacific Tell and Energy Changes, alongside Tarik Haskic, Francesco Costa and Helen Frosi join us at the river bank to open up telepathic communication across time and space. Combined recording of 5 individual performances made synchronously in Italy, the UK and Slovenia.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

In this episode Shane Woolman presents a very special guest mix by Cairo-based DJ, producer and multidisciplinary artist El Kontessa along with tracks by Alien Trackers, Sanaa Moussa, Hieroglyphic Being, Claudia Khachan & Ziad Moukarzel, DKAPZ, Low End Activist and more.

New music with The Wire Magazine.

In this episode, Joe is joined live in the studio by writer, bookseller, deep hole advocate and serially nascent scholar of networked media, e v, for a live reading and interview amongst track selections including Yoko Kanno, Fatima Al Qadiri & Oneohtrix Point Never.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode we’ll be listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode is a contribution by Radio Grenouille.

"The initial idea was to work on the site of Corbières in L'Estaque from recordings to restore the current sound panorama. I knew the place for having traveled it many times during my childhood and having kept in mind a series of scenes and events lived.

It arrived at the stadium the composition that I felt the need to bridge between the present and the past, at the time when Les Corbières was not a place of pleasure but essentially of work. A bridge to better understand the incessant flow of becoming, try to situate myself there.

I thank Luc Ferrari for allowing me to use the recording of 2 sound objects that he had set during his residency at Euphonia / Grenouille in 2OO3, which are part of 2 pieces in: The Anecdotes by Luc Ferrari." – Lucien Bertolina

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This episode opens with a special introduction by Greek composer Savvas Metaxas who chats about his new album For How Read Now which explores the creative and conceptual possibilities in errors. We also take a closer listen to two other error-inspired albums: Kamran Arashnia's Bounds Elimination and Jonathan Higgins' Good Thanks, You? composed via glitching CD DJs.

We also dive into Rubbish Music's forthcoming debut album via a composition based on a field recording of a recycling centre as well as Australian composer Alexandra Spence's new oceanic release on mappa, a mysterious album by Michigan's Lalén Ríos Luna and we celebrate the arrival of agri-ambient with Michael Lightbourne's Slí na Fírinne.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Bette Davis Eyes by Kim Carnes. There's no order, no lists, only stilted and exclusive material. Featuring special guest Mary Posa.

Autotune voices, cumbia rythms, plunderphonics minds, contemporary grunges, unrestrained accelerationists, wonderful and clever butterflies,… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

This week: the politics of rave and dance culture, from the 'second summer of love' to the Criminal Justice Act.

Monthly investigations of music politics with Paul Rekret.

"Here is a mix I made last month. It is inspired by a stupid piano I found a few houses down and dragged home. Lately, I've been working on some new instruments, spawned from various marshlands around South East London, and this moss-covered electric piano was a funny addition.

So, I put together these mostly keyboard-oriented pieces; some are bits I played on the following days, some experiments with homemade robotics, but it features a few relics too, such as: Koray and Marc's remixes of some old music and one of my all time favourite rave tunes, Twisted Girl, with a hypnotic piano."

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

At this mid-point crisis in the Asphyxia series, a discourse on the new genre of music known as 'creepbeat' is provided. Creepbeat emerged as a viable "going concern" during investigations into a remote music event.

As with breakbeat, sampled 'beats' are creepily sought, albeit dulled through distance - the creepbeat producer works with the sonic dregs of a faraway revelry, filtered by environmental pressures and obstructions.

Just like the researcher of suppressed material, the creepbeat producer works with incomplete and compromised artefacts. This necessitates various forms of cognitive leaps to complete the bigger picture.

In the case of creepbeat, this involves identifying patterns; the half-audible melodies and rhythms are accentuated, creepily re-painted back into definition. Analogous to the investigation of suppressed materials, the task is one of recuperation - following the ghost of the gesture. The show's creator may release an album if enough interest is shown.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

In these first two episodes, Additions Megabus collects four live sets and practice sessions from four successive years of shows by Trash Panda QC (formerly billed under real name Peter Seligman), showing evolutions and variations of his rave/footwork/noise-influenced sound along with unheard versions of released tracks.

After catching up to the present, live sets from the following episodes will be collected in an additional, gradually expanding album, totalling approximately three hours.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

In this episode, a guest mix from Pittsburgh’s most vibrant son Spednar, head of Cosmic Sound and purveyor of the city’s wildest synth abstractions.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.