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This episode is brought to you by Erika Elizabeth.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by Kaya Shirao’s poem “The coming of autumn / determined by / a red dragonfly”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, More Eaze is first to take the reins with an eclectic mix of music and found sound that captures the vibrant creative scene of Austin, Texas.

Then, in a variation on our usual theme, we take over for the second hour, with a selection of tunes from the First Light Records catalogue woven in among field recordings that document the ever-expanding city of Manchester.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

This episode opens with a special introduction by Greek composer Savvas Metaxas who chats about his new album For How Read Now which explores the creative and conceptual possibilities in errors. We also take a closer listen to two other error-inspired albums: Kamran Arashnia's Bounds Elimination and Jonathan Higgins' Good Thanks, You? composed via glitching CD DJs.

We also dive into Rubbish Music's forthcoming debut album via a composition based on a field recording of a recycling centre as well as Australian composer Alexandra Spence's new oceanic release on mappa, a mysterious album by Michigan's Lalén Ríos Luna and we celebrate the arrival of agri-ambient with Michael Lightbourne's Slí na Fírinne.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

On this week's Out From Under, Stu Buchanan talks with Newcastle’s Cooper Bowman - musician and artist and founder of the Australian cassette label Altered States Tapes.

The label, which recently celebrated its 100th release, features music that sits across punk, industrial, experimental, electronic and noise; with a roster that includes Australian artists Dead Boomers, Lisa Lerkenfeldt and many more, sitting alongside international acts such as Beat Detectives and Opal Beau.

Cooper talks about making music and making tapes, and pulls out a selection of tracks from the label’s past, present and future - including a number of unreleased exclusives.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

Jonathan Lees of West Yorkshire netlabel hibernate selects internet-based ambient music with contributions from guest artists.

This episode features new works by Eric Angelo Bessel, Simon Serc, fourthousandblackbirds, Wukir Suryadi, Zach Zinn, CASTRUP I EMERGE, BVHZ (B Varvohza), Grey Frequency, David Kovacs, Epignose, Capricorni Pneumatici, and Oubys.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode is made by CRiSAP PhD researchers Abby Clemens, Hannah Kemp-Welch, Cannach MacBride, Hector MacInnes and Julia Schauerman.

It features reflections by and conversations with the programme makers and CRiSAP Alumni: Jennifer Lucy Allan, Sunil Chandy, Louise Marshall, Matt Parker, Irene Revell, Mark Rohtmaa-Jackson, Danny Scott, Tansy Spinks and Syma Tariq.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

An episode in memory of David Axelrod.

60 minutes of vivid aural excitement mixed by Ian Murphy.

This week: the politics of rave and dance culture, from the 'second summer of love' to the Criminal Justice Act.

Monthly investigations of music politics with Paul Rekret.

Nocturnal is an audio montage evoking the sound experiences of my night excursions into the Australian Outback in October 2024, accompanying the zoomusicologist Hollis Taylor on her night recording sessions with the pied butcherbird. In six chapters we are inducted into an alien nocturnal world, populated by creatures, humans and their mysterious activities.

Concept & Script: Kersten Glandien. Recordings: Kersten Glandien & Hollis Taylor in Alice Springs, Central Australia, October 2024. Composition except: Hollis Taylor: Green Park, Georgetown 2016 for bass clarinet and field recording, Ros Dunlop - bass clarinet. From: Hollis Taylor, double album: Absolute Bird, 2017. Production: Elsen Studio Berlin, 2025. Postproduction: Gisela Studio Berlin, 2025.

Broadcasts and new works by Sound Art Brighton, a female and LGBTQ+ artist led organisation dedicated to the support, production and dissemination of sound art. Founded in 2019 as a Brighton-based initiative, the group initially focused on bringing together individuals, institutions and organisations interested in sound art in Brighton and Hove to collaborate on shared activities, culminating in the Sound Art Brighton Festival in March 2022.

The publication Magnetizdat DDR, Magnetbanduntergrund DDR 1979–1990 (2023, Verbrecher Verlag) tells the story of this magnetic counterculture. Inspired by this, we will explore the musical subversions of the late GDR in three acts over three days. Curated by Judith Behre and Florian Bräunlich

A live broadcast from Hamburg featuring GAJEK, Jan Jelinek & Frank Bretschneider. Independent music productions were banned in the GDR in terms of production, distribution, and sales. However, countless groups such as Der Demokratische Konsum, Zwitschermaschine, Schleim-Keim, and Kein Talent defied these regulations imposed by the workers' and farmers' state. They took it upon themselves to play their (mostly homemade) instruments and recorded their compositions directly onto tape: unorthodox punk met lo-fi experimental rock, stumbling electronics met grinding pop constructions, conceptual minstrelsy met infernal noise.

Here they present a recording of their short piece Buddy Holly’s Suitcase, live at Science Gallery London’s Pop Up Space, 10th September 2014. Commissioned by Jim Whelton, the text by Ed Baxter is a meditation on Bergsonian time. Featured musicians include Sarah Angliss (theremin), James Dunn (tinnitus analyser and electronics), Peter Lanceley (electric guitar) and Art Terry (voice).

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

This episode was created entirely by the AI. Stop! Not quite. There was a painstaking search and editing process. And all the lyrics were handwritten by Drone Operatør. But yes, all the music here was invented by a machine brain. Of course it learned from humans. Illegal data extraction, blah blah blah....

But this is it. Here we are! When the cold, damp smell of the rehearsal room hits your nose and the smoky, smelly pub concert creeps into your brain, just enjoy the ride. You've never understood exactly how sound travels on radio waves, to begin with, so what? This is our testament. The AI testament.

(Sorry, no tracklist av-AI-lable)

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.