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From the most abrasive to the unbelievably sublime, Hope Valley Cement Works attempts to curate a selection of experimental music and sounds, from collected field recordings and sound collages, to serene ambience, impressive drone and the odd deconstructed club track. A series by Kris Cooper.

In this episode: Political geographer and sound artist Anja Kanngieser & composer and sound artist Daniel Jenatsch (with thanks to Rory Gibb) host a show on climate, capitalism, and crisis.

Monthly investigations of music politics with Paul Rekret.

This episode features a wide-ranging guest mix from French producer Nebulo, whose EP ASCII SNAKE was released on Conditional Records.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In this episode: 20 years of live performance.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Joe is joined live in the studio by writer, bookseller, deep hole advocate and serially nascent scholar of networked media, e v, for a live reading and interview amongst track selections including Yoko Kanno, Fatima Al Qadiri & Oneohtrix Point Never.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

Today’s episode is Kittiwake Triptych No. 1: Cullernose.

This is the second of a triptych of recordings of my walking to “the same place” – a Kittiwake colony – twenty minutes sitting at the place and my walking away back to my starting point. The three “same places” are one in rural Newfoundland and two in rural Northumberland. At each site, on another day, or at a different time of the same day, each recording would have been different.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode focuses on some of the relationships between sound and text and text and sound circling around paralinguistic utterance, transcription, translation and reading aloud as a subversive act.

References in order of appearance:

Sound extract from Hidden Lives (1999) by Cathy Lane, Bodies of Sound: Becoming a Feminist Ear (2024), Silver Press, Irene Revell and Sarah Shin (eds.), Paralinguistic Index in Anthology for Listening (2024) by Clara Mosconi, Language Removal Services from the Playing with Words compilation, I am Listening to you (2018) by Tomoko Hojo, recordings of The Making of the Americans (2020) by Gertrude Stein, Australianama: The South Asian Odyssey in Australia (2018) by Samia Khatun.

Contributors: Louise Gray, Cathy Lane, Irene Revell, Syma Tariq.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Bette Davis Eyes by Kim Carnes. There's no order, no lists, only stilted and exclusive material. Featuring special guest Mary Posa.

Autotune voices, cumbia rythms, plunderphonics minds, contemporary grunges, unrestrained accelerationists, wonderful and clever butterflies,… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Prague-based artist Gertie Adelaido opens this episode with her special multilayered collage, starting with total trash to sophisticated avant-garde. Then Drone Operatør continue in the same vein of brutal handmade bangers and atmospheric electronic tones. Jazz is not a genre – jazz is a mental st4te. Make it worse!!!

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.

At this mid-point crisis in the Asphyxia series, a discourse on the new genre of music known as 'creepbeat' is provided. Creepbeat emerged as a viable "going concern" during investigations into a remote music event.

As with breakbeat, sampled 'beats' are creepily sought, albeit dulled through distance - the creepbeat producer works with the sonic dregs of a faraway revelry, filtered by environmental pressures and obstructions.

Just like the researcher of suppressed material, the creepbeat producer works with incomplete and compromised artefacts. This necessitates various forms of cognitive leaps to complete the bigger picture.

In the case of creepbeat, this involves identifying patterns; the half-audible melodies and rhythms are accentuated, creepily re-painted back into definition. Analogous to the investigation of suppressed materials, the task is one of recuperation - following the ghost of the gesture. The show's creator may release an album if enough interest is shown.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

RUSNAM is a Berlin-based multi-genre music producer & composer, vocalist, cultural worker and DJ of Turkish and Arab descent. She is signed to French-Tunisian label Shouka and is a member of the BIPoC collective, Decolonoize. She’s spent over 12 years making waves in the industry from fronting the internationally touring band Gülina to creating immersive theater soundscapes and collaborations with renowned artists. Her music blends West Asian & North African sounds with experimental bass-driven music.

RUSNAM’s focus lies on the decolonisation of music practice to explore the complexities of female existence, critiquing patriarchy and racism. Committed to feminist and decolonial practices, she also leads empowerment workshops for marginalised youngsters and runs her own recording studio, Deep Dive Studios, in Berlin.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this episode we’ll be listening to tracks that tell stories with no words, that paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

In this episode Shane Woolman presents a very special guest mix by Cairo-based DJ, producer and multidisciplinary artist El Kontessa along with tracks by Alien Trackers, Sanaa Moussa, Hieroglyphic Being, Claudia Khachan & Ziad Moukarzel, DKAPZ, Low End Activist and more.

New music with The Wire Magazine.

This episode is a contribution by Radio Grenouille.

"The initial idea was to work on the site of Corbières in L'Estaque from recordings to restore the current sound panorama. I knew the place for having traveled it many times during my childhood and having kept in mind a series of scenes and events lived.

It arrived at the stadium the composition that I felt the need to bridge between the present and the past, at the time when Les Corbières was not a place of pleasure but essentially of work. A bridge to better understand the incessant flow of becoming, try to situate myself there.

I thank Luc Ferrari for allowing me to use the recording of 2 sound objects that he had set during his residency at Euphonia / Grenouille in 2OO3, which are part of 2 pieces in: The Anecdotes by Luc Ferrari." – Lucien Bertolina

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.