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Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.

This episode features new works by Eric Angelo Bessel, Simon Serc, fourthousandblackbirds, Wukir Suryadi, Zach Zinn, CASTRUP I EMERGE, BVHZ (B Varvohza), Grey Frequency, David Kovacs, Epignose, Capricorni Pneumatici, and Oubys.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

This episode features works by Morag Law & Ronan Doyle, TVO, Poe Sullard, Isobel McKenna, Various Networked Artists, Carrier, Inturist, BJ Nilsen, LABOUR, Points Of Friction, Orphax & PONI, Orphax, Diurnal Burdens & Matt Atkins, Orrest, Poly Gone, NWO and Jeff Brown.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

"Here is a mix I made last month. It is inspired by a stupid piano I found a few houses down and dragged home. Lately, I've been working on some new instruments, spawned from various marshlands around South East London, and this moss-covered electric piano was a funny addition.

So, I put together these mostly keyboard-oriented pieces; some are bits I played on the following days, some experiments with homemade robotics, but it features a few relics too, such as: Koray and Marc's remixes of some old music and one of my all time favourite rave tunes, Twisted Girl, with a hypnotic piano."

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

In this episode, Dan Linn-Pearl has produced a montage and homage to the river Wye which flows near his home in the border town of Hay. Field recordings, hydrophone capture and improvised synthesiser sketches are broken up with audio from a film made by Friends of the Upper Wye.

This collective has organised a citizen science project to test water pollution levels and seek out solutions to reverse the decline of the river and its wildlife. In recent years, a build up of algae is threatening the ecosystem of the river. Evidence shows an increased amount of nitrates and phosphates in the water.

These are often a waste product of farming and in particular the 'run-off' from the intensive chicken farming which takes place throughout the area. Other potential causes are the increasingly inadequate sewage systems and the 'government policy' which allows raw sewage to be distributed directly into the river. For more information visit: www.fouw.org.uk.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode was made by CRiSAP PhD researcher Julia Schauerman and offers both historical and creative insight into the discipline of
acousmatic music through conversation, reflections and excerpts of original works. In addition, issues associated with this genre are discussed.

Contributors: CRiSAP members Thomas Gardner, Cathy Lane, Adam Stanović and CRiSAP PhD researcher Berk Yagli.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do.

PROBES #11 goes oral: everything your mother wouldn’t tell you about what people can do with their mouths, and a little bit of spit.

Transcript available here:
http://rwm.macba.cat/uploads/20150123/11probestranscripteng.pdf

Link to the complete series:
http://rwm.macba.cat/en/variations_tag

For more information on this series and other podcasts, visit Ràdio Web MACBA(r)

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Jonathan Lees of West Yorkshire netlabel hibernate selects internet-based ambient music with contributions from guest artists.

This episode features music made by Naviar's community inspired by Kaya Shirao’s poem “The coming of autumn / determined by / a red dragonfly”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Continuing our collaborative study of Pauline Oliveros' Sonic Meditations Pacific Tell and Energy Changes, alongside Tarik Haskic, Francesco Costa and Helen Frosi join us at the river bank to open up telepathic communication across time and space. Combined recording of 5 individual performances made synchronously in Italy, the UK and Slovenia.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

In this episode, More Eaze is first to take the reins with an eclectic mix of music and found sound that captures the vibrant creative scene of Austin, Texas.

Then, in a variation on our usual theme, we take over for the second hour, with a selection of tunes from the First Light Records catalogue woven in among field recordings that document the ever-expanding city of Manchester.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

This episode is brought to you by Erika Elizabeth.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Dreamscape 1994 is a plunderphonics type radio show recorded using a box of rave tapes, found tapes and home recordings. Improvised and mixed live with no overdubs on three tape recorders, expect to hear experimental, noise, sound art and new age music.