← Tuesday 21st October 2025 →

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

This episode features music from Disinformation, Big Pun, Dead Rat Orchestra, Beachers, Gareth JS Thomas, Jovana Backovic and S A R R A M.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

In this episode we discuss the Her Noise Archive - what it is, how it came to be and how it has been used to develop practice based feminist sound research at CRiSAP over the last two decades.

It includes the voices of Lina Dz̆uverović and Anne Hilde Neset, the original curators of the Her Noise exhibition in 2005 and soundclips from: Christine Kubisch's Electrical Walks (via Melanie Clifford’s programme for Her Noise radio (2005); Pauline Oliveros' To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation (1970) performed at Tate Modern in 2012; Maxine Hayes' I’m in Ether; Geoff Howse's The Moment of Now; Anuka Ramischwili-Schäfer's tbili თბილი; and Robbie Judkins' Feedback Work 1.

Contributors: Louise Gray, Cathy Lane, Irene Revell.

More information on the Her Noice Archive can be found at hernoise.org.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do.

PROBES #10 is the first of two programmes that trace probes into the limits and extended uses of the human voice.

Transcript available here:
http://rwm.macba.cat/uploads/20141204/10probestranscripteng.pdf

Link to the complete series:
http://rwm.macba.cat/en/variations_tag

For more information on this series and other podcasts, visit Ràdio Web MACBA(r)

In this episode, we’ll be delving into an hour of Ambient Owl Core. Kayla’s self-coined genre of ambient music, with owls in it.

Tracks inspired by the night under the moon; the secrets shared, the stories told, for slow listening. Spaces between the notes, or the moments between the time.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Shape of you by Ed Sheeran. There's no order, no lists, only stilted and exclusive material.

Users of google translate, notes alterers, carnatic indians contemporary, cumbia lovers, chemists and physicists, flute duets… all are welcome in Shuffle formula radio mode.

This episode features a special guest, Malinda K. Reese, with her project Twisted Translations.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

On this week's Out From Under, Stu Buchanan talks with Newcastle’s Cooper Bowman - musician and artist and founder of the Australian cassette label Altered States Tapes.

The label, which recently celebrated its 100th release, features music that sits across punk, industrial, experimental, electronic and noise; with a roster that includes Australian artists Dead Boomers, Lisa Lerkenfeldt and many more, sitting alongside international acts such as Beat Detectives and Opal Beau.

Cooper talks about making music and making tapes, and pulls out a selection of tracks from the label’s past, present and future - including a number of unreleased exclusives.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode is part one of two related sessions that reflect on CRiSAP’s long term engagement with sound and the environment. The conversation begins by setting the scene for personal histories in sound before moving into the main topics via the In the Field conference held at the British Library in 2013.

Throughout the episode, sound excerpts are played from an audio mix made by Mark Peter Wright that was presented during the 2013 conference as part of a series of curated listening sessions.

Contributors: Angus Carlyle, Peter Cusack, Cathy Lane, Mark Peter Wright.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

In this episode: 20 years of live performance.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

Today’s episode is Kittiwake Triptych No. 1: Cullernose.

This is the second of a triptych of recordings of my walking to “the same place” – a Kittiwake colony – twenty minutes sitting at the place and my walking away back to my starting point. The three “same places” are one in rural Newfoundland and two in rural Northumberland. At each site, on another day, or at a different time of the same day, each recording would have been different.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

From the most abrasive to the unbelievably sublime, Hope Valley Cement Works attempts to curate a selection of experimental music and sounds, from collected field recordings and sound collages, to serene ambience, impressive drone and the odd deconstructed club track. A series by Kris Cooper.

In this episode, Joe is joined live in the studio by writer, bookseller, deep hole advocate and serially nascent scholar of networked media, e v, for a live reading and interview amongst track selections including Yoko Kanno, Fatima Al Qadiri & Oneohtrix Point Never.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Joe and Chanelle’s audio recordings encompass ambient sounds, conversation, experimental composition and improvised instrumental response. Cassette drones, loop pedals, voice and guitar are used to echo, mimic or bend over bird calls, thunderstorms, night sounds, indistinguishable chatter, museum reverberations and urban movement. These moments captured to tape are presented in two halves as an A-side/B-side format.

Enriched by visual counterpoints for each episode, Bruna’s critical eye forms an ambiguous tonal narrative from Jake's method of stumbling into excellence. Mountain, valley, glacier, and urban horizon are presented in stereo format, to parallel the A-side/B-side format.

This program has been made on the stolen lands of the Gadigal people of the Eora Nation, we pay respect to the Elders both past and present.

Project lead and sound by Joe Wilson and Chanelle Collier. Creative direction by Bruna Volpi. Photography by Jake Terrey.

This episode is supported by Annandale Galleries, Higher Ground Studios and Resonance Extra.

Field Notes

Performed at Anndandale Galleries, Sydney; in response to Thomas Thorby-Lister’s exhibition Site Paintings, made in Cowra, NSW Australia. Credits: Joe Wilson (guitar, pedals, samples, vocals) and chanelle collier (vocals, samples, pedals)

Side A - The Wind

BUN RUN 2A Malady in G. Chirping frogs, night sounds Bundanon; drone and noise in G, cassette tempo shifts; gentle vocals; swelling guitar and picking; vocal layered loops; guitar noise with octave shifts, delay, and wah; second vocals with distortion and delay; Malady in G riff; birds, delay.

Side B - The Noise

CH 6A Kites. Recorded at Chicken House, “Kites”. Dawn birds; a laundry tale from mum; drone in e minor; pedal play with wah; guitar noise with harmonics; delay; kites loop; distorted vocal and guitar lead; birds.

A monthly programme which blends textured audio from cassette recordings by Joe Wilson & Chanelle Collier with tonal imagery by Bruna Volpi and Jake Terrey. Sound engineering by Ollie Brown.

This episode features music made by Naviar's community inspired by Mizuhara Shuoshi’s poem “Star above the peak / a silk worm-breeding village / silently asleep”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode: Political geographer and sound artist Anja Kanngieser & composer and sound artist Daniel Jenatsch (with thanks to Rory Gibb) host a show on climate, capitalism, and crisis.

Monthly investigations of music politics with Paul Rekret.

Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.