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Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In this episode, Artist Tawfik Naas joins Joe live in the studio for an interview amongst track selections, featuring Serpentwithfeet, Donna Summer & Janet Jackson.

Tawfik Naas is a Libyan researcher based in London whose work explores how historic trauma is carried, remembered, and transformed. His research borrows from ecological and cosmological systems to imagine alternative ways of witnessing the past; not as a fixed chronology but as something continually returning through us.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

In this episode, 'human games and suspended ragamash'.

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

This episode features music from Charlotte Law, +777000, Kar Pouzi, BAG and Dead Space Chamber Music.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Gulnara Petzold, a multi-talented artist, is known for her expertise as a sound artist, composer, vocalist, and DJ. During her time at the University of Arts Berlin, she actively represented women and played a pivotal role in organizing a lecture and performance series featuring renowned female artists such as Gudrun Gut and Anika.

The vibrant music scene in Berlin greatly influenced her artistic development. Despite being self-taught, Gulnara has honed her musical skills to perfection. This year, she astounded audiences with an experimental electronic concert combining spoken word and captivating DJ sets at prominent venues like Ava Berlin, where she collaborated with the collective female:pressure.

Gulnara has released several tracks and collaborations under esteemed labels like Associated Paraboloid and Big Bells Records. Her most recent production gained recognition when it was featured in a video reel by the Russian underground club Blank to promote a forthcoming event. This summer, she is set to mesmerize audiences with her live performances and DJ sets at various art festivals and clubs, showcasing her exceptional talent and captivating audiences with her unique sound.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This episode is a contribution by Rádio Zero.

Ojú Oró, three pieces by Brazilian artist Ajítẹnà (Marco Scarassatti) featuring special partnerships offers a dive into his partilhar sound world.

The first, Ojú Oró, Strength and Sorrow, is part of the recent album Notes From a Distant Listening, released by Sirr-ecords label, and featuring Maya Quilolo. This work emerges as a poetic construction of lived, intuited, and imagined spaces, shaped by listening, memory, documentation, archiving, and invention.

It is a journey through the layers of listening, the ways of recording, and the attempt to create a listening situation based on sonic fragments gathered from real places, recordings of improvisations, and (re)visits to a repertoire of recordings found in my personal archives—transforming the ordinary into raw material for invention.

The second sound piece is Arisca, from the yet unreleased album Beira, an improvisational album recorded and produced remotely, the result of a collaboration between singer Inés Terra, who explores a multitude of vocal sounds, and sound artist Ajítẹnà (aka Marco Scarassatti), who plays on this track the instrument he invented, called ẹlẹyẹ, or bird-trough. Beira will be released soon by the Scatter Archive and Brava labels.

Finally, Txãi kamã kuru, from the album Ni yuxibū xinã rewe, by Ibã Huni Kuin, master of chant from the Huni Kui indigenous Amazonian people and Ajítẹnà and released by Sirr-ecords. Ni yuxibū xinã rewe which in Portuguese means "sounds of the spirit of the forest", emerged from an initial contact between Ajítẹnà and Ibã, in 2016 when recording the chants of Nixi Pae (Ayahuasca), in Porto Seguro, Bahia., Brazil.

Ajítẹnà Marco Scarassatti is a sound artist, composer and researcher whose work spans through unique constructed sculptures and instruments, installations and sound emblems. He is a lecturer at the Federal University of Minas Gerais – UFMG, Brazil

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Joe and Chanelle’s audio recordings encompass ambient sounds, conversation, experimental composition and improvised instrumental response. Cassette drones, loop pedals, voice and guitar are used to echo, mimic or bend over bird calls, thunderstorms, night sounds, indistinguishable chatter, museum reverberations and urban movement. These moments captured to tape are presented in two halves as an A-side/B-side format.

Enriched by visual counterpoints for each episode, Bruna’s critical eye forms an ambiguous tonal narrative from Jake's method of stumbling into excellence. Mountain, valley, glacier, and urban horizon are presented in stereo format, to parallel the A-side/B-side format.

This program has been made on the stolen lands of the Gadigal people of the Eora Nation, we pay respect to the Elders both past and present.

Project lead and sound by Joe Wilson and Chanelle Collier. Creative direction by Bruna Volpi. Photography by Jake Terrey.

This episode is supported by Annandale Galleries, Higher Ground Studios and Resonance Extra.

Field Notes

Performed at Anndandale Galleries, Sydney; in response to Thomas Thorby-Lister’s exhibition Site Paintings, made in Cowra, NSW Australia. Credits: Joe Wilson (guitar, pedals, samples, vocals) and chanelle collier (vocals, samples, pedals)

Side A - The Wind

BUN RUN 2A Malady in G. Chirping frogs, night sounds Bundanon; drone and noise in G, cassette tempo shifts; gentle vocals; swelling guitar and picking; vocal layered loops; guitar noise with octave shifts, delay, and wah; second vocals with distortion and delay; Malady in G riff; birds, delay.

Side B - The Noise

CH 6A Kites. Recorded at Chicken House, “Kites”. Dawn birds; a laundry tale from mum; drone in e minor; pedal play with wah; guitar noise with harmonics; delay; kites loop; distorted vocal and guitar lead; birds.

A monthly programme which blends textured audio from cassette recordings by Joe Wilson & Chanelle Collier with tonal imagery by Bruna Volpi and Jake Terrey. Sound engineering by Ollie Brown.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

At this mid-point crisis in the Asphyxia series, a discourse on the new genre of music known as 'creepbeat' is provided. Creepbeat emerged as a viable "going concern" during investigations into a remote music event.

As with breakbeat, sampled 'beats' are creepily sought, albeit dulled through distance - the creepbeat producer works with the sonic dregs of a faraway revelry, filtered by environmental pressures and obstructions.

Just like the researcher of suppressed material, the creepbeat producer works with incomplete and compromised artefacts. This necessitates various forms of cognitive leaps to complete the bigger picture.

In the case of creepbeat, this involves identifying patterns; the half-audible melodies and rhythms are accentuated, creepily re-painted back into definition. Analogous to the investigation of suppressed materials, the task is one of recuperation - following the ghost of the gesture. The show's creator may release an album if enough interest is shown.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode reflects on Points of Listening, a project that focused on use of sound as a practice, method and investigative tool across art, education and research.

Points of Listening was co-founded and curated by Salomé Voegelin and Mark Peter Wright and ran between 2014 and 2021. In this episode Salomé and Mark reflect on the project and play excerpts from an archive of over 50 public interventions and events.

Contributors: Salomé Voegelin, Mark Peter Wright.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

In this episode, More Eaze is first to take the reins with an eclectic mix of music and found sound that captures the vibrant creative scene of Austin, Texas.

Then, in a variation on our usual theme, we take over for the second hour, with a selection of tunes from the First Light Records catalogue woven in among field recordings that document the ever-expanding city of Manchester.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

While reel to reel tape loops and FM transmitter/receiver copulations compete in feeding signals back to their sources, visitors to the installation become the unwitting conductors of the noise produced.

With open mics in the subterranean space recording everything on the tape loops, and open circuit transmitters sensitive to every movement effecting the radio noise, visitors can’t help being the innocent culprits responsible for such spontaneous cacophonies which yearn to be big, but are confined and compressed by their own physical limitations.

This compressed noise, reacting to its own echoes in the unique shape of the cellar, evolves in time and space with every revolution of the tape loop.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

This episode features new works by Eric Angelo Bessel, Simon Serc, fourthousandblackbirds, Wukir Suryadi, Zach Zinn, CASTRUP I EMERGE, BVHZ (B Varvohza), Grey Frequency, David Kovacs, Epignose, Capricorni Pneumatici, and Oubys.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

In this episode join Emily Bick for some top musical choices including Akiko Yano, Alpha Maid, Adam Christiansen, Mulatu Astatke, Franco Franco & Kinlaw & more.

New music with The Wire Magazine.

In this episode, a trio improvisation featuring Gardyloo Spew. Playing high up by nature's throne at the golden hour, surrounded by flowing willows and the shrill cry of kingfishers, we tune in to the ever rushing waters of the old River Lea.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

This episode features works by Morag Law & Ronan Doyle, TVO, Poe Sullard, Isobel McKenna, Various Networked Artists, Carrier, Inturist, BJ Nilsen, LABOUR, Points Of Friction, Orphax & PONI, Orphax, Diurnal Burdens & Matt Atkins, Orrest, Poly Gone, NWO and Jeff Brown.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.