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This month’s episode features live performances from Luca alongside guest contributions and an interview with artist Jimmy Merris.

A new live radio series by artist Luca George, featuring interviews with artists and musicians. Expect games, phone-ins and performances. All broadcast live from the Resonance studio, where anything can happen. Visit Instagram @lucage0rge

From the most abrasive to the unbelievably sublime, Hope Valley Cement Works attempts to curate a selection of experimental music and sounds, from collected field recordings and sound collages, to serene ambience, impressive drone and the odd deconstructed club track. A series by Kris Cooper.

This month: On the occasion of the Zoomin Nights and End of the Alphabet Records co-release of the compilation There is No Music From China (compiled by Yan Jun & Zhu Wenbo), I discuss the Chinese experimental music and sound art scene with curator and researcher Edward Sanderson.

Edward Sanderson is a researcher and writer about contemporary art in China. He lives and works mainly in China and most recently, curated 'Grounds for Sound' at Inside - Out Art Museum in Beijing. He blogs about Chinese visual and sound art here.

Monthly investigations of music politics with Paul Rekret.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In this episode, new music from the North Kent coast's Coastal Electronauts crew, and then from the Sussex coast with some music from the Brighton's Patchworks label.

The second hour features long form works from our own collective member Remember Glaciers and, from Japan, a favourite of ours, Kina:Suttsu. We may be the last generation who can remember glaciers.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Ted Mair performs a live set in the studio, and is interviewed by Joe amongst track selections including Judee Sill, John Cale & Adrienne Lenker.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

In this episode: Iceland ... every three hours for 24 hours ... eight times ... daag einn I juni ... I stand and look east across the fell to the obelisk. Beyond it the northern shoulder of Burfell rises then slips away off its hog’s back summit.

Stand and listen to the plaintive pipe of the Golden Plover and the croak of the Snipe.

Stand … then move off ... down the slope; through the Marsh Marigolds; over the stream; cross two fences; cross the horse paddock to the leaning post; along the horse path; around to the fence to the left; over the fence; cross four streams; pass the waterfall; cross the marsh; cross the stream on stones; up the slope to gap in ridge; up the slope to the lip; around the obilisk; pause; retrace my steps ... eight walks ... eight sections ... split ... re-built ... into a day at random ... eight movements ... this is movement 5.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

A 7-hour radio event broadcast live from the Resonance Extra studios on the 29th January 2023, featuring live performances and new and exclusive audio works.

In this episode: the date was 13/11/3019. Lost in the wasteland of the Judas Sea, within the ruins of what once was, a zone tripper appeared. The darkest days had already come, and only they reside in the glass flats of cyber memories from a future past.

Black sphere through the brightest nights and symbols of neon remnants of past lies, on high walls painted with chrome dyes. Computers don’t understand sacrifice.

Recorded in Athens / Berlin in 2019 and using digital and analog synthesisers.

V3STA / Alexandra Koumantaki and YORGAS HELMET / Georgios Karamanolakis.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Hello by Adele. There's no order, no lists, only stilted and exclusive material. Squirrels, electric toothbrushes, reague fanatics, babies, mermaids and newts… all are welcome in Shuffle formula radio mode.

This episode features a special guest, Milo Thesiger-Meacham.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

In this episode, Anna Homler is in conversation with Rupert Clervaux, talking about her new release on First Terrace Records, show at Cafe Oto and more. Preceded by selections by Joe Summers & Specimens.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

This episode features João Polido, a Portuguese musician, composer, and lecturer who investigates cultural memory, tradition, sound technology, and the socio-political history of music. The title of this talk, “Spectral Lore of Tradition”, emerges from his observation that, as oral memory fades from contemporary life (paradoxically aided by recorded media), traditional music and folklore become suspended in a kind of temporal loop.

Shaped by structures of power in Portugal’s history - particularly during the military dictatorship and its aftermath - these forms reveal complex dynamics of aural remembrance, abstraction, and reference. Framing remembering and forgetting as intertwined acts, Polido explores spectral processes in audio as both remediation and a strategy in the face of the failure of recognition. As Nagel and Wood write in “Anachronic Renaissance”: “There was no ‘original’, in other words, until someone tried but failed to replicate it.

The original was the creature of the replica.” This talk was held as part of the programme of OUT.FEST’s 21st edition, at Casa da Cidadania Cabós Gonçalves in Barreiro, Portugal, on the 3rd of October of 2025. The podcast is bookended by the tracks “Contours” and “Prova de Existência” by Polido, taken from his 2024 album Hearing Smoke (Holuzam).

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

In this episode, Dylan & Karen are joined by Marija Kovacevic, {AN} EEL, Max Julian Eastman, Anna Peaker, Theo Gowans, Adam Buffington, Yoni Silver, Emanuel Silve, Evyatar Silver, S*Glass, Draamakuu, Simon Whetham, Zhao Ziyi, Jay Howard, Lighten Up Sounds, Witcyst, Bruce Russell, Al Strachan, Ivor Kallin, Euan Currie, F Ampism, Cody Brant, Alex Kera, Jeph Jerman and Shit Creek.

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

There is currently a structural water crisis in the Palestinian Occupied Jordan Valley. Not a climate or geographical water crisis, a deliberate socially and politically engineered crisis. Israel, since it invaded the West Bank in 1967, controls every public aspect of civilian life in the Jordan Valley. Israel administers two populations, the Israeli settlers and the indigenous Palestinian residents. Israel deliberately and strategically deprives Palestinian farming communities of access to fresh, clean and reliable water supplies, water that is needed for crops and herds, as well as for the Palestinian farmers and herders.

This can mean either not permitting them to be connected to municipal water supplies, despite the Israeli settlers having such access. It also entails not permitting Palestinian people to sink new wells on their own land, and blocking their access to existing wells and springs, either by fencing off the water source or destroying pipes bringing the water to the herders and farmers. The end result is frequently that either the farmers have to pay extortionate prices to purchase water from the Palestinian authority, or if they cannot afford this option they are forced to abandon their land and way of life.

Featuring the water truck driver, co-activists Natasha and Nitsan, shepherds community of Khalet Makhul, shepherd ‘W’, shepherds community of Hirbet Samra and Aref Daragmah. Translation from Arabic: Laila Abd El-Razaq. Introductory text: Liam Evans

Meira Asher is a composer, performer and human rights activist. She primarily uses the medium of sound-art and radio-art. Graduate of CalArts and KonCon, she was co-founder of the Bodylab art foundation with Guy Harries (2001-11), where they produced several projects including Infantry and Woman See Lot of Things. Former lecturer at University of Haifa's Art School (2012-2022) and producer of the independent radio-art show radioart106. since 2014.

Her works have been released on Crammed, Sub Rosa, Auditorium, Raash Records and Ultima Ratio labels. Her recent works include Antonin Artaud’s radio essay To Have Done with the Judgement of God, Sonic Voyage of Resistance for Radio Art Zone 2022, and the Catastrophe trilogy by duo Asher.Zax featuring Dave Phillips, Ensemble Musica Nova, and more.

A six-part series by Meira Asher and Stephen Shiell exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist or group who engage with water politics and the politics of listening through the medium of radio.

Celebrating exclusively boundary pushing artists, this episode spans previous guests and featured artists of Connections to Sound.

Background music: Your Echoes by Kayla Painter.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

In this episode, Lucy Thraves plays new music by The Sleeves, Wendy Eisenberg, LINTD, KADAPAT & Nova Ruth and many more.

New music with The Wire Magazine.

What became of the Library of Alexandria? It seems to have fallen victim to the flames. Just like our beautiful jingle. Only remnants of it remain, because we allowed ourselves to play with fire in this programme. We were amazed at how many levels there are links between the element of fire and radio! It starts with the German word “Funkfeuer” (radio beacon) and ends with Telefunken and lightning. We enjoy the convivial warmth of the campfire and marvel at electromagnetic inventiveness.

A programme featuring sonic illusions and surprising parallel universes. Production and recordings by Barbara Huber, Barbara Kaiser, Fabi Lux, Stefan Nussbaumer & Karl Schönswetter. Contains industrial recordings by kwandalist.

Arrangement & mixing by Karl Schönswetter. From our Elements series. Previously released: Earth, Water and Metal.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.