← Wednesday 18th March 2026 →

In this episode, James Gormley plays new, forthcoming and reissued music by Jessica Ekomane, The Odes, Machinefabriek, Brion Gysin & more.

New music with The Wire Magazine.

This episode features music by Mauro Sambo, Andromalar, John Oliver and Stefan Östersjö, Billy Yfantis, Vavabond, 英水帝江 Yingshui Dijiang, 花伦 Hualun, Schloss Tegal, Ajna and Dronny Darko.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

In this episode, Kareem and Kinn stitch together 3 years of sketches, demos, field recordings and live improvisations into an hour of completely original and unheard music. Additional features from composer Reuben Kyriakides (Piano) & Bint Mbareh (Vocals & Buzuq).

Kareem and Kinn will be recording a short LP in the summer featuring finalised pieces for Oud, Guitar, Feedback and Samplers.

Channelling an array of fervent interests in many genres through different mediums (Film, Music, Sound Art and more), Kinn - the brooding-electronics project of London based artist Freddy Lomas - and his guests use original soundscapes and compositions to weave together an original concept for each month's show.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

This episode features music by Aponeuron, Corp Cruid I, Expander Des Fortschritts, Pik Duzfuß and more.

Socialist Realness a mix series by GAJEK focusing on avant-garde and electronic music produced in the GDR and shortly after the fall of the Berlin Wall.

In this first episode, they are joined by WA Davidson, Carl Krueger, Andy Heck Boyd, Seymour Glass, Pratap Singh, Dylan Burchett, Michael Barthel, Terry Townsend, Fletcher Wright, AN EEL, Kasper Melted, Adam Buffington, Hari Hardman, Julian Bradley, Brandstifter, Ypsmael, Cristano Carosi, Slow Listener, Chik White, Eric Demastes, Joe Davin & Hardworking Families

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

This episode features João Polido, a Portuguese musician, composer, and lecturer who investigates cultural memory, tradition, sound technology, and the socio-political history of music. The title of this talk, “Spectral Lore of Tradition”, emerges from his observation that, as oral memory fades from contemporary life (paradoxically aided by recorded media), traditional music and folklore become suspended in a kind of temporal loop.

Shaped by structures of power in Portugal’s history - particularly during the military dictatorship and its aftermath - these forms reveal complex dynamics of aural remembrance, abstraction, and reference. Framing remembering and forgetting as intertwined acts, Polido explores spectral processes in audio as both remediation and a strategy in the face of the failure of recognition. As Nagel and Wood write in “Anachronic Renaissance”: “There was no ‘original’, in other words, until someone tried but failed to replicate it.

The original was the creature of the replica.” This talk was held as part of the programme of OUT.FEST’s 21st edition, at Casa da Cidadania Cabós Gonçalves in Barreiro, Portugal, on the 3rd of October of 2025. The podcast is bookended by the tracks “Contours” and “Prova de Existência” by Polido, taken from his 2024 album Hearing Smoke (Holuzam).

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode features music made by Naviar's community inspired by Leanne Wicks’ poem “can you hear the stars? / shiny trills, thrills in the dark / my mind’s orchestra”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, Isolated Memory, Lost and Found by Alex Sesper:

“The beginning of these recordings, were made during my residency in the Noise Agency project in May 2021. There with objects found in the streets I made some instruments and sounds, Using some ambience recordings in several 6-second tape loops.

This recording consists of an improvisation of some material that I produced during the residency, most of the processes and audios were captured in a digital video camera, then transferred to several cassette tapes, and using 3 different 4-track porta studios I played these tapes, creating this improvisation and recording it again with a cell phone, and so trying once again to create a generation loss layer.”

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Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode, Clint is back in the studio with Christopher Brett Bailey to talk about, not least, his upcoming show, I Saw Satan at the 7-Eleven at Soho Theatre.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.

In this episode, Zu From All Over celebrates the new greatest music scenes in the world! Cincinnati, Cleveland, and Columbus OHIO, with the best weirdo punk, Hardcore, and tap-y midwest emo to usher in this new utopia of creativity and explosive influence.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

I.A. is a monthly radio series which showcases work by creatives – both staff and students – in the Sound Arts and Music departments at the London College of Communication. Produced by Zain Bador and Ed Baxter.

This month’s episode features live performances from Luca alongside guest contributions and an interview with artist Jimmy Merris.

A new live radio series by artist Luca George, featuring interviews with artists and musicians. Expect games, phone-ins and performances. All broadcast live from the Resonance studio, where anything can happen. Visit Instagram @lucage0rge