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In this episode, a guest mix from the prolific Luke Lund, whose Pattern Recognition EP was released on Conditional.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

This episode features newly released ambient tracks, field recordings, sound art and modern classical works.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

In this episode, Eric begins pondering his end-of-year lists with selections from hardcore punk records that came out in 2025.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music from Simone Salvatici, Gregory A. Dugan, Dead Neanderthals, Luxul, Metalogue, Trojanovskx, Merlin Nova and An Trinse.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Jonathan Lees of West Yorkshire netlabel hibernate selects internet-based ambient music with contributions from guest artists.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

In this episode, Cathy Lane, Angus Carlyle, Lisa Hall, Irene Revell, Annie Goh & Tomoko Hojo share thoughts, memories and reflections on the Sound::Gender::Feminism::Activism symposia which took place in 2012, 2014, 2016 at LCC in London, and in 2019 in Tokyo. The research events investigated the interplay between sound, gender, feminism and activism in various contexts, often taking the form of a mixture of live performance, audio and video work and scholarly papers from presenters.

SGFA aims to expand and to question the place and performance of activism within the discourses and practices of sound arts, sound-based arts and experimental musics that are engaged with gender, feminist and queer politics and to contribute to a growing network of researchers and practitioners working in these areas.

Further information including programme booklets and selected video and audio documentation can be found through the links below: SGFA 2012, SGFA 2014, SGFA 2016, SGFA 2019

Contributors: Angus Carlyle, Annie Goh, Cathy Lane, Irene Revell, Lisa Hall & Tomoko Hojo.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

60 minutes of vivid aural excitement mixed by Ian Murphy.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

This episode features music made by Naviar's community inspired by Fusae Fubasami’s poem “reminding me not to forget / a toad goes out / to the verdant world”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

In this episode, Lost Letter, a piece composed by Snezhana Reizen. Here are her words about it:

To describe the process in which I was involved here, I would need to convey some details of the setting and the basic materials that formed the backbone of this piece.

In the beginning, there were noises appearing between unconnected wires (an additional and sort of premortal material to my upcoming album Parallel Movements). I found some of the themes this material suggested, such as the desperate seeking of connection in disconnection or beauty in noise or meaning in life full of war, fairly corresponding with what is going on in general or what I can perceive from my current environment in particular.

So these sources were fertilised with Israeli radio, military helicopters severing the night sky, smithereens of debris and bird’s voices, and various sounds of 'human and not' presence and not.

There were some attempts to reverse signifiers of sound in an acousmatic manner so that rolling stones of “go-game” appeared as breathing or speeded human heartbeat as erupting calvary. Water, though, was included in its literalness as a fragrance of hope to the deserted. The water here is Sicilian — a good memory from the Oooh and RARA improvisation art festivals.

But besides processing concrete sounds, closer to the end, I allowed myself a bit of sound synthesis.

Lost Letter is the second chapter of my new series Cryptography. Find out more here.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In this episode, Mary a.k.a Veronica Moser a.k.a The Telegram Regrets takes over with an ''eastern delights'' mix and I add some recordings from the city streets of Athens.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

This month's show features music from our recently re-issued compilations, available via our Bandcamp. then in the second hour some field recordings from Simon James and other music from the orbit of The Spirit of Gravity.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do.

In PROBES #12 harpsichords return from the dead; a spectre is haunting music: the harpsichord.

Transcript available here:
http://rwm.macba.cat/uploads/20150429/12probestranscripteng.pdf

Link to the complete series:
http://rwm.macba.cat/en/variations_tag

For more information on this series and other podcasts, visit Ràdio Web MACBA(r)

This episode features music by Hector M. Reis, Adrien L’Honoré Naber, Alwin van der Linde, HLER, RhaD, OdNu, VelgeNaturlig, RNGMNN, Andreas Rönnquist and Diskrepant.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.