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Inara is a Scottish electronic music producer, DJ and instrumentalist based in Berlin, and is a resident at EHFM Community Radio and part of ÉclatCrewBerlin.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

The first hour of this episode features tracks from a new compilation, Abstrakce Sample II and two new albums from artists who were present at the very dawn of the spirit of gravity project: Multiplex & Rashamon. The second hour comprises the final broadcast from the Omnistitional Cultures Research Unit (OCRU) which blends and reworks material taken from 36 hours of audio recorded over the course of the 6 month Gravity Waves... residency. As a culmination of the OCRU project, the piece combines and transforms various performances, research activities and experiments by the OCRU as they attempt to build a sonic portal toward an unbounded future.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

This episode explores the use of rhythm in improvised music, and how we’ve been looking to it to inform and alter our approach to music making. We have a release coming up on Discreet Archive (Instagram) of quieter and more reflective pieces.

As always for collaborations, invitations, or jubilation its hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

This episode features music from Nina Hoppas, Simon McCorry, Bad Girl, Halfcastle, Grundik Kasiansky and The Seer.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This episode features a mix by Mabe Fratti.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this episode, Lost Letter, a piece composed by Snezhana Reizen. Here are her words about it:

To describe the process in which I was involved here, I would need to convey some details of the setting and the basic materials that formed the backbone of this piece.

In the beginning, there were noises appearing between unconnected wires (an additional and sort of premortal material to my upcoming album Parallel Movements). I found some of the themes this material suggested, such as the desperate seeking of connection in disconnection or beauty in noise or meaning in life full of war, fairly corresponding with what is going on in general or what I can perceive from my current environment in particular.

So these sources were fertilised with Israeli radio, military helicopters severing the night sky, smithereens of debris and bird’s voices, and various sounds of 'human and not' presence and not.

There were some attempts to reverse signifiers of sound in an acousmatic manner so that rolling stones of “go-game” appeared as breathing or speeded human heartbeat as erupting calvary. Water, though, was included in its literalness as a fragrance of hope to the deserted. The water here is Sicilian — a good memory from the Oooh and RARA improvisation art festivals.

But besides processing concrete sounds, closer to the end, I allowed myself a bit of sound synthesis.

Lost Letter is the second chapter of my new series Cryptography. Find out more here.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode features seasonal film scores by Popol Vuh, Fabio Frizzi, Gene Moore, Basil Kirchin and Ennio Morricone.

New music with The Wire Magazine.

In this episode, Joe interviews experimental clown duo Sally Plowman and Cailin Cummins, who have adapted two of their performances for the radio, in and around some track selections including Ivor Cutler, Lotte Lenya & Laurie Anderson.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Here they present a recording of The Death of Kodak, live at The Cockpit Theatre for Rough for Opera, 2015.

"Founded by George Eastman in 1892, the renowned photographic film company Eastman Kodak filed for bankruptcy in 2012. The Death of Kodak imaginatively charts this tragic trajectory in terms of the apparent eclipse of analogue technology and the dissolution of identity in the digital era. The graphic score (the length and structure of which is determined by Fibonacci Numbers) is drawn on digital camera flash units, projected on to the retinas of the individual musicians – a technique originally explored by Ed Baxter."

Featuring:

Rodney Earl Clarke: voice (Rochester, New York); Richard Scott: voice (Eastman Kodak); Ed Baxter: text, direction; Louise Goodwin: percussion; Simon King: electric guitar; Elo Masing: amplified violin; Markus Sasse: bass guitar; Milo Thesiger-Meacham: electric guitar; and Chris Weaver: electronics. Voice over: Piers Gibbon.

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

Here they present Attempted Breakfast, a pastiche of the typical radio drama in the early 21st century and a kind of cynical manifesto, featuring a tour de force by actor Samuel Collings.

Music: James Dunn (electronics), Alfredo Genovesi (guitar), Robin Warren (laptop, electronics). Text, concept: Ed Baxter. Voice (all parts): Samuel Collings. Broadcast live from "Radio Territories," ICA, London, 10 September 2006.

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Canna’s smaller southern neighbour, separated by a tidal beach it sits between Canna and Rhum and forms the south shore of a natural harbour.

My composition of a walk of its five-mile edge moves back and forward in time and place. Alongside the sounds of a small Canna woodland the work offers a contemplation of time and place.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

From jet-lagged homesick soundscapes from Thailand, odes to strawberries and our lost seasons to music made out of a toilet plunger and the howls of seals this is a very jam-packed edition of Atmospheric Densities. Featuring new releases by more eaze, Gamardah Fungus and Liew Niyomkarn, a tribute to Ian Rawes in the form of his posthumous release From Dawn til Dust on Persistence of Sound.

We also give a big shout to Phil Maguire's Verz's label as it closes up shop by dipping into the label's final release by David Donohoe and David Lacey, dive into Cath Roberts piece on split via Fractal Meat Cuts. On the Flaming Pines side of things we mark the pending release of Kamran Arashnia's Bounds Elimination and dig a bit deeper into the forthcoming albums by Jonathan Higgins' and RUBBISH MUSIC.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of One of Us by Joan Osborne. There's no order, no lists, only stilted and exclusive material.

Gregorian monks, electrocombia lovers, metal minds, hardstyle dancers, satanics followers of Anton Lavey, sexy sax… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

In this episode: 'Music and Libidinal Economy' by Cesura//Acceso, a journal for music politics and poetics, with Howard Slater.

Monthly investigations of music politics with Paul Rekret.

In this episode: a new studio setup with a guitar, a track from the best black metal album of all time, Melinoë by Akhlys, Meshuggah, Sarahsson, E-GIRLS ARE RUINING MY LIFE! ft. Savage Ga$p, Stay Out of My Swamp (feat. Tre_' Perdue) by The Ogre Packet Slammers and more.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

Intertwining themes of motivations and justifications form the central nervous ganglia of this instalment.

Loosen your tolerance threshold and listen in, as some of the loose ends regarding the new genre 'creepbeat' (introduced previously) are tied up, followed by rantings at the TV, then a phone call of dubious audio quality is received from a friend who formerly worked at Oxford Street's HMV where a strange diary was discovered inside an abandoned bungalow on the roof of the iconic music store.

If the aforementioned has not whetted appetites, meat is provided in the form of reports of Pure Volunteering workplace trespass incidents. Pure Volunteering is a mode of work which mocks the divide between the employed and unemployed, causing untold fuss.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

In these first two episodes, Additions Megabus collects four live sets and practice sessions from four successive years of shows by Trash Panda QC (formerly billed under real name Peter Seligman), showing evolutions and variations of his rave/footwork/noise-influenced sound along with unheard versions of released tracks.

After catching up to the present, live sets from the following episodes will be collected in an additional, gradually expanding album, totalling approximately three hours.

RIP Pita. The title Additions Megabus was originally intended as a tribute to the sense of freedom and possibility that Peter Rehberg and Editions Mego's activities put into the world, and I can only hope that these tracks inspire somebody in the same way.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

In this episode, a guest mix from the prolific Luke Lund, whose Pattern Recognition EP was released on Conditional.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.