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Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.

This episode features new sound and music by Von Helfenstein, Shaun Robert, Jeff Gburek, Rapoon, Bushranger, Browning Mummery, Tescon Pol, Wave Resistance, Nicolussi, and M.B.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A 22-hour radio project in 7 episodes about editing and the mind, created by Milo Thesiger–Meacham. Featuring 10-second audio extracts from over 6000 unseen videos found online, original sound recordings, music, hand-held camera audio and writing, Body Edit Mind follows an unnamed narrator as they move house and piece together a world of recording devices, names, crime, real-world characters and obscure media from across the globe. Follow Fox Neame on Instagram for more. Commissioned by Radio Art Zone, a temporary radio art station by Radio ARA and Mobile Radio for the European Capital of Culture, Esch2022.

Patrick and his guests walk from Exchange Square behind Liverpool Street Station – where Austerlitz first arrives to London on the Kindertransport – to Brick Lane where Stephen reads a poem dedicated to Altab Ali and Bill Fishman. From there they continue to Alderney Road – where Austerlitz lives in the novel and also home to the oldest Ashkenazi Jewish cemetery in the UK – and finally arrive at Tower Hamlets Cemetery Park behind St. Clement's Hospital where Sebald's character spends a long period of recovery.

Sound recorded by Milo Thesiger-Meacham and photography by Karen Lacey-Holder. Thanks to Leonard Shear of the United Synagogue.

In this extended programme Patrick Bernard follows in the footsteps of W. G. Sebald and his eponymous character Austerlitz as he explores the East End of London with poet Stephen Watts (a friend of 'Max' Sebald who accompanied him on many of his walks). They are joined by Nadia Valman and David Anderson from Queen Mary University of London as they visit many of the locations in the novel to uncover the layers of history hidden beneath the surface of the city and Sebald's text.

This episode features music by The Incidental Crack, Ruaridh Law, Weird MF5, Dane Law, Pub, Nick Rapaciolli, Simon McCorry, Maria W Horn & Vilhelm Bromander, Dusk and Blackdown, Rob Winstone, Wishmountain, Rempit Goddess, Red Wine & Sugar, Cody Brant & Carl Kruger, Posset, Karenn, Alva Noto, Jasss, Rrose, Svreca, Irazu, Material Object and other secret things.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

"I heard a bird's song and sang it as my own for the rest of the day is the name of my first mix to resonance FM and also is a phrase which I sadly am not able of recalling the origin of. it is composed of interferences that resemble Opeth from the Seventh Heaven channelled using artificial technology to Opeth from our dimension and everything in between."

Conceptually, it's a study and praise of one's usage of the music of 'others', it opens with one of the best examples I have heard. this marks the beginning of a series, a friend who is smarter than me advised me to do so. Kanye 2024.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of Art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of ‘music’. Probes tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do.

This inaugural episode sets the scene and investigates early reconsiderations of pitch: probes that postulate new scales to be constructed through the ever-greater subdivision of the inherited intervals of equal temperament. For more information on this episode, visit RWM Curatorial.

Series transcripts available here. For more information on this series and other podcasts, visit Ràdio Web MACBA. For more of Chris Cutler's work, visit his website.

This episode features Sekiguchi Satoru, Amanda Irarrazabl & Marco Albert, Luc Ferrari, Top Tomatoes, Blus/Segalen, irr. app. (ext.), Kodama, rlw, Oishi, Hali Palombo, Dagmara Kraus & Marc Matter.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Fading Somewhere Else is a work by Morkebla & Dalhous. The short three-part series hopes to explore and streamline some of the music that has influenced their philosophy in the sound-exploration of unconscious states of self.

This episode features music made by Naviar's community inspired by Hosomi Ayako’s poem “after the typhoon / I walk around alone - / sunshine everywhere”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, an eclectic mix of everyday sounds, Techno, radio, and contemporary music. Recorded and edited in Shocken6.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode features mixes by Liis Ring (Rapina, Estonia) and Ayami Suzuki (Tokyo).

In the first half of the episode, Liis Ring sketches us a sonic portrait of Räpina - a small town in the South East of Estonia. In among field recordings collected on her walks around the town and original music recorded in her grandmother's shed, Ring shines a light on the musical heritage of the area via folk tunes (sung in the local dialect) and new adaptations of traditional pieces.

The second half sees Ayami Suzuki explore the sounds of life in Tokyo; the hum of train station platforms, the buzz of cicadas in the forest, the summer tradition of the Awa Odori dance. Nestled among these sounds are selections from the city's contemporary experimental music scene.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

In this episode, Jennifer plays lots of new stuff.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episodes features recorded materials from the 'Unlearning Exercises in Puwaba with The G-Bop Orchestra'. These 'no formal experience preferable' immersive workshops were open to all specimen & took place over 3 days in August at DIY Space For London (DSFL), SE London.

Missed the show? Catch up on Mixcloud.

An inner city dance grotto for self-expression.