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Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

"I heard a bird's song and sang it as my own for the rest of the day is the name of my first mix to resonance FM and also is a phrase which I sadly am not able of recalling the origin of. it is composed of interferences that resemble Opeth from the Seventh Heaven channelled using artificial technology to Opeth from our dimension and everything in between."

Conceptually, it's a study and praise of one's usage of the music of 'others', it opens with one of the best examples I have heard. this marks the beginning of a series, a friend who is smarter than me advised me to do so. Kanye 2024.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

This episode features music by Olli Aarni, Ora Clementi, Valerio Tricoli, The Transcendence Orchestra and David Behrman.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

This episode is mostly dedicated to live recordings taken at Dronica's third edition at the Old Church in Stoke Newington with recordings of Fathom, Harmergeddon, Merlin Nova, Dogmilk and more.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

Now: In My Dreams You Are Always Lost. v3sta x aicb.

//Athens 28 May 2018

void setup () {
dec name: {“in my dreams you are always lost”};
dec artist: {“v3sta”};
dec channel {“AICB”};
}
void loop () {

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

Jon Leidecker presents an introduction to the history of sound appropriationism in 20th century composition, popular art and mainstream media, and the convergence of these trends in the present day.

In the nineties, sampling technology reached a level of sophistication and control that allowed musicians to truly assert themselves over their materials. While some collagists innovated by conifdently stepping into the traditional role of the romantic composer, presenting the resulting music as an expression of self, others continued to explore the intrinsic meanings suggested by the craft itself.

In this episode we trace through examples of the popular music that brought the term 'remix' into the popular lexicon, hear the CD player joining the turntable as a live performance instrument, and connect digital sampling to the history of musical borrowing: written notation’s classical equivalent to the editing techniques that modern composers use to transform existing music into new compositions.

Transcript available here:
http://rwm.macba.cat/uploads/20120607/07Variations_eng.pdf

Link to the complete series:
http://rwm.macba.cat/en/variations_tag

For more information on this series and other podcasts, visit Ràdio Web MACBA.(r)

This episode delves into the realm of kinetic, beat-driven music, from a more textural standpoint to music that makes us want to move, journeying to the more experimental use of language in music. Expect everything from modern day computer-generated communication to glitches, mistakes, human error and computer error.

Background music: Disintegration Loop DLP 2.1 by William Basinski.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode is created for the June solstice, a time of long light hours in the north, and long darkness in the south, the extremes of day and night enacting their own rhythms and textures on those who inhabit the earth. The piece is curated and produced by Stephen Shiell and composed using original material from From the New School of the Anthropocene scholars.

With contributions from Stephen Shiell, Simon McClelland Morris, Chris de Sel, Clare Whistler, Rhona Eve Clews, Pascal Sleigh, Miles Irvin, Abi Andrews, Michael Timmerman, Cole Pemberton, & Hannah White.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

A selection of the most vibrant and exciting new sounds of Latin America's emerging talents.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

Today’s episode is an Orford Replication ... Movement across time at Orford Ness ... Sequential nine minute sections from recordings of eight replicated walks across Orford Ness in August 2016.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

I.A. is a monthly radio series which showcases work by creatives – both staff and students – in the Sound Arts and Music departments at the London College of Communication. Produced by Zain Bador and Ed Baxter.

In this episode, Joe is joined in the studio by Josh Barfoot (Shovel Dance Collective, Gentle Stranger) for a live set on the hammered dulcimer, with an interview and track selections including Eric Chenaux, Annette Peacock & Robert Wyatt.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

Now: Both Cuttings and Peri realise Monday Man knows something. Perhaps he knows you. Or do you know something he wants?.

Missed the show? Catch up on Mixcloud.

A unique audio drama series created by writer/director Neil Cargill and musician/sound designer Simon James featuring an original electronic music score and full cast including Ian McDiarmid, famed for his role as Emperor Palpatine in the Star Wars saga, as Cuttings – the radio ham who picks up a mysterious voice. The voice belongs to a girl (Joy McAvoy, from Ken Loach's The Angels' Share, and Filth) trapped in an abandoned amusement park called Akiha Den Den. Singer Wendy Rae Fowler (featured vocalist with bands such as Queens Of The Stone Age) lends her distinctive Alabama tones to the multi-layered soundscape as it becomes clear there's a whole community there, whose words and music become woven into a mesmerising plea for help. Everything becomes highly charged when one of the trapped inhabitants finds a way into our world – where his impact on us could be as devastating and far-reaching as an unknown, unseen virus.

This episode features music made by Naviar's community inspired by Yosa Buson’s poem “orchids by night – / within their fragrance looms / their blossoms’ white!”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Exploring sound discovery in the internet era with Robin Buckley AKA rkss.

Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.