← Monday 28th October 2024 →

Tracks straight from the on hand collection of records, tapes and files. A simple varied show this week.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Glasgow-based Bobby Jewell presents a series of ambient mixes for Resonance Extra with guest features by musicians and artists.

In this first episode we travel to the East – to Transcaucasia and Asia in the 70s–90s: we listen to colourful Korean funk, sunny Azerbaijani jazz, desert Uzbek folk and traditional dance music from Laos and Burma. That's all folks!

I want to dedicate this show to the anniversary of the Melodiya label – it turns 60 years old on the 23rd of April 2024. And the best thing is that the label is still releasing music.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

In this episode, Nicola presents live recordings taken from Day 3 of last 3-Day festival edition in April.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Cate Hops is an anthropologist, radio host, DJ and live performer. Musically, she floats between subcultures and genres. Embedded as a DJ in the Berlin bass scene, Cate Hops fuses ambient, early roots reggae and futuristic sound patterns from all areas. While as a performer she has also been working on her own live noise improvisations, she mainly plays with her two partner projects KYOOT, a noise-hip hop duo and Ruido Polimnix, an experimental ambient collaboration.

With the ongoing project Sound System Culture: On the Radical Roots of Rave, she initiates events in which the audience is actively involved. In her radio show, she invites guests from her network to discuss with her and play their favourite tracks. As a researcher she lectures at different festivals, conferences and universities.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This episode is contribution by Jet FM.

Featuring Auður Ava Ólafsdóttir, Doris Abéla & Annaïck Domergue. With sounds and some music by eauchaude.

Ís (Glace) Jörð (Terre) Eldi (Feu) Vindur (Vent) is an imaginary soundscape based on the fantasma of Iceland, mainly made with a baritone guitar, an oniric and telluric view of this particular country, inspired by impressions from litterature, music, sound, photography. This long time fantasma has reborn by meeting the great Auður Ava Ólafsdóttir few months ago.

The reading is a chapter from the book **Dyralif (La Vérité sur la Lumière)* by Auður Ava Ólafsdóttir read by herself (French translation by Eric Boury, reading by Annaïck Domergue).

O2 / Sofðu unga ástin mín is a song by eauchaude.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Politics is the entertainment branch of industry.

• audio / visual decomposer Lepke B posits the question - "How will we live in the 21st Century?"

This episode features a guest mix by producer and experimental sound artist Kayla Painter.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Experiments in exploring humanity with Keno Westhoff of http://klanglabor.ayayay.eu.

“Human Geography US” by Anthony Moore and Peter Blegvad, featuring spoken texts taken from the prose work of six 20th century American writers; a booze-biased mapping of the US in a human geography of words, music and field recordings. The texts are recited by Peter Blegvad, poet, illustrator and musician.

The guitar pieces, field recordings and concept are by Anthony Moore. Running order: 1. Pynchon; 2. Black; 3. Brautigan; 4. Dorn; 5. Willeford; 6. Crowley; 7. Brautiganagain. Sources:
Jack Black, ch. 10, You Can’t Win (1926); Richard Brautigan, “In The California Bush”, “The Shipping of Trout Fishing in America Shorty to Nelson Algren”, “The Mayor of the Twentieth Century”, from Trout Fishing in America (1967); John Crowley, “Bottom of a Bottle” and “Ahead and Behind”, from Little,Big (1981); Edward Dorn, “Real Towns Have No Parking Meters (The Miles City Bucking Horse Sale and The Last Rites of the True West)” and "Of Western Newfoundland, Its Inns & Outs", from Way West (1993); Thomas Pynchon, “Episode 50”, from Mason & Dixon (1997); Charles Willeford, ch. 7, I Was Looking for a Street (1988).

Music by Figurative Theatre, The Leaf Library, 4T Thieves, Eric Random, Caroline Munro, NNYz?, Carl Matthews, FSME, Trova, Skipism, The Little Hand of the Faithful and A Handful Of Dust.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

In this episode we speak to baroque pop pianist and composer Laura McGarrigle, otherwise known as Gaze is Ghost. following her recent singles Wild Geese / Feather & Bone, and preceding new album Lapis Cobalt Indigo Blue. Her recent collaboration with poet Nikki Marrone, Lifelines, is given its full-length radio debut.

The latter half of the show collects together left-field pop gems, jazz and sound collages from some of our favourite artists, friends and associates. Presented by Theresa Elflein and Wesley Freeman-Smith.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

Returning from our hiatus we have tracks selected in response to postcards sent in by Archie Winter, featuring Sonic Youth, Outch, Noam Lemish & Dziga Vertov. Also included is a recording from the 2019 Late Works: at first sight ahead of its second iteration on 21st October at the ICA, in collaboration with Worms.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each month a selection of artists respond to the show on postcards and send them in as inspiration for the next. Running through the shows are a modular stem experiment in which musicians improvise live to original 15 minute compositions.

This episode features music by M. V. West, R. Ambriz- A. -F Jacques, P. Petit & M. Schaffer, JS Horseman, Loo(p)cy, Archaic Experimentations, D. L. Myers, M.L. Stancati, Sigillum S, Mortar Devotions, LLS & The X.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

New music with The Wire Magazine.

Littoral Transmissions come out in the wash.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.