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In this episode, lose yourself in an hour of alternate reality smash hits with Erika Elizabeth.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by Ichihara Tayo-Jo’s poem “Other than the woodcutter / there’s nobody here; / late-blooming cherries”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, we spend two hours with two artists – Rita Says, who with her Orchestra revives and reclaims 20th century experimental classics in the spirit of their modern punk equivalents; and Reuben Kyriakides, elusive composer-producer whose diverse portfolio includes dance scores, hip-hop, alternatively tuned piano, and at least one sound installation about Billy Elliot.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

Hauntological art can be thought of as having two stages, or layers. The first layer seems to present something that’s in some way idealised – this is often but not always an image involving the past. The second, ‘hauntological’ layer problematises, compromises and obfuscates the first layer, undermining or damaging it in some way and introducing irony into the work, and represents the opinionated viewpoint of the present. While the first layer might express hope and confidence, the hauntological layer contradicts and undoes this by expressing a satirical doubt and disillusionment”. Adam Harper - Rogue’s Foam

Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

This episode focuses on the new record by Fabiano Scodeler, the main man behind Projeto Mujique and Galope Discos, a label dedicated to promote the experimental music of Pouso Alegre/MG; Nada do Outro Lado, the first release of Coisas que Matam, a label from São Paulo that describes itself as specialized in “music of the present”; and two new works from AjaxFree – AjaxFree vs Penderecki and excerpts of his last record, Abortive, both released by Antena Records.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

This episode features a focus on Liang YiYuan (China) and other music by Slow Abyss, M. Grunditz & H. Meierkord, C. Bocci & Smiltzo, Il Santo Bevitore, Hagith, Hexalyne, Grey Frequency, Loo(p)cy, Pharmakustik & Thorsten Soltau, Sonologyst, DRS and Phlox.s.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Where the Dead Voices Gather is an indeterminate process driven radio experiment that uses the book 'Where The Dead Voices Gather' by Nick Tosches as its starting point.

Songs are chosen from a series of libraries based on the structure of a haiku. Each show has 17 songs / sounds therefore each show represents a sonic haiku.

Where the Dead voices gather is exploring the sonic potentials of written text and the indeterminate.

Glasgow-based Bobby Jewell presents a series of ambient mixes for Resonance Extra with guest features by musicians and artists.

This episode begins with an unreleased track entitled My Rok Star ,a sombre, brooding meditation on the perils of fame,
with additional alteration by yours truly , from the samplerdelic trio of Die Trip Computer Die ( Xentos 'Fray' Bentos, ,Ted Barrow, Lepke B ).

https://soundcloud.com/ginger-studio/die-trip-computer-die-my-rok?in=ginger-studio/sets/die-trip-computer-die

Ted Barrow and Xentos have started a compilation of vintage DTCD material via -

https://dietripcomputerdie.bandcamp.com/album/archive-005-mobsters-from-the-id

and hear some new solo work by Ted Barrow at-

https://tedbarrow.bandcamp.com/album/60-x-60

Next is Hullabaloo , an American musical variety series that ran on NBC from January 12, 1965 through August 29, 1966.
Directed by Steve Binder, who went on to direct Elvis Presley's '68 Comeback Special,
Hullabaloo served as a big-budget, quality showcase for the leading pop acts of the day, and was also competition for another
like-minded television showcase, ABC's Shindig!.
A different host presided each week—among these were Sammy Davis, Jr., Petula Clark, Paul Anka, Liza Minnelli, Jack Jones, and
Frankie Avalon—singing a couple of his or her own hits and introducing the different acts.
Chart-topping acts who performed on the show included Dionne Warwick, The Lovin' Spoonful, The Rolling Stones,The Yardbirds, Sonny & Cher, the Supremes, Herman's Hermits, The Animals, and Roy Orbison .

Adopted by The Residents, the apocryphal Bavarian composer and music theorist N. Senada, formulated the "Theory of Obscurity",
while his "Theory of Phonetic Organization" states, "the musician should put the sounds first, building the music up from [them] rather than
developing the music, then working down to the sounds that make it up."
This method is part of the process deployed here on Hullabaloo Show #30 Dec 06 1965- with Host: Frankie Avalon .
Special guests -wildlife recordings of Madagascar from CD Madagascar Soundscapes - www.wildsounds.com

The second sonic release by Die Trip Computer Die , We Are Your Friends, includes the track Fourth Flaw .

https://soundcloud.com/alcohol-label/fourth-flaw?in=alcohol-label/sets/die-trip-computer-die-we-are

Here is some of the source material, and permutations ,from the film Liquid Dreams (1991) , music by American composer Ed Tomney.

N-V is about freedom, freedom from the Flesh.....

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

In this episode, Concepción Huerta and Fe Sexta share a wide range of music, recordings, and sounds that influenced them on their journey towards mapping relationships between personal and collective memory across regions of South America, which resulted in the commissioned work MAPS : Electronic Resonances Between Ecuador and Mexico premiered this year at CTM Festival.

MAPS aimed to revive audio archives of pioneering electronic music composers in Mexico and Ecuador, active in the 1970s.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

In this episode: Music by Willie Wonder, Pyrolator, Henrique Martins Duarte, Go Ask Alice, Laibach, The Rockin' Ramrods, Lewis Francis, DR, Severed Heads, Transient, Psychics, Piero Umiliani, McDonald & Sherby, Folded Grid and Cloud Diameter.

The image is derived and adapted from a photograph, taken by Finlay McWalter, of one of the chess pieces discovered in Lewis, Outer Hebrides, Scotland. It is used under the terms of the Creative Commons Attribution-Share Alike 3.0 Unported license https://creativecommons.org/licenses/by-sa/3.0/deed.en.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

In this episode, Joe & Alex invite Anadol & Tayfun Aras to the show for a deep-digging psychy synthy masterclass. Anadol’s spectacular album ‘Uzun Havalar’ has been a staple at FT HQ this year, and Tayfun Aras runs Istanbul's renowned Deform record shop.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

Prague-based artist Gertie Adelaido opens this episode with her special multilayered collage, starting with total trash to sophisticated avant-garde. Then Drone Operatør continue in the same vein of brutal handmade bangers and atmospheric electronic tones. Jazz is not a genre – jazz is a mental st4te. Make it worse!!!

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.