← Wednesday 31st July 2024 →

Renowned Australian soundtrack theorist Philip Brophy presents 90 minutes of loud and luscious soundtrack dynamite! Across 13 episodes, he covers five strains of film music: Electronic Soundscapes; Big Beat Jive; Hard Rock Freak-Out; Funked-Up Grooves; and Atomic Atonality. In all cases, great tracks that speak for themselves!

This episode features a focus on Rafał Iwański (Poland), and other music from BYDL, ALA-MEDA, Morgen Wurde, Sci Fi Industries,Iota, Of Sun And Rain, Mosquito, Kenji Ikegami, minamiryohei, The Resonance of ((( US ))) & Jarl.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

This is a three hour extract from the festival, featuring sound art, computer music, homemade instruments, DIY electronics, radio play, noise, data sonification, field recordings, radio art, sound studies, historical anchor points, niches, insider tips, and different generations of Cologne's electronic and sound art landscape.

Full details and line-up: https://www.gerngesehen.de/funkt

The FUNKT programme was developed under the project management of Georg Dietzler by Anke Eckardt, Claudia Robles-Angel, Dietmar Bonnen, Dirk Specht and Felix Knoblauch, in cooperation with Sarah Washington and Knut Aufermann.

Thanks to sponsors Musikfonds e. V. with project funds from the Federal Government Commissioner for Culture and the Media as part of the special programme Neustart Kultur, Kunststiftung NRW (North Rhine-Westphalia Endowment for the Arts), the Cultural Office of the City of Cologne.

FUNKT was a festival of electronic music and sound art from Cologne, which took place on the 16th, 17th and 18th of April 2021.

This episode opens with a special introduction by Finnish AV duo Vongoiva where they discuss the inspiration and process behind their new album Jatuli Observatory. We also listen in full to Hadi Bastani and Maryam Sirvan's trans.placed and take a first listen to three upcoming releases which are all inspired by errors.

Greek composer Savvas Metaxas, Iran's Kamran Arashnia and London-based Jonathan Higgins all offer up their unique takes on the possibilities of mistakes. Madeleine Cocolas' new one gets a spin and the show closes with an edit of Rubbish Music's live set earlier this month at Cafe Oto.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

This second episode begins with a short reconstruction of a conversation with former bookshop manager "Cynthia", who gives the programme-maker a list detailing the British Library's Suppressed Safe contents - a list which exceeds anything currently in the public domain.

"Cynthia" deemed it such a hot potato that she requested a voice actor completely re-record her voice. After receiving the list, oddly synchronicitous disturbances (of varying significance) materialise.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

This episode features a special guest performance from New York: an aria by enourmousface aka Kalan Sherrard, alongside the sound of fatty b's three cylinder lister engine recorded on the River Lea by Walthamstow Marshes/Springfield.

With a series of resets prompted by let's return to the staircase in the first half, ragamash looking to guitar in the second half.

Chorus:

when then was

a her in him

alas dont do the snake

hit delete

refresh the source and ancestry

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode, two concerts recorded at the 7th edition of Festival Novas Frequências: from Rio de Janeiro, Negalê and his Gabinete de Sonoridades Extraordinárias and from Glasgow, Phantom Chips.

The brand new album by Objeto Amarelo (Carlos Issa), “Lugar Perto em Volta”, the seventh album of this project that exists for almost 20 years. Released in january of this year, ”Música Refinada" is the first album that Guilherme Darisbo and Marcelo Armani recorded together in the XXI century. Catch a fire and kill TV.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

This episode features music made by Naviar's community inspired by Takahama Kyoshi’s poem “The huge setting sun - / little remains of / its power”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Radio Concrete #12 works with extracts and edits from field recordings, experimental music and sound tracks from movies & tv.
This episode specifically makes use of music created by participants of Oooh festival who took place in Ragusa, Sicily this summer, using music sent by Edith Steyer, Norbert R. Stammberger, Eric Schauer and Dario Chillemi.

Other noticeable extracts include Lento by Colin Stetson, BBC 60 seconds (new piece of mine), whiplash (movie), 4 rooms (movie), Chicago police radio, European space agency recordings, and few shorter recordings made in my studio of Ofir Bachmutsky, Yuval Guttman and Or Rimer.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show which deals with live mixing and processing of field recordings together with radio broadcasting and concrete sounds. Fresh raw materials including everyday sounds, samples from tv & radio, news editions and advertisements are all gathered on a regular basis and then mixed together with live sources (FM and AM stations and other live online streaming sources) and objects (such as amplified/hacked toys).

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

In this episode, Jennifer plays you all the new things fit for your ears.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Where the Dead Voices Gather is an indeterminate process driven radio experiment that uses the book 'Where The Dead Voices Gather' by Nick Tosches as its starting point.

Songs are chosen from a series of libraries based on the structure of a haiku. Each show has 17 songs / sounds therefore each show represents a sonic haiku.

Where the Dead voices gather is exploring the sonic potentials of written text and the indeterminate.

purge.xxx releases music. It has been celebrated by The Wire magazine for its ‘disregard for the music industry, self-promotion and prevailing cultural norms,’ and an ‘ability to elevate distinct works and the obscure artists behind them.’ purge.xxx only releases music physically, unless a digital alternative has specifically been requested by a collaborating artist. It considers even the recording a compromise, but advocates things.