← Saturday 20th July 2024 →

Electric Indigo, DJ, composer, musician has performed in 45 countries across Europe, Asia, and the Americas. She represents an intelligent and distinguished interpretation of techno and electronic music. In 1998 she founded the transnational female:pressure network for which she received an Honorary Mention at Prix Ars Electronic in 2009.

The Republic of Austria awarded her with the Kunstpreis Musik in 2020. Electric Indigo premiered her compositions at festivals like Wien Modern, Musikprotokoll, CTM or Heroines of Sound and composed for Klangforum Wien.

Her debut album 511593 came out on Imbalance Computer Music, followed by Ferrum on Editions Mego in 2020. Brittle was released on Ventil Records in 2022.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

For this episode, SubPhonics explore different scenes and sonic environments with the aim of providing new locations to escape to.
With lockdown fatigue firmly set in, contrasting with an optimism for what may come for all of us as we are slowly allowed to return to normal, these improvisations can be both dreamy, anxious, peaceful, and volatile.

This episode features performances by Toby Edwards, Giluio Dal Lago, Nia Fekri, Erin Robinson, Timo Koch, and Jamie Turner.

If you would like to play and/or collaborate with us, please contact hello@subphonics.com.

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

Knut Aufermann & Sarah Washington, Xentos Fray Bentos, Frauke Berg, Katharina Bihler & Stefan Scheib, DinahBird, dieb13 & Billy Roisz, Anna Friz, and Ralf Schreiber broadcast live from Ürzig, Broughton, Düsseldorf, Saarbrücken, Paris, Vienna, Santa Cruz and Cologne.

During the lockdown, a revolving group of sound artists from across Europe and the US convened live on air with a unified aim: to gather sound-pollen and transmit codified messages to kindred folk, exploring whatever was on their minds. Style guide: Anything goes.

Here we broadcast some selected live works by the CWCH Collective.

In this episode, Dronica meets The Seer.

The Seer is a mystical anarcho-feminist sound art performance project created and directed by Italian born/London based artist Conny Prantera.

For this show The Seer mixed tracks and voice recordings from a female and non-binary traditional and historical sound lineage she references in her performance work and selected tracks from her amazing list of real and dream collaborators including Charly Blackburn, Kelly J Jones, Lou Barnell, Il Santo Bevitore, Anna Homler, Bridget Hayden, Lone Taxidermist, Elvin Brandhi, Inga Copeland, Jessika Kenney, LEYA and athing.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

In this episode, Mitamine Lab has the honor of presenting Emoscope by Simona Zamboli

"Emoscope is the explosion of feelings that arein my head and in my body, when I am at the analogue machines and it expresses the unspoken through dialogues and monologues of art cinema." - Simona Zamboli

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

InBetween is Sound Art Brighton's contribution to World Listening Day, the theme this year being Listening to the Weave of Time.

– weaving the soundscapes of our time – the original and the treated, the industrial and the natural, the static and the dynamic. In our foray through the Newhaven Harbour area, along Mill Creek and through the Tide Mills ruins, we discovered sprawling nature sites with birds and insects braving the rainy day and projecting against the noisy backdrop of the busy harbour. As we explore the discordances of this environment through a series of sonic snap shots, sounds shifts from close-to to wide-field, from reality to imagination.

Recording & composition by Chris Sciacca. Production: Chris Sciacca & Kersten Glandien. Consultation: Joshua La Gallienne

Some of the recordings were made with microphones constructed from recycled materials and household scrap.

Broadcasts and new works by Sound Art Brighton, a female and LGBTQ+ artist led organisation dedicated to the support, production and dissemination of sound art. Founded in 2019 as a Brighton-based initiative, the group initially focused on bringing together individuals, institutions and organisations interested in sound art in Brighton and Hove to collaborate on shared activities, culminating in the Sound Art Brighton Festival in March 2022.

New music with The Wire Magazine.

A special episode celebrating Kayla’s latest release in the Ambient Owl Core series. Playing Ambient Owl Core volume 1 and 2 in their entirety alongside field recordings captured whilst writing these tracks.

Ambient Owl Core is a genre tag created by Kayla, these releases encompass tracks inspired by the world of the night, the secrets shared and stories told, for slow listening. Featuring moments from our feather friends and other woodland creatures.

All tracks written and produced by Kayla Painter. Ambient Owl Core exclusively released on Bandcamp.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode features works by Ashtray Navigations, Mark Groves, Alvarius B, Gabie Strong, Alice Kemp and more.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode Phantom Frequencies, a radio play by Felix Kubin.

The recordings of this programme cannot be trusted. They were made unintentionally or occurred without any human interaction. Some of them – like electromagnetic interferences - can be explained scientifically, others cannot. What connects all of them is their unexpected appearance. These sounds emerged from nothingness – like phantoms. They manifested on old tapes, online streaming channels, disrupted hard discs and broken studio gear, recordings played at the wrong speed or accidentally contaminated by outer signal interferences.

Featuring recordings by Burkhard Friedrich, Dieb13, Diet Schütte, Dorit Chrysler, Mark Vernon, Eli Gras, Florian Bräunlich, Jenny Abouav, Jean-Marc Montera, Jérôme Noetinger, Ken Montgomery, Kiwa, Laura Maes, Marc Hollander, Mary Ocher, Meeuw, Nele Möller, Raul Keller, Richard von der Schulenburg, Scott Haggart, Victoria Keddie, Yoshino and Felix Kubin.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

This episode is a contribution by Radio One 91FM.

Stopcock was recorded July-August 2023, with malfunctioning Walkmans playing loose parts of themselves (speakers) rather than cassettes.

Clinton Green makes something akin to music. He has been active in Australian experimental music since the 1990s as a recording and performing artist, curator, facilitator, writer and researcher. He has worked with unconventional approaches to guitars, turntables and found objects as tools for new forms of musical expression.

He has also worked with dancers, theatre and performance artists in improvised collaborative situations, and has developed a performance practice incorporating projections. Clinton runs the Shame File Music label and writes on/researches historical and contemporary aspects of Australian experimental music. He has completed artist residencies in Taiwan (2015) and Cradle Mountain, Tasmania (2017), and has performed/exhibited in Canada, Germany, Spain, Japan, Taiwan, New Zealand, and throughout Australia.

His current interests include using deconstructed Walkmans as beat-generating machines, and processing text via compositional procedures and cassettes.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Excruciating nerve pain, giant's gardens, viking violins, an underwater city and the beauty of Australia's Blue Mountains all feature in this eighth episode of Atmospheric Densities which showcases work by the Texan composer Andrew Weathers, Finnish duo Vongoiva, Croatian composer Manja Ristic and Australia's Broken Chip among others.

We also focus on Liberty our fundraiser for Ukrainian artists and charities curated by Igor Yalivec which we were very proud to put out last week, and take a second listen to Timothy Fairless's magnificent Rising Water.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Bette Davis Eyes by Kim Carnes. There's no order, no lists, only stilted and exclusive material. Featuring special guest Mary Posa.

Autotune voices, cumbia rythms, plunderphonics minds, contemporary grunges, unrestrained accelerationists, wonderful and clever butterflies,… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Money. Money. Money. Mr Machine will play the world’s smallest violin while you are donating all your money to Resonance FM and Resonance Extra. Go to fundraiser.resonance.fm!

Missed the show? Catch up on Mixcloud.

Experiments in exploring humanity with Keno Westhoff of http://klanglabor.ayayay.eu.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

"I heard a bird's song and sang it as my own for the rest of the day is the name of my first mix to resonance FM and also is a phrase which I sadly am not able of recalling the origin of. it is composed of interferences that resemble Opeth from the Seventh Heaven channelled using artificial technology to Opeth from our dimension and everything in between."

Conceptually, it's a study and praise of one's usage of the music of 'others', it opens with one of the best examples I have heard. this marks the beginning of a series, a friend who is smarter than me advised me to do so. Kanye 2024.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

This hour is mixed by Tomomi.

Super Takeover was a 24-hour takeover on Resonance Extra organised by Superfluid.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

Nøthing more to say…

In contrast, we present some Cornelius Cardew (†1981) pieces written between 1960 and 1970.

Cardew’s music of the 1960s brought together ideas from both the European and American avant garde at the time, influencing everyone from Alvin Curran, Morton Feldman and Robert Wyatt to latter-day luminaries like US musicians Jim O’Rourke and Sonic Youth.

An upcoming online performance by the Aonghus McEvoy Ensemble is a rare opportunity for UK audiences to hear the music of this most revolutionary of composers. Irish composer Aonghus McEvoy convenes a group including musicians David Lacey, Ailbhe Nic Oireachtaigh, Rob Casey and renowned UK improviser/ musician Rhodri Davies to perform selections from his experimental period (1960-1970).

Online performance: October 9th & 16th, 7pm at Lutherhaus & St. Finian's Church, Dublin ///
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Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.