← Saturday 6th July 2024 →

Berenice Llorens is a guitarist, sound artist, producer and dj of experimental electronic music from Córdoba, Argentina. Her original works and dj/live performances are characterized by experimentation, creativity and the focus to break free from and push the boundaries of traditional genres and structures.

The Berlin-based composer is able to unleash her creativity and create new and unexpected sounds and ideas creating different states of psychedelic dance floor experiences.

Her unique blend of techniques and genres of sound art as deep listening, free improvisation, and the use of field recordings brought to club music creates an immersive and dynamic experience for listeners, offering a fresh perspective on the sonorities of techno, ambient and experimental music.

Berenice is able to capture and incorporate the natural and urban sounds around her, adding a layer of realism and complexity to her mixes. She has played in clubs and art spaces in Argentina, Berlin, and her works were exhibited at renowned festivals such as Mutek Montreal, Centro de arte Sonoro among others. As a member of the Amplify DAI women's network, she produced and curates the Amplify Radio programme and also she produces the radio show Beyond of line on Refuge WorldWide.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

The entire first hour is given over to a sound piece called 'SOG Underscore' by Caleb Madden And Geoff Reader. The work consists of 4 recordings taken from the output of a de-tuned analogue radio at 4 different frequencies.

The recordings were made whilst driving around Brighton in a car following a route which was decided by writing 3 large letters (S,O,G) on a map of Brighton and then trying to drive as closely as possible to the outline. The route home along the straight line of the seafront underlined the letters nicely.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

With the reopening of public social spaces this month the steady return to socialisation has presented a mixture of excitement and anxiety. For our show we’ve been thinking around the return to society.

This episode features performances by Erin Robinson, Nia Fekri, Giulio Dal Lago, Timo Koch, Toby Edwards, and Jamie Turner

If you would like to play and/or collaborate with us, please contact hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

Knut Aufermann & Sarah Washington, Xentos Fray Bentos, Frauke Berg, Katharina Bihler & Stefan Scheib, DinahBird, dieb13 & Billy Roisz, Anna Friz, and Ralf Schreiber broadcast live from Ürzig, Broughton, Düsseldorf, Saarbrücken, Paris, Vienna, Santa Cruz and Cologne.

During the lockdown, a revolving group of sound artists from across Europe and the US convened live on air with a unified aim: to gather sound-pollen and transmit codified messages to kindred folk, exploring whatever was on their minds. Style guide: Anything goes.

Here we broadcast some selected live works by the CWCH Collective.

In this episode, Dronica meets Dan Allison, Sam Hailey-Watts and Holst, curators at Whitechapel Gallery Presents, in London.

Sam Hailey-Watts ///
Sam Hailey-watts is the founder of Calling Cards Publishing, a non for profit organisation that channels a specific focus of the intersection between visual and sonic arts, as well as the co-founder of new experimental and electronic label The Florist’s Mum.

Holst ///
Holst is the alias of DJ and producer Sam Williams. As well as co-curating Whitechapel Gallery Presents, he is one of the founders of London based record label B REC and plays in and produces a number of projects including Black Pixels, Kareni and GOMM as well as his own solo material. Interested in warping electronic music outside of genre confines, he regularly explores analogue tape degradation and sub frequencies.

Dan Allison ///
Performer, recording artist and curator, Dan Allison is half of BAG, a sound and spoken word project with partner Jody DeSchutter. He has recorded and released a self-titled album as GOMM recently. Dan has co-curated exhibitions as part of the Deptford X festival and also co-curates Whitechapel Gallery Presents as well as other performance and sound based events.

They present a selection of experimental electronic music.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

A special guest mix from Bruno Silva AKA Ondness this month, taken from a theatre piece he worked on. Here’s what AKA Ondness has to say about it:

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This episode is driven by a sense of peculiarity, serving as the accompanying score for vivid dreams which resemble science fiction comics, in which perilous yet fantastical moments unfold.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

This episode is an edit of a special mix done for Ouidire. It is based on everyday sounds, from public and domestic spheres. It makes use of various field recordings, sampling of live am/fm radio broadcasts, tv and cinema soundtracks and other online and streaming sources.
Noticeable sounds include extracts from: Sound in the Round (vinyl), BBC Sound (vinyl), Colin Stetson, Combustible Edison, Olivier Messian, Jaws theme, Spiderman theme, DJ Food, Edith Steyer, Eric Bauer, and recordings from yellow vests protests in Paris.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

New music with The Wire Magazine.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this special episode, an hour of works by the Resonance Radio Orchestra.

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

Taking its name from Robert Rauschenberg's combine, Monogram - presented by Ed Baxter - is a bulletin board of new and archival audio, offered in a digressive and leisurely exploration of radio space.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

The Rant is a traditional Northumbrian dance form. Taking the 4/4-time signature of the rant this is my four-step composition.

Six miles. Wind WNW force 4 gusting 6, 16o Celsius, 20% cloud cover, pressure 30.49 inches of mercury, 60% relative humidity.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

This episode is contribution by Usmaradio.

Vittoria Assembri is an experimental sound artist and independent researcher in sonic arts and public architecture. Her sound research is about field recording, sound objects, experimental music that reflect on the theme of marginal and liminal territory, in close relationship with urban plans and its crossing (human and non-human).

Her practice develops from site-specific deep listening, focusing on urban dynamics, sociocultural processes and public sphere, with which to rewrite an affective and political landscape of resistance.

Vittoria is currently in Japan since the beginning of May, where she is doing a live performance tour and working on a few artistic residencies’ projects (Kyoto Kinugasa Art Residence for Community in Kyoto, Aomori Contemporary Art Center, Lake Haruna Artist Residence).

This track is a cut-up of her analog and digital recordings around Japan: Haruna and Fuji-san volcanoes, Kinugasa district in Kyoto, tatami’s and bonsai’s artisans in Okayama, izakayas in Shinjuku-Tokyo, Taka-san cellist, nightingale flooring of the Ryōn-ji Temple, shishi odoshi, radio fm-am interferences, jingles and alerts from megaphone loudspeaker, Aomori forest’s fauna, memorial songs from inhabitants and fishermen of the Haruna cadera, etc.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Joan by Whettman Chelmets is out this week and he introduces the show from his car discussing the inspiration behind this work which celebrates his grandmother.

A preview of my own piece fake creek where I try and create an underwater field recording is out next month and I play an excerpt from that and we take a first listen to Andrew Weather's forthcoming Sciatic Assemblage: a spikey, jangling and discombobulating take on our domestic spaces.

Plus a special mix from Leena Lee and Vania Fortuna drawing on work which inspires them and relates to their wonderful new album Niebla.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Don’t You Want Me by The Human League. There's no order, no lists, only stilted and exclusive material.

Mariachis, Pets, mass choirs, rumba dancers, plastic chickens, bla …bla bla… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Now: 'Silence' - the third experiment.

Missed the show? Catch up on Mixcloud.

Experiments in exploring humanity with Keno Westhoff of http://klanglabor.ayayay.eu.

In this episode Andrew Jarvis digs deep into the archives of the ‘Polish Radio Experimental Studio’, discovering electro-acoustic sounds, field recordings, Sci-fi visions and Futurist Poetry from Poland’s former state broadcaster.

Theatre of the Ears is a programme exploring radio and transmission art, hosted by Andrew Jarvis.

"Here is a mix I made last month. It is inspired by a stupid piano I found a few houses down and dragged home. Lately, I've been working on some new instruments, spawned from various marshlands around South East London, and this moss-covered electric piano was a funny addition.

So, I put together these mostly keyboard-oriented pieces; some are bits I played on the following days, some experiments with homemade robotics, but it features a few relics too, such as: Koray and Marc's remixes of some old music and one of my all time favourite rave tunes, Twisted Girl, with a hypnotic piano."

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

This hour is mixed by Ivan.

Super Takeover was a 24-hour takeover on Resonance Extra organised by Superfluid.

This episode of Listening Experience is titled “Performances” and presents recordings of recent Listening Experience performances I have done in Berlin and elsewhere. It also includes a recording of Ko. Ko is a collaboration I have with Berlin-based sound artist and poet Martin Lau. This episode features a track called “Butterfly”, by Demzo. The final segment of this episode was performed at the Edge of Wrong 2018, in Johannesburg South Africa.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

DRONE OPERATØR RADIØ NR.8 ZTARTZ HARD AND ENDZ ZOFT.

+++ special 20min. guest set by German free jazz band SDW Trio +++ special 30min. mix of unfinished songs and audio sketches by UK musician Aircode +++

(can you step back from your own mind?)

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.