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Julien Mier is a young composer and producer from the Netherlands, known for his eclectic and washed out collision of musical genres. His signature style is marked by fragmented melodies, packed in a palette of, sometimes almost waterfall kind of textures and dreamy, melancholic stories. Julien, born in Eindhoven in 1989, is a composer and producer interested in interactive installation with cross media purposes. http://shapeplatform.eu/

Sounds of the SHAPE Platform (Sound, Heterogeneous Art and Performance in Europe).

This episode features DJ, composer and improviser Mariam Rezaei.

Missed the show? Catch up on Mixcloud.

Long-form gonzo radio exploration of artists on the outer edge with Eric Boros.

Amsterdam's Shimmering Moods Records explores the many sides of experimental ambient music, into the far reaches of the imagination.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

To showcase the development of their new project Swan Song (working title), That Travis presents a series of live sessions in Resonance Extra's studios. As part of their practical research, they share music that has influenced the project, perform live and invite guests to share their work.

In this first live broadcast they share Cantonese pop music, paying respect for their heritage and the popular culture they grew up with.

That Travis is a singer-songwriter originally from Hong Kong. Their background is a mixture of a colonial English education and an indigenous upbringing. While the two worlds fight for representation within their work, they exhibit an organic mixture of all influences primarily with their voice, sonic expressions, lyrics and visual aids.

This episode of Third Space sees two First Light Records artists, Louis Giannamore (Barkum Deer/Kinn) and Sean Kinnear, explore themes of space, memory, and nostalgia over the course of two deeply personal mixes. In the first hour, Louis revisits his childhood holidays in the Basque Country of Southern France, trips that are soundtracked in his memory by the heavy metal music that defined his musical youth and the rich coastal soundscapes of the region.

He reinvokes the feeling of these formative moments in a curated mix of his field recordings from the Basque, interwoven with often-overlooked ambient and balladic gems from artists that are ordinarily associated with crushing drums and chugging riffs. In the second hour, Sean narrates a history of his native Salford through music and found sound, as well as exclusive unreleased sonic experiments of his own. From the sounds of textile production to the dancefloor of the White Hotel, from New Order to Machine Woman, Sean’s mix charts a nostalgia-tinged path through Salford’s story and his own.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

Exploring sound discovery in the internet era with Robin Buckley AKA rkss.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

This episode features music made by Naviar's community inspired by John Hinks’ poem “Tall, wide-arching trees / Assume a cathedral shape / Until darkness falls”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

In this episode, Isolated Memory, Lost and Found by Alex Sesper:

“The beginning of these recordings, were made during my residency in the Noise Agency project in May 2021. There with objects found in the streets I made some instruments and sounds, Using some ambience recordings in several 6-second tape loops.

This recording consists of an improvisation of some material that I produced during the residency, most of the processes and audios were captured in a digital video camera, then transferred to several cassette tapes, and using 3 different 4-track porta studios I played these tapes, creating this improvisation and recording it again with a cell phone, and so trying once again to create a generation loss layer.”

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Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

In this first episode artists Knut Aufermann, Sarah Washington, Katharina Bihler, Stefan Scheib, Anna Friz & Ralf Schreiber broadcast sounds from Ürzig, Saarbrücken, Santa Cruz & Cologne.

Produced by Mobile Radio with support from π-node

During the lockdown, a revolving group of sound artists from across Europe and the US convened live on air with a unified aim: to gather sound-pollen and transmit codified messages to kindred folk, exploring whatever was on their minds. Style guide: Anything goes.

Here we broadcast some selected live works by the CWCH Collective.

In this episode, we wave goodbye to Ellis Warren and wish him all the best with his own show on Resonance Extra. It has been a crazy six months of audio gibberishism. Ellis, Wee Zaloote yeww.

For this edition, alongside our regular round-up of music from within the orbit of the Spirit of the Gravity Collective, we welcome our new resident contributor Spectral Transmissions, who will be taking over the Spirit World hour of the show for the next six months. We look forward to listening to the sounds they summon into our realm.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode: burning down the house, the rite of spring with Bernstein, appreciation, different languages, anti-presidency, sat on a meadow polyrhythmics, WW3, you make me wanna bliss and extasy.

Weekly compositions, sketches and motifs by Anastasia Freygang.

Field recordings, experimental narration, ragamash mixes, big time polyrhythmics including fantasy language and hearsay from IRL and the World Wide Web.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.