← Saturday 27th April 2024 →

krash_cora is a Berlin-based DJ who started playing live during the pandemic. The need for escapism and euphoria that she, like many of us, experienced during that time is reflected in her sets, which are dominated by powerful basslines and thrilling melodies.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This episode features sound works by Charlie Hooker, Katsoura Yamouchi, Paul Kendall, Luo Chao Yun + Erdem Helvacioglu and more.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In part two: Tom Mudd presents excerpts from extended performances by Jack Goodwin, Charles Celeste Hutchins, Steph Horak & Tom Richards, Ben Harper, [Ingrid Plum](http://twitter.com/ingridplum], Phil Julian, Visa Kuoppala, Ian Stonehouse, Grundik Kasyansky, Bill Thompson and Pouya Ehsaei.

Missed the show? Catch up with Part One and Part Two on Mixcloud.

Sounding The Great Hall was a two day sound arts festival that took place in 2015 and 2016. It exploredd the acoustics of Goldsmith's Great Hall via surround-sound installations and performances by select sound artists.

In this episode of this series, Ilia Rogatchevski presents a mix that packs in carnal club sounds, spiritual jazz and ancient flutes. Plus new music from Luce Mawdsley, Adam Wiltzie and Damsel Elysium.

Music journalist Ilia Rogatchevski presents a weekly selection of expansive sounds and adventurous music from the world of audio.com and beyond.

Live recordings from Eraldo Bernocchi, Luca Nasciuti, Lisa McKendrick & Jude Cowan Montague, Metalogue and The Seer.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

In this episode, Mitamine presents a special mix/collaboration for Facade Electronics, an amazing artist-run label from Northern Mexico. Thanks so much to Gu and all the team behind for the invitation.

This mix was originally broadcasted via nettnett radio an expansive network of guerrilla radio makers working to cultivate an art and information channel that aggregates stories from citizens around the world.

Art by Max Siebel

https://www.instagram.com/nettnett_radio/

https://www.instagram.com/facadelectronic/

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

In this episode, a recording of a recent live trio performance in Newham with Montañera.

Inspired by a magical piano and luminous sets from the Dogs Paw Trio (Ed Shipsey/petals/Jordan Muscatello) and the Tape Transport Bureau (Shona Handley & Andrew Ciccone).

Thank you to Robert Clarke for hosting this show at Arch 1, our favourite London venue! And thanks to Ed Shipsey for the recording.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

In this episode, Chris Bohn plays music from Xinjiang, Siberia, Tuva, Japan,, Germany, the UK and US, including tracks by Wukir Suryadi, Senyawa, Sunik Kim, Minimum Wage Immanence Unit and more.

New music with The Wire Magazine.

In this first episode we travel to the East – to Transcaucasia and Asia in the 70s–90s: we listen to colourful Korean funk, sunny Azerbaijani jazz, desert Uzbek folk and traditional dance music from Laos and Burma. That's all folks!

I want to dedicate this show to the anniversary of the Melodiya label – it turns 60 years old on the 23rd of April 2024. And the best thing is that the label is still releasing music.

Uzbekistan-based DJ and boss of the experimental TOPOT label Eugenie Galochkin presents rare vinyl rips from the Soviet Melodia label. Melodia has released music from all around the world: from obscure Baltic electronica and free jazz from Siberia; to synth-pop from Tajikistan and academic avant-garde from Ukraine. The series will explore how national and cultural characteristics are embedded in musical language.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode, Radio Picnic from the Festival Archipel in Geneva.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

This episode is contribution by Jet FM.

Featuring Auður Ava Ólafsdóttir, Doris Abéla & Annaïck Domergue. With sounds and some music by eauchaude.

Ís (Glace) Jörð (Terre) Eldi (Feu) Vindur (Vent) is an imaginary soundscape based on the fantasma of Iceland, mainly made with a baritone guitar, an oniric and telluric view of this particular country, inspired by impressions from litterature, music, sound, photography. This long time fantasma has reborn by meeting the great Auður Ava Ólafsdóttir few months ago.

The reading is a chapter from the book **Dyralif (La Vérité sur la Lumière)* by Auður Ava Ólafsdóttir read by herself (French translation by Eric Boury, reading by Annaïck Domergue).

O2 / Sofðu unga ástin mín is a song by eauchaude.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

A special hour-long mix by the US composer Cody Yantis is the feature of this episode. This mix focuses on the music which inspired his recent album Opticks. We also play one of the two long pieces from Manja Ristic's brand new album Ma.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Believe by Cher. There's no order, no lists, only stilted and exclusive material. Aliens, nu metal singers, banana lovers, bardcore makers...all are welcome in Shuffle mode.

This episode features music by two guest artists: Lower Mars and S1m0nc3ll0.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

In this episode, Kinn plays some of his favourite music from his formative years and a selection of what has lately inspired his works in progress. Everything from the raging melancholy of Slint & Sonic Youth to the avant of Alvin Lucier, Herbert Huncke and The Dadavistic Orchestra, also includes brand new music from The Electric Womb and Moin as well as an exclusive preview of new music from Kinn to close off the final moments of the show.

Channelling an array of fervent interests in many genres through different mediums (Film, Music, Sound Art and more), Kinn - the brooding-electronics project of London based artist Freddy Lomas - and his guests use original soundscapes and compositions to weave together an original concept for each month's show.

This episode features the lingual music of Lily Greenham, acousmatic compositions by Lionel Marchetti, sound collage with Australian artists Rik Rue and Warren Burt, and takes a trip beneath the forest floor with Hildegard Westerkamp.

Theatre of the Ears is a programme exploring radio and transmission art, hosted by Andrew Jarvis.

"I heard a bird's song and sang it as my own for the rest of the day is the name of my first mix to resonance FM and also is a phrase which I sadly am not able of recalling the origin of. it is composed of interferences that resemble Opeth from the Seventh Heaven channelled using artificial technology to Opeth from our dimension and everything in between."

Conceptually, it's a study and praise of one's usage of the music of 'others', it opens with one of the best examples I have heard. this marks the beginning of a series, a friend who is smarter than me advised me to do so. Kanye 2024.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

This hour is mixed by Stalker.

Super Takeover was a 24-hour takeover on Resonance Extra organised by Superfluid.

This episode focuses on the concept of Delta, with audio excerpts from Listen To Me by Jules Bryant-Funnell and the Falcon Heights shooting.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

Julien Mier is a young composer and producer from the Netherlands, known for his eclectic and washed out collision of musical genres. His signature style is marked by fragmented melodies, packed in a palette of, sometimes almost waterfall kind of textures and dreamy, melancholic stories. Julien, born in Eindhoven in 1989, is a composer and producer interested in interactive installation with cross media purposes. http://shapeplatform.eu/

Sounds of the SHAPE Platform (Sound, Heterogeneous Art and Performance in Europe).