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Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

In this episode, Joseph Stannard plays The Haxan Cloak, Faust, Martin Rev, Techno Animal, Teresa Winter, Allison Burik, Creation Rebel, and more.

New music with The Wire Magazine.

Thematic mixes and reflections, captured along the Dorset coastline by ATTN:Magazine's Jack Chuter.

In this episode, we revisit the best of 2021 and beyond, showcasing work produced by out collective and associates. The show features work originally aired this year by art lab IKLECTIK's show VOIXXE, and by recorded audio festival Helicotrema.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

This is a three hour extract from the festival, featuring sound art, computer music, homemade instruments, DIY electronics, radio play, noise, data sonification, field recordings, radio art, sound studies, historical anchor points, niches, insider tips, and different generations of Cologne's electronic and sound art landscape.

Full details and line-up: https://www.gerngesehen.de/funkt

The FUNKT programme was developed under the project management of Georg Dietzler by Anke Eckardt, Claudia Robles-Angel, Dietmar Bonnen, Dirk Specht and Felix Knoblauch, in cooperation with Sarah Washington and Knut Aufermann.

Thanks to sponsors Musikfonds e. V. with project funds from the Federal Government Commissioner for Culture and the Media as part of the special programme Neustart Kultur, Kunststiftung NRW (North Rhine-Westphalia Endowment for the Arts), the Cultural Office of the City of Cologne.

FUNKT was a festival of electronic music and sound art from Cologne, which took place on the 16th, 17th and 18th of April 2021.

In this episode, Otomo Hava takes over with a mix of Athenian field recordings with Otomo's special music choices. More than 10 years active in the Athenian noise scene Otomo Hava is one of my personal favorite projects from Athens.

He is also the producer on Notes From Chaos, a Podcast series which is focused on electronic, experimental, noise, post industrial and other anti-comformist (or not?) musical genres. Guests From Chaos is a sub-podcast series where noisicians / musicians / artists doing their own mix sets to present their own works / label / tastes

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

This month, the first half of Third Space features renowned Iranian musician, producer and promoter, Pouya Ehsaei. Subtle field recordings taken from across London are carefully placed and processed within a half hour of original music composed for the show, showcasing Pouya's ability to translate the labyrinthine city's diverse rhythms and sonic intricacies into modular synthesis.

Comprised of Farbod Maeen and Deniz Tafaghodi, Zerone Duo explore the sounds of their and Pouya's hometown, Tehran, in the second portion of the show. At times peaceful and at other times unnerving, synthesised sounds are masterfully woven into a tapestry of air brakes, announcements and indistinct conversations to interrogate the stirring emotions of a bustling city.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

Short Manual is a sound collage program & conceptual mix show with some original production included.

In this episode, Dronica meets Scual and dThed for our monthly guest mix on Resonance Extra.

Scual and dTHEd are collaborating for a new audio/visual work, due to be published later this year on Stochastic Resonance.

The mix, in its first half, will introduce the work with a bespoke live performance, and will carry on with some sounds that have been companions of the development process of the project in recent months.

Scual – Special Cures for Uncurable Anesthetized Lovers – is a multidisciplinary project started by Lorenzo Cco in late 2006. Born as an experimental web platform for the collection and publication of multidisciplinary projects, as results of personal works and collaborations. It then moved onto the physical plane, first with the activity of vjing, then by proposing multimedia performances and installations.

Its aesthetic research focuses on the permeation of different media categories, synthesized through the digital process, emphasizing the distortions and discontinuities that occur between those passages. Scual is one of the initiatives behind the creation of the network of artistic research, Stochastic Resonance

dTHEd is a multidisciplinary art trio inspired by the dilemmas stemming from neurodiversity (e.g. ASD) and the anthropocene (e.g. hyperobjects).
They do: music, graphics, videos, interviews, talks, performances, concerts, prints, VR, social experiments and sensory explorations in order to raise awareness, through unexpected beauty.

Artwork by pseudomagica.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

For the first hour of this episode, we are celebrating the latest release on the Spirit of Gravity net label. Night is the new album by Noteherder and I'm Dr Buoyant. It follows their previous release, Day. See what they did there.

The second hour is the usual mix of good good stuff from within the orbit of the Spirit of Gravity collective.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

This episode features a guest mix by Matt Emery.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

This sixteenth chunk of Asphyxia broadly explores audio cassette tapes as a means of transmitting ideas. It contains a manifesto on 'pure volunteering', i.e. an act whereby involuntarily unemployed aspirants forcibly employ themselves by gatecrashing workplaces.

A lost micro-cassette phone recording (yielded during a bin dive) of wildlife expert Chris Packham discussing wood mice with a tabloid reporter is digitised and archived in a guerrilla pure volunteering trespass at an unnamed recording facility. The illegality of pure volunteering lends it an inadvertent thrill, portrayed here in breathless commentary and nibbled process.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

60 minutes of vivid aural excitement mixed by Ian Murphy.

This episode features music made by Naviar’s community inspired by Murakami Kijo’s poem “winter sun - / my own shadow / blocks the way”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Method, by Anna Zett via reboot.fm 88.4 FM Berlin for radia.

In this spontaneous audio piece Anna Zett explores the interview as a form of monologue and a form of trialogue. It is centered around the artist’s visit at a professional fortune tellers office in Beijing.

She has brought her own deck of modernist tarot cards, he is willing to share his approach to situation analysis and fate calculation according to Chinese traditions. Mediated by a third person who is serving as translator, they enter a conversation about chance.

Anna Zett has written and directed two radio plays for the public radio in Germany, both of them dealing with voice-based oracles and the challenge of communication.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Amsterdam's Shimmering Moods Records explores the many sides of experimental ambient music, into the far reaches of the imagination.

In this episode, Rob goes deep into the archives and blasts through some classics, emo origins, post punk and hopefully a few scorchers that you have never heard before.

Get down and get busy with some cuts from KLEENEX, THE WIPERS, REDD KROSS, FUGAZI, THE CLEAN and so much more.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

In this episode: walking along the shore listening to fairport convention whilst avoiding violent men.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.