← Sunday 14th January 2024 →

This episode features works by Morag Law & Ronan Doyle, TVO, Poe Sullard, Isobel McKenna, Various Networked Artists, Carrier, Inturist, BJ Nilsen, LABOUR, Points Of Friction, Orphax & PONI, Orphax, Diurnal Burdens & Matt Atkins, Orrest, Poly Gone, NWO and Jeff Brown.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Rip it up and start again in the new year on this week’s episode with Erika Elizabeth.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This month, Jack Chuter talks with Sietse Van Erve of Moving Furniture Records: an Amsterdam-based label for experimental electronic music. Also: climbing hills, hot tub chat, Doctor Who and indistinct sound. Catch up with Moving Furniture Records on Facebook and Bandcamp.

Thematic mixes and reflections, captured along the Dorset coastline by ATTN:Magazine's Jack Chuter.

For this episode we invite Leipzig-based electronic artist Franziska Kastner to curate an extended mix for us, cutting together digitally-manipulated interview fragments with previously unreleased sounds by Boceau – a long-standing collaboration between EAU and her project Bocu.

Then our Theresa Elflein returns with a select collection of eclectic friends – among others featuring Elements of Elephants, Anjali Rose and Lou Barnell.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

From the shore walk up the slope to the cairn, follow the track north into birchwood, walk through the woods towards the waterfall, cross the burn, walk up the hill, up to Hallaig.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

In this episode: a symphony of clicks and bleeps echoing from the voltage control studio, modulated field recordings, disembodied voices, re-mixed radio samples and cassette sounds.

Through decontextualization and reconstruction, I aim to translate the environment and its natural state of disorder. Tape manipulation, tape loops and sampling techniques are used.

Juxtaposing raw, unaltered material and its modulated counterparts serves to create a dynamic interplay, inviting listeners to traverse the boundaries between real and imaginary.

Samples from: Female voice and viola, The Swamp in June, Jingles & Génériques, Radio Play Excerpt by Ulrike Haage on Eva Hesse, 180º, Jaap Vink and Recording of Shortwave Numbers Stations.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show which deals with live mixing and processing of field recordings together with radio broadcasting and concrete sounds. Fresh raw materials including everyday sounds, samples from tv & radio, news editions and advertisements are all gathered on a regular basis and then mixed together with live sources (FM and AM stations and other live online streaming sources) and objects (such as amplified/hacked toys).

This episode opens with a special introduction by Greek composer Savvas Metaxas who chats about his new album For How Read Now which explores the creative and conceptual possibilities in errors. We also take a closer listen to two other error-inspired albums: Kamran Arashnia's Bounds Elimination and Jonathan Higgins' Good Thanks, You? composed via glitching CD DJs.

We also dive into Rubbish Music's forthcoming debut album via a composition based on a field recording of a recycling centre as well as Australian composer Alexandra Spence's new oceanic release on mappa, a mysterious album by Michigan's Lalén Ríos Luna and we celebrate the arrival of agri-ambient with Michael Lightbourne's Slí na Fírinne.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

This episode features music made by Naviar’s community inspired by Kobayashi Issa’s poem “Basking / in the New Year's sun... / my trashy hut” .

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

AA+ DRONE OPERATØR RADIØ #9 features mostly recently released free jazz and experimental music, spiced with søme neue musik and other DØ Oeffre material klunki klunki diamønds. 

Elin Gonzales, our guest for this show, takes over for half an hour. Her mix is an ode to fidgety listening habits, jumping from Cardi B confessing her love for house music to video snippets of my beloved youtube channel 'kids reacting to:', travel ads, unanswered calls, bardcore, and features the latest release of unapologetic Getting Buscemi? record label including some original swiss german dialect. Drøp it like it’s cute!

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.

Tonight we present episodes 1, 2 and 3 of this landmark radio series.

"It was a shape around something else, like everything..."

Dingus is a six-part radio drama produced by CBS and recorded at the height of the 1943 flu pandemic that swept through Hollywood. Denied of a marquee cast and blighted by a curious obsession with the object that drives its narrative, this innovative and formally-reflexive oddity disappeared almost completely without trace. In 2010 artist Mike Cooter set out to find and rehabilitate this elusive artefact, initiating an 12-year journey that culminates in the re-emergence tonight of Dingus.

Cast: John Dingus: Mitchell Mullen. Male Narrator: John Christian Bateman. Female Narrator: Alexandra Metaxa. Lieutenant Johanssen: Colin Stinton. Veronica Marden: Christy Meyer. Finnegan: Cory Peterson. O’Rourke and Elmsdood: David Menkin. Peterson: Joseph Balderrama. Frances: Kelly Burke. Written, directed and produced by Mike Cooter. Editor and assistant producer: Jim Whelton. Composer: Jobina Tinnemans.

Commissioned by Resonance FM. Supported by The Jerwood Trust, The Elephant Trust and The Henry Moore Foundation.

Mike Cooter's combustible tale from the airwaves’ most thrilling detective!

Episodes 4, 5 and 6 of this landmark radio series.

"It was a shape around something else, like everything..."

Dingus is a six-part radio drama produced by CBS and recorded at the height of the 1943 flu pandemic that swept through Hollywood. Denied of a marquee cast and blighted by a curious obsession with the object that drives its narrative, this innovative and formally-reflexive oddity disappeared almost completely without trace. In 2010 artist Mike Cooter set out to find and rehabilitate this elusive artefact, initiating an 12-year journey that culminates in the re-emergence of Dingus.

Cast: John Dingus: Mitchell Mullen. Male Narrator: John Christian Bateman. Female Narrator: Alexandra Metaxa. Lieutenant Johanssen: Colin Stinton. Veronica Marden: Christy Meyer. Finnegan: Cory Peterson. O’Rourke and Elmsdood: David Menkin. Peterson: Joseph Balderrama. Frances: Kelly Burke. Written, directed and produced by Mike Cooter. Editor and assistant producer: Jim Whelton. Composer: Jobina Tinnemans.

Commissioned by Resonance FM. Supported by The Jerwood Trust, The Elephant Trust and The Henry Moore Foundation.

Mike Cooter's combustible tale from the airwaves’ most thrilling detective!

In the first half of this show, Melbourne-based producer Marara captures an impression of her city in her distinctive style of sonic collage; fragments of conversation, found sound, and a curated selection of music from the area come together to form a considered and tender portrait of life in Victoria's capital.

Hyperdawn take the reins for the second hour, with a mix of field recordings, music, and exclusive material that honours the full range of Manchester's vibrant character; flitting between the city's outer marshlands and its bustling centre, intimate home recordings and bass-driven productions.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

This episode features new music by PLUHM, david lee myers & toshimaru nakamura, Marbury, MoCM & Schema Musicalis, Allan Segall, Mark Hjorthoy, insectarium, Rapoon, Corrado Altieri, ＴＲＡＭＰＥＬＦÂＤ, Sanctuary, N. A. Gjefle, Bjørn Hatterud and Matheus Souza .

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

An interview with Flaming Pines and a selection of pieces for the guitar.

Thematic mixes and reflections, captured along the Dorset coastline by ATTN:Magazine's Jack Chuter.