← Wednesday 10th January 2024 →

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

This episode features new music by PLUHM, david lee myers & toshimaru nakamura, Marbury, MoCM & Schema Musicalis, Allan Segall, Mark Hjorthoy, insectarium, Rapoon, Corrado Altieri, ＴＲＡＭＰＥＬＦÂＤ, Sanctuary, N. A. Gjefle, Bjørn Hatterud and Matheus Souza .

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A nine-part retrospective of the first five seasons of the Radia network’s epochal (and on-going) radio art series. Assembled by Lee Stapleford.

This month we celebrate the release of H O M E, a new anthology of visual poetry featuring eleven collaborations between designers and poets. Graphic artists reinterpret the poets' words into a new visual piece, created between the two mediums, so this month we started with the question: what makes meaningful design? Introducing some of our poets to their corresponding designers for the first time, the show features work by Nikki Marrone, Daisy Thurston-Gent, Iris Colomb and Wesley Freeman-Smith.

The anthology is scored in an audio interpretation by Nick Murray, and we are joined by featured poet-musicians Antosh Wojcik and Aidan Baker – talking about Nadja's new record Luminous Rot.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

This episode features works by Morag Law & Ronan Doyle, TVO, Poe Sullard, Isobel McKenna, Various Networked Artists, Carrier, Inturist, BJ Nilsen, LABOUR, Points Of Friction, Orphax & PONI, Orphax, Diurnal Burdens & Matt Atkins, Orrest, Poly Gone, NWO and Jeff Brown.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

In this episode: Phoene Somsavath discusses the origins, experiences and ideas behind FRM-AT: a record label, booking agency and event series based in Glasgow. Also: an interview with my brother about listening and memory.

Thematic mixes and reflections, captured along the Dorset coastline by ATTN:Magazine's Jack Chuter.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

An Easter special. Two hours of contemporary jazz and electronic music from Russia and an exclusive guest set by legend Vadim Petrenko.

Monthly experimen†al kleptomaniac post digital free jazz spam channel operated by artists Tilman Hornig and Paul Barsch aka DRONE OPERATØR.

Fading Somewhere Else is a work by Morkebla & Dalhous. The short three-part series hopes to explore and streamline some of the music that has influenced their philosophy in the sound-exploration of unconscious states of self.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

From the shore walk up the slope to the cairn, follow the track north into birchwood, walk through the woods towards the waterfall, cross the burn, walk up the hill, up to Hallaig.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

This episode features music made by Naviar’s community inspired by Kobayashi Issa’s poem “Basking / in the New Year's sun... / my trashy hut” .

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode: a symphony of clicks and bleeps echoing from the voltage control studio, modulated field recordings, disembodied voices, re-mixed radio samples and cassette sounds.

Through decontextualization and reconstruction, I aim to translate the environment and its natural state of disorder. Tape manipulation, tape loops and sampling techniques are used.

Juxtaposing raw, unaltered material and its modulated counterparts serves to create a dynamic interplay, inviting listeners to traverse the boundaries between real and imaginary.

Samples from: Female voice and viola, The Swamp in June, Jingles & Génériques, Radio Play Excerpt by Ulrike Haage on Eva Hesse, 180º, Jaap Vink and Recording of Shortwave Numbers Stations.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show which deals with live mixing and processing of field recordings together with radio broadcasting and concrete sounds. Fresh raw materials including everyday sounds, samples from tv & radio, news editions and advertisements are all gathered on a regular basis and then mixed together with live sources (FM and AM stations and other live online streaming sources) and objects (such as amplified/hacked toys).

"again finished in the morning, the new mix is featuring tracks where i messed up the code and instead of artificial intelligence/GANsynth minstrels playing gittern it drifts in and out digital noise + ml generated happy hardcore tunes i nicked from secret hacker discord socities, some panharmonium ambient/modular ramblings, garden party jams with annoying neighbours (the other day my annoying neighbours were having a garden party -and im the one who supposedly is loud- and a song they were playing were in sync with my sketch.

i tried to record but failing i knocked their door and telling the situation they told me the track name but i asked for them to play it one more time but louder so i can record it from my room with the bird sounds involved cause it initially was like that, though when i played it back from my window they texted me to tell that it sucks) and even relatively a four-on-the-floor-ish tune from the upcoming album - which strongly resembles another alias and therefore am a bit reluctant about. the title 'Song of Songs' is inspired by the British Surrealist artist, Ithell Colquhoun. war x"

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

This episode features a guest mix by photographer Isabel MacCarthy titled Child of Love.

Don't think -

Feel

and then

think-again.

Worthwhile Unions is a radio series by Anna Clegg with a focus on meeting points. Often collaborative and pulling heavily from online sources, the series works to extract a kind of cinema of feeling, contradicting and evasive, from dense combinations of music, sound and samples.

Rip it up and start again in the new year on this week’s episode with Erika Elizabeth.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.