← Tuesday 19th December 2023 →

This episode features a special live session recorded by Tomer Baruch & Adam Cohen. Baruch and Cohen play as an Israeli instrumental duo named Sikrikim.

Tomer Baruch - Synths. Adam Cohen - Drums, Trumpet. Recorded & Mixed by Adam Cohen.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show which deals with live mixing and processing of field recordings together with radio broadcasting and concrete sounds. Fresh raw materials including everyday sounds, samples from tv & radio, news editions and advertisements are all gathered on a regular basis and then mixed together with live sources (FM and AM stations and other live online streaming sources) and objects (such as amplified/hacked toys).

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

A nine-part retrospective of the first five seasons of the Radia network’s epochal (and on-going) radio art series. Assembled by Lee Stapleford.

This episode:

On a winter's morning we set out in the rain, cross the Lea and venture out into the marshes. Lulled by the wind in the reeds the sun breaks through the clouds, it's cold crisp light revealing a new horizon in the flowing water.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

This episode features TVO, Spatial, Agents of the Culture Industry, John Coltrane, Delia Derbyshire, Karlheinz Stockhausen, Benjamin Zephaniah, Dean McPhee, Alva Noto, Disinformation & Savion Glover, Dadavistic Orchestra, Alexander Tillegreen, hoodie x James K, Cabaret Voltaire, Burning Woman, sideb0ard, Nivhek, Pantea, Mücha, Jo Johnson, JP Hartnett, Slavoj Žižek & Frank Sin'AI'tra

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

In this episode we speak to poets and veteran podcasters Lizzy and David Turner about You Don’t Know, their collaborative literary, visual and audio series. Combining original writing with hand-made publications and podcasts, their series is a place to experiment with project ideas and push each other creatively – a process which has involved among other things robot voices, poetry printed on acetate sculptures, and NFL commentator found poems.

Co-presenter Theresa Elflein returns bringing an eclectic selection of independent artists found out there in the wild web and collected for you, and Nick Murray scores poems from our recently released anthology H O M E.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

This episode features music made by Naviar’s community inspired by John Hinks’ poem “Early dawn’s pale light: / A gentle start to the day / Two seagulls gliding”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

Short Manual is a sound collage program & conceptual mix show with some original production included.

Host Jack Chuter asks musicians to describe the environment in which they make their music: the physical spaces, equipment and ritualised behaviours that accompany the act of creating sound.

Thematic mixes and reflections, captured along the Dorset coastline by ATTN:Magazine's Jack Chuter.

This episode features music by Aponeuron, Corp Cruid I, Expander Des Fortschritts, Pik Duzfuß and more.

Socialist Realness a mix series by GAJEK focusing on avant-garde and electronic music produced in the GDR and shortly after the fall of the Berlin Wall.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

In this first episode, enduring the Metal Gear Solid alert sound effect in a real-world setting, the quasi-unemployed narrator introduces his controversial "work where you like" practice; being an archivist without portfolio, researching "media of unknown origin", and clawing at the British Library's "Suppressed Safe" of restricted-access books.

Abused necks - seats of human voice - are given special attention in this episode - anatomical points of interest in the unusual (and largely unknown) literary work of Marcus S. Chambers (aka "Exact Thinker") and his anarchist counterpart Sydney Hanson. The present-day obscurity of their work forms a self-fulfilling prophecy about the silencing of knowledge, lending much unease, mystery, and squirms to outmanoeuvre "crank" vibes.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Now: the fearless duo battle against technology to bring you some Estonian shoegaze, pioneering electronica, whistling and music from an Indian taxi ride.

Eclectic musical face-off between German electronic musician and producer Ulrich Schnauss and Nathaniel Cramp (Sonic Cathedral).

In these first two episodes, Additions Megabus collects four live sets and practice sessions from four successive years of shows by Trash Panda QC (formerly billed under real name Peter Seligman), showing evolutions and variations of his rave/footwork/noise-influenced sound along with unheard versions of released tracks.

After catching up to the present, live sets from the following episodes will be collected in an additional, gradually expanding album, totalling approximately three hours.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

Moods and preoccupations in a nonlinear narrative in and out of the club with COSI and The Source of Some Certainty - created by Corinna Triantafyllidis and Henry Rodrick.

Episode 1 was recorded with haptictape labs_2046 and focuses on the twilit, grinning spectre of 1990s Memphis Rap.

Through found footage, field recording and tape rips, this episode traces the scene through its local-distribution cassette origins, later commercial success, and internet renaissance as it shape-shifts seamlessly between horror-film nightmare, biographical realism and sonic fantasy.

Worthwhile Unions is a radio series by Anna Clegg with a focus on meeting points. Often collaborative and pulling heavily from online sources, the series works to extract a kind of cinema of feeling, contradicting and evasive, from dense combinations of music, sound and samples.