← Saturday 2nd December 2023 →

yeah the hider

yongrak activeates that dark breath in my ‘chest wall’
oozing (weezing) out like speaking the leaking spout

the gammar is taken off
gamma takeoff
grammes
the darkness of game

decomposition and clay retrieval

smuggling clairty in rotoscopic lava

“atrocios”

”-itis’ (disease idea)

so heavy you cuold never lift it and then it rushes your blending (flenders II) (HURLY IFLENDS)

did i give you rotten mound permissions

Bask in this knowledge bath
Basking like shark
“bath” (graey water)

talk about ‘beaks’ ‘mouth’ ‘melt’ ‘weak’

head carve
and each slice reveals hendred four new old worlds

Martin relegation hile filve

VORE spacial Em rotery

every word is subject to change, every word is subject to chance, every word is under the scent, every word is under the weight of it and under the bed, under the hill running under us like deep savage sewer
every word is in “quotations” every word is in vocalic choke hold, vocalic colic, vocalised rize and local rice

“nerve gaga”
harry ‘Plotts’
Yerng Woosh

It sounds like waste with an attention to science
It sounds like haste with slowness alliance
It sounds like taste of ceffalize nevermine

garstly expediency
running through lanes hooting
moola lanes

There is a sense of biology a nervous biologeme a biology of language
might sound silly might sound defunct but I’m rolling around
I’m rolling around in the callous victim of cartoon idea
the fallus whip
little metal script
high tide my life scrolls past
tiddle war happy leggo tiddle war
flipping to them

the body of the name and the name of the body
and so much can happyen in twenny secons
fortey naine seconds hellish remainder plain stark fish flinger

tcker tape acknowlegesys the remidner that truth remains in the length
up and down, left and right, through and through
long through my team of loose screw tighten and rubbish them the men the you
I’m led by a string of socking sound that extends beyond my many men like 50 cent
Hundred bags forteen bags the ninestyle rags the hyper ‘sags’
the usage of quotation the talking the station I’m generation I’m generating elocquation
electriquaytion

and is junking through the pile even really necessary
thats i what find mytself asking to myself
hard back dust sack must

all emerging from the darkness
nothing in the light
the dark is the hot light
this is language disbanded from the mouth mouth
language got hunted down lang dspreay

and now i want to tell everyone “shitu p” if they tell me the AI, the after space the last city in the world and The alien is getting me, i tant to tell them ‘lose you’ if you tell tme this is technology at the end, this is the game, this is ‘Japan’ i tell tehm ‘goodbye’ take the piss mate. this is not the thought from that place this is more than you could ever imagine. its within the crux and the plex, hunting from the beginning and never finding. Indle spiralling into the thicket stash. Hilling the running the lung got caught on the brush.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Jose Macabra presents solo work and other collaborations.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This episode features music made by Naviar’s community inspired by an unknown author’s poem: “a black dog / transformed into a lantern! / the way in snow”.

According to The Penguin Book of Haiku, this poem was first published in 1765 in the pamphlet Yanagidaru I.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, Shane Woolman plays tracks by Amy Cutler, SANAM, Carl Stone, and Sabreen, plus a special guest mix by Deena Abdelwahed.

New music with The Wire Magazine.

In this episode, Dronica meets Dan Allison, Sam Hailey-Watts and Holst, curators at Whitechapel Gallery Presents, in London.

Sam Hailey-Watts ///
Sam Hailey-watts is the founder of Calling Cards Publishing, a non for profit organisation that channels a specific focus of the intersection between visual and sonic arts, as well as the co-founder of new experimental and electronic label The Florist’s Mum.

Holst ///
Holst is the alias of DJ and producer Sam Williams. As well as co-curating Whitechapel Gallery Presents, he is one of the founders of London based record label B REC and plays in and produces a number of projects including Black Pixels, Kareni and GOMM as well as his own solo material. Interested in warping electronic music outside of genre confines, he regularly explores analogue tape degradation and sub frequencies.

Dan Allison ///
Performer, recording artist and curator, Dan Allison is half of BAG, a sound and spoken word project with partner Jody DeSchutter. He has recorded and released a self-titled album as GOMM recently. Dan has co-curated exhibitions as part of the Deptford X festival and also co-curates Whitechapel Gallery Presents as well as other performance and sound based events.

They present a selection of experimental electronic music.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

In this episode: Iceland ... every three hours for 24 hours ... eight times ... daag einn I juni ... I stand and look east across the fell to the obelisk. Beyond it the northern shoulder of Burfell rises then slips away off its hog’s back summit.

Stand and listen to the plaintive pipe of the Golden Plover and the croak of the Snipe.

Stand … then move off ... down the slope; through the Marsh Marigolds; over the stream; cross two fences; cross the horse paddock to the leaning post; along the horse path; around to the fence to the left; over the fence; cross four streams; pass the waterfall; cross the marsh; cross the stream on stones; up the slope to gap in ridge; up the slope to the lip; around the obilisk; pause; retrace my steps ... eight walks ... eight sections ... split ... re-built ... into a day at random ... eight movements ... this is movement 4.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Shape of you by Ed Sheeran. There's no order, no lists, only stilted and exclusive material.

Users of google translate, notes alterers, carnatic indians contemporary, cumbia lovers, chemists and physicists, flute duets… all are welcome in Shuffle formula radio mode.

This episode features a special guest, Malinda K. Reese, with her project Twisted Translations.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

This episode celebrates the pending release of Iranian composer Ava Rasti's powerful album Ginestra, which is out on Friday.

We also delve into Mute Frequencies' forthcoming Svalbard Soundtracks, which re-imagines the aural world of three silent documentaries about this remote archipelago.

My new album Fever Dreams on Mana Records gets a spin, and we dip into Cath Roberts collaborative work ahead of her gig with Graham Dunning at TACO gallery this Thursday.

Bill Thompson destroys a mini disc and we close with Blanc Sceol's beautiful new release Orbit which features a self-built spinning instrument on Otoroku.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, an Autechre special.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

David Bowie starts this episode of Looperama with chunks of Prokofiev's Peter and the Wolf, that are blatantly appropriated ad nauseam, a remix of a remix of Grinderman/U.N.K.L.E - Hyper Worm Tamer and the voice of a cosmonaut from Out of the Present.

Patti Smith reclaims Rock & Roll ... interspersed with The Incredibles, Patti again, and introducing Ygor and his cloud paintings. A variety of bizarre sonic permutations are generated. Tiny Tim emerges unscathed.

At approximately the 43rd minute , Max Ernst speaks ...

Meanwhile - The Cat that Hated People with additional tamperings , via N. Senada,'s "Theory of Phonetic Organization".

"Now, just imagine..."

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.