← Sunday 14th May 2023 →

In this episode, an eclectic mix of everyday sounds, Techno, radio, and contemporary music. Recorded and edited in Shocken6.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode - you're born, you live, you die, but why? You're here, you're not, then you are. Welcome to the cattle ranch.

An inner city dance grotto for self-expression.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

"Cuando Calla El Mar Y Sopla El Ruido" was composed in 2018.

For the creation of this piece, Ana María Romano G recorded two separate mornings, which were then superposed, entwined, amplified, silenced in order to produce a soundscape.

Ana María Romano G is a composer, improviser and interdisciplinary artist. Her works have been published or presented in festivals and events in Argentina, Australia, Bolivia, Brazil, Canada, Chile and beyond. She is currently a professor at the Universidad El Bosque and the director of the Festival En Tiempo Real. She shares her artistic and teaching work at concerts, lectures and workshops.

Stéphane Marin presents a weekly series of fifteen short soundscapes recorded in the mornings at various locations throughout South America. Entitled « South American PhoNographic Mornings » this series for Resonance Extra forms part of a wider project, « Each Morning of the World », which invites sound artists, composers and recordists globally to share their own specific point of listening, either through a raw field recording or original composition.

This episode features Umami Set by heavymeta.4pl:

"Umami means a strong taste that is not sweet, sour, salty, or bitter and that is often referred to as the fifth taste. In Russian, "umami" sounds like "у мамы" that means at mom's house. And for me and many people it`s a real the fifth taste.

It is a mix of different feelings, memories, the present with the past, the past with not your future, your present with a stranger, school hooligans, your favorite childhood series that still plays at your mother's kitchen, first love and all sorts of nostalgia.

This set is based on jingles from cringey Russian TV, mixing various music and speeches that are common in every hood."

Instagram //
SoundCloud //
Apple Music //

Guest mixes selected by Ian Bruner.

The parking garage is a the "inferno of the same" (the agony of eros). It is a labyrinth in which the ceiling is often the floor, a schizophrenic environment that does not allow the face to be recognized. The(se) structures or modern functional ruins are a global phenomenon and in most cases duplicate a common design. In this way the parking garage can act as a portal, an access point into multi-linear spaces (this way amd/or that). All parking garages comprise a kind of universal parking garage, when we are in one parking garage we are in all parking garages.
The global effects of the internet have displaced direction and have effectually erased all horizons. The rhizomatic connections of the internet, a(nother) decentralized and/or multicentered domain.

In this first episode, enduring the Metal Gear Solid alert sound effect in a real-world setting, the quasi-unemployed narrator introduces his controversial "work where you like" practice; being an archivist without portfolio, researching "media of unknown origin", and clawing at the British Library's "Suppressed Safe" of restricted-access books.

Abused necks - seats of human voice - are given special attention in this episode - anatomical points of interest in the unusual (and largely unknown) literary work of Marcus S. Chambers (aka "Exact Thinker") and his anarchist counterpart Sydney Hanson. The present-day obscurity of their work forms a self-fulfilling prophecy about the silencing of knowledge, lending much unease, mystery, and squirms to outmanoeuvre "crank" vibes.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

RöstiBrücke 2023 is the second part of an annual series of trans-linguistic-regional music exchanges in Switzerland.

Initiated right after the pandemic, this dialogue in performance and sound arts builds bridges between venues and artists. Cave12 and the Walcheturm pioneered by taking part in 2022.

For this 2023 edition, we managed to break through the Gotthard with Oggimusica and Foce in Lugano. We were also able to establish a trans-Jurassic connection with Centre Culturel ABC in La-Chaux-de-Fonds and Kaserne in Basel with Klappfon.

Radio Picnic is a mobile radio art project by zonoff which invites multi-disciplinary artists to create works inspired by the radio medium.

Featuring sounds from Lau Nau, Olli Aarni, Ernest Hood, Wave Temples, David Edren and more....

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

This episode features a host of brand new submissions.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar’s community inspired by Gary Clarke’s poem “Lost in tranquil seas / Where spring feels melancholy / Another sunset”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, Dronica meets Dan Allison, Sam Hailey-Watts and Holst, curators at Whitechapel Gallery Presents, in London.

Sam Hailey-Watts ///
Sam Hailey-watts is the founder of Calling Cards Publishing, a non for profit organisation that channels a specific focus of the intersection between visual and sonic arts, as well as the co-founder of new experimental and electronic label [The Florist’s Mum(https://thefloristsmum.bandcamp.com)].

Holst ///
Holst is the alias of DJ and producer Sam Williams. As well as co-curating Whitechapel Gallery Presents, he is one of the founders of London based record label B REC and plays in and produces a number of projects including Black Pixels), **Kareni and GOMM as well as his own solo material. Interested in warping electronic music outside of genre confines, he regularly explores analogue tape degradation and sub frequencies.

Dan Allison ///
Performer, recording artist and curator, Dan Allison is half of BAG, a sound and spoken word project with partner Jody DeSchutter. He has recorded and released a self-titled album as GOMM recently. Dan has co-curated exhibitions as part of the Deptford X festival and also co-curates Whitechapel Gallery Presents as well as other performance and sound based events.

They present a selection of experimental electronic music.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Missed the show? Catch up on Mixcloud.

60 minutes of vivid aural excitement mixed by Ian Murphy.

In this episode, an hour of reflective music on the theme of summer and its links to community.

Featuring: David Williams, Lewis Baxter, Nia Fekri, Timo Koch, Erin Robinson, Toby Edwards, Giulio Dal Lago and Jamie Turner.

If you would like to play and/or collaborate with us, please contact hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

2022's edition of the festival was an evening of music and poetry reading at London's iconic Café OTO on the 7th December, featuring performances by members and friends of Naviar, working in the fields of ambient, electronic, and contemporary classical music. Each set is introduced by a haiku selection recited by poets of The British Haiku Society.

Full lineup:

• Daniel Green

Daniel Green is an artist and educator. His artistic practice explores the objects and media we use to occupy our time, and how they are used to give our lives meaning. Daniel’s work has been exhibited within Campbelltown Arts Centre, Firstdraft, Pelt, Artspace and BUS Projects, and has performed at Electrofringe, The Now Now Festival, Liquid Architecture, Cementa and the Museum of Contemporary Art Australia.

• Audio Obscura

Since 2014 Neil Stringfellow has released music as Audio Obscura - covering a variety of musical themes that touch on ambient, electronics and more experimental soundscapes. Audio Obscura albums have included a post-classical 'Anthropocene Trilogy' based on spoken word pieces around climate change, soundtracking the dystopia of George Orwells' 1984 novel, field recording in rural Norfolk Churches and recently a collaboration with a post-rock group themed around the NASA Voyager missions.

• Leon Clowes

Leon Clowes is a transdisciplinary artist that messes about with his lived trauma for artistic endeavour. He started in music and sound and now does all sorts. Wherever. In music/sound, these days, he mostly tries for quiet and peaceable stuff but does occasionally revisit pounding queer past.

• Encym & George Crowley

Encym explores un-guitaristic territory by layering, collaging and shaping improvised loops. Fused with polyrhythmic beats and noises to become cinematic, atmospheric, otherworldly ambiences, their grittiness owing to the many years Roland was based in London. George Crowley is a saxophonist, clarinettist, composer and promoter based in London. As a performer he is active across a range of styles, with improvisation at the heart of his work.

• Simon McCorry

Born in London to mixed Indian/British heritage, Simon studied music at The Centre for Young Musicians and Morley College, then philosophy at Durham University, and is now based in Stroud, Gloucestershire. Simon has worked as a composer & sound designer in theatre, film & contemporary dance. His recent work is a combination of loop-based cello compositions and atmospheric improvisations, field recordings and modular synth.

• Manja Ristić

Manja Ristić is a violinist, sound artist, published poet, curator and researcher. She graduated from the Belgrade Academy of Music (2001) and was awarded a PGDip as a Solo/Ensemble Recitalist from the Royal College of Music, London (2004). As a classical solo and chamber musician as well as a composer and an improv musician Manja has performed all across Europe and the US, and has been involved in collaborations with established conductors and performers, multimedia artists, poets, theatre and movie directors.

A series of annual events by Naviar Records broadcast live on Resonance Extra, featuring workshops, talks and live performances focused on experimental music and haiku, exploring how these two art forms can influence and inspire each other.

Thought Criminal is a multi-genre DJ from Aberdeen in Scotland, best known for high-energy vinyl mixes of hard, bouncy rave, industrial, acid, and old school techno. She plays at clubs and parties in Scotland and has featured on live-streams, podcasts and radio shows for collectives all over the world.

Thought Criminal is resident and co-founder of Aberdeen’s Fierce Collective, a group who support and promote fellow womxn/nb DJs, producers and artists and provide DJ skills workshops.

She hosts the two Fierce Collective radio shows, which feature womxn and nb DJs and producers; and organizes the Fierce club nights in Aberdeen, which combine womxn and nb DJs with live art. She is also a resident at Binary School/Binary Trax, a club night and label showcasing local electronic music producers; and Aphrodite, Aberdeen's queer dance party. She is proud to be a member of the international female:pressure community.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.