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This Internet Audio Cyclotron (IAC) spans 15,000 kilometres between London and Dallas, Texas and operates a sonic feedback loop each cycle of which partially destroys the original signal. This sonic erosion causes new textures, artefacts and forms to emerge, akin to an eroded landscape.

For more information on this performance and the artists involved, visit: www.phasechange.info/iac.

Aurosion is a collaborative, long-form performance by Kassia Flux (sound artist, composer and scientist), and Justin Gagen (musician, digital anthropologist and computational musicologist) in which field recordings from locales including the laboratory and the jungle are fed into an auto-destructive, algorithmic and transatlantic feedback loop.

Thought Criminal is a multi-genre DJ from Aberdeen in Scotland, best known for high-energy vinyl mixes of hard, bouncy rave, industrial, acid, and old school techno. She plays at clubs and parties in Scotland and has featured on live-streams, podcasts and radio shows for collectives all over the world.

Thought Criminal is resident and co-founder of Aberdeen’s Fierce Collective, a group who support and promote fellow womxn/nb DJs, producers and artists and provide DJ skills workshops.

She hosts the two Fierce Collective radio shows, which feature womxn and nb DJs and producers; and organizes the Fierce club nights in Aberdeen, which combine womxn and nb DJs with live art. She is also a resident at Binary School/Binary Trax, a club night and label showcasing local electronic music producers; and Aphrodite, Aberdeen's queer dance party. She is proud to be a member of the international female:pressure community.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

In this extract from the day, an exclusive mix sent to us by Trash Panda QC, a producer, DJ, and live performer currently living in Brooklyn, NY.

Archival recordings of a 7-hour radio event broadcast live from the Resonance Extra studios on the 29th January 2023, featuring live performances and new and exclusive audio works.

In this episode, Shane Woolman presents a guest mix by African Head Charge, and plays tracks by Sheila Chandra, MC Yallah & Shigge, Samuele Strufaldi and more.

New music with The Wire Magazine.

For this Dronica show, Robin The Fog created an experimental noise mix.

Robin The Fog is a sound designer, radio producer, audio archivist, educator and occasional DJ based in London. His work falls under the broad term ‘Radiophonics’ and includes composition, sound installation, radio drama, field recording and documentary. Robin works as an audio preservation engineer at the British Library. He runs workshops and presents the Fog Cast, his own radio show on Resonance FM.

He releases music as Howlround and has been profiled in The Wire, Electronic Sound Magazine and Fact Magazine among others. His sound design works have been displayed at different international museums and in several BBC sessions.

"Robin The Fog conjures Magic" – Electronic Sound Magazine.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This month, a blasted guest mix from Philipp Ilinskiy, a constant on the Moscow underground.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

The first hour of this episode features tracks from within the inner orbit of the Spirit of Gravity Collective – a selection of artists from Brighton UK, including the new Slightly Off Kilter compilation: Dulcet Business News 3. The second hour starts with a formidable new Dhangsha set recorded live at The Spirit of Gravity in November 2022, and continues with tracks from our friends Gorgonn, Ninit & Jilk, and Darren Harper.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

We Like computers, you like computers, we all need computers. But how can they augment and initiate creative practice, not as a tool but as an active participant?

In this month’s episode SubPhonics collaborate with our digital comrades to explore productive relationships with technology.

Featuring: David Williams, Lewis Baxter, Nia Fekri, Timo Koch, Erin Robinson, Toby Edwards, Giulio Dal Lago, Jamie Turner, Vincent Ott, Jan Willem de With and the Bots.

If you would like to play and/or collaborate with us, please contact hello@subphonics.com.

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

A tide line walk. Two coasts across two hundred miles. A saltmarsh estuary. A rocky shore. One tide cycle. Twelve and a half hours of high low high tide. Twelve walks. Walk one hour, rest one hour. Twelve walks divided and rebuilt at random. Twelve walks, each a new tide walk.

This is Tide Walk 3.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Self-explanatory .

• audio / visual decomposer Lepke B posits the question - "How will we live in the 21st Century?"

Missed the show? Catch up on Mixcloud.

60 minutes of vivid aural excitement mixed by Ian Murphy.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.