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Step out of line with Erika Elizabeth in this week’s episode.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by Kobayashi Issa's poem “shrine fence — / on a white flower / a white butterfly”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

A radio work by Anna Friz, part of an ongoing series of radio artworks on time perception and timekeeping, this long-form piece plays with the tendency of the continuous, irregular present to resist time standardisation by gradually stretching, manipulating and suspending a recording of the 'zero hour' over five hours to produce Uncoordinated Universal Time.

Ilan Barkani is a multidisciplinary artist, composer, improviser and teacher, living and working in Jerusalem, a founding member of the artist collective Sedek, and a member of the interdisciplinary collaborative ensemble Ptilia.

"A geography of sound [...] is the geography of encounters, misses, happenstance and events: invisible trajectories and configurations between people and things, unfolding in the dimension of the actual while formlessly forming the dimensions of its possibility" – Salomé Voegelin, The Political Possibility of Sound

In this piece, called halls (joining), Barkani continues his exploration of combining field recordings and minimal/reductionist instrumentals, to compose and perform imagined, semi-coincidental, (what Voegelin calls) “impossible territories”.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode, a collage of outdoor recordings made on long summer evenings in and around Hackney marshes.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode features music made by Naviar's community inspired by Kobayashi Issa's poem “shrine fence — / on a white flower / a white butterfly”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This environmental audio stream is broadcasting live from the 'End of the World' glacier in Northern Italy's Stelvio National Park. The solar-powered listening station is continuously transmitting since July 2025 from ca. 2.700 metres above sea level in the Italian Alps. We tune in daily to the glacier's cyclical sonic material life, allowing us to witness meltwater rhythms, sediment flows, avalanches, landslides, animal life and the seasonal impacts of weather and tourism entering the microphones, in real time. Elemental Foley by Lia Mazzari will be on show as a solo exhibition at Microscope Gallery in Dalston, London from 10 - 26 September 2026.

How the Soviet Union spent more money of on blocking radio stations from the West than on radio broadcasting itself and the creative methods they used to make unbearable noise.

With Rimantas Pleikys.

In this episode, The Clint Show is taken over by The Serpent Club (Kinga Janicka, Molly O’Gorman and Jack Synnott) for an evening of raucous performance and freewheeling discussion.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

Socialist Realness a mix series by GAJEK focusing on avant-garde and electronic music produced in the GDR and shortly after the fall of the Berlin Wall.

Now: Walter Marchetti's Music for a too Small Glass.
17 years previously, Knut Aufermann assisted Marchetti in carrying out this piece in London. Now he performs it himself in the courtyard of Silent Green with evocative old wines from the Mosel valley.

Every day on SAVVY Funk at documenta 14 Mobile Radio (Sarah Washington & Knut Aufermann) delved deep into a collection of artefacts and memories, rendering them into radiophonic form. This series called Render live features old audio formats and conceptual works smothered in the hiss of time, plus special guests.

In this episode, to celebrate The Rottenslushy Show #50, we have a guest mix from The Maghreban. Massive respect to Big A for providing this killer selection of obscure new wave.

60 minutes of vivid aural excitement mixed by Ian Murphy.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

Episode 1/8: "A second life around your life."

And Then finds Ed Baxter and Michael Umney in conversation about Resonance FM. This series was commissioned by the Independent Community Radio Network and was supported by the Nordic Culture Point Nordic-Baltic Mobility Programme for Culture. Produced by Michael Umney and Ed Baxter.

Featuring: Torre Alian, Andy Ralph, Kostis Stafylakis and Benjamin de Boer. Special thanks to Concrete Fantasies.

Third Ear is a cut-up of submitted, self-recorded and found field recordings, with Ian Bruner (@ideath / @rhizomeparkinggarage). What clues could be found in dialogue with the tiled bathroom floor or the phantasmagorical coulomb of afternoon dust, the line running at the crest of a wave or the netting of mechanical hums pitched into drone, the friction of things touching?

This episode is curated by Helicotrema, an Italy-based recorded audio festival investigating and instigating collective listening experiences. Inspired by the first decades of radio broadcasting, the festival is set up like a screenless film festival. In locations that vary year-to-year, audiences are invited to immerse themselves in radio plays, narrative sound works, audio documentaries and poetry, experimenting with how the listening experience can be influenced and enriched by different social and environmental contexts. In 2020 – when it’s especially important to emphasise the communal, physically-present elements of listening – their ninth festival took place in a renowned athletics stadium, and the programme was broadcast beyond that into the surrounding neighbourhood.

Colliding Lines present live sessions, cross-genre collaborations and left-field recordings drawn from the London, UK and international experimental scenes; a long-form love letter to recorded audio as soundtrack, as sound art and as storyteller.

In this episode, Joe sits down with Zoë Mc Pherson to talk about her newly minted label SFX, her upcoming album ‘States of Fugue’ and all the things she impressively managed to squeeze into 2019. Lots of music from her as well as some unreleased FT exclusives & the usual mixes.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.

This episode features music by Yara Asmar, Catherine Christer Hennix, and Eimear Reidy & Natalia Baylis.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.