← Wednesday 8th April 2026 →

In this episode Chris Bohn plays tracks by Albert Ayler Quintet, Black Nile, and Lucy Liyou + a special tribute to Mania D/Malaria!’s singer/saxophonist, Bettina Koester.

New music with The Wire Magazine.

This episode features new works by Systemet, Gabriele Marchina, BOOKWAR, Vidna Obmana, TRSv2, Goose Loop, Vitor Joaquim, Manuel Mota, NIN-FAE, Haarvöl, Rapoon, and Bruno Duplant.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

This episode examines the rising use of field recording within contemporary art. It features interviews with the British artist Anne Hardy, and the South African artist James Webb. Anne takes us through her process of embracing sound as part of her practice, with a focus on her latest work The Depth of Darkness, the Return of the Light, unveiled at Tate Britain last month.

James examines the role of sound in his 20-year long ongoing installation work Prayer, which features recordings of vocal worship. There is also an artist introduction by Colombian sound artist David Velez, known for his live cooking concerts.

The Field Recording Show is a programme exploring the soundscape, recording, listening and composing hosted by Kate Carr and Luca Nasciuti.

All music by Benedict Drew.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

In this episode, 90 artists sampled, maniuplated and condensed into 6 original ambient pieces by Kinn.

Channelling an array of fervent interests in many genres through different mediums (Film, Music, Sound Art and more), Kinn - the brooding-electronics project of London based artist Freddy Lomas - and his guests use original soundscapes and compositions to weave together an original concept for each month's show.

This show has a reputation for playing experimental, process-based, generative, theatrical, angry, upside-down music — pretty much anything except pop. But what if it was pop arranged by a higher level jazz musician? That's what we're exploring today through Logical Rain, a talented trio from Leipzig who we're happy to present here. The first section is studio recordings, then we go into 40 minutes of pure live performance from an intimate venue.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

This episode features an experimental mix by sound artist, composer, and producer Michel Banabila (1961).

Banabila has released music since 1983 and has produced musical scores for numerous films, documentaries, theatre plays and choreographies.

His music varies from minimal loop-based electronica, fourth world, and neoclassical pieces, to drones, experimental ambient, and punk-as-fuck tape music. His work has been released internationally by labels like Bureau B (DE), Eilean Rec (FR), Knekelhuis (NL), and Séance Centre (CA).

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This first episode discusses the creation of the research centre and its early years in terms of the people who were involved, the institutional home that supported (and hindered!) us, our individual and collective creative and scholarly activities and our connections to the wider field. Excerpts are included of a performance of Unknown Devices: The Laptop Orchestra (2009), of Peter Cusack’s Pigeon Whistles in the Sky (2007) and John Wynne’s Hearing Voices (2005).

Contributors: Angus Carlyle, Cathy Lane & Mark Peter Wright.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode features music made by Naviar's community inspired by Anne Carpenter’s poem “Darkness cocoons, / Red and yellow slowly creep. / Silence disappears."

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode, extracts and editing from the following:

• Maxi-Improv by Jack Davidson
• Simulacra by Kelly Ruth
• Dan Weinsten (Live in Schocken Tel-Aviv)
• MawidabyAlejandroAlbornoz
• Mahi Upadhyay playing Grand Theft Auto V - Fastest Super Bike Race (Live)
• Electric Totems by Postal Fraud

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This week: Clint is joined by interdisciplinary artist, opera singer and clown Ellie Westbrook, who has a complex past with Clint. And of course, Clint's executive producer Jack Synott is in the studio too.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

A continuous stream of short musical creations, each under two minutes. Miniature masterpieces interwoven and occasionally interpolated, transitioning seamlessly from the briefest to the longest – a perpetual motion of sound.

In this episode Jennifer plays lots of new releases.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

I.A. is a monthly radio series which showcases work by creatives – both staff and students – in the Sound Arts and Music departments at the London College of Communication. Produced by Zain Bador and Ed Baxter.

This episode of Listening Experience is titled “A Balcony In Johannesburg”, and features field recordings I made in Johannesburg, South Africa. I was in Johannesburg to participate in the annual Edge of Wrong festival; these recordings were made from the apartment balcony where I was staying.

The recordings were made at various times of day; the progression of time in this episode reflects the progression of time in the field, starting from early morning and continuing through mid-afternoon.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.