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This episode is contribution by Sara Delirio.

In a world where noise imposes itself as a constant, I transform sound into a refuge—a path to find balance amid the relentless and demanding motion. Since 2019, I have explored sound as both a language and a space where forces converge, seeking to become a channel of connection between the inner and the collective. In my sonic exploration, I dive into the rawest textures—the tribal and the primitive—into repetition as a sequence that transports us to altered states of consciousness.

For me, the dancefloor is not just a place of escape, but a living organism where every element plays its role: the dancers, the organizers, the music creators—all part of the same mechanism. Nothing exists in isolation; everything is part of a circuit where vibrations move, transform, and return amplified. Each encounter becomes an exchange that expands my vision and nourishes my purpose.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

In this episode, a special guest takeover by Hyena Collective. It features a stereo radio mix of Bass Superstructure – a recent 10 channel sound installation-performance by the collective, and a sonic response from Dr RAYPOWER inspired by a forthcoming exhibition text titled Hyenic Polyphony.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

This episode of “Listening Experience” is about Berlin-based music, and features tracks by Rieko Okuda, Reverse Mode, and Bohemian Drips. There is also a short introduction to Team Philoxenia, a Berlin-based humanitarian group.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

This is changing slowly, and balancing work and motherhood remains a challenge. However, many women also feel a new surge of creativity during pregnancy and when entering motherhood, and there is scientific evidence suggesting that the physical changes brought on by motherhood promote a new sort of creativity.

This episode is an informal exploration of this topic, with contributions from Tatiana Kolganova, Asami Kiuchi Oishi, and Maya Felixbrodt.

Curated and produced by Leonie Roessler for Studio LOOS, with funding from the Gemeente Den Haag.

Artist and composer Leonie Roessler explores creativity during pregnancy and the postpartum period of a woman’s life, both stages traditionally disconnected with working as an artist. It has been challenging for women to secure a career in the arts and to pursue art as a profession rather than simply as a hobby. When women emancipated themselves via contraception, they could pursue artistic careers, but still, they often had to choose between their work and becoming mothers.

This episode features a guest mix by producer and experimental sound artist Kayla Painter.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Recording from a recent surfacing of SEA MANTIS at Evening 23 of Levente Dudas' Konsztukting Soundz Season 2 at the Fisherman's Chapel, Leigh on Sea, combined with recordings from a walk along the Essex estuary.

SEA MANTIS is a semi-mythical, many tentacled aquatic being with a seeming tendency to emerge in the combined company of Ed Shipsey, Andrew Ciccone, Adam Kinsey and Stephan Barrett; four active members of London's free improvisation and experimental music scene.

First surfacing in 2019, occasional sightings have since been reported at various live music settings around East London, alongside sporadic radio transmogrifications on Radiophrenia and Littoral Transmissions' Resonance Extra show. Having now been seen outside its usual habitat, rumour has it that the MANTIS may surface once again, in other unforeseen locations.

Thank you Levente for a beautiful evening.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

Investigations of the Brazilian experimental music scene via Rio De Janeiro's Quintavant label in collaboration with Audio Rebel. With live performances and exploratory sounds produced in the context of Brazil's strange political situation, curated by Francisco Mazza, Bernando Oliveira and Pedro Azevedo.

Joe is joined in the studio by musician Max Winter for an interview amongst track selections, including Mark Hollis, Lanark Artefax & Maurice Ravel, as well as a couple songs performed live by Max on the acoustic guitar.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Joining Kayla in this episode is composer, sound artist and improviser Loula Yorke. Her intricate modular live sets see her building abstract sonic collages into powerful beat workouts.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This sound creation piece captures the essence of autumn in the Aragonese region of Sobrarbe. Through field recordings collected in forests, rivers, and mountain villages, it reveals the textures of a landscape in transition — the rustle of dry leaves, distant cowbells, the whisper of the wind through beech and pine trees, and the echo of footsteps on ancient stone paths. The composition invites the listener to experience the emotional and acoustic depth of the season, blending natural ambiences with subtle sound design to evoke the quiet beauty and melancholy of autumn in the Pyrenees.

Soundscapes recorded at Bielsa, Pineta and Chisagüés 23-25 october 2025.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

Joan by Whettman Chelmets is out this week and he introduces the show from his car discussing the inspiration behind this work which celebrates his grandmother.

A preview of my own piece fake creek where I try and create an underwater field recording is out next month and I play an excerpt from that and we take a first listen to Andrew Weather's forthcoming Sciatic Assemblage: a spikey, jangling and discombobulating take on our domestic spaces.

Plus a special mix from Leena Lee and Vania Fortuna drawing on work which inspires them and relates to their wonderful new album Niebla.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Tina Turner's Private Dancer. There's no order, no lists, only stilted and exclusive material. Public and private dancers, non-binary voices, Finnish superstars, peaches, orchestras, strong women, workers who hate their jobs … all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

This week: Popular Motives. 'I believe, in fact, that attempts to bring political protest together with ‘popular music’ – that is, with entertainment music – are for the following reason doomed from the start. The entire sphere of popular music, even there where it dresses itself up in modernist guise is to such a degree inseparable from the commodity, from the cross-eyed transfixion with amusement, that attempt to outfit it with a new function remain superficial. And I have to say that when somebody sets himself up, and for whatever reason accompanies maudlin music by singing something or other about Vietnam being unbearable….I find, in fact, this song unbearable, in that by taking the horrendous and making it somehow consumable, it ends up wringing something like consumption-qualities out of it." (from a television interview with Theodor Adorno)

Monthly investigations of music politics with Paul Rekret.

In this episode, Kinn plays some of his favourite music from his formative years and a selection of what has lately inspired his works in progress. Everything from the raging melancholy of Slint & Sonic Youth to the avant of Alvin Lucier, Herbert Huncke and The Dadavistic Orchestra, also includes brand new music from The Electric Womb and Moin as well as an exclusive preview of new music from Kinn to close off the final moments of the show.

Channelling an array of fervent interests in many genres through different mediums (Film, Music, Sound Art and more), Kinn - the brooding-electronics project of London based artist Freddy Lomas - and his guests use original soundscapes and compositions to weave together an original concept for each month's show.

A Looperama smorgasbord, where mystery abounds! Unknown sounds and a mystery guest!

Commencing with some unidentified library music (aka production or stock music)... Bright and upbeat melody with urgent and propulsive beats, just right for the modern ear... neither alive or completely dead.

Featuring a segment of Offrandes for Soprano and Chamber Orchestra (1921) by Edgard Varese superimposed with random found (Professor Pyg?) radio broadcasts and fragments, some eerie music from a Halloween sound effects compact disc, other sonic snippets intersperse around the thudding ostinato of Electric Lady (1973 ) by Geordie, a British rock band from Newcastle, most notably active in the 1970s.

Geordie line-up included: Vic Malcolm (lead guitar), Tom Hill (bass guitar), Brian Gibson (drums) and Brian Johnson (lead vocals).

To conclude, a surprise appearance from a mystery guest ...guess who! With music that you can dance to, - whatever wavelength you're on!

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

In this episode, Joe and Alex celebrate Sofheso’s ‘Archive’ tape with an exclusive live set from the artist, and a little dip into his previous collaborative work.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.