← Monday 23rd March 2026 →

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

In this episode, Dylan & Karen are joined by Marija Kovacevic, {AN} EEL, Max Julian Eastman, Anna Peaker, Theo Gowans, Adam Buffington, Yoni Silver, Emanuel Silve, Evyatar Silver, S*Glass, Draamakuu, Simon Whetham, Zhao Ziyi, Jay Howard, Lighten Up Sounds, Witcyst, Bruce Russell, Al Strachan, Ivor Kallin, Euan Currie, F Ampism, Cody Brant, Alex Kera, Jeph Jerman and Shit Creek.

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode reflects on In the Field 2, a 3-day international symposium (LCC, 2024) that explored how the practice of field recording has changed since the first In the Field conference (British Library, 2013), and amidst the escalating ecological, political, social and financial challenges of the past decade.

The episode begins by playing back the keynote opening recording from In the Field 2. This was an experimental and collaborative start to the conference that weaved the organisers voices and sounds. Following this excerpt the contributors discuss key moments from In the Field 2 and speculate on the possibility for an In the Field 3.

Contributors: Angus Carlyle, Kate Carr, Peter Cusack, Cathy Lane, Mark Peter Wright.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

In this episode, Clint is back in the studio with Christopher Brett Bailey to talk about, not least, his upcoming show, I Saw Satan at the 7-Eleven at Soho Theatre.

A series hosted by former synthpop attempter Clint, commuting weekly from Reno, Nevada. Visit jamesoldham.net for press, questions and complaints.

William Fields explores the potential of algorithmic music through the process of recreating (and inventing?) genres with his musical operating system.

In this episode, Dronica meets Lucia H Chung, curator at Happened, London.

Lucia H Chung is Taiwanese experimental artist based in London. She performs and releases music under the alias ‘en creux’ where the sound creation springs from her fascinations in noise generated via feedback on digital and analog equipment, and her role as a ‘mediator-performer’ in the multifaceted relationship between the sonic events incurring within the self-regulated system.

She also works as an independent curator, producer and broadcaster at Happened.

Lucia presents a selection of experimental electronic music from Asian female artists that loosely follows the trajectory of her listening habit and her own creative development as an artist as well as an independent curator. The selected music features artists who are a huge influence in Lucia's own work, some who she has worked with at Happened, and others whose music she simply enjoys.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Hypermobil is an artist with a passion for networking and collaboration in feminist collectives. She loves to express herself through art and music and believes in their impact on social change. In this podcast you can enjoy a collection of tracks by women, non-binary, and trans artists.

You are taken on a journey to hear from and about boss bitches, cuties, good girls, and whatever you feel like on the dancefloor.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

What became of the Library of Alexandria? It seems to have fallen victim to the flames. Just like our beautiful jingle. Only remnants of it remain, because we allowed ourselves to play with fire in this programme. We were amazed at how many levels there are links between the element of fire and radio! It starts with the German word “Funkfeuer” (radio beacon) and ends with Telefunken and lightning. We enjoy the convivial warmth of the campfire and marvel at electromagnetic inventiveness.

A programme featuring sonic illusions and surprising parallel universes. Production and recordings by Barbara Huber, Barbara Kaiser, Fabi Lux, Stefan Nussbaumer & Karl Schönswetter. Contains industrial recordings by kwandalist.

Arrangement & mixing by Karl Schönswetter. From our Elements series. Previously released: Earth, Water and Metal.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This time: x.y FM's Mayah Kadish talks about music and the violin, Richard Hames presents the third part of Pop Desire, and phonewifey presents part 1 of Volume 4 of name[WAVE].

Ensemble x.y is a contemporary ensemble that commissions and performs new music in a flexible and ever-changing lineup. Run without traditional roles or hierarchies, Ensemble x.y develops its thematically-charged programmes according to the taste and interest of its core players, as well as the developing working relationships between resident composers and instrumentalists.

There is currently a structural water crisis in the Palestinian Occupied Jordan Valley. Not a climate or geographical water crisis, a deliberate socially and politically engineered crisis. Israel, since it invaded the West Bank in 1967, controls every public aspect of civilian life in the Jordan Valley. Israel administers two populations, the Israeli settlers and the indigenous Palestinian residents. Israel deliberately and strategically deprives Palestinian farming communities of access to fresh, clean and reliable water supplies, water that is needed for crops and herds, as well as for the Palestinian farmers and herders.

This can mean either not permitting them to be connected to municipal water supplies, despite the Israeli settlers having such access. It also entails not permitting Palestinian people to sink new wells on their own land, and blocking their access to existing wells and springs, either by fencing off the water source or destroying pipes bringing the water to the herders and farmers. The end result is frequently that either the farmers have to pay extortionate prices to purchase water from the Palestinian authority, or if they cannot afford this option they are forced to abandon their land and way of life.

Featuring the water truck driver, co-activists Natasha and Nitsan, shepherds community of Khalet Makhul, shepherd ‘W’, shepherds community of Hirbet Samra and Aref Daragmah. Translation from Arabic: Laila Abd El-Razaq. Introductory text: Liam Evans

Meira Asher is a composer, performer and human rights activist. She primarily uses the medium of sound-art and radio-art. Graduate of CalArts and KonCon, she was co-founder of the Bodylab art foundation with Guy Harries (2001-11), where they produced several projects including Infantry and Woman See Lot of Things. Former lecturer at University of Haifa's Art School (2012-2022) and producer of the independent radio-art show radioart106. since 2014.

Her works have been released on Crammed, Sub Rosa, Auditorium, Raash Records and Ultima Ratio labels. Her recent works include Antonin Artaud’s radio essay To Have Done with the Judgement of God, Sonic Voyage of Resistance for Radio Art Zone 2022, and the Catastrophe trilogy by duo Asher.Zax featuring Dave Phillips, Ensemble Musica Nova, and more.

A six-part series by Meira Asher and Stephen Shiell exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist or group who engage with water politics and the politics of listening through the medium of radio.

Dusty, bimonthly, high-density mixtapes and exclusive material from London duo Sirius, digging loop-holes and following their nose for the God scent.

A Looperama smorgasbord, where mystery abounds! Unknown sounds and a mystery guest!

Commencing with some unidentified library music (aka production or stock music)... Bright and upbeat melody with urgent and propulsive beats, just right for the modern ear... neither alive or completely dead.

Featuring a segment of Offrandes for Soprano and Chamber Orchestra (1921) by Edgard Varese superimposed with random found (Professor Pyg?) radio broadcasts and fragments, some eerie music from a Halloween sound effects compact disc, other sonic snippets intersperse around the thudding ostinato of Electric Lady (1973 ) by Geordie, a British rock band from Newcastle, most notably active in the 1970s.

Geordie line-up included: Vic Malcolm (lead guitar), Tom Hill (bass guitar), Brian Gibson (drums) and Brian Johnson (lead vocals).

To conclude, a surprise appearance from a mystery guest ...guess who! With music that you can dance to, - whatever wavelength you're on!

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

This month: Ilia presents key selections from Graham Dunning's 'Fractal Meat Cuts' micro-editions cassette label. Sound and music from Marlo Eggplant, Robbie Judkins and Mary Stark.

Come On, Come Down! explores adventurous night music for the sleepless. The series covers a broad spectrum of genres, from ambient and noise through to jazz, post-rock and contemporary classical. Each episode is thematically linked and aims to highlight a specific mood, artist or movement. Listen out for the occasional live session.

From the most abrasive to the unbelievably sublime, Hope Valley Cement Works attempts to curate a selection of experimental music and sounds, from collected field recordings and sound collages, to serene ambience, impressive drone and the odd deconstructed club track. A series by Kris Cooper.

This episode features works by phoanøgramma, Bang of Hearts, Liang Yiyuan, Jarl, Brooddark, Capricorni Pneumatici, Rapoon, RhaD, .aton, 400 Lonely Things, and Salò, or The 120 Days Of Sodom.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

Radical Translations is an interdisciplinary project which explores the role of translation in the spread of radical, democratic ideas during and after the French Revolution. The students translated the manifesto during a series of workshops led by the poet and translator Cristina Viti.

They also interpreted and adapted the text to the stage with the help of the dramaturge Simon Hatab and the French theatre collective La Phenomena, in a dialogue with the work of Jean-Jacques Rousseau and the philosopher Jacques Rancière, as well as the music of Mozart in The Marriage of Figaro (1786), culminating in a performance at Sands Films Studio in London.

An audio essay and documentary which follows a group of students from King’s College London as they translate The Manifesto of Equals (1796) by Sylvain Maréchal from one language, time and context into another, but also to the stage in the presentation of Performing Utopia. Written and produced by Patrick Bernard, it explores how politics, theatre and translation transform our understanding of the world, and reflect a desire to make words and ideas manifest. For more information visit Tenement Press who are publishing an anthology of radical translations, An Anarchist Playbook, in January 2024.

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Here they present a recording of their short piece Buddy Holly’s Suitcase, live at Science Gallery London’s Pop Up Space, 10th September 2014. Commissioned by Jim Whelton, the text by Ed Baxter is a meditation on Bergsonian time. Featured musicians include Sarah Angliss (theremin), James Dunn (tinnitus analyser and electronics), Peter Lanceley (electric guitar) and Art Terry (voice).

The Resonance Radio Orchestra is a floating pool of musicians, engineers, sound-effects creators, actors, writers, composers and broadcasters devoted to making live radio-art. It is based in central London as the in-house artistic wing of Resonance104.4fm, under the direction of Ed Baxter.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.