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This episode is titled Home, because for us, home is not only a place, but a sound. It lives in the music that builds us, surrounds us, and quietly defines who we are.

Acoustic ecologist R. Murray Schafer reminds us that our sonic environment, what he called the soundscape, is never neutral, it shapes our sense of belonging, memory, and place. Sound, in this sense, is not just something we hear. It is something we inhabit.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

Along with the regular selection of sonics from within the orbit of the Spirit of Gravity collective, this month features special contributions from Gagarin's live set at the Stanmer Park's The Ecomusicology Project, and the first of six transmissions from the Omnistitional Culture Research Unit (OCRU).

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

This episode presents the outcome of a particularly exciting rehearsal of ours from May, and also contains tracks from our rehearsal archive that have been used for an upcoming release of ours, set for an end of October release! Keep an eye out on our Instagram!

As always if you’d like to get in contact with us for collaborations, performance or recording opportunities, or just to say hi, please email hello@subphonics.com

Bunhill Open Studios Sound Walk and Scoring Workshop Signup

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

This first episode unfolds as a cartography of remembered space dissolved collaboratively in real time.

Vague Wanderings is a bi-monthly collaborative live show from the 24-26 cohort of School of the Damned, exploring imagined spaces, temporary autonomous zones, collecting field recordings and the fertile topsoil of vague terrains.

Dronica meets event curators, creative directors and labels owners in 2021.

In this episode, Dronica meets Rick Vayo, co-founder and curator of Inveterate, an independent label based in London and founded by Tapefeed.

Rick Vayo is 1/2 of Tapefeed who started the solo project to release music material with no sonic boundaries in order to be able to experiment with sound further by blending genres and giving voice to all his different musical influences.

With Inveterate they will be focusing on releasing and supporting artists that share their sonic views and that can help them shape the label sound further with the aim of pushing the boundaries of techno by inviting producers to break the rules, to think outside the box, pushing creativity, and thus finding new and unexpected elements. Ultimately, they want to bring freshness and novelty to this genre and to their scene.

Inveterate: WE ARE CURSED, MORE THAN JUST A HABIT, MORE THAN AN ADDICTION, WE ARE INCURABLE.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

A 7-hour radio event broadcast live from the Resonance Extra studios on the 29th January 2023, featuring live performances and new and exclusive audio works.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Radio Concrete #31: contemporary music, experimental sounds & everyday field recordings:

•  Israeli price minister on trial + sounds from Beirut and Berlin
•  NASA sound recordings from Mars
•  Works for Listening / Tine Surel Lange (Sofa Music)
•  Bjork talking about TV + Valentina Magaletti
• Choosing to Sing / Jan Martin Smørdal, Ensemble neoN & Eivind Lønning
• Wrocław Market Hall +Targowisko (Rafal Masur)

More info on: 
https://www.hagaizenberg.com/
https://open.spotify.com/show/2XsFbXXL8vXwB7PD6hc4UR

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

Tonight we present episodes 1, 2 and 3 of this landmark radio series.

"It was a shape around something else, like everything..."

Dingus is a six-part radio drama produced by CBS and recorded at the height of the 1943 flu pandemic that swept through Hollywood. Denied of a marquee cast and blighted by a curious obsession with the object that drives its narrative, this innovative and formally-reflexive oddity disappeared almost completely without trace. In 2010 artist Mike Cooter set out to find and rehabilitate this elusive artefact, initiating an 12-year journey that culminates in the re-emergence tonight of Dingus.

Cast: John Dingus: Mitchell Mullen. Male Narrator: John Christian Bateman. Female Narrator: Alexandra Metaxa. Lieutenant Johanssen: Colin Stinton. Veronica Marden: Christy Meyer. Finnegan: Cory Peterson. O’Rourke and Elmsdood: David Menkin. Peterson: Joseph Balderrama. Frances: Kelly Burke. Written, directed and produced by Mike Cooter. Editor and assistant producer: Jim Whelton. Composer: Jobina Tinnemans.

Commissioned by Resonance FM. Supported by The Jerwood Trust, The Elephant Trust and The Henry Moore Foundation.

Mike Cooter's combustible tale from the airwaves’ most thrilling detective!

In this episode, Joe is joined in the studio by artist Ellis Berwick for an interview amongst track selections featuring Bow Gamelan Ensemble, Test Dept and Lolo & Sosaku.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

In this episode, more stray transmissions, loosely orbiting a freshly rediscovered CD box set of Luc Ferrari's vast and unruly oeuvre. Recorded on the fly, as instinct dictates, the show drifts through organic tape experiments, dub mutations, private press psych, ritual percussion, fractured electronics and royal court music, with Ferrari’s presence threading in and out like a mischievous narrator.

No fixed style, no tidy arc — just sounds colliding, conversing, occasionally misbehaving. Drift in or disappear.

A loose drift through misaligned pop, outsider electronics, folk shards, radio ghosts and accidental hymns, presented by Gonçalo F Cardoso. Visit www.discrepant.net/radio for more information.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Once Upon a Day on Canna: Chance Encounters (Set 2) works with 24 random samples from a 24-hour recording – island woodland, island walks, the island circumference – to build a ‘one-hour-day’. Engage with a hebridean island, listen to chance sonic encounters with Canna, hear one day.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

The KunschTTurm Club was located in the Kunstturm, a 100 m² apartment, on the 22nd floor of the Tour de l'Europe in Mulhouse. Made available by its owners, the club quickly became a second studio for the Alsace branch of ∏-Node. Julia and Dinah bubbled up the closing weekend.

Armed with their cristal Baschets, they pulled the plug from the heat in the bathroom for a 2 hours improvised installation/performance. Inspired by Anne Carson's poem 'Guillermo's Sigh Symphony' (2002) which was copied onto the tiled walls, ears steaming near the bath tub of sounds, the audience drifted in and out. The "souffleuses de son" captured FM radio through the pipes, read extracts from the poem, and used hydrophones and small radios to amplify the drip, drip, dripping.

This is an edit from the ∏-Node stream, during the KunschTTurm Club, Season 1-31 jan-31 july 2025

Thanks to JPRRR for the mastering, individu and the whole KunschTTurm crew.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

In this episode, some long-form listening as well as our first special mix! Three lengthy tracks open this episode, which showcases the December releases for Flaming Pines. Featuring Tonkyn Pearson's rose-coloured Erbium which is inspired by the quietness of New Zealand's lockdowns.

Alabama composer Ben Link Collins explores field recordings as fiction in his new album Fictionalism, and Greek/Italian duo Valeria Miracapillo and Dimos Vryzas offer some improvised magic from their first studio session in Athens to be released as Discipline of The Slow.

The second half of the show is a special mix by Vietnamese composer Nhung Nguyen, who also releases as Sound Awakener, featuring her own compositions and field recordings from Hanoi.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Believe by Cher. There's no order, no lists, only stilted and exclusive material. Aliens, nu metal singers, banana lovers, bardcore makers...all are welcome in Shuffle mode.

This episode features music by two guest artists: Lower Mars and S1m0nc3ll0.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

This month: Beholder Halfway marks the forthcoming Melodies International reissue of the beautiful anti-war folk-soul ballad 'Blood of an American' by Bobby Wright (now Abu Talib). Little known and rarely heard, the record stages a reflection upon the unique intersection of popular music and radical politics in late 1960s and early 1970s soul music. This becomes an opportunity to think critically about the ways in which counter-cultural soundtracks have been sanitised and re-packaged in recent decades.

Monthly investigations of music politics with Paul Rekret.

Kinn’s show this month marks a departure from the “hour of tune after tune” format. Each month Kinn will ask a guest to collaborate with them on re-contextualising, remixing and extending music from their discography. They will create the majority of an hour of entirely new and unheard music.

This month's guest is Klaar (Joe Shakespeare), who co-founded the Berlin/London based Label Knives alongside Kuedo (Vex’d).
As Klaar, he provides a 30 minute guest mix of unheard and re-contextualised content, as well as working with Kinn to remix his latest release SYLVAN (on Knives).

Channelling an array of fervent interests in many genres through different mediums (Film, Music, Sound Art and more), Kinn - the brooding-electronics project of London based artist Freddy Lomas - and his guests use original soundscapes and compositions to weave together an original concept for each month's show.

This episode begins with an unreleased track entitled My Rok Star ,a sombre, brooding meditation on the perils of fame,
with additional alteration by yours truly , from the samplerdelic trio of Die Trip Computer Die ( Xentos 'Fray' Bentos, ,Ted Barrow, Lepke B ).

https://soundcloud.com/ginger-studio/die-trip-computer-die-my-rok?in=ginger-studio/sets/die-trip-computer-die

Ted Barrow and Xentos have started a compilation of vintage DTCD material via -

https://dietripcomputerdie.bandcamp.com/album/archive-005-mobsters-from-the-id

and hear some new solo work by Ted Barrow at-

https://tedbarrow.bandcamp.com/album/60-x-60

Next is Hullabaloo , an American musical variety series that ran on NBC from January 12, 1965 through August 29, 1966.
Directed by Steve Binder, who went on to direct Elvis Presley's '68 Comeback Special,
Hullabaloo served as a big-budget, quality showcase for the leading pop acts of the day, and was also competition for another
like-minded television showcase, ABC's Shindig!.
A different host presided each week—among these were Sammy Davis, Jr., Petula Clark, Paul Anka, Liza Minnelli, Jack Jones, and
Frankie Avalon—singing a couple of his or her own hits and introducing the different acts.
Chart-topping acts who performed on the show included Dionne Warwick, The Lovin' Spoonful, The Rolling Stones,The Yardbirds, Sonny & Cher, the Supremes, Herman's Hermits, The Animals, and Roy Orbison .

Adopted by The Residents, the apocryphal Bavarian composer and music theorist N. Senada, formulated the "Theory of Obscurity",
while his "Theory of Phonetic Organization" states, "the musician should put the sounds first, building the music up from [them] rather than
developing the music, then working down to the sounds that make it up."
This method is part of the process deployed here on Hullabaloo Show #30 Dec 06 1965- with Host: Frankie Avalon .
Special guests -wildlife recordings of Madagascar from CD Madagascar Soundscapes - www.wildsounds.com

The second sonic release by Die Trip Computer Die , We Are Your Friends, includes the track Fourth Flaw .

https://soundcloud.com/alcohol-label/fourth-flaw?in=alcohol-label/sets/die-trip-computer-die-we-are

Here is some of the source material, and permutations ,from the film Liquid Dreams (1991) , music by American composer Ed Tomney.

N-V is about freedom, freedom from the Flesh.....

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

As this series moves into its final month, things stay chaotic with a freeform mix of singeli, noise, and techno variants, featuring everything from Sisso to Lightning Bolt to Ikue Mori.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

In this episode, First Terrace have a special guest mix from the mysterious new project Chaotic Reality. Fresh of the back of releasing his debut 12” white-label, Chaotic Reality has put together a mix comprising completely original music.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.