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Sukkube is Charlène Levasseur's musical project. She explores sound synthesis and musique concrete through a modular synthesizer, blending sequences and samples. War and love guide her artistic work, reflecting an exploration of the tensions between conflict and frenzy.

Graduating from the Institut Superior of Arts of Toulouse in 2019, she began performing live in 2021 and has played at iconic electronic music venues in Germany, Denmark, and Austria. In 2024, she joined the IPN collective, where she continues her research, produces events, and teaches electronic music. Her productions have been released on several labels, including Detroit Underground, Augmented Research, Associate Records, Diffuse Reality, BCCO, être audio and more.

One of her notable works is the EP « Strike » released on June 17, 2023, which features tracks like « RS1 » and « Merry Crisis ». Her work is characterized by a bittersweet musical experience, where each note and sample tells a story of resilience and vulnerability. She is recognized for her contributions to the electronic music scene and her explorations in post-industrial soundscapes.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This special edition marks the passing of one the original SoG founding members: Steve Gillitt, AKA Minimal Impact. The first hour contains a helping of top grade experimental audio from around the orbit of the Spirit of Gravity collective, some choice cuts from recent SoG performers, and a sonic tribute to Minimal Impact.

The second hour continues with some essential and unreleased Minimal Impact recordings. Rest in noise Steve.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

This episode is a retrospective of an installation and workshop by Subphonics hosted at Bermondsey Project Space including performances of graphic scores generated by some of participants to the workshop, Pippin Holland, Gusty Ferro and Rebecca Sentence. We also listen to some of the tracks that were part of the installation.

For any enquiries please contact hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

This episode: Tone Generation.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

A 7-hour radio event broadcast live from the Resonance Extra studios on the 29th January 2023, featuring live performances and new and exclusive audio works.

In this episode, Nathaniel Mann and Carlos Monleon discuss the activation of different bodies of knowledge and efforts of riverine conservation involved in the process of River Breathing.

River Breathing is an immersive sound installation in which the audience can experience the breathing of the rivers Ebro, Segre and other affluents as a symphony composed of the life cycles of the various species that participate in the pulse of the river. The protagonists of the installation are a choir of naiads, or freshwater clams, which are endangered throughout the Iberian Peninsula but especially in Catalonia and Aragon due to the relentless denaturing of their habitats ,the threat of several invasive (let's call them vigorous!) species, and increasing levels of river pollution.

This choir embodies and gives voice to the river, as the mythological Naiads -spirits of fountains and rivers in ancient Greece- once did. The work transforms scientific models of the metabolism of the Ebro river and its affluents based on historical and real-time data available through sensors and remote sensing systems into multi-channel sound in collaboration with musicians and the help of computer scientists from the UdL (University of Lleida) and biologists from IRTA (Catalunya) and IPE (Aragón).

A series of metabolic scores are produced from the data to be interpreted by musicians , the final composition is completed with underwater recordings of the clams in their conservation tanks. The installation consists of a sculptural sound system made in ceramics and other materials designed in collaboration with sound engineers. A lighting scheme completes the installation.

One of the project’s aims is to make known the complexity of the life of rivers and the delicate nature of maintaining their balance as a way of establishing a relationship of proximity with them and forming emotional bonds of care and responsibility with riparian ecosystems.

Scientific advisor: Rosa Maria Gil. River ecology: Enrique Navarro and Francisco Comín. Clam conservation work: Keiko Nakamura. Sound composition and lighting: Santiago Latorre. Castanets: Miguel Ángel Berna.

Carlos Monleon works with a variety of processes and materials, both living and non-living, that result in sculptural and participatory artworks.These span across different levels of bodily sensation and awareness; from the microbiological to the performative and social bodies. His main line of work traces evolutionary processes that stem from digestion and cognition and result in the distribution of biological processes across multi-species entanglements and cybernetic metabolisms.

Carlos has developed collaborative projects at spaces such as Autoitalia, Seventeen Gallery and Diaspore Project Space, London, Cráter Invertido, Mexico, Hangar, Lisbon as well as institutions such as CA2M, and Matadero, Madrid, HIAP Helsinki, and has shown his individual practice at LUMA Arles, Z33, Istanbul Design Biennial, Porto Design Biennial or the Tallin Biennial amongst others.

Nathaniel Mann (born 1982) is an experimental composer, performer and sound designer. Oscillating between music and sound, Mann has a compositional practice that is expansive in scope and varied in form. He takes on many roles in his work, including researcher, instrument-maker, archive-digger, surround-sound designer, filmmaker, broadcaster, storyteller, producer, curator, entrepreneur, sonic-artist and folksinger. He is also one third of the experimental folk ensemble, Dead Rat Orchestra.

Mann’s compositions probe history, politics and audio culture, resisting established formats and frameworks for creating music. Each work is crafted, adapted and nuanced towards its setting, fuelled by continued dialogue and collaboration with professionals and enthusiasts from varied fields. These have included filmmakers, musicians, visual artists, academics, curators, a pigeon fancier and a swordsmith.

Mann has explored many subjects including the colonial residue of recorded music in South Africa, in dialogue with Andile Vellum, a deaf dancer/choreographer based in Cape Town (Cape Sound Stories, 2016); the psycho-geographic horror of England’s public execution sites (Tyburnia, 2014-17); and the deeply rooted traditions interlinking noise and social control, creating bronze musical meat cleavers with swordsmith Neil Burridge (Rough Music, 2014). He was awarded the Paul Hamlyn Award 2019, Arts Foundation Fellow 2018 and his work Pigeon Whistles (2013), a flying orchestra of flute-carrying Birmingham Roller pigeons, won the George Butterworth Prize for Composition in 2015.

A six-part series by Meira Asher and Stephen Shiell exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist or group who engage with water politics and the politics of listening through the medium of radio.

Acetone river

humpbacked

blue grey green by the stanchion

the docks long gone

and they were filling the toilets with cement

Robin Bale

Springfield Park Bandstand

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

This first episode features two pieces:

'Back to Back with Paolo' (2014)

An encounter between Davide and Paolo, two amateur singers who meet accidentally on the street at night time. After a short introduction, the encounter turns into a back to back chanting battle. The street becomes the stage for a spontaneous performance. The chants are a way to discover each other.

'Memories of a Pigeon Shooter' (2012)

An elderly man speaks about his former career as an amateur pigeon shooter. After talking about his prizes and victories, the meaning of his stories slowly comes to the surface: the desire to remain attached to his memories and not be forgotten. Playback Instruction: if the monologue exceeds your personal physical tolerance, leave the room where the recording is playing so that the shooter suddenly finds himself speaking alone, with nobody listening to him.

Davide Tidoni is an artist and researcher interested in the relational dimension of listening, and in the physical experience of sound. He works with live performance, intervention, audio recording, video, and guided listening. He recently published a sound ethnography on the ultras group BRESCIA 1911. 'Collected Recordings' is a series of works selected by Tidoni from his extensive back catalogue. Produced by Milo Thesiger-Meacham.

This is a mix taken from our archives, in fact, the very first mix we did for our mailorder back in August 2016. Various faces of the experimental sound art: from industrial heritage to the XXI century avant-garde.

An array of experimental and post-industrial underground music from the vaults of Russian label and distributor ZHELEZOBETON, selected by DJ Kryptogen from his St. Petersburg studio.

Released by 8ox publishing. Mixed by Milo Thesiger-Meacham. Supported by Resonance Extra.

SJ Fowler is a poet, writer, performer, from London.

In your lucy locket, a series of encounters with London’s most loveable rogue, Babs the purple cat, whose improvised talk poems have become a staple of the UK’s avant garde poetry scene. Recorded at public performances, film shoots and specifically for this release, and featuring found sound recordings around the capital, Babs takes on what is possible for the improvised poem and for the poet as a character.

Joe plays the full Late Works: of Noise album recorded over the last two weeks in collaboration with state51, using instruments built by Ellis Berwick, Dan Knight, Mosquito Farm, Robin Finch Pickering & David Sappa.

Featuring members of caroline, curbside lambsear, Exotic Sin, Flur, Gentle Stranger, Hot Chip, Kuunatic, mary in the junkyard, PUNCHBAG, Shovel Dance Collective, The Umlauts, wing! & more

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

This episode celebrates new releases and shines a light on minimalist composition. Join Kayla for a journey through hypnotic repetition and immersive soundscapes

Background music: Unreleased audio experiments by Kayla Painter.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

Don Giovanni is one of the archetypes of our culture, one of its founding myths. And myth is not an inert fable but an active, creative force, it nourishes, in a surprisingly circular way, the very culture that gave it life.
Over the course of four centuries, Don Giovanni has taken on - or disguised himself in - countless and extraordinarily varied forms.

With this audiovisual project, we seek to explore the recurring and often mutable archetype concealed beneath Mozart’s masterpiece, creating a performance that draws on a contemporary aesthetic and language. Mozart’s music itself undergoes metamorphosis, electronic, sampled and manipulated, from old vinyl records to acoustic renditions, serving as the foundation for literary “evocations” of Don Giovanni, from Tirso de Molina to José Saramago, from Molière to Baudelaire, Hoffmann, Kierkegaard, Byron, and many others. And, of course, the operatic libretto by Lorenzo Da Ponte.

The project includes readings, sung passages, and historical recordings of actors’ performances, a sound carousel that conjures the situations, characters, texts, and voices that have given life to the Don Giovanni myth across different historical periods, authors, and its continual metamorphoses. Whether invoking the unrepentant libertine or the punished sinner, the paradise of the senses, the complexity of human relationships, or the hell of damnation.

Paolo F. Bragaglia is an electronic composer born in an entirely analog world, who has stubbornly journeyed into our digital age. Ever fascinated by the metamorphosis of sound across genres, over the years he has expanded his interests toward the intersections between music and moving images, dance, architectural spaces, visual arts, spoken word, and theatre.

This has led to an intense career as a composer of film scores, soundtracks, and multimedia performances, alongside record production, sound art, and sound installations. He is the creator and artistic director of the electroacoustic music festival “Acusmatiq”, held for twenty years in Ancona at the Mole Vanvitelliana, and the founder and president of the Museo del Synth Marchigiano (Museum of the Marchigian Synth).

Damian Dombrowski, Chiara Pietroni: narrators

Ludovica Gasparri: soprano

A production of Mozartfest Würzburg.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

The second episode showcases Siavash Hakim and tarxun's new album Hireath, the forthcoming EP by New Zealand duo Tonkyn Pearson, Leena Lee's recordings of a quarry turned wildlife laboratory in Mexico City, chairlift recordings from Argentina by Alma Laprida, an album out of lockdown in China by Li Yilei, Robert Curgenven's weighty new release, not so new releases by Ellen Fullman and Pascal Savy and more!

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest, most mind-blowing covers and drifts of Blue (Da ba Dee). There's no order, no lists, only stilted and exclusive material. Aliens, nu metal singers, banana lovers, bardcore makers, ... all are welcome in Shuffle mode.

This episode features some special guests: ♬ernesto♬, Zorotl, Bananaschool and Sistor.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

This month: Ketan Shankardass examines representations of stress and drug use in American hip-hop.

Monthly investigations of music politics with Paul Rekret.

Channelling an array of fervent interests in many genres through different mediums (Film, Music, Sound Art and more), Kinn - the brooding-electronics project of London based artist Freddy Lomas - and his guests use original soundscapes and compositions to weave together an original concept for each month's show.

Promises was a Canadian-based pop group that was founded 1978 in Thousand Oaks, California. The members were siblings Leslie
Maria Knauer (born August 20, 1957, Vancouver, vocals, bongos), Jed Knauer (born July 17, 1955, Toronto, guitar, piano) and Benny
Knauer (born October 21, 1958, Vancouver, keyboards and vocals).

Promises was formed, recorded and produced by Steve Verroca, who leased the group's album to EMI EAR Holland. In February 1979,
soft rock single "Baby It's You" became a smash hit around the world, especially in Europe, where it reached number 4 in the German
charts, and Promises received a Gold album there for selling more than 260,000 units. The song was also hugely popular in Australia,
largely due to the programming of its promotional video on Sunday evening television music show Countdown.
It also reached number one on the New Zealand Singles Chart for five weeks. "Baby It's You" was a success on South African television.

With their second single Lets Get Back Together being much less successful (only reaching number 18 in Germany), and Leslie wanting
the group to become more of a punk band, they broke up.
Curved Air are an English progressive rock group formed in 1970 by musicians from mixed artistic backgrounds, including classical, folk,
and electronic sound. The group decided the name using a shortened version of Terry Riley's composition A rainbow in curved air.
The resulting sound of the band is a mixture of progressive rock, folk rock, and fusion with classical elements.

Curved Air released eight studio albums, the first three of which broke into the UK Top 20, and had a hit single with Back Street Luv
(1971) which reached number 4 in the UK Singles Chart.

Line-up / Musicians on Back Street Luv

• Sonja Kristina / lead vocals
• Francis Monkman / lead guitar, keyboards, VCS3 synthesizer
• Darryl Way / electric violin, piano , vocals
• Ian Eyre / bass
• Florian Pilkington-Miksa / drums

I Want More is a song from Can's seventh studio album, Flow Motion. Unusually, it features all of the members of the band on vocals
simultaneously and is characteristic of their Virgin era sound, with lyrics written by Peter Gilmour, the band's live sound engineer.

The single reached number 26 in the UK Singles Chart in August 1976.

The song ... And More, also on Flow Motion, repeats the chorus of this track, and was included as a B-side to the single release.

Man Who Dies Every Day is from Ha!-Ha!-Ha!, (1977) the second album by British pop group Ultravox, at that time known as
Ultravox!, with exclamation mark, as a nod to Neu!, (known for pioneering the "motorik" beat, a minimalist 4/4 rhythm associated with
krautrock artists.)

This is the Rock and Roll gas chamber. So, take a deep breath and dance...

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

In this episode, Alex & Joe are joined by the wonderful Greta Eacott from One Take Records. Alex & Joe take the first hour with a special mix coming from Greta in second hour.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.