← Saturday 21st February 2026 →

Returning to their roots in bass music, Miri Malek has fresh enthusiasm to make queer dance-floors in Berlin more low-end. Their creative approach is guided by a blend of influences, such as the UK bass/breaks scene, a deep appreciation for percussion-rich tracks from diverse corners of the globe, and various mixing techniques on digital and vinyl. This episode includes tracks from exclusively trans, non-binary and women artists.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Along with the regular selection of sonics from within the orbit of the Spirit of Gravity collective, this episode features three tracks from Marina Moore's new album, Baroque Era. The second hour presents the second of six transmissions from the Omnistitional Culture Research Unit (OCRU).

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

SubPhonics have been working with artist and performer Uli Ap for the latest installation of her Alien AI project. In this episode, hear some sounds we used in our the performances on Saturday 13th and Sunday 14th of January at Ugly Duck!

As always if you’d like to get in contact with us for collaborations, performance or recording opportunities, or just to say hi, please email hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

In this episode, Dronica meets Jody DeSchutter.

Jody DeSchutter is a multi-disciplinary artist hailing from Canada, now living and working in London. She is one half of BAG, a spoken word and sound duo, alongside her partner Dan Allison. DeSchutter writes and performs in conversation with the immersive sound crafted by Allison, the two merging familiar and unknown, and ultimately building new landscapes and contexts.

DeSchutter practices painting and sculpture in tandem with spoken word and sound, working at their intersections and allowing edges to dissolve. She is interested in exploring these 'in between' and ever-shifting spaces.

In this episode, DeSchutter has collaged some favourite and formative work, ideas, and inspirations in anticipation of two BAG albums currently being moulded and burnished: a collaboration with sound and visual artist Charlie Behrens (BAG X BEHRENS) followed by a collaboration with producer, musician, and artist Laima Leyton (BAG).

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

Archival recordings of a 7-hour radio event broadcast live from the Resonance Extra studios on the 29th January 2023, featuring live performances and new and exclusive audio works.

Embarking on a journey along hydrobodies - from the deep ocean’s abyssal planes all the way through the Mississippi river, outwards into Indonesian tropical rainforests – Sonic Traces expands on my personal inquiries and journey as an activist and researcher. It sets out to expose how the traces of pollution - be they sonic or chemical - travel through watery spaces, impacting communities across ecosystems. Taking the form of a speculative dérive, it includes field recordings, poetry, field notes, and philosophical wonders.

I address research developed in the Lower Mississippi river petrochemical corridor, North Kalimantan in Borneo island, as well as introduce my practice as an activist concerned with deep sea mining and the impacts of ocean noise. I enquire how the water column is affected by chemical particles circulating through it, as new industries arise and expand from the seabed outwards towards land, tracing some of the cumulative impacts of human presence, while raising awareness into how one is embedded in wider webs of ecosystemic exchange.

For what if one were set to understand watery systems in novel ways that reorganize how one senses and partakes in the world?

Expanding on how traces bear witness to past actions and leave an intergenerational imprint, I explore the complex condition of partition-thinking in natural worlds, problematising human-centric ideas of containment and fixity, in otherwise fluid and interconnected spaces. By doing so, I expand on our conceptualisation of space and corporeality to introduce new perspectives on environmental thinking.

Margarida Mendes is a researcher, curator, artist and educator, exploring the overlap between systems thinking, experimental film, sound practices and ecopedagogy. She creates transdisciplinary forums, exhibitions and experiential works where alternative modes of education and sensory practices may catalyse political imagination and restorative action.

Mendes has long been involved in anti-extraction activism collaborating with marine NGOs, Universities, and institutions of the art world. She holds a PhD in Research Architecture by the Department of Visual Cultures, Goldsmiths University of London and is a member of Natural Contract Lab, a transdisciplinary collective of lawyers and artists working on restorative justice and rights of nature across Europe.

A six-part series by Meira Asher and Stephen Shiell exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist or group who engage with water politics and the politics of listening through the medium of radio.

On the 6th of October 2022, Tenement Press held an evening at Brick Lane Bookshop to mark and celebrate the publication of SJ Fowler's debut novella, MUEUM, with readings and contributions from Gareth Evans, Chris McCabe, Chloe Aridjis, Iain Sinclair, and SJ Fowler (in order of appearance).

See here for more information. Sound recorded by Milo Thesiger-Meacham.

SJ Fowler is a writer and poet living in London. His collections include Fights (Veer Books, 2011), The Rottweiler’s Guide to the Dog Owner (Eyewear Books, 2014), {Enthusiasm} (Test Centre, 2015), The Guide to Being Bear Aware (Shearsman Books, 2017), I will show you the life of the mind (on prescription drugs) (Dostoyevsky Wannabe, 2020) and *The Great Apes *(Broken Sleep Books, 2022).

Chris McCabe's work spans art-forms and genres including poetry, fiction, non-fiction, drama and visual art. His work has been shortlisted for the Ted Hughes Award and the Republic of Consciousness Prize. His latest poetry collection, The Triumph of Cancer (Penned in the Margins, 2018), is a Poetry Book Society Recommendation and he is the editor of several anthologies including Poems from the Edge of Extinction: An Anthology of Poetry in Endangered Languages (Chambers, 2019).

Chloe Aridjis is the author of three novels, Book of Clouds (Vintage, 2010), which won the Prix du Premier Roman Etranger in France, Asunder (Vintage, 2013), set in London’s National Gallery, and Sea Monsters (Vintage, 2020), which was awarded the 2020 PEN/Faulkner Award for Fiction. Chloe has written for various art journals and was guest curator of the Leonora Carrington exhibition at Tate Liverpool.

Iain Sinclair is a Welsh writer and filmmaker. Much of his work is rooted in London. He also continues his engagement with small independent presses, publishing Fifty Catacomb Saints with Tangerine Press, 2022, and Fever Hammers with Face Press, 2021 (who are also due to release Mental Travaillers: or, The Battle of the Books; Blake & Latham in Subtle Congress on Peckham Rye).

A four-part, unabridged broadcast of SJ Fowler’s debut novella, MUEUM — as read by the author — recorded on location in Resonance Extra's South London studios. Produced by Dominic Jaeckle and Milo Thesiger-Meacham.

Artistic rattles, crunches and drones open portals to the otherworldly dimensions. The noises of old magnetic tapes and piercing frequencies of modern electronics are intertwined with lyrics and melodic harmonies. The point of equilibrium has been already passed, but the awakening from sleep doesn’t come immediately…

An array of experimental and post-industrial underground music from the vaults of Russian label and distributor ZHELEZOBETON, selected by DJ Kryptogen from his St. Petersburg studio.

In this episode, Joe is joined in the studio by musician Evelyn Gray for a live set and interview amongst track selections, including Takagi Masakatsu, Lucio Dalla & Geneviève Waïte.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

In this episode, Dylan and Karen are joined by Matt Evans, {AN} Eel, Satoru Sekiguchi, Buffalomckee, Cody Brant, Rick Potts, SLow Listener, Posset, Tibshelf, Hubert Heathertoes, Jay Howard, Chik White, Ivy Nostrum, Carl Kruger, Michael Thomas Jackson, Seymour Glass, Mike Holland, Edward Shipsey, Michael Barthel, Alex Jones, Ted Trager, Baby & Child, Table Guy, M Larsen Bak, and Frederick Svenson.

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

This episode explores the year through the seasons in a unique improvised recording. This journey travels through radio waves, tape players and field recorders; an analogue experience.

Each season features field recordings captured during that time. Join Kayla for a continuous hour of music and sound moving through life as the seasons change.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode is a contribution by Reboot.fm.

A composition imagining gestures, an anthropological archive of the body, as sound objects, predominantly through an acousmatic approach to the deconstruction and reconstruction of field/phone recordings, using the CD and CDJ as a tool or instrument for real-time manipulation, re-recording and improvisation, highlighting the musical potential of seemingly trivial real world sounds.

A sound situation extracting and trapping gestures from a socio-cultural landscape into an unpredictable set of sonic objects, continuously re-arranged and re-choreographed in time.

This radio piece is in direct relation to Milic’s expanded cinema performance INSCRIPTION, ENDURING; POTENTIAL which centers on gesture as holder of subtle cultural memory and history (the body as an anthropological and sociological archive) using found footage to practice experimental autoethnography – extracting glimpses of gestural movement from super8 home movies and interconnecting them in multi-projections.

“Gesture is the name of this intersection between life and art, act and power, general and particular, text and execution. It is a moment of life subtracted from the context of individual biography as well as a moment of art subtracted from the neutrality of aesthetics: it is pure praxis. The gesture is neither use value nor exchange value, neither biographic experience nor impersonal event: it is the other side of the commodity that lets the “crystals of this common social substance” sink into the situation.” (Giorgio Agamben)

Geanina Gypt is a leftfield music project of artist and DJ Maja Milić, fueled by a hardcore use of loops, extensive resampling, deconstruction and creating rhythms by misuse and destruction of samples or trivial sonic elements of reality, as well as the use of DJ equipment as tool for real-time manipulation of prerecorded sound (improvisation of an improvisation), mostly on tapes and CD.

She uses radio as a space for releasing music in long form or testing conceptual ideas, often intermedial (like, broadcast of images or live happenings), through her show Gypt Sessions on Berlin’s artist radio reboot.fm, and sometimes through Intruder Sessions, which is an irregular intrusion of the radio with spontaneous sets or concepts. She started to self-release tapes under Gypt Records.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

The first episode of Atmospheric Densities showcases new and not so new releases moving from saxophone soundscapes, electronics markets in China, unreleased ice rink tunes and hippos in South Africa.

Hosted by Kate Carr.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Smells Like Teen Spirit by the grunge band Nirvana. There's no order, no lists, just exclusive, overwrought fandom material. Guitarists, violinists, monks, deodorant lovers, octopuses, Soundcloud stars, cats,... all are welcome in Shuffle mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

This month: Warren Ali offers an autobiographical story of growing up under apartheid and later, post-apartheid South Africa and then moving to London, all through the lens of rap music and what it meant to him.

Monthly investigations of music politics with Paul Rekret.

In this episode: a new studio setup with a guitar, a track from the best black metal album of all time, Melinoë by Akhlys, Meshuggah, Sarahsson, E-GIRLS ARE RUINING MY LIFE! ft. Savage Ga$p, Stay Out of My Swamp (feat. Tre_' Perdue) by The Ogre Packet Slammers and more.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

In this first episode Mello Gold:

In 1967, William Hanna and Joseph Barbera approached the Krofft Brothers to design costumes for a television show which would feature animated and live-action segments, with the whole show hosted by a bubblegum pop group of anthropomorphic characters, played by actors in fleecy costumes similar to later Sid and Marty Krofft characters such as H.R. Pufnstuf.
The Banana Splits Adventure Hour premiered on NBC on September 7, 1968.

Each show represented a meeting of the Banana Splits Club, and the wraparounds featured the adventures of the club members, who doubled as a musical quartet, meant to be reminiscent of the Beatles and the Monkees.
Unlike their human predecessors, however, the Banana Splits were bizarre, anthropomorphic animals: rhythm guitarist Drooper was a lion, lead guitarist Fleegle was a dog, keyboardist Snorky was an elephant, and drummer Bingo was a monkey.

The Banana Splits' bubblegum pop rock 'n' roll was provided by studio professionals, including Joey Levine (I Enjoy Being a Boy, It's a Good Day for a Parade), Al Kooper , Barry White (Doin' the Banana Split),and Jimmy Radcliffe provided his song (I'm Gonna Find a Cave).

Additional material features the Micro Ventures of Professor Carter and his two teenage kids, Mike and Jill, who use a shrinking machine to shrink themselves and their dune buggy to miniature size, to explore and experience the world from the perspective of an insect.
Professor Carter, Mike, and Jill change to micro-size to observe an ant colony ...Groovy!

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

In this episode: a live set recorded in 2021 by Conditional co-head Nancy Drone, showing the latest developments in her style of glitched techno ambience. Plus an opening mix of similarly fractured atmospheres with the likes of farmersmanual, Bastian Void, rkss, and Emma O'Yama.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

A selection of experimental frequencies, interviews and sessions plus cuts from the First Terrace label by Alex Ives (Specimens) and Joe Summers.