← Thursday 19th February 2026 →

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

From the most abrasive to the unbelievably sublime, Hope Valley Cement Works attempts to curate a selection of experimental music and sounds, from collected field recordings and sound collages, to serene ambience, impressive drone and the odd deconstructed club track. A series by Kris Cooper.

This month: Warren Ali offers an autobiographical story of growing up under apartheid and later, post-apartheid South Africa and then moving to London, all through the lens of rap music and what it meant to him.

Monthly investigations of music politics with Paul Rekret.

In this episode, a guest mix from algorithmic art hero, William Fields. Shackamaxon available in all good record stores.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

Along with the regular selection of sonics from within the orbit of the Spirit of Gravity collective, this episode features three tracks from Marina Moore's new album, Baroque Era. The second hour presents the second of six transmissions from the Omnistitional Culture Research Unit (OCRU).

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode, Joe is joined in the studio by musician Evelyn Gray for a live set and interview amongst track selections, including Takagi Masakatsu, Lucio Dalla & Geneviève Waïte.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Welcome to walkplacedistancetime.

Walking, movement in place, in air, distance through time.

In this episode: Iceland ... every three hours for 24 hours ... eight times ... daag einn I juni ... I stand and look east across the fell to the obelisk. Beyond it the northern shoulder of Burfell rises then slips away off its hog’s back summit.

Stand and listen to the plaintive pipe of the Golden Plover and the croak of the Snipe.

Stand … then move off ... down the slope; through the Marsh Marigolds; over the stream; cross two fences; cross the horse paddock to the leaning post; along the horse path; around to the fence to the left; over the fence; cross four streams; pass the waterfall; cross the marsh; cross the stream on stones; up the slope to gap in ridge; up the slope to the lip; around the obilisk; pause; retrace my steps ... eight walks ... eight sections ... split ... re-built ... into a day at random ... eight movements ... this is movement 3.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

In this extract from the day, a live duet by Steven J. Fowler and Benedict Taylor.

Steven J. Fowler is a contemporary English poet, writer and avant-garde artist, and founder of the European Poetry Festival. He recorded his debut novella MUEUM in the Resonance Extra studio, which was recently broadcast as a series. Benedict Taylor is a solo violist, violinist and composer.

Archival recordings of a 7-hour radio event broadcast live from the Resonance Extra studios on the 29th January 2023, featuring live performances and new and exclusive audio works.

This episode: Ulysses 13 and the Space Nomads. A mix based on anime and cartoon OSTs - sounds from the ‘70s, ’80s and ’90s.

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Smells Like Teen Spirit by the grunge band Nirvana. There's no order, no lists, just exclusive, overwrought fandom material. Guitarists, violinists, monks, deodorant lovers, octopuses, Soundcloud stars, cats,... all are welcome in Shuffle mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Brooklyn-based Olivia Bradley-Skill presents Lo-fi Goddesses, live sound collage and original radio artworks inspired by female-fronted post-punk bands and experimental dance music.

In this first episode Mello Gold:

In 1967, William Hanna and Joseph Barbera approached the Krofft Brothers to design costumes for a television show which would feature animated and live-action segments, with the whole show hosted by a bubblegum pop group of anthropomorphic characters, played by actors in fleecy costumes similar to later Sid and Marty Krofft characters such as H.R. Pufnstuf.
The Banana Splits Adventure Hour premiered on NBC on September 7, 1968.

Each show represented a meeting of the Banana Splits Club, and the wraparounds featured the adventures of the club members, who doubled as a musical quartet, meant to be reminiscent of the Beatles and the Monkees.
Unlike their human predecessors, however, the Banana Splits were bizarre, anthropomorphic animals: rhythm guitarist Drooper was a lion, lead guitarist Fleegle was a dog, keyboardist Snorky was an elephant, and drummer Bingo was a monkey.

The Banana Splits' bubblegum pop rock 'n' roll was provided by studio professionals, including Joey Levine (I Enjoy Being a Boy, It's a Good Day for a Parade), Al Kooper , Barry White (Doin' the Banana Split),and Jimmy Radcliffe provided his song (I'm Gonna Find a Cave).

Additional material features the Micro Ventures of Professor Carter and his two teenage kids, Mike and Jill, who use a shrinking machine to shrink themselves and their dune buggy to miniature size, to explore and experience the world from the perspective of an insect.
Professor Carter, Mike, and Jill change to micro-size to observe an ant colony ...Groovy!

Lepke B's blissful disregard for the sacred in life has placed him as one of the testcard knights with a totally unique approach to sound plunderphonics and visual art.

In this episode, Dylan and Karen are joined by Matt Evans, {AN} Eel, Satoru Sekiguchi, Buffalomckee, Cody Brant, Rick Potts, SLow Listener, Posset, Tibshelf, Hubert Heathertoes, Jay Howard, Chik White, Ivy Nostrum, Carl Kruger, Michael Thomas Jackson, Seymour Glass, Mike Holland, Edward Shipsey, Michael Barthel, Alex Jones, Ted Trager, Baby & Child, Table Guy, M Larsen Bak, and Frederick Svenson.

Dylan Nyoukis, Karen Constance and friends beam out an hour of audio collage discombobulation direct from Chocolate Monk HQ. A sonic salve for overstimulated ears.

Embarking on a journey along hydrobodies - from the deep ocean’s abyssal planes all the way through the Mississippi river, outwards into Indonesian tropical rainforests – Sonic Traces expands on my personal inquiries and journey as an activist and researcher. It sets out to expose how the traces of pollution - be they sonic or chemical - travel through watery spaces, impacting communities across ecosystems. Taking the form of a speculative dérive, it includes field recordings, poetry, field notes, and philosophical wonders.

I address research developed in the Lower Mississippi river petrochemical corridor, North Kalimantan in Borneo island, as well as introduce my practice as an activist concerned with deep sea mining and the impacts of ocean noise. I enquire how the water column is affected by chemical particles circulating through it, as new industries arise and expand from the seabed outwards towards land, tracing some of the cumulative impacts of human presence, while raising awareness into how one is embedded in wider webs of ecosystemic exchange.

For what if one were set to understand watery systems in novel ways that reorganize how one senses and partakes in the world?

Expanding on how traces bear witness to past actions and leave an intergenerational imprint, I explore the complex condition of partition-thinking in natural worlds, problematising human-centric ideas of containment and fixity, in otherwise fluid and interconnected spaces. By doing so, I expand on our conceptualisation of space and corporeality to introduce new perspectives on environmental thinking.

Margarida Mendes is a researcher, curator, artist and educator, exploring the overlap between systems thinking, experimental film, sound practices and ecopedagogy. She creates transdisciplinary forums, exhibitions and experiential works where alternative modes of education and sensory practices may catalyse political imagination and restorative action.

Mendes has long been involved in anti-extraction activism collaborating with marine NGOs, Universities, and institutions of the art world. She holds a PhD in Research Architecture by the Department of Visual Cultures, Goldsmiths University of London and is a member of Natural Contract Lab, a transdisciplinary collective of lawyers and artists working on restorative justice and rights of nature across Europe.

A six-part series by Meira Asher and Stephen Shiell exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist or group who engage with water politics and the politics of listening through the medium of radio.

This episode explores the year through the seasons in a unique improvised recording. This journey travels through radio waves, tape players and field recorders; an analogue experience.

Each season features field recordings captured during that time. Join Kayla for a continuous hour of music and sound moving through life as the seasons change.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

In this episode, join Joseph Stannard for a cornucopia of cacophony including tracks from Kavari, dälek, Eve Maret, Master's Ashes, Spider Taylor, Knocked Loose, and more!

New music with The Wire Magazine.

This episode is a contribution by Reboot.fm.

A composition imagining gestures, an anthropological archive of the body, as sound objects, predominantly through an acousmatic approach to the deconstruction and reconstruction of field/phone recordings, using the CD and CDJ as a tool or instrument for real-time manipulation, re-recording and improvisation, highlighting the musical potential of seemingly trivial real world sounds.

A sound situation extracting and trapping gestures from a socio-cultural landscape into an unpredictable set of sonic objects, continuously re-arranged and re-choreographed in time.

This radio piece is in direct relation to Milic’s expanded cinema performance INSCRIPTION, ENDURING; POTENTIAL which centers on gesture as holder of subtle cultural memory and history (the body as an anthropological and sociological archive) using found footage to practice experimental autoethnography – extracting glimpses of gestural movement from super8 home movies and interconnecting them in multi-projections.

“Gesture is the name of this intersection between life and art, act and power, general and particular, text and execution. It is a moment of life subtracted from the context of individual biography as well as a moment of art subtracted from the neutrality of aesthetics: it is pure praxis. The gesture is neither use value nor exchange value, neither biographic experience nor impersonal event: it is the other side of the commodity that lets the “crystals of this common social substance” sink into the situation.” (Giorgio Agamben)

Geanina Gypt is a leftfield music project of artist and DJ Maja Milić, fueled by a hardcore use of loops, extensive resampling, deconstruction and creating rhythms by misuse and destruction of samples or trivial sonic elements of reality, as well as the use of DJ equipment as tool for real-time manipulation of prerecorded sound (improvisation of an improvisation), mostly on tapes and CD.

She uses radio as a space for releasing music in long form or testing conceptual ideas, often intermedial (like, broadcast of images or live happenings), through her show Gypt Sessions on Berlin’s artist radio reboot.fm, and sometimes through Intruder Sessions, which is an irregular intrusion of the radio with spontaneous sets or concepts. She started to self-release tapes under Gypt Records.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

The barely present cult Canadian stand-up comedian Baconface plays lengthy and mainly uninterrupted selections from his late brother's extensive record collection of '60s and '70s psychedelia, progressive rock, free jazz, folk, acid folk, folk rock, acid rock, electronic music, and ethnoforgeries. In association with the Chilliwack Office of Leisure.