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This show is dedicated to Mimi Zhu’s Be Not Afraid of Love: Lessons on Fear, Intimacy, and Connection (2022), a collection of essays about embodying and re-learning love, mixed with some gorgeous gems from the past, the present and the future.

"Be Not Afraid of Love explores the intersections of love and fear in self-esteem, friendship, family dynamics, and romantic relationships, and extends out to its effects on society and the greater political realm. In sharing their own intimate encounters with oppression, healing, joy, and community, Mimi invites readers to reflect deeply on their own experiences as well, with the intention of acting as a guide to undoing the hurt or uncertainty within them. In this heartrending and revolutionary book, Mimi reminds us, be not afraid of love."

Artwork: Ana Mendieta Imagen de Yagul from Silueta Series, Mexico, 1973-77. Estate prints 1991. Color photographs (1948-1985) Private collection. Nevada Art Museum.

Mitamine Lab is a culture laboratory based in Mexico City which blends sound archives with contemporary music and literature.

In the first hour of this midwinter episode, Gravity Waves: Music from around the orbit of The Spirit of Gravity, featuring three tracks from collective members including the latest release on our label.

In the second hour, Spectral Transmissions slips quietly through the slumbering city streets listening to intense whispered tarmac dreams and the quiet concrete mumbles.

"I stood here, and saw before me the unutterable, the unthinkable gulf that yawns profound between two worlds, the world of matter and the world of spirit; I saw the great empty deep stretch dim before me, and in that instant a bridge of light leapt from the earth to the unknown shore, and the abyss was spanned.”
– Arthur Machen

With thanks to Ben Branangan, Decily Devine ad Xanthe Horner

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

In this episode: moments prepared in recent sessions along with recordings from our time together are processed through the swash and turbulence of the wave machine.

We welcome collaboration in all its forms, to get involved please email hello@subphonics.com

We are especially on the lookout for a label to work with for a planned release over the next year, as well as any performance opportunities. If this relates you and you like what we do please get in contact.

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

This episode focuses on the concept of Acquired Sounds.

A monthly collection of audio experiments and listening objects with sound artist Matt Burnett from Berlin.

For this episode, guest artist Emilie De’Ath, who performs as Luxul, has put together a mix of her own music, tracks from members of the London Noise scene, and music from further afield.

This varied collage of sounds encompasses tracks, ideas, and an insight into the imperfect process of relearning piano pieces from her childhood as well as a guest piano contribution from one of her cats.

This is a segment born of a hypomanic flurry of productivity that truly reflects her current place in her musical journey.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Certified Tonk showcases improvised music as a shared act of discovery, where meaning appears without being forced, and ego drops away for creativity to take over. This series is an invitation to listen differently, stay present and let the music lead. Andrew Backhouse is an artist and radio geek based in North Yorkshire who has always loved radio and sees it as a place for exploration, not answers.

Nova Waves presents Passers-by - the first episode of the series 'Strange Morals'. In the middle of a busy public space our main character stands listening to the snippets of passers-by desperately seeking the relevance and meaning of strangers words.'

Three short stories exploring life moments and exchanges between people, brought to you by Nova Waves.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

Composed out of eclectic signals - live broadcasts, field recordings, sounds sourced from aporee.org, and fragments captured from YouTube Live.

This episode leans into interference as composition: transmissions bleed into each other, rhythms emerge from static, and chance collisions become structure. Snatches of place and presence flash by, then dissolve - like scanning a dial too quickly to stay in one world for long.

Radio Concrete by Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

To showcase the development of their new project Swan Song (working title), That Travis presents a series of live sessions in Resonance Extra's studios. As part of their practical research, they share music that has influenced the project, perform live and invite guests to share their work.

In this second live broadcast, they perform live alongside Tata Cheng and Miles Lukoszevieze, with a special feature and pre-recorded session with sound artist Eva Leung.

That Travis is a singer-songwriter originally from Hong Kong. Their background is a mixture of a colonial English education and an indigenous upbringing. While the two worlds fight for representation within their work, they exhibit an organic mixture of all influences primarily with their voice, sonic expressions, lyrics and visual aids.

Joe plays the full Late Works: of Noise album recorded over the last two weeks in collaboration with state51, using instruments built by Ellis Berwick, Dan Knight, Mosquito Farm, Robin Finch Pickering & David Sappa.

Featuring members of caroline, curbside lambsear, Exotic Sin, Flur, Gentle Stranger, Hot Chip, Kuunatic, mary in the junkyard, PUNCHBAG, Shovel Dance Collective, The Umlauts, wing! & more

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

I.A. is a monthly radio series which showcases work by creatives – both staff and students – in the Sound Arts and Music departments at the London College of Communication. Produced by Zain Bador and Ed Baxter.

In this episode, Low Cloud, High Pressure, Drizzle, a new work for radio by Benedict Drew.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

This episode works with 24 random samples from a 24-hour recording – island woodland, island walks, the island circumference – to build a ‘one-hour-day’. Engage with a hebridean island, listen to chance sonic encounters with Canna, hear one day.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

He(re)ar intellect and reductionism is not self assembling audio stream understanding which 28 minute recording defeats the or invited one is purpose and should not be that into an inscription from a which was extracted and frozen is manifesting in this moment irrelevant it is not required as it happens as it with a concept or an just present within the sounding never to be repeated this residue of linear time structure is into being would defeat its purpose content and required that you come to this transpires periodically describing why why and how it has come is inevitably shaped by memory an archived history he(re)ar is an edited document.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

A special hour-long mix by the US composer Cody Yantis is the feature of this episode. This mix focuses on the music which inspired his recent album Opticks. We also play one of the two long pieces from Manja Ristic's brand new album Ma.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and most mind-blowing covers and drifts of Manic Monday by The Bangles. There's no order, no lists, only stilted and exclusive material.

Monday haters, Zumba dancers, German translators, early risers, comedians, Benedictine monks... all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

This week: Paul Rekret and sonic geographer Anja Kanngieser examine the relationship between field recordings and pop music in an age of ecological and economic crisis.

Monthly investigations of music politics with Paul Rekret.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

In this instalment the teachings of Marcus S Chambers (aka Exact Thinker) regarding the Idiote's plight are abutted against futile ploughing against the grain. Meanwhile, the British Library found diaries are delved into, hardcorely.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

Ex-New Yorker, Tokyo-based footwork and house producer YASHA joins on this episode, layering recent breakbeat and ambient techno influences with his own styles in a reliably non-stop mix.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

In this episode, a guest mix in the second hour from Trash Panda QC, whose album ‘Jumps 19’ is out right now on Conditional.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.