← Friday 5th December 2025 →

In this episode, Cary does another showcasing of the Central Appalachia underground scene.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music made by Naviar's community inspired by Kinsha’s poem “some starlight / spared from being scooped up / four-handed net”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

The first half of this episode is curated by sound and visual artist Olli Aarni, who brings together recordings of Helsinki's soundscape with a selection of music from other Finnish artists - including some previously unreleased tracks.

Olli's mix is followed by an hour of field recordings and local music chosen and mixed by Manchester-based sound artist, Hayley Suviste.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

Our first episode for 2023 has a bit of everything. We explore the massive double album China Life by Masayoshi Miyazaki. My (Kate Carr) latest attempt to make a fake field recording in False Dawn, and some forthcoming lo-fi beauty from the Blue Mountains in Australia by Broken Chip.

Plus Heinali's defiant tribute to Kyiv on Injazero Records, Lawrence English's recent solo and David Velez's attempt to use sound to grow fat and delicious beetroots.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

SubPhonics have been working with artist and performer Uli Ap for the latest installation of her Alien AI project. In this episode, hear some sounds we used in our the performances on Saturday 13th and Sunday 14th of January at Ugly Duck!

As always if you’d like to get in contact with us for collaborations, performance or recording opportunities, or just to say hi, please email hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

In this episode, you’ll get to know SEC (soundenthusiasticcommunity) – a non-commercial project and community-run space in Yerevan, Armenia, that brings people together around sound. During the recording, you’ll hear live electronic music performed by our members as we all sit at the table together and take part in the conversation.

We’ll talk about our approach to sound and music, event-making, community life, and the principles sec is built on. You can find SEC on Instagram.

if you like what they do, you can support them with a donation.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

In this episode, a tide walk. Two coasts across two hundred miles. A salt marsh estuary. A rocky shore. One tide cycle. Twelve and a half hours of high low high tide. Twelve walks. Walk one hour rest one hour. Twelve walks divided and rebuilt at random. Twelve walks each a new tide walk. This is tide walk 1.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Postnew is a modular theory, describing the fluid development of aesthetics. Every movement has a post-movement, every end is a beginning, every post-aesthetic will be followed by a post-post-aesthetic. Join the mailing list here.

This month: music from Kaitlyn Aurelia Smith, Julia Kent, Pharoah Sanders, ETHEL, Ann Southam, Grouper and more.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode features new work by HORTVS, Isomer, J S-Horseman, TaɣsiT (Taghsit) - Schizophrenic REALM, Blanket Swimming & Toni Dimitrov, Oubys, Nihil Impvlse, David Strother, Pandacetamol, and eumourner.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

"Commissioned to make some pieces for Radio Art Zone, I took the opportunity to return to the rich and idiosyncratic voice of Irish story teller and farmer Willie Carr, who I'd first met at the epochal Hearsay Festival in Kilfinane, Ireland, in 2014. To my mind, his is the voice of a singular locale, the embodiment of a landscape, a particular place and time, imaginatively recast in these four lop-sided contemporary fairy tales" - Ed Baxter

Originally commissioned by Hearsay International Audio Festival, revised versions made for Radio Art Zone as part of Esch2022 European Capital of Culture. Thanks to Knut, Sarah, Mathilde and Necef at RAZ; to Daniela Gargiulo; and, for their encouragement, Kersten Glandien, Anthony Moore, Milo Thesiger-Meacham and Jim Whelton. Special thanks to Diarmuid and Willie, of course.

• Fifth Sketch for Ascent and Descent (29.48)

• The DCI (First Sketch for Larry Shipping) (30.30)

• The Devil’s Gift (Heart Like a Duck, Part 1) (22.50)

• The Ghost of Prehen House (Heart like a Duck, Part 2) (27.30)

Four Folk Tales for Radio (featuring Willie Carr). Voice: Willie Carr. Concept, text, sound design, montage by Ed Baxter. Recording engineer: Diarmuid McIntyre.

60 minutes of vivid aural excitement mixed by Ian Murphy.

This week: 'Process & Industry'. a discussion and music with the writer Alexei Monroe on the history, context and political desire of industrial music. From Throbbing Gristle & Test Department to Laibach and Autopsia and beyond.

Monthly investigations of music politics with Paul Rekret.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.

Now: Awkward Goodbyes.

Brooklyn-based Olivia Bradley-Skill presents Lo-fi Goddesses, live sound collage and original radio artworks inspired by female-fronted post-punk bands and experimental dance music.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.