← Saturday 29th November 2025 →

Full lineup (GMT):

• 12-12:30pm – Kate Carr (Live Solo)

Kate Carr's work is focused on the links between sound, place and affect, and she works across composition, performance and installation. She is particularly interested in sound as a way of approaching broader processes of spatial constitution and contestation. Carr runs the sound art label Flaming Pines.

• 12:30-1pm – Steven J. Fowler and Benedict Taylor (Live Duo)

Steven J. Fowler or is a contemporary English poet, writer and avant-garde artist, and the founder of European Poetry Festival. He recorded his debut novella MUEUM in the Resonance Extra studio, which was recently broadcast as a series. Benedict Taylor is a solo violist, violinist and composer.

• 1-1:15pm – Music for Kites: Side A by Joe Wilson and Chanelle Collier

Joe Wilson and Chanelle Collier are a partnership based in Sydney. Their shared practice is generative, built around ideas and interests in relational exchange, dialogue, agency and labour. Joe and Chanelle composed this music while at the Bundanon Trust Artist Residency located on Australia's south east coast, a few hours south of Sydney. Recorded to cassette, these sounds were blasted on a sunny day in green fields, with gale force winds and lazy kangaroos, the artists flying kites.

• 1:15-1:38pm – Radiant Heretic with Yumino Seki (Live Group)

A splinter group of Spirit of Gravity, made up of Caleb Madden and various collaborators, perform an original audio piece. This particular work features Yumino Seki who is a U.K based independent dance artist, Butoh practitioner, performer, teacher and somatic movement educator & therapist.

• 1:38-1:55pm – Protest Ambient - Glasgow Rally for Trans Equality by Bobby Jewell

Bobby Jewell is an architecture writer based in Glasgow. Had a long running series on Extra called A Quieter Storm and more recently an intermittent series called Earth Tones. This piece is called consists of original music paired with recordings made in Glasgow of protests.

• 1:55-2:15pm – Milo Thesiger – Meacham (Live Group)

Milo Thesiger – Meacham is an artist based in London. His multimedia work combines text, musical composition, sound design and visual material. He is also the manager and curator of Resonance Extra, an international arts radio station.

• 2:15-2:27pm – Christie & Leonie Kill 100 Zombies in 5 Minutes by Agnès Pe

Agnès Pe is a multimedia artist interested in interventionist art practices and tactical media and disciplines outside the field of art.

• 2:27-2:45pm – The Holborn Cenotaph and Other Stories by Tony White (Live Solo)

Tony White is a British novelist, writer and editor. Best known for his novel Foxy-T (Faber, 2003), described by Toby Litt in 2006 as his 'favourite British novel from the past ten years', White has been called a 'serious, engaging voice of the modern city'.

• 2:45-3:00pm – Music for Kites: Side B by Joe Wilson and Chanelle Collier

The second part of Joe Wilson and Chanelle Collier's Music for Kites.

• 3:00-3:30pm – Chihiro Ono (Live Solo)

Born in Chiba, Japan, Chihiro Ono is a London-based Japanese sound artist and violinist specialising in chamber music, experimental music and sound art.

• 3:30-4:00pm – That Travis (Live Solo)

That Travis is a singer-songwriter originally from Hong Kong who works with their voice, sonic expressions, lyrics and visual aids.

• 4:00-4:30pm – Taylor and Luck by Neil Luck and Benedict Taylor

An unreleased album by Neil Luck and Benedict Taylor. Neil Luck is a composer, performer, and director based in London. His work often explores the pathos and interaction between live human performance and multimedia, and attempts to frame the act of music making as something curious, or weird, or useful, or spectacular in and of itself. Benedict Taylor is a solo violist, violinist and composer.

• 4:30-4:50pm – Merlin Nova (Live Solo)

Merlin Nova is London-based experimental vocalist, composer and performer.

• 4:50-5:20pm – James Oldham (Live Group)

James Oldham is a composer and performer based in London. He’s going to perform a piece with members of the ensemble from his recent large scale performance project with Klara Kofen, Dead Cast Bounce, which took place at Somerset House last year.

• 5:20-5:40pm – Plum by Angela Wai-Nok Hui

Angela Wai-Nok Hui is a percussionist and multidisciplinary artist based in the UK and Hong Kong.

• 5:40-6:30pm – Sister Punch (Live Duo)

Sister Punch is a performance and music duo founded by artists Giulio Dal Lago and Gianna T.

• 6:30-7:00pm – Trash Panda QC

Trash Panda QC is a producer, dj, and live performer currently living in Brooklyn, NY.

• 7:00-7:25pm – Miles Lukoszevieze (Live Group)

A live improvisation featuring Miles Lukoszevieze and Graeme Smith, Harry Fisher and That Travis, with bass flute, viola, harmonium and synthesisers. 

Archival recordings of a 7-hour radio event broadcast live from the Resonance Extra studios on the 29th January 2023, featuring live performances and new and exclusive audio works.

ARCO is Neil Luck, Adam de la Cour, Chihiro Ono and Benedict Taylor. Recording captured, and engineered live by Matt Saunders. Mixed by Neil Luck.

Costumes by Monika Czyżyk with characters from Bodyssey series and 4k videos. 360 video by Mateusz Ścibor.

Live recordings of a work by ARCO performed on loop at Colourscape, September 2023. More info here.

Stoke Newington Cemetery provides the setting for a sonic foray into the as yet unknown, forging new sounds while following prehistoric footsteps.

This episode features Gardyloo and Jo Morrison.

Littoral Transmissions meander through the sonic landscape of the River Lea from Stonebridge Lock to Leamouth. Recordings from the field converge with layers of sound to create an aural impression of the navigation.

In this episode, Chris Bohn plays music by Hamid Drake & Pat Thomas, John Butcher & Angharad Davies, Phew & Danielle de Picciotto, Laibach, and more.

New music with The Wire Magazine.

In this episode, Joe is joined live in the studio by Gina Prat Lilly and Flo Ray, who will be performing their new piece from last night's Alphabetical Processions event at The Social, alongside other readings, an interview and audio selections including Jennifer Walshe, Samuel Beckett & Renee Gladman

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

This episode focuses on the darker shades of ambient music as well as the sounds of life, collage-esque music, tracks that experiment with the messiness and randomness of our existence.

Featuring new and archival releases from an array of artists working with ambience, found sounds, and our environment.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode is a contribution by Radio Helsinki.

Cora Leli Hausch: modular synth. Nikos Zachariadis: computer-based live electronics.

Recorded on 4 April 2025 at SisiTop Studio, Graz.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This episode features a piece from every Flaming Pines release in 2022, presented in the order they came out. 2022 was a wonderful year of music, a big thanks to everyone who released with the label and supported us.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition of Shuffle, get ready to listen to the weirdest and mind-blowing covers and drifts of “Complicated”. There's no order, no lists, only stilted and exclusive material. Featuring special guest Bella Paloma.

Pizza lovers, skateboarders, broken hearts, liver cooks, complicated people, hyperpop fans… all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

For this third episode of his collected recordings, Davide presents five works:

'Canta Che Non Passa' (2018)

This work documents part of the repertoire of the informal choir “Canta Che Non Passa”. The choir is a spontaneous group of middle age/old people that constituted a part of the NO TAV movement in Valsusa, northern Italy. The choir’s repertoire consists mainly of protest songs adapted from preexisting musical sources, with lyrics that have been created from scratch.

Davide recorded the choir during one of their rehearsals. Rather than position the microphone at a certain distance from the group to capture the multiplicity of voices, Davide chose to focus on individual voices of those members that sat beside him. This strategy was designed to stress the fallible and imperfect nature of the choir and emphasis the singular/plural dimension of collective singing and the beauty, strength, and vulnerability of non-professional voices.

'Forget The Theater! Go To The Stadium' (2015)

This work documents all the times the italian word “dai” (in english “c’mon”) was used by the leaders of the ultras group BRESCIA 1911 during Brescia vs. Catania, 2015. The word “dai” is commonly used as an exhortation to urge the group to participate in the chanting.
The work reflects on the participatory dimension of football culture and the parallels between the shared feelings of identification, involvement and complicity that characterized the origins of western theater.

'Magnifying My Sphere Of Power' (2013)

In this work, Davide sings and plays drums along with a selection of his favourite hardcore punk songs. The project amplifies the power of music as an emotional inciter, an agitator, a physical energy and a self-presence. With this work Davide wants to emphasize the role of the listener as a responsive agent, who plays a central role in the musical process, and more generally reflect on what listening to music means in terms of reconstruction of meaning (appropriation) and activation of personal agency (participation).

'Single Strokes' (2015)

In this work Davide plays the snare-drum with a pair of microphones. The recordings explore the physical properties of the microphone and present a more intuitive and analog way of approaching audio technology. By giving a body to the microphone the work reflects on the physical affection of material culture and how this sensual attraction subverts the conventional modes of consuming technology.
Single Strokes is part of a series of actions where Davide investigates the practical materiality of the microphone and violates the basic rules and principles of audio technology.

'My Loss Will Be Your Gain' (2016)

The material for this work comes from a tape cassette found by Davide in a derelict house. It consists of a series of recording-tests performed by the woman who used to live in the house. The title of the piece – your loss will be my gain – refers to the accidental discovery of the tape after years of abandonment and neglect.

Davide Tidoni is an artist and researcher interested in the relational dimension of listening, and in the physical experience of sound. He works with live performance, intervention, audio recording, video, and guided listening. He recently published a sound ethnography on the ultras group BRESCIA 1911. 'Collected Recordings' is a series of works selected by Tidoni from his extensive back catalogue.

This live broadcast honours Daphne Oram's centenary, throughout late 2025 the Oram Awards, in partnership with Outlands Network, is embarking on a tour Oram /100 to uplift and inspire female and gender-expansive sound artists and musicians in communities and grassroots venues across the UK.

Celebrating electronic artists from the Midlands, we head to Haarlem Artspace and The Feather Star Pub, Wirksworth, in rural Derbyshire with two daytime sound workshops and an evening of live electronic music. Featuring new commission: Daphne Meets The Time Painter by The Silver Field, and further performances from Strange Loop (Sophie Barkerwood / Haiku Salut) and Echo Juliet (live).

• 7.45pm Stange Loop

• 8.45pm The Silverfield

• 9.45pm Echo Juliet

From live broadcasts of new touring commissions and festival shows, to original sonic works by contemporary artists, interviews, sonic collages, audio essays and much more, Outlands Presents will host exclusive content recorded and produced to accompany the various activities and programmes of the Outlands Network, a national open membership and commissioning organisation which supports experimental music and interdisciplinary performance. To find out more, submit proposals or join the network, head to www.outlands.network.

Offering surreal glimpses of what might be identified as echoes of a post-Republic America, an imagined Middle East, and some other unnamed and unreachable world, Palace chronicles a vivid landscape of crumbling towers and heart-broken animals, eclipses, comets, and lovers in abandoned rooms. Produced by Dominic J. Jaeckle and Milo Thesiger–Meacham.

Kyra Simone is a writer from Los Angeles, now based in Brooklyn. Her fiction and poetry have appeared in a variety of literary journals, including The Baffler, The Brooklyn Rail, BOMB, Conjunctions, Fence, The Anthology of Best American Experimental Writing, and elsewhere. She is a member of the publishing collective Ugly Duckling Presse, and part of a two-woman team running the editorial office of Zone Books.

"From the stuff we unfold in the morning and throw in the recycling bin at night, Simone coaxes the rhythms of cyclical life, that baseline on which extraordinary events and crises exert their pressure. The world she constructs is recognisable, textured, gently humorous—but also luminously, piercingly exact, possessed of the strangeness of seeing something for the first or the last time".

— Alexandra Kleeman, author of Something New Under the Sun.

"I was hooked by the very first sentence of Kyra Simone’s Palace of Rubble: ‘A breaking wave collapses on the bank before two half-naked women on white Arabian horses.’ The sentence is so precise, down to the use of the erotic “collapses.” Plunged into this direct, clear, and mysterious arrangement of words, I was always left wondering what will happen next. Where will the next sentence take me? I was never disappointed. Simone is able to maintain and shift that propulsive curiosity throughout the book. While dancing with us, each sentence is a journey. Each story is a multi-faceted gem—a ‘beguiling dream of eternal cinema".

— John Yau, author of Genghis Chan on Drums.

"Majestic flights of fancy spun around ravaged landscapes and savage realities, these are remarkable prose poems for the 21st century".

— Chloe Aridjis, author of Sea Monsters.

"Reading Simone’s work is reminiscent of an archaeological excavation. The writing has dug to the past and emerged in the future, passing on its way those civilisations, kingdoms and palaces long since blown away or buried, it is covered in their dust. I can’t help but think, isn’t this madness? Isn’t life beautiful".

— Vanessa Onwuemezi, author of Dark Neighbourhood.

Temporary Palaces is a special triplicate of hour-long broadcasts that serialises an unabridged rendition of Kyra Simone's debut collection, Palace of Rubble (Tenement Press, 2022). Initially inspired by a photograph of one of Saddam Hussein’s demolished palaces, Simone’s Palace of Rubble is a collection of one-page stories composed primarily of single words culled each day from the front pages of the newspaper.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.