← Saturday 22nd November 2025 →

Toronto modular synth artist and DJ WeTurnToRed (a.k.a. Shamanta Chandran) is a Syrian-born Tamil-Canadian producer/DJ/ singer/songwriter and scientist based in Toronto. Growing up on the city’s outskirts, she studied and classically trained in opera and jazz as an arts high school kid. Her deep love for electronic music was ignited after her older brother introduced her to the mid-90s Toronto rave scene.

Her newest release for 2023 is her EP Rogue Planet reflects her early experiences as a South Asian immigrant who journeyed as a child from the Middle East to North America.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

This episode features recordings from our little experimental music festival hosted at Isla Ray in Deptford as part of Deptford X fringe. We had a beautiful evening with beautiful people and now you get to enjoy a best of from the eve.

Featuring performances by Lucy Havelock, Tam Lin, BAIABAIA, Zeyn Mroueh, Autojektor, and us!

We’d love to host more nights like this so if you’re listening and you’d like to come and perform with us please email us on hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

This week’s episode is a 55-minute exploratory journey titled ‘Time Is Out Of Joint’, travelling through a selection of Australian underground and outsider music. We move from the opening broken machine noise of Reunion Sacred Ibis through to a finale featuring cold wave revivalist Asps, and in between visits music from Canberra’s Bum Creek (featuring Tarquin Manek and Sam Karmel from F Ingers), renowned Australian electronic experimentalist Pimmon, Aoi's scattered and glitching beatwork, unique choral vocal experimentation via Caitlin Woods and lo-fi dark ambient from Anon and Paneye and more.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

Live recordings from Rhgt, Rupert Clervaux, Ayankoko, Clive Henry, kNN, James Osland & Finn Kelvin, LI YILEY, Domiziano Maselli.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This episode starts with Gesualdo, a 16th-century composer-murderer and Prince of Venosa who is famous for his madrigals that were ahead of their time (some would argue they still sound a bit too contemporary). It is followed by a piece of a contemporary composer Caroline Shaw that is inspired by a motet by another 16th-century composer Thomas Tallis, from England.

This is followed by music written by Thomas's contemporary compatriot—John Dowland. Dowland's composition is secular and chamber, fashionably melancholic—has been written in the shade of Elizabethan England religious and political repressions. Not unlike the next piece by Valentyn Silvestrov, a contemporary Ukrainian composer who shares not just Dowland's melancholy (except Silvestrov's melancholy is brighter and is more rooted in the XIX century) and chamber intimacy of "Kvartirniki"—dissident apartment concerts hidden from Soviet cultural repressive machine.

Next one is Tsegue-Maryam Guebrou, a Sylvestrov's contemporary, an Ethiopean pianist nun who shares her intimate "home piano" with Valentin's sound but brings a completely different, much less Western perspective to this practice. She's followed by another composer nun (later—abbess), Hildegard von Bingen, from the XII century. Hildegard's music, as Margot Fassler aptly noted, is like a stick of dynamite thrown into a Gregorian chant. However, Hildegard didn't have any musical education. The same is true for me. She relied on her secretary to write her music down (that she supposedly sang to him or her).

I rely on machines instead, on my modular synthesizer that is programmed to do generative polyphony—several self-playing melodies performed at the same time. You can hear it on Giardino, next track. Generative polyphony there is joined by improvisations on period instruments: baroque oboe, archlute and baroque viola.

It is followed by Beata Viscera, Perotin's music from the XII century Paris. He is one of the first known composers of polyphonic music and one of the most famous representatives of the Notre Dame school of polyphony. Then there's a composition by John Tavener, a XX century English composer who shares with Perotin the sacred quality of music.

The playlist is concluded with Brighde Chaimbeul, a Scottish bagpipe player. The connection is with Perotin's music, in Beata Viscera Perotin uses drone—a tone that is constantly held during the whole piece. Like a music foundation. Similar techniques are widely employed by various fold and ethnic music around the world, including the Scottish bagpipe music.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

This episode features solo live recordings by Stefan Voglsinger, captured over the past seven years across the globe, and remixed and edited by Hagai Izenberg. Exclusively released and archived on Radio Concrete, Resonance Extra (UK).

Stefan Voglsinger, born 1986, is a musician and performer based in Vienna. He studied drums at the Vienna Music Institute, Music & Movement Pedagogy at the University of Music and Performing Arts Vienna and Sound for Films at the Escuela internacional de Cine y Television in Cuba. He focuses on interdisciplinary experiments working with sound and image, developing performances or audiovisual installations including selfbuilt or hacked electronic circuits.

At Setzkasten he modifies analog film projectors, works in the darkroom and the sound studio. As a curator he organizes regularly concerts and transdisciplinary evenings, holds Circuit Cooking soldering workshops in schools and at festivals. He works at the Filmmuseum Vienna, is co-curator of Klangmanifeste and plays with The Vegetable Orchestra.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode, Phil England plays music by Mulatu Astatke, Test Dept, Sly & The Family Stone, Anna Högberg Attack, Alexander Hawkins & Taylor Ho Bynum and more.

New music with The Wire Magazine.

This special episode is dedicated to utterances, gibberish, transcription & slippery language, ahead of the second iteration of the Alphabetical Processions event series at The Social next week, 7pm Monday 24th November, featuring performances from Cajm, Lu Rose Cunningham, Hannah Dienes-Williams (performing Joanna Ward's 'all gone!'), Evelyn Gray, Gina Prat Lilly, Flo Ray & e v.

You can buy tickets here

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

This episode features live recordings from the Fractures album launch at Cafe Kino, Bristol on the 10th October 2024.

Fractures is the debut album from Kayla Painter, written about the NASA mission to Jupiter’s frozen moon, Europa.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

This episode is a contribution by Kanal 103.

In the Waiting Room is a sound performance first presented at To Pikap record store in Thessaloniki, Greece, as part of the art exhibition Empty Chairs, which took place in April, 2025.

The piece draws inspiration from Giannis Skarimpas short story “Three Empty Chairs” – a ghost tale that subtly shifts between the comic and the uncanny. In this work, Skarimpas’ peculiar language is stripped away to be reassembled through sound, a world of scattered fragments, stray echoes, and uncertain sequences – what is said and what remains unsaid.

Kyriakos Plsds: composition and digital programming, electroacoustic guitar, field recordings, vocals. Eleonora Siarava: voice. Recorded and mixed by Kyriakos Plsds. Mastered by Christos Megan.

The integral version is available here

Kyriakos Plsds is a musician who moves across a broad spectrum of sonic landscapes. His practice drifts between folk-inspired songwriting and experimental fields. He has released many albums and performed live with bands such as Minor Mine, As Never Before, Next & Patient, My Last Spring, The Coal Heart and Πειραματική Ορχήστρα Ασυμφωνίας.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

This episode features a piece from every Flaming Pines release in 2022, presented in the order they came out. 2022 was a wonderful year of music, a big thanks to everyone who released with the label and supported us.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this episode, get ready to listen to the weirdest and most mind-blowing covers and drifts of Pumped Up Kicks by Foster the People. There's no order, no lists, only stilted and exclusive material.

Marching bands, Kahoot players, industry workers, lovers of ‘corridos tumbados’, summer reague … all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

This week: 'Incipient Intentions'. There are severe limits to what the sociological imagination can inform us about music. This episode marks and celebrates those limits.

"Music points to true language in the sense that content is apparent in it, but it does so at the cost of unambiguous meaning, which has migrated to the languages of intentionality. And as though Music, that most eloquent of all languages, needed consoling for the curse of ambiguity - its mythic aspect, intentions are poured into it." Theodor Adorno, 'Music and Language - A Fragment'

Monthly investigations of music politics with Paul Rekret.

"I heard a bird's song and sang it as my own for the rest of the day is the name of my first mix to resonance FM and also is a phrase which I sadly am not able of recalling the origin of. it is composed of interferences that resemble Opeth from the Seventh Heaven channelled using artificial technology to Opeth from our dimension and everything in between."

Conceptually, it's a study and praise of one's usage of the music of 'others', it opens with one of the best examples I have heard. this marks the beginning of a series, a friend who is smarter than me advised me to do so. Kanye 2024.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

Winners of the CTM 2025 Radio Lab call for works, Lynn Nandar Htoo and rEmPiT g0dDe$$ created an audiovisual performance titled "Resonant Resilience." The work delved into the transformative power of music as a means of resistance, resilience, unity, and healing, especially for Southeast Asian female and queer music practitioners.

In this episode originally aired on Refuge Worldwide, they share a full-on techno set, full of the latest club sounds that inspire their work artists and organisers within a network of people holding space for queer culture in Southeast Asia.

Bi-monthly insights into the activities of the European project tekhnē, which started in 2023. The series showcases a selection of artists who share and discuss their work and listen to recorded material. By putting the focus on the user rather than the developer, this project aims to explore the emancipatory potential of technology in music and sound art. Technology as an art of craft, appropriating and transforming existing tools, to imagine multiple ways of creative misuse. tekhnē is a collaborative project, co-funded by the European Union.

This show is dedicated to cult 1980s Australian record label M-Squared.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

In this episode: a DJ set with some recent favourites, and a studio session premiering the first batch of new tracks for the Is Under Location Surfaces album, which will be gradually expanding from now until January. Tracks available after broadcast here.

A 16-episode bi-weekly series alternating new and unheard live sounds from Trash Panda QC with DJ selections and guests.

In this episode, computer music classics and a guest mix from returning champ Kindohm, whose album Meme Booth was released on Conditional.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.