← Wednesday 19th November 2025 →

Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.

This episode features new works by Daniele Ciullini & Le Forbici di Manitù, Gianluca Becuzzi Progettosonoro, Falter Bramnk, PNÉVMMA, Pablo Picco & H. Flora, Nerthus, Anasisana, Robert Rich, Mario Lino Stancati, Æscesi, and NoSF.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

An immersive psychosonic space, where sounds converse, collide and converge, featuring works, selections, edits, experiments, new music, non-music, archival objects, abstract artefacts, sound(system) and A/V art, pop, trash, noise, voice, and the associated mediums, processes and techniques that make up the ongoing audial investigations of Agents of the Culture Industry & OVT, all presented for art not profit.

This edition of Sonoridades is hosted once again by Portuguese sound artist Marco Alexandre. Marco is based in Porto and his work in centered around field recordings and sound art.

Virgilio Oliveira explores the sonic environment in collaboration with Porto's Radio Manabras, presenting an hour of sound art and field recordings.

"I heard a bird's song and sang it as my own for the rest of the day is the name of my first mix to resonance FM and also is a phrase which I sadly am not able of recalling the origin of. it is composed of interferences that resemble Opeth from the Seventh Heaven channelled using artificial technology to Opeth from our dimension and everything in between."

Conceptually, it's a study and praise of one's usage of the music of 'others', it opens with one of the best examples I have heard. this marks the beginning of a series, a friend who is smarter than me advised me to do so. Kanye 2024.

Musical sketches by ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTS is a monthly mix of curation, recompilation and pseudepigrapha.

Ambient, folk, ritual, electronic, dub, free jazz and exploratory works selected by BroodingSideOfMadness.

This episode features Fritz Welch and related projects including: FvRTvR, Peeesseye, Pee In My Face With Surgery, Lambs Gamble, Wi77!N6,
With Lumps, and more. http://humansacrifice.net.

Missed the show? Catch up on Mixcloud.

Long-form gonzo radio exploration of artists on the outer edge with Eric Boros.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

London-based art, music and architecture writer Bobby Jewell plays a selection of ambient, jazz and classical music over two hours.

This episode features music made by Naviar's community inspired by kjmunro’s poem “the harp player / moves under cover / market day”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

This episode features solo live recordings by Stefan Voglsinger, captured over the past seven years across the globe, and remixed and edited by Hagai Izenberg. Exclusively released and archived on Radio Concrete, Resonance Extra (UK).

Stefan Voglsinger, born 1986, is a musician and performer based in Vienna. He studied drums at the Vienna Music Institute, Music & Movement Pedagogy at the University of Music and Performing Arts Vienna and Sound for Films at the Escuela internacional de Cine y Television in Cuba. He focuses on interdisciplinary experiments working with sound and image, developing performances or audiovisual installations including selfbuilt or hacked electronic circuits.

At Setzkasten he modifies analog film projectors, works in the darkroom and the sound studio. As a curator he organizes regularly concerts and transdisciplinary evenings, holds Circuit Cooking soldering workshops in schools and at festivals. He works at the Filmmuseum Vienna, is co-curator of Klangmanifeste and plays with The Vegetable Orchestra.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode features mixes by Liis Ring (Rapina, Estonia) and Ayami Suzuki (Tokyo).

In the first half of the episode, Liis Ring sketches us a sonic portrait of Räpina - a small town in the South East of Estonia. In among field recordings collected on her walks around the town and original music recorded in her grandmother's shed, Ring shines a light on the musical heritage of the area via folk tunes (sung in the local dialect) and new adaptations of traditional pieces.

The second half sees Ayami Suzuki explore the sounds of life in Tokyo; the hum of train station platforms, the buzz of cicadas in the forest, the summer tradition of the Awa Odori dance. Nestled among these sounds are selections from the city's contemporary experimental music scene.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

In this episode, Zu From All Over brings her turntable into her empty bedroom to listen to 8 lengthy songs amplified by 4 reflective walls, with the best Proto-Slowcore, Post-Hardcore, Slacker Noise, and loudQUIETloud to drown out the outside world.

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

Hedonist and wannabe playwright Olga Adessi, 19, is struggling along the prom to get to her morning shift at the chippy with a monstrous hangover, trying to remember exactly what happened with Rachel Watkins, 19, a strange and fragile girl she had an encounter with the night before.

Former gymnast and teenage mum Treesa Reynolds, 19, is off to the Sandcastle Waterpark with her mum Lou and daughter Lulu, looking forward to a sausage and egg McMuffin on the way. Pleasure Beach breathes and exhales the unique sea air, fish and chips, donuts and candyfloss scents of Blackpool, bringing to life everything the town is famous for, portraying the gritty magic and sheer unadulterated fun of the city and its people across a spectrum of sensory experiences and emotions.

Palmer’s readings are accompanied by found sounds and samples – noise and ambience borrowed from Blackpool’s beaches, streets, and ballrooms – and features refrains drawn from Benedict Drew’s Music for Bookshops.

"A book as mind-bending as the town itself" – Jeremy Deller

Helen Palmer is a writer from Blackpool. She is the author of Deleuze and Futurism: A Manifesto for Nonsense (London: Bloomsbury, 2014) and Queer Defamiliarisation: Writing, Mattering, Making Strange (Edinburgh: Edinburgh University Press). She is a 2023 Interdisciplinary Resident at the Oak Spring Garden Foundation, Virginia, USA. She currently lives in Vienna. Pleasure Beach is her first novel.

Published by Prototype, Helen Palmer’s Pleasure Beach is a queer love story from the North West’s saucy seaside paradise, Blackpool, on one day: 16th June 1999. Written in multiple voices and styles, Pleasure Beach follows the interconnecting journeys and thoughts of three young women over the course of 24 hours and over 18 chapters which are structured and themed in the same way as James Joyce’s Ulysses. Serialised in four instalments (to conclude with its publication on June 16th 2023, “Bloomsday”), and read by the author, Pleasure Beach (Cochlearical) was produced by Dominic Jaeckle and Milo Thesiger-Meacham for Resonance Extra as a part of a rolling series of collaborative broadcasts from Tenement Press and Prototype Publishing, Railroad Flat Radio.