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Tse Tse Fly Middle East was a nonprofit arts and activist organisation that existed from 2015 until 2023. Throughout that time, it presented a monthly two-hour radio programme showcasing sound art and experimental music from the Middle East, India and North Africa.

Low Noise is an eight part study on a quieter side to noise - as a music or simply as its own aesthetic. Taking form as a collage of sound works from an international roster of artists and composers, the eight hour broadcast is interspersed with esoteric field recordings, film extracts & manipulated sound effects.

This episode features music from Ariel Kalma/Jeremiah Chiu/Marta Sofia Honer, Steve Reich, Don Cherry, Jonathan Goldman/Laraaji, Tuluum Shimmering and more.

Cosmic, transcendent sounds and exploratory electronics with f.ampism.

This episode features two independent labels, Calling Cards Publishing and Italian cassette Canti Magnetici, first Sebastian Melmoth LP out on Artificial Dance and Stephen Shiell 'Sonance' on Linear Obsessional Recordings.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Phantom Circuit is a show of strange and wonderful sound waves - featuring music that is alien, electronic, exotic, essential.

Between two suns, just trying to communicate, sometimes always...

Explorations of the inner city sounds of Athens and surrounding areas through lucid soundscapes and site-specific transmissions.

In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do.

In PROBES #12 harpsichords return from the dead; a spectre is haunting music: the harpsichord.

Transcript available here:
http://rwm.macba.cat/uploads/20150429/12probestranscripteng.pdf

Link to the complete series:
http://rwm.macba.cat/en/variations_tag

For more information on this series and other podcasts, visit Ràdio Web MACBA(r)

A 22-hour radio project in 7 episodes by Milo Thesiger–Meacham. An unnamed narrator moves house and pieces together a world of recording devices, names, crime, real-world characters and media from across the globe, featuring 10-second audio extracts from over 6000 individual videos found online, original sound recordings, music, hand-held camera audio and writing. Commissioned by the European Capital of Culture, Esch2022 for the temporary radio art station Radio Art Zone. Follow Fox Neame for more.

Bland grew up and lives in Selma, Alabama and became active in the civil rights movement when she was eight years old – part of the famed ‘Children’s Crusade’, and marched across the Selma bridge with Martin Luther King, Jr.

Bland later came to realise the political meaning of memory and went on to co-found the National Voting Rights Museum to preserve the legacy and principles of ‘the struggle’. Her talks deal with the history of the Civil Rights Movement and segregation and the struggle to achieve voting rights. What Is Power? was organised by Arcade and took place at Flat Time House from 3rd June to 9th July 2023.

Participating the talk are Jeremiah Day, Joanne Bland, curator at Flat Time House, Gareth Bell-Jones, and director of Arcade, Christian Mooney.

As part of the exhibition What Is Power? at Flat Time House, American artist Jeremiah Day invited civil rights activist, museum organiser and storyteller Joanne Bland to contribute a special online talk.

This week’s Out From Under is is the second of a two part journey travelling back to 1980s Australia, surveying some of the most interesting experimental and underground music being made during the decade.

We’ll hear from key players in the proto-electronic and post-punk scene such as Scattered Order, Makers Of The Dead Travel Fast, Systematics, Prod and more; plus experimental music from Toy Division, The Horse He's Sick, Splendid Mess and composer Helen Ripley-Marshall, and from one of Andy Rantzen’s early projects, Pelican Daughters.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

This month's show features music from our recently re-issued compilations, available via our Bandcamp. then in the second hour some field recordings from Simon James and other music from the orbit of The Spirit of Gravity.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

Canna’s smaller southern neighbour, separated by a tidal beach it sits between Canna and Rhum and forms the south shore of a natural harbour.

My composition of a walk of its five-mile edge moves back and forward in time and place. Alongside the sounds of a small Canna woodland the work offers a contemplation of time and place.

embodiment -:- walking human movement -:- place more-less natural -:- distance time over across -:- field recording -:- poetry -:- composition -:- martin p eccles

Andy Backhouse presents a two hour show of new and unusual music and sounds - playing everything from Free Jazz to Field Recordings. This is an open-format show with a difference.

I.A. is a monthly radio series which showcases work by creatives – both staff and students – in the Sound Arts and Music departments at the London College of Communication. Produced by Zain Bador and Ed Baxter.

In this episode, Joe plays tracks that were cut for time from the first half of the autumn season shows, featuring Smog, Smerz & Donna Summer.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

Joe and Chanelle’s audio recordings encompass ambient sounds, conversation, experimental composition and improvised instrumental response. Cassette drones, loop pedals, voice and guitar are used to echo, mimic or bend over bird calls, thunderstorms, night sounds, indistinguishable chatter, museum reverberations and urban movement. These moments captured to tape are presented in two halves as an A-side/B-side format.

Enriched by visual counterpoints for each episode, Bruna’s critical eye forms an ambiguous tonal narrative from Jake's method of stumbling into excellence. Mountain, valley, glacier, and urban horizon are presented in stereo format, to parallel the A-side/B-side format.

This program has been made on the stolen lands of the Gadigal people of the Eora Nation, we pay respect to the Elders both past and present.

Project lead and sound by Joe Wilson and Chanelle Collier. Creative direction by Bruna Volpi. Photography by Jake Terrey.

This episode is supported by Higher Ground Studios and Resonance Extra.

Field Notes

Recorded at Potter’s Studio (Couch House), Kanimbla Valley, for Radio Jam with Bruna Volpi, Chanelle Collier, Jake Terrey, and Joe Wilson.

Side A – Departs

Everything is ok opening night crowd at verge gallery + morning birds at couch house.

Side B – Returns

Field recording of bees in a tree and cicadas

A monthly programme which blends textured audio from cassette recordings by Joe Wilson & Chanelle Collier with tonal imagery by Bruna Volpi and Jake Terrey. Sound engineering by Ollie Brown.

This episode features music made by Naviar's community inspired by Fusae Fubasami’s poem “reminding me not to forget / a toad goes out / to the verdant world”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode: 'Music and Libidinal Economy' by Cesura//Acceso, a journal for music politics and poetics, with Howard Slater.

Monthly investigations of music politics with Paul Rekret.

Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.