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Morita Vargas is an experimental music producer and performer from Argentina, part of a new Latin American movement of women who inspire curiosity and deep listening. She explores new sonic pathways for a more sensitive society, crafting hypnotic atmospheres and textures in each track, singing in an invented language.

She has released two albums: 8 (published by Hidden Harmony Recordings - Estonia) and Mandrágora (published by Autogénesis Magazine - Germany), both rooted in ambient, dream-pop, and fantasy soundscapes.

Twice-monthly broadcast showcasing electronic music produced by members of the female:pressure international network of female, transgender and non-binary artists practising in the fields of electronic music and digital arts.

This first hour of this episode is guest mix from Spirit of Gravity protégée/progeny: Spheress - featuring music made by young producers in Brighton alongside more established artists. The second hour is the usual expertly curated round-up of work from across within the orbit of the Spirit of Gravity Collective.

Commissioned new work from contemporary sound practitioners and other audio choices from experimental electronic collective The Spirit of Gravity.

This episode is led by Tarik Haskic. The group works through a number of deep listening scores inspired by Pauline Oliveros.

Artwork by Erin Robinson.

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

Ela’s remarkable debut album mixed acappella, drone and tape loops, and subsequent work added dark synths, found sounds and drum machines into the mix. Her love of bare vocals and layered harmonies has also ensured that the craft of songwriting is central to her practice.

We take a trip through Ela’s career on this week’s Out From Under, with selection of tracks from her back catalogue as well as exclusive previews of music from two upcoming albums.

Hosted by Stu Buchanan, Out From Under dives deep beneath the surface of the Australian music scene, celebrating experimental and eclectic music from the far end of the world.

In this episode, Dronica meets Marco Bonini and Cristiano Latini, curators at Klang, in Rome.

Marco and Cristiano present a selection of experimental electronic music by curating an hour each of this mighty mixtape including artists who have performed at Klang from the Italian underground scene as well as the International scene.

Since 2018, Marco Bonini has been music event co-curator of KLANG, a club in Rome dedicated to experimental music.
Marco Bonini is also a guitarist, arranger and electronic manipulator from Rome, born in 1981. From 2000 to 2010 he plays and record with several project in the avant-contemporary jazz scene (Roberto Gatto, Ettore Fioravanti). In the meantime he attended Saint Louis Music School , Tor Vergata DAMS University and “Licinio Refice” Conservatory where he develops passion for electronic music. From 2010 he’s founder and member of MAMAVEGAS, a band inspired from indie/folktronic scene that goes around the world with three albums. From 2011 he is member of ACRE, an improvisational and radical trio. His solo project uBiK is strongly influenced by ambient electronic music. He writes, composes and arranges for movies, theatre and television.

Cristiano Latini is the founder, administrator and co-curator at Klang Roma.

Nicola Serra, founder of East London's experimental music festival Dronica, presents new and archival material.

Discrepancies is a global showcase of disparate music with a focus on earthly field recordings and international sounds, curated by the Discrepant record label, presented by Gonçalo F Cardoso.

This episode features a guest mix by Berk Icli.

Injazero Records founder Siné Buyuka plays a selection of electronic, experimental, ambient and contemporary classical tracks.

In this episode: a symphony of clicks and bleeps echoing from the voltage control studio, modulated field recordings, disembodied voices, re-mixed radio samples and cassette sounds.

Through decontextualization and reconstruction, I aim to translate the environment and its natural state of disorder. Tape manipulation, tape loops and sampling techniques are used.

Juxtaposing raw, unaltered material and its modulated counterparts serves to create a dynamic interplay, inviting listeners to traverse the boundaries between real and imaginary.

Samples from: Female voice and viola, The Swamp in June, Jingles & Génériques, Radio Play Excerpt by Ulrike Haage on Eva Hesse, 180º, Jaap Vink and Recording of Shortwave Numbers Stations.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

In this episode, Joseph Stannard hosts Adventures In Sound And Music, playing music by Black Eyes, Eric Wetherell, GORZ, Andy Blade, Masma Dream World and more.

New music with The Wire Magazine.

In this episode, Joe's guest is Japanese acid folk singer-songwriter Shoko Yoshida, who joins Joe in the studio for a live set and interview amongst track selections including Joy Division, Yukihiro Takahashi & Jeff Buckley.

The radio counterpart to live intermedia event series Late Works, hosted by founder Joseph Bradley Hill. Each week a new guest joins Joe in the studio to discuss and perform their work. Expect in-depth interviews, live performances, conversations and new event experiments.

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

In this episode we’ll be listening to tracks that tell stories with no words, paint pictures with sound, and take us somewhere new and different, out of our regular surroundings and into the unknown.

A monthly show exploring our innate connection to sound, and how we express that through music, showcasing work that connects to our body and minds through rich compositional choices, through intricate processes in the studio, or music that is inspired by the way we interact with the outside world. Connections to Sound journeys through downtempo, electronic, ambient and beat driven music, featuring tracks from artists all around the world. Presented by Kayla Painter.

And so everyday life begins. A subtlety made up of sounds that we recognise but so often ignore. It’s just background noise. Today, there are no witches — there is guilt. The voice as a mirror of discomfort, of coughing, of screaming. And the bells, always there. In the distance, persistent, like an entity dictating the pace of our steps. At a time when “freedom” has become a fragile word, we whisper, we murmur, we chant — and we become the crowd that, for a moment, makes itself heard above the bells.

It was from this attentive — and restless — listening that, in March 2025, a group of curious sound enthusiasts gathered in Braga for a radio art workshop, promoted by Braga Media Arts, as part of Braga 25 — Portuguese Capital of Culture. Under the guidance of Sarah Washington and Knut Aufermann (Mobile Radio), a broadcast was created from this soundscape.

When thinking about the sound identity of Braga — marked by a notable religious presence, which earned it the epithet ‘Portuguese Rome’ — one always comes back to bells. They inhabit the towers of the city’s countless churches, mark time, sing sacred melodies, call people to prayer. And sometimes they seem to scrutinise souls in search of sins. Because they exist — and because they make themselves heard — bells inevitably shape our daily lives.

The bells and chordophones heard in this piece were recorded during rehearsals and performances of the artistic project ‘Novos Ecos de Uma Paisagem Sonora’ (New Echoes of a Soundscape), by the Percussion Group of the University of Minho, directed by João Dias, accompanied on the Braguesa guitar and cavaquinho by Luís Capela.

Concept and recordings: Bernardo Pinheiro, Brendan Hemsworth, Cátia Faísco, José Costa, Líria Varne, Luís Pinto, Mi, Pedro Rui, Rui Tavares, Sara Pereira, Steffi Koch, Virgínia Valente, Marta Durão.

Editing and production: Brendan Hemsworth

Acknowledgements: João Dias, Luís Capela, Fábio Saraiva, Filipe Abreu, Pedro Arrieche, Simão Veiga, Carlos Jerónimo, Francisco Novais and Sara Borges; Circuito Braga Media Arts / Braga 25; Rádio Universitária do Minho; Fundição de Sinos de Braga.

Members of Radia, the international group of independent cultural radio stations, explore new and forgotten ways of making radio.

In this episode: Australian composer Timothy Fairless's Rising Water is out on Friday and he introduces today's show as well as treating us to an aqueous mix to celebrate the release.

We also listen a little more to Vongoiva's Jatuli Observatory inspired by the stone gardens of giants, my own very niche piece 'resurfacing' about a surreal collective roadworks experience in London and a first listen to Hadi Bastani and Maryam Sirvan's wonderful trans.placed.

This is the Flaming Pines radio show featuring new releases, mixes and experiments in field recording, sound art and experimental music, hosted by Kate Carr and guests.

In this edition, get ready to listen to the weirdest and most mind-blowing covers and drifts of Hey Ya! by OutKast. There's no order, no lists, only stilted and exclusive material. Featuring special guest 480billion.

Pizza lovers, skateboarders, broken hearts, liver cooks, complicated people, hyperpop fans … all are welcome in Shuffle formula radio mode.

Shuffle by Agnès Pe is a formula radio programme taken to the extreme: repetitive, obscure and humorous. Each episode presents obscure covers of a single song. “Anything that spreads by imitation or spreads by bodily reproduction, like genes, or by viral infection is a meme” - (Richard Dawkins, 2013).

Produced by Michael Umney and Sarah Nicol, Natural Selection presents slices of life from Kilfinane, Ireland, on location at the second HearSay International Audio Arts Festival, 20 to 22 November 2015.

This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

This episode is created for the September equinox, when dark and light equalize for a brief pause in the turn of the year, a short moment before the long exhale into the next season. The piece is curated and produced by Stephen Shiell and composed using original material from NSOTA scholars and friends.

With contributions from Stephen Shiell, Skye, Venetia Allen, Tim Rabjohns, Rhona Eve Clews, Michael Timmerman, Pascal Sleigh, Hannah White, Simon McClelland Morris, Chris de Sel, Carol Melo and Breathing Space Collective.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

Asphyxia's delirium continues in this episode with excerpts from a 1921 paranoid etymological tract - 'Puss in Pye Corner' - jutting into commuter-friendly low-budget podcast matter and dictaphonics.

Finally, a chance to inspect a British Library Suppressed Safe book is presented: 'Diving for Treasure' (1926) by G. Williams. Meanwhile, BBC Radio 4 implodes under its own gravitas, birthing a new star in the form of 'spoken word newspaper reports' from the early 2000s.

These mishaps befalling the narrator - filtered through newspaper bastardy - rehash quondam-embarrassments associated with bin-diving and aggressive Pure Volunteering.

Originally commissioned in 2022 as part of Radio Art Zone's tapestry of 22-hour radio productions, this project by Daniel R. Wilson is re-presented here in episodic form. Asphyxia hacks the antagonising systems which thwart and forestall projects (its name also acknowledges the asphyxiating atmosphere of long-form radio when made by a single person). It is a damaged would-be radio documentary exploring the Narnia of restricted access material and gatekept employment.

Btech and Eman Resu of Superfluid present sound, music, noise along with all their sources via talk, fiction and truth.

Tracks from across the spectrum of electronic and computer music, with Calum Gunn of Conditional.