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Said the sky to the moon, shall we do a dance? I'll wait for you to make the move but please don't wait until you hear - the sound below the atmosphere. Ceylan Göksel and Sami Fitz reach subliminal heights with genre-busting spoken word, ambient textures, sound sculptures, and a different theme every show. We wish you a good night.

This episode features new work by HERE, Adam Majdecki-Janicki, Costis Drygianakis, Deison, nula.cc, PNÉVMMA, Oubys, SÍLENÍ, Philippe Blache, Martina Testen, Anda Volley, David Kovacs, and vÄäristymä.

A selection of new experimental music and sound work from the international underground network Unexplained Sounds, curated by Raffaele Pezzella (Sonologyst).

A retrospective of the Radia network’s epochal (and on-going) radio art series.

This first episode features interviews with composer Simon Scott and artist and academic Cathy Lane. The pair survey the field recording scene today and discuss their practices.

The Field Recording Show is a programme exploring the soundscape, recording, listening and composing hosted by Kate Carr and Luca Nasciuti.

Communiques from Thanet Tape Centre, Hard drive sludge. audio tidal pools. Music sediment. Friends utterances, sea walls of noise, salt marsh drone.

This episode is a retrospective of an installation and workshop by Subphonics hosted at Bermondsey Project Space including performances of graphic scores generated by some of participants to the workshop, Pippin Holland, Gusty Ferro and Rebecca Sentence. We also listen to some of the tracks that were part of the installation.

For any enquiries please contact hello@subphonics.com

Quarterly noise from SubPhonics exploring themes of collaborative sound and performance.

This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

This episode is created for the September equinox, when dark and light equalize for a brief pause in the turn of the year, a short moment before the long exhale into the next season. The piece is curated and produced by Stephen Shiell and composed using original material from NSOTA scholars and friends.

With contributions from Stephen Shiell, Skye, Venetia Allen, Tim Rabjohns, Rhona Eve Clews, Michael Timmerman, Pascal Sleigh, Hannah White, Simon McClelland Morris, Chris de Sel, Carol Melo and Breathing Space Collective.

The New School of the Anthropocene is a radical experiment in alternative education, away from marketisation and arcane specialism towards co-sensing systems change through creative practice. This is an ecological transmission of DIY ethics, non-hierarchical structures, radical networks, interconnected sensing through sound, text, voice, spoken word, human and more-than-human collaborative practice, patchwork group thinking, and radio art.

This broadcast with artist Víctor Mazón Gardoqui is the first chapter in a project to document the Earth's windscapes. Using a network of microphones and acoustic sensors, we are creating an audio record of remote environments, starting here in Antarctica and traveling toward the North Pole. Our precise starting location is: Doumer Island, South Bay, Antarctica Latitude: 64∘52′55′′S. Longitude: 63∘35′03′′W.

Our journey begins with a long-duration night recording from the Yelcho Research Base, a Chilean scientific station. This location is of significant ecological interest, situated in a rare transition zone that offers close access to both rich marine ecosystems and the sparse terrestrial vegetation of the Antarctic Peninsula. First established in 1962, the station was inactive for sixteen years before being reactivated in 2015 to support new lines of scientific inquiry.

Gwaith Swn's Sonic Darts is a London-based sound art collective presenting new sound works, performances and discussions.

Since 2005, CRiSAP has pioneered new approaches to practice and theory by exploring sound and listening in relation to the environment, gender, technology, feminism, activism, conflict, text, pedagogy and voice. For Resonance Extra, CRiSAP members and friends, past and present, host a range of discussions and soundworks that cover key themes and areas of research across art, performance, symposia, publishing, curation, archives, education and more.

This episode shares and explores the work of four CRiSAP members. Each member provides a brief glimpse into their work and relationship with CRiSAP sharing creative practices that span sonic cyberfeminism, experimental composition, voice, sonic archives, instrument building, analogue techniques, and improvisation.

Each segment of this hour-long episode gives space to a variety of approaches, themes, and topics that encompass the expansive, creative, and experimental work that frames CRiSAP.

Contributors: Annie Goh, Diego Benalcazar, Rachael Finney & Thomas Gardner.

CRiSAP (Creative Research in Sound Arts Practice, UAL) celebrates its 20th anniversary with 20 unique episodes for Resonance Extra.

In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of 'music'. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do. PROBES #9 looks at some of the more oblique and extreme performance techniques applied to wind instruments and percussion.

Transcript available here:
http://rwm.macba.cat/uploads/20140919/09probestranscripteng.pdf

Link to the complete series:
http://rwm.macba.cat/en/variations_tag

For more information on this series and other podcasts, visit Ràdio Web MACBA

Sound collage, record spinning, havering, ear wonk and general head scratch with Dylan Nyoukis of the Chocolate Monk label.

Jonathan Lees of West Yorkshire netlabel hibernate selects internet-based ambient music with contributions from guest artists.

This episode features music made by Naviar's community inspired by Yatsuka Ishihara’s poem “faring over the lake / drawing the light / an autumn butterfly”.

To have your music featured on the show, participate in the Haiku music challenge.

Thirty minutes of experimental music made in response to a weekly haiku poem, curated by Marco Alessi of Naviar Records and Naviar's international community of composers.

In this episode: a symphony of clicks and bleeps echoing from the voltage control studio, modulated field recordings, disembodied voices, re-mixed radio samples and cassette sounds.

Through decontextualization and reconstruction, I aim to translate the environment and its natural state of disorder. Tape manipulation, tape loops and sampling techniques are used.

Juxtaposing raw, unaltered material and its modulated counterparts serves to create a dynamic interplay, inviting listeners to traverse the boundaries between real and imaginary.

Samples from: Female voice and viola, The Swamp in June, Jingles & Génériques, Radio Play Excerpt by Ulrike Haage on Eva Hesse, 180º, Jaap Vink and Recording of Shortwave Numbers Stations.

Radio Concrete by **Hagai Izenberg is a monthly experimental radio show focusing on live mixing and processing of field recordings together with contemporary music and soundscapes.

This episode of Third Space features sonic explorations of Brussels and Manchester, with field recordings and local music curated and compiled by Adriaan de Roover and Hayley Suviste. In the first hour, Adriaan walks us through the Belgian capital via found sounds and music.

In a novel take on the Third Space format, the musical elements of Adriaan's mix have been drawn from a single artist - Brussels hip hop collective, STIKSTOF - whose work he has sampled and stretched into beautiful ambient pieces.

The second half of the show sees Hayley Suviste weave an assortment of standout tracks from Manchester's kinetic electronic music scene through a tapestry of sonic portraits documenting the city's ever-changing landscapes - from its near-wild edgelands to the heart of its inner-city development projects.

Each month, First Light Records invites two artists to take an unplanned journey with a microphone around their city to curate an hour-long mix. Each show captures the unique atmosphere of a city from each artist's perspective, through music and found sound.

In this episode, Cary does an Appalachian punk rock show (mostly).

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. A rotating cast of DJs pick the best of the best from MRR's astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials and more on their website.

This episode features music and sound from Laurent Garnier, Jonas Frederiksen, Occult Hand, Tangerine Dream, KLF, Skibadee, Gash, Derrick May, plus unknown artists.

Dreamscape 1994 is a plunderphonics type radio show recorded using a box of rave tapes, found tapes and home recordings. Improvised and mixed live with no overdubs on three tape recorders, expect to hear experimental, noise, sound art and new age music.